<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">71e9b4cd-1f89-4576-8a95-c939a85d6463</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240321s2017    xxk091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Book of Birdie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a candlelit bathroom, teenage Birdie delicately anoints her body with blood, painting bloody wings on the mirror at her shoulders. She smiles.</subfield><subfield code="b"> At an imposing, nearly-empty convent perched on the edge of a frozen lake, Birdie is unceremoniously placed into the care of the nuns by her grandmother for protection. At first feeling frightened and overwhelmed, Birdie is slowly drawn into the dull daily ritual of the order, under the watchful gaze of the Mother Superior.  Outside life beckons when she meets Julia, the confident, spirited maintenance girl, inspiring a growing infatuation. But privately, Birdie can’t turn away from her fascination with the gory and whimsical hallucinations that plague her. Suffering a miscarriage, Birdie thinks the tiny dead fetus is a gift from God. Christening it Ignatius, she keeps her new friend in a jar for company and creates a small altar in gratitude.  Birdie’s imagination spurs her on to a spiritual quest to discover the source of her visions. Is she being called to sainthood, or is this a sign of something dark inside herself? The convent holds ghosts of nuns who’ve met untimely deaths, each influencing her with manipulative agendas, Are they calling Birdie to the same fate? As she continues to bleed heavily, she collects the blood and adds it to the shrine for Ignatius. Sneaking away in her free hours, her relationship with Julia grows more passionate.  Not knowing what to make of the newest recruit, the other nuns treat Birdie with concern, except for the young novice, Prudy, who suspects Birdie may be hiding some holy secret. A newly found ‘saint’ could be the saving of the convent or unwelcome competition for Prudy’s pious ambitions. Birdie begins to infuse the idea of sainthood with the powers of comic book heroes. She decorates the statues of the church with masks and capes to honour their powers. The announcement of the convent’s imminent closure sets off a delicate chain of events: Birdie must choose to pursue love and an uncertain future or surrender to the call of her saintly visions.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Memedovski, Ilirida</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Crowley, Suzan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Browning, Kathryn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haynes, Kathryn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hall, Kitty</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stanfield, Holly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brazda, Kati</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mellen, Kymberly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fawkes, Rose</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Webber, Danielle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Singer, Kristin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schuch, Elizabeth E.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8abbad62-87f1-4f91-9b0f-5618207ccbd8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211116s2006    sp 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 1</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two villages fight for the control of a blessed hill. Devoted intimidation can be the best ally when it comes to hoarding everything.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bendito-machine-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">776f35c3-1ae7-4615-ae16-80c7e795cfed</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    fi 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">spa</subfield><subfield code="h">wol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Waiting for Barcelona</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Barcelonaa odottamassa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Barcelona’s labyrinthine streets are the epitome of romantic city life – as long as you don’t live on them. But 27-year-old Mou does – he left his homeland as a 13-year-old and has since lived a homeless life around Las Ramblas. But Mou is not just streetwise, he is also a popular man and his friends’ friend. A love affair with a Spanish girl gives him hope of a new life – and a happy ending? – but the past and the mental pressures of an impossible situation catch up with his otherwise so positive spirit. At the same time hundreds of replicated products’ sellers are trying to survive by selling their products without permission in crowded tourist traps. The police tries to stop the selling violently.</subfield><subfield code="b">Along the life of Mou, the film also centers around the idea how the dream of a city is very similar to everyone but in practice differs depending on your wealth and citizenship. While people with money use Barcelona as an amusement park, the poor have to try and survive on the crumbs of happiness the tourist masses leave behind. As the metal circulates and the tourist masses stroll the streets of Barcelona, the faiths of our protagonist are sealed in the shadows. An upbeat film about one of Europe’s invisible lives, filmed at street-level in graphic black and white, reminiscent of the social-realist and political tradition of street photography. “Waiting for Barcelona” shows us a world of suffering and dreams in the outskirts of a city that’s one of the most popular tourist attractions in the world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tanskanen, Juho-Pekka</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/waiting-for-barcelona/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">540db207-eb9c-4c7a-91e7-813322456be5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211116s2007    sp 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 2</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A strange beverage of incomprehensible origin, which causes strange effects on those who consume it, causes disastrous consequences in a small group of devotees to the mysticism of soft drinks.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bendito-machine-2/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">524df0bd-06a5-47f0-b714-debe8e56ee0a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211116s2009    sp 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 3</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man climbs a big mountain looking for a women. An omnipotent force gives him the cathodic sacraments, the last hope to save a people from their evil pagan rites and evolve technologically.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bendito-machine-3/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dbfe1e09-fa17-45da-9d59-eec0b7563510</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211116s2012    sp 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 4</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An improbable hero embarks on a crude journey by land, sea and air-throughout all the attractions of a planet turned into a massive petrochemical park… and beyond.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3d910817-b2b8-4e53-bcfe-29004df48296</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211117s2014    sp 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 5</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An exotic traveler comes from far away to discover the beauty of a supposedly unexplored territory. Instead, he finds himself in the middle of a turbulent conflict. Trapped against his will, he must wait patiently until the storm has passed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7fd86461-5467-4e50-b913-73eee9588edd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211117s2018    sp 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bendito Machine 6</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An inevitable and enigmatic bio-technological interweaving is just around the corner. What can go wrong?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malis, Jossie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e071e9f8-f909-443e-9e2b-5ffbe401ae83</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201130s2012    sa 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">zul</subfield><subfield code="h">eng</subfield><subfield code="h">afr</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The African Cypher</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“When we dance we find purpose with our bodies.” (Tom London,Soweto's Finest). Street dance in South Africa is a complex, convoluted underworld. Like most subcultures it exists as a sum of its participants. In townships, ghettos and suburbs exist a group of individuals who form partially a dance crew - partially a group therapy. Whether it is Isipantsula, B-boying, Krump or Sbhujwa - for many of the dancers the situation in their communities is a struggle for purpose, identity and the confidence. Whatever this dance thing is. It is beautiful, part circus / part soul. No matter the context or style. We all ultimately dance for an audience of one.</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Little, Bryan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">65cdd111-827e-4ee3-b69e-2d315ca0aa0a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    xxu080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Code: debugging the gender gap</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At a time when jobs in the tech sector are outpacing growth in all other sectors, where are all the women? Some of the most important pioneer coders were women but today, only 15% of software engineers in Silicon Valley are. This lack of diversity can have serious consequences - as was the case with airbags, designed by and modelled on men and often fatal to women, whose smaller size wasn’t taken into account.</subfield><subfield code="b">Selected for Tribeca, this film goes behind the glib statistics to find out why so few women work in computer sciences. Through interviews with successful women programmers at Pixar, Pinterest and Etsy, it looks at what can be done to encourage the next generation of women programmers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reynolds, Robin Hauser</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/code-debugging-the-gender-gap/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4c3cc164-5f16-446c-8177-506bad757622</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2004    au 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hotel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace. Is there a murderer on site, or are there even darker forces at work?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weiss, Franziska</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">ichmayr, Birgit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Streeruwitz, Marlene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waissnix, Rosa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schärf, Christopher</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Strauß, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fritsch, Regina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Worel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hausner, Jessica</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">73ef4285-8b13-4996-9562-1e408d722393</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2014    fi 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="a">no</subfield><subfield code="a">sw</subfield><subfield code="c">fi</subfield><subfield code="c">no</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Monsterman</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Monsterimies</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Above the Arctic Circle in Finnish Lapland, there is a humble wooden hut where great things have grown. This is a home of one of the most famous people Finland has produced, the heavy metal rocker Tomi. At 37, he is an elusive star, who hides his true identity behind an elaborate and scary monster mask, his alter ego Lordi. Being true to himself is at the core of Tomi's "heavy metal Peter Pan-like" being. For the fans and the people close to Tomi alike, he rocks their world.</subfield><subfield code="b">In 2006 a childhood friend and a record company boss persuaded Lordi to take part in the Eurovision Song Contest, the epitome of middle class fantasies and values. Lordi won the competition with the song "Hard Rock Hallelujah". This was a great victory and a great sacrifice for Tomi; he had to submit to an alien set of values. Consequently, he lost his creativity but gained a huge audience, something that he had always dreamed of since his childhood.  As the band starts to record their new and perhaps last album in Nashville, Tomi strives to regain his creativity and songwriting skill. But will the band stick together and keep on rocking, or is Tomi's monster Neverland about to take its last breath?  A film about the heavy metal brotherhood, about being an artist and being true to yourself.  Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haase, Antti</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/monsterman/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">de23a550-54bd-449b-9c46-df3dcd89101e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090258.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2006    rm 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rum</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rm</subfield><subfield code="c">ro</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Love Sick</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Legaturi bolnavicioase</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Love. It just happens. No rules. It may look sick, but it's deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.</subfield><subfield code="b"> Berlinale 2006 / Panorama</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Popistasu, Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barbu, Ioana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chirila, Tudor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Murgea, Catalina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Diaconu, Mircea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Giurgiu, Tudor</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f624a641-2d6d-498e-9ee9-c981c3e15c07</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Digitale Dissidenten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Whistle-blowers David Ellsberg, Edward Snowden, Thomas Drake, William Binney, Julian Assange and Annie Machon are interviewed about illegal surveillance by NSA, Nixon, MI5, MI6 and BND and the price whistle-blowers pay.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Snowden, Edward</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drake, Thomas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Binney, William</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ellsberg, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Machon, Annie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Assange, Julian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nida-Rümelin, Julian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tuschi, Cyril</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8c9fe702-6e54-4abe-9cad-eff3ec983b32</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Diamanthände</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For me, music is the medium with which to express emotions in the most direct way. When I’m listening to a song, it suddenly touches me somewhere inside of me. But why? Is it because of the minor chords? And what’s left of that magic, if you can’t hear the music? In my research, I came across a deaf rapper from Berlin. I wanted to meet with Kathrin Wole aka Deaf Kat Night in the hopes an answer. How did she discover the music? And how does she sense the vibrations of it? What are the inspirations for her lyrics? I was her guest, and I watched her writing process in the recording studio.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Raetzer, Ella</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/diamanthande/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4d0a4a0d-10f8-49ef-b7b1-54e6f8438d98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    ne 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Scrambled</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When 19-year old Esra misses her train and kills time playing a fast-paced, flashy game on her smartphone, a vintage Rubik’s cube challenges her attention.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schravendeel, Bastiaan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/scrambled/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">236034b8-5da1-4740-9363-611feae42875</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200921s2018    au 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Welcome to Sodom</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Agbogloshi, Accra is the largest electronic waste dump in the world. About 6000 women, men and children live and work here. They call it SODOM. Every year about 250.000 tons of sorted out computers, smartphones, air conditions tanks and other devices from a far away electrified and digitalized world end up here. Illegally. Cleverly interwoven, the destinies of the various protagonists unravel the complex story of this apocalyptic society. Their very personal inner voices allow a deep insight into life and work at this place – and of Sodom itself. And you can be sure - it will most probably be the final destination of the smartphone, the computer you buy today.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weigensamer, Florian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krönes, Christian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/welcome-to-sodom/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">10525262-a986-409b-b711-8d4e768ca379</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2011    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Dr. Ketel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dr. Ketel - Der Schatten von Neukölln</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Berlin's notorious Neukoelln district. The near future, a time in which the health system has collapsed. A man works in the shadows and without licence as a doctor. He treats people in the streets, stealing medicine from pharmacies. Forced to adopt the role of a shadow, an outlaw, he is confronted with the question as to whether he really is a doctor.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weber, Ketel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beyer, Hermann</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bukowski, Pit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Armana, Jules</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plummer, Amanda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paoli, Linus de</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4a0b2946-05f0-4ccf-8356-93aca751f282</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Le skate moderne</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Somewhere between fiction and documentary, this video contemplatively follows a group of skateboarder farmers into the remotest parts of the French countryside.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Besse, Antoine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/le-skate-moderne/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1f8225a8-24d9-480b-8125-b7d90a58cbeb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250130nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Bat Woman</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La mujer murciélago</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3120d5f5-d2cc-4592-8e45-5c721332a910</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250130nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Orphan</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">O órfão</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f3bf932d-7801-4989-b6a7-3347886a20f3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250129nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Awakening of the Ants</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El despertar de las hormigas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4ffd534d-298d-4769-8224-c45872dd2805</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250129nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Art of Cooking with Fire</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bittor Arginzoniz. Vivir en el silencio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3bf07a03-9ce2-4bd8-92b6-1f232f041689</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250129s2014    fr 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">uy</subfield><subfield code="c">fr</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Apostate</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">El apóstata</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tamayo knows he needs to change the person he has become under the pressure of his parents’ expectations. His opposition manifests itself in the increasingly quixotic quest of formally having his name struck from the Catholic church’s baptismal record. But finding his own path is very hard and as a first step, it seems helpful to turn his feelings into words. With the innocence of an adolescent - and with the sincerity of someone addressing letters to a friend overseas - Tamayo goes over the weaknesses and little miseries that his family passed on to him. As Tamayo’s correspondence revisits the milestones of his tempestuous past, his wild and tender gaze on the scenery of Madrid - with its streetscapes, office buildings, parks, and altars - reveals his beliefs, his desires, and his turmoil.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogalla, Álvaro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Larralde, Marta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Veiroj, Frederico</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0cbeae8-5cca-4a88-a81d-2a78f510da0e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250129s2017    mx 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tesoros</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jacinta guides us through the story of siblings Dylan, Andrea, and Lucas, who arrive in a fishing community on Mexico’s Pacific coast. There, they set off with their new local friends on a journey of discovery in search of long lost pirate loot left back by Francis Drake, centuries ago. In sunny and lively images, a story is delivered of children confidently indulging their lust for life and curiosity. Armed with their intelligence, a tablet, and some maps, these children are given freedom to go their own ways and together find something much more valuable than a buried treasure. Transporting us to a place of optimism, beauty and wonder.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chavez, Mara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bárcenas, Jazmin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bárcenas, Julieta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chavez, Jacinta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Novaro, Maria</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">07e59824-cdb3-4118-ae8c-811258a6d42a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250129s2021    sp 069        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Terremoto, the Documentary</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Terremoto, el documental</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This documentary reveals the incredible life of Terremoto de Jerez. His style is the sublimation of cante jondo and his biography is the history of flamenco itself.</subfield><subfield code="b"> Through direct testimonies, hundreds of photographs, and black and white recordings, we rescue the best flamenco singer in history, Terremoto de Jerez, from oblivion. Our protagonist is an unlikely hero: gypsy, illiterate, born in misery and lacking training, but precisely for this reason, he incarnated the duende in a natural and genuine way.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rojas, Nacho</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mayoral, Álvaro</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/terremoto-the-documentary/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c3f8ba49-0905-48c4-bb80-63a4527f766c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250124s2019    gw 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Summer Hit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Laia from Spain and Emil from Iceland are Erasmus exchange students in Munich. After having sex a couple of times, Emil professes his love to Laia - but she panics and runs away. Now the two have to figure out whether they are more than just a summer fling.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roura, Martina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Benedikt, Atli</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wahjudi, Berthold</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/summer-hit/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7ef89bc2-8689-4a51-bb96-4f660f399c04</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250124s2017    cl 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="a">fr</subfield><subfield code="c">cl</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Stealing Rodin</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Robar a Rodin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the style of Exit Through the Gift Shop, Stealing Rodin is a critical and humorous statement about Art and the market around it. The documentary traces the story of Luis Onfray’s artistic and criminal act. In 2005, the Palace of Fine Arts in Santiago, Chile, hosted a collection by celebrated French sculptor Auguste Rodin. The morning after the exhibit’s opening, museum guards were dismayed to find that one of the Rodin pieces had gone missing. This shocking discovery sparked a frantic search involving the museum’s staff, and soon the Santiago police. Meanwhile, public curiosity was sparked and the desire to witness the empty pedestal on which the masterpiece should have been made the Rodin collection the most visited exhibition in the history of Chile.</subfield><subfield code="b"> Interviews with famous artists such as Guillermo Frommer and Adrián Valenzuela, lawyers, cops, and theorists help us relive this infamous and daring event, while art student Luis Onfray himself explains the personal and artistic reasons for pulling off Chile’s greatest art theft.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berríos, Cristóbal Valenzuela</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">56a71f77-9b9e-4c2f-9c52-7e74b2e4c31d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250124s2019    bl 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Sisters in the End of the World</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Irmã</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When their mother's disease is aggravated, Ana and Julia travel to the conservative countryside of southern Brazil in search of their father. But they are not looking for shelter or protection; they seek their own freedom, and the right to be the owners of their own destiny. As they begin the journey, a strange asteroid approaches Earth. Along the way: ghosts, superpowers, and dinosaurs.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Galant, Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wegner, Anaís Grala</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kannenberg, Felipe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lopes, Vinícius</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mazeto, Luciana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b935070a-f4e9-4334-84bd-99d8eb9f3ff0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2019    ag 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Shakti</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Federico, is in his mid-twenties and lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend Magda. He fears hurting her. But when the time comes, she beats him to it. She is laid-back, feisty and not even close to feeling hurt. He is however, especially when he learns that she already has someone new. But then he finds the potato knishes in the freezer that his recently departed grandmother gave him and everything changes.</subfield><subfield code="b"> A master of deadpan comedy, award-winning filmmaker Martín Rejtman first gained recognition as part of the new wave of Argentine cinema. Rejtman’s stage is the microcosm of the Argentine society, which he deciphers in carefully composed images with a sparsely told story and a directing approach in defiance of retro realism.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Solmonese, Ignacio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Posleman, Valentina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Visconti, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rejtman, Martín</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/shakti/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">877d0cd6-dbc2-45c3-86ff-5d9e1ca345d6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2021    ag 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Seven Dogs</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Siete perros</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A canine family becomes the catalyst for human connection in this heartwarming film about a lonely man looking for a way to keep his seven dogs in his apartment despite the neighbors’ threats.</subfield><subfield code="b"> Ernesto lives with his seven dogs in an apartment building in the city of Córdoba, Argentina. His lonely daily routine revolves around his pets’ needs, his health problems, and his money problems. Tired of the constant barking, some of his neighbors arrange a mediation hearing, urging him to take his pets out of the apartment. But Ernesto cannot envision a life without his dogs, and he cannot afford to move elsewhere.  Thanks to the empathy of people who are also lonely, but share common spaces that connect them, Ernesto finds a way to solve the conflict.  Seven Dogs is a simple and bright film on prejudice, finger-pointing, and social harassment.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Machín, Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bini, Maximiliano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cienzo, Natalia Di</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guerrero, Rodrigo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e51dbb93-6bbf-4db3-99d9-94a8749c6e31</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2015    bl 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Seashore</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Beira mar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Martin and Tomaz spend a weekend immersed in their own universe. Alternating between ordinary distractions and reflections on their lives and their friendship, the boys take shelter in a glass house, on the edge of a cold, stormy sea.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Almada, Mateus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barcellos, Maurício José</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brites, Elisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matzembacher, Filipe</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reolon, Marcio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/seashore/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4efe1c4d-7d5b-4020-98bc-6a1b1b58eca6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2021    bl 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">por</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">po</subfield><subfield code="c">br</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Samadhi Road</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Searching for wisdom, two brothers decide to take timeless questions to personalities such as the Brazilian musician Gilberto Gil, the American saxophonist Sonny Rollins, the Hungarian philosopher Agnes Heller, and the Jamaican master Mooji.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ahimsa, Irmãos</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/samadhi-road/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">00f9e4e8-4851-4548-8f15-b4196112f0f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2016    bl 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Russian Red</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vermelho russo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two best friends, a theatre director, a love triangle, a distant country. The journey of two young Brazilian actresses who decide to study Stanislavski’s method in Moscow. As the trip progresses, they learn how to overcome their differences on and off stage to survive in a different country.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chaves, Soraia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colombi, Esteban Feune de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Poglazov, Vladimir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mármora, Luís</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Elía, Flor Sanchez</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dzhamgaryan, Alina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Braun, Charly</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/russian-red/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">16acb38c-8d34-4cd0-b3ad-ed054626a940</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250122s2018    xxc082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="a">uy</subfield><subfield code="c">ca</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Roads in February</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Las rutas en febrero</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After the death of her father, a young woman travels to Uruguay to visit with her paternal grandmother, who she hasn't spoken to since she immigrated to Canada. She is received coolly, and the village she grew up in now seems mundane and unfamiliar.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stewart, Arlen Aguayo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Demassi, Gloria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perdigón, Mathias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jerkovich, Katherine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">797b4947-f4be-4bd3-964f-5886b9aa12c9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250117s2010    ec 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ec</subfield><subfield code="c">ec</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Porcelain Horse</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mejor no hablar (de ciertas cosas)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Paco Chavez's life is careless and charming. It's a life of illicit drugs and a forbidden love affair he carries with Lucía, his former high school sweetheart, now married to another man. One night, Paco and his younger brother Luis enter their parent's home to steal a porcelain horse to pawn in order to score more drugs. Their father catches them and a fight ensues. The consequences of that fight will haunt both brothers forever.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Savinovich, Francisco</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aráuz, Víctor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Orlandini, Leovanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andrade, Javier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/porcelain-horse/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">604cf0c2-7b8c-4b4f-8cd6-32493868b218</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250117s2020    sp 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">On This Side of the World</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">A este lado del mundo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On This Side of the Wall is a deep and global look at migrations, borders, and the most insurmountable walls erected by mankind.</subfield><subfield code="b"> Alberto, a dull and indolent engineer, is fired from his company just as he plans to buy a house with his girlfriend and become parents. To cover it up, he decides to accept an assignment from his former boss to travel to the city of Melilla, a Spanish enclave in North Africa and gate to Europe.  Alberto must renovate, underhand, the system of fences that not only separates one piece of land from another, a city from a country, but two universes in eternal collision: those who want to enter and those who prevent them from doing so. There, he will meet Nagore, a police officer in charge of guiding him through the unknown space, and he will come face to face with the complexity of one of the great issues that shake the world: immigration. Who are the good guys? Who are the bad guys?  Trueba proves once again that he is a man concerned with the great conflicts of contemporary humanity, and that his approach to these conflictive issues is far from being frivolous and distant. The filmmaker observes the world with curiosity, compassion, and a multifaceted gaze, which allows him to delve deeper into the subject without losing his narrative pulse.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alarcón, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Topera, Janfri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Notario, Joaquín</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maldonado, Ondina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sanz, Vito</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barry, Zidane</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trueba, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4246f546-ea39-452d-992f-105d2e2fdb39</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250117s2019    bl 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">cl</subfield><subfield code="a">fr</subfield><subfield code="a">ko</subfield><subfield code="c">br</subfield><subfield code="c">cl</subfield><subfield code="c">fr</subfield><subfield code="c">kr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nona. If They Soak Me I'll Burn Them</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nona, si me mojan yo los quemo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After an act of vengeance on the home of her ex-lover, Nona, 66, flees to her summer house on the Chilean coast. There, forest fires are spreading, but her home is undamaged. While houses go up in flames, Nona displays different sides of her character: the grandmother, the friend, the anarchist… Mischief, satire, and personal memoir mix with a weird little shiver of fear in this quasi-autobiographical piece by Chilean artist and filmmaker Camila José Donoso, who uses a combination of digital video and Super 8. The film stars her grandmother, Josefina Ramírez, playing herself, or a version of herself – the “Nona” of the title.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ramírez, Josefina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Donoso, Camila José</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ea9c2170-eafe-4262-a040-ea0326bb44c4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2018    ag 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">bl</subfield><subfield code="a">ck</subfield><subfield code="a">xxu</subfield><subfield code="c">ar</subfield><subfield code="c">br</subfield><subfield code="c">co</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nobody's Watching</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nadie nos mira</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What happens when a man who is accustomed to being the centre of attention finds himself becoming invisible? When a life busked from cash in hand jobs trips into freefall? Julia Solomonoff’s delicately textured character study follows Nico, the former star of an Argentinian soap opera, who trades autograph hunters for anonymity and moves from Buenos Aires to New York to take a role in an indie movie. When the project stalls, he chooses to stay believing that his talent will help him find success. Too blond to play Latino and his accent too strong to play anything else, Nico falls through the cracks and must juggle odd jobs to survive. Unwilling to return home and be seen as a failure, Nico manages to stay afloat thanks to his ability to pretend to be something he isn’t.</subfield><subfield code="b"> Nobody’s Watching is a fresh and unexpected take on the immigrant tale, where the journey is not to get a Green card but confronting the true reasons for leaving home, and redefining one’s identity in one’s own terms.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pfening, Guillermo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roger, Elena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ferro, Rafael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Solomonoff, Julia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">216ccdb4-0717-4bf3-944a-74dfe37c717b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2019    ag 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Neither Hero nor Traitor</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ni héroe ni traidor</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Buenos Aires, 1982. Matías (19) has recently finished his military service and dreams of going to Spain to study music far from a dictatorship. His problems come down to convincing his girlfriend to meet him there at a later date and to get around his father’s opposition. But the playing board changes completely when the Falklands War breaks out and he is drafted along with his friends.</subfield><subfield code="b"> At first, Matías will agree to the call-up, but he will realize that he isn’t feeling this war – or maybe any war, to be honest, no matter how just the cause may seem to be. The fear to die but also the horror of killing, a Republican grandfather, friends turned strangers who point guns at each other, a shot in the foot as an act of friendship... his environment demands that he 'matures.' Will desertion be his first adult act? Treason and loyalty, fear, and braveness. The story of a deserter.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grandinetti, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estévez, Inés</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spregelburd, Rafael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cocchiarale, Gastón</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gerez, Verónica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arenillas, Fabián</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bidonde, Héctor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Savignone, Nicolás</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/neither-hero-nor-traitor/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2dd83c6b-e1cd-4469-9dff-25cf07857f05</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2018    bl 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="p">por</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Name is Daniel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Meu nome é Daniel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Daniel Gonçalves was born with a disability that no doctor has been able to diagnose. In this personal documentary, the young Rio-based filmmaker traces his life’s path to try to understand his condition. Through family archive footage and current recorded footage, you’ll take a walk-through Daniel’s moments, stories, and reflections.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gonçalves, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gonçalves, Daniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/my-name-is-daniel/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e41faf87-95c0-4b31-83d8-014c94f4ef63</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2022    ag 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Money Exchange</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cambio, cambio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An extended sequence of newsreel footage about Argentina’s spiraling inflation since 2019 sets the stage for Pablo, who works on Peatonal Florida, Buenos Aires’ economic and tourist epicenter, trying to survive in a precarious and exhausting working world.</subfield><subfield code="b"> When he falls in love with Florencia, an architecture student who shows him the city in a different way, he gets involved in the illegal exchange business selling dollars on the black market to improve his standard of living. As an impending currency crisis looms, Pablo seizes the opportunity to strike a blow using the volatility of the dollar value to his advantage. Despite the risks of getting caught by his money-laundering boss, he comes up with an elaborate scheme that could earn them enough money to change his life.  Ultimately, director Lautaro García Candela suggests a utopian world where workers start to investigate (and understand) their context and can act upon it, becoming masters of their own destiny.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quesada, Ignacio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peralta, Camila</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mucio, Valeria Santa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Levy, Manchini Dario</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Candela, Lautaro García</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/money-exchange/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">18b6dff6-e4cf-49e1-a305-bfa72dd274c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090259.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2018    sp 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Meow</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Miau</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Four desperately bored retired men yearn for some excitement in their lives to make them feel alive. While trying to occupy his mind by writing a terrible book, Telmo (José Luis Gil) is reunited with his two best friends from school. Mornreal (Manuel Manquiña), who is just out of prison, can´t bare to see his old friends fading away so he comes up with a plan to break the daily boredom and to inject excitement into his friends´ lives. With nothing to lose, the old friends embark on a mad, wild adventure that results in a bizarre robbery of a museum.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gil, José Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moragón, Luisa Gavasa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Manquiña, Manuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Luna, Álvaro De</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estaregui, Ignacio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/meow/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">164d72d4-d09b-4cce-b7d5-4a8cf240fa7a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2022    bl 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">por</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">fr</subfield><subfield code="a">xxu</subfield><subfield code="c">br</subfield><subfield code="c">fr</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Miúcha, the voice of Bossa Nova</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Miúcha, a voz da Bossa Nova</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Known as the sister of Chico Buarque, the pupil of Vinicius de Moraes, the second wife of João Gilberto, the musical partner of Antônio Carlos Jobim, and the vocal accompaniment to Stan Getz’s saxophone, Miúcha was overshadowed by the male musicians in her life. But Miúcha’s vibrant spirit couldn’t be held back; she earned unprecedented success, becoming a symbol of female resilience and a musical legend forever.</subfield><subfield code="b"> A tour de force, Miúcha, The Voice of Bossa Nova spans over 20 years. Spanning from1960s Paris to 1980s Rio de Janeiro, the film explores the social and political changes of this period through the lens of Miúcha’s experiences as a woman and her struggles finding a voice in a man’s world.  With Miúcha’s own narration, readings from her letters, her expressive watercolor drawings animated for the film, and magnificent music, the documentary offers a front-row seat to the history of Bossa Nova and an intimate tale of one of the most important female figures of the movement.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mutti, Liliane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2d6eee92-b2a0-492a-81fc-02ee46b947f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2023    sp 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Menina Casilda</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">During the strict lockdown in Madrid, Diego, a 35 year old unemployed actor, kidnaps Sara, a 20 year old law student. She will be his audience... Menina Casilda is a twisted comedy about loneliness and the art of acting.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Varela, Paula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fernández, Luisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sanjosé, Juanjo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paz, Álvaro de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bellay, Éric du</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">96ed50a1-d7d7-4589-92e9-95037a706d09</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250115s2017    sp 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">glg</subfield><subfield code="j">spa</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Matria</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a bustling Galician fishing village, Ramona's life is a relentless cycle of sacrifice for her daughter's future. Struggling with a distant husband and a tyrannical manager at the cannery where she works, Ramona finds solace only in her bond with her daughter and granddaughter.</subfield><subfield code="b"> But when she loses her job, Ramona is thrust into a desperate search for employment, realizing the harsh reality of her existence in a system that undervalues her worth. Juggling multiple jobs, including leading a colorful crew of working class women, Ramona grapples with financial strain and the advances of a younger co-worker. As pressure mounts, she is forced to confront the limitations of her life. Yet amidst the chaos, she begins to recognize the glimmer of a new possibility – the chance to live for herself, even if just for once.  With powerful performances, Álvaro Gago's emotionally absorbing debut captures the resilience of a woman pushed to her limits, finding the strength to rewrite her own story.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bouzón, Francisca Iglesias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gago, Álvaro</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/matria/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">36754ab2-92ee-4b02-b9f3-59794890fae4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250110s2018    sp 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Marisa in the Woods</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Marisa en los bosques</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Marisa (Patricia Jordá) feels that she is the supporting actress of her own life. She has no job, no projects, no prospects for the future. She looks away from her own life´s downfall to become her the rescuer of her best friend Mina, who is immersed in a desperate crisis after a break-up. When Marisa tries to get help from other friends, she only finds more lives adrift. When unexpected news break the difficult balance of her life, Marisa can only find comfort in the city nightlife. She is ready to disappear, silent and quietly, like fading into black.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jordá, Patricia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cruz, Aida de la</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bautista, Mauricio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cobo, Yohana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mayordomo, Carmen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morales, Resu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Murua, Xabier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malo, Iban</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Conte, Carmen del</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Domínguez, Fátima</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lozano, Alda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Astorga, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adams, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morales, Antonio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/marisa-in-the-woods/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2367e70c-222d-4aac-b8a6-340c1ac061d5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">250110s2014    bl 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Marina's Ocean</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Marina não vai à praia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A 15-year-old girl yearns to see the ocean, but her disability interferes. Unable to travel to the beach with her sister and friends, Marina strikes out on an adventure of her own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andrade, Amanda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Assunção, Cláudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neto, João Lucas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Videira, Aline</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Santos, Cássio Pereira dos</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/marinas-ocean/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0568a6ef-f974-4fe7-b172-479201aad8df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241114s2016    bl 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Marina Abramovic in Brazil: The Space in Between</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Marina Abramović travels through Brazil in search of personal healing and artistic inspiration, experiencing sacred rituals and revealing her creative process. The route is comprised of poignant encounters with healers and sages from the Brazilian countryside, exploring the limits between art and spirituality. The film features healing sessions with the medium John of God in Abadiania, herb healers in Chapada dos Veadeiros, spiritual rituals at Vale do Amanhecer in Brasilia, the strength of religious syncretism in Bahia, ayahuasca in Chapada Diamantina, shamanic processes in Curitiba and energy of crystals in Minas Gerais. This external trip triggers in Marina a profound introspective journey through memories, pain, and past experiences. A mixture between road movie and spiritual thriller, the documentary brings an unprecedented approach of the intimate creative process of one of the most important artists of our time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abramović, Marina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damião, João de Deus,</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Flor, Dona</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Filhinha, Mãe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Viana, Zezito</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iandê, Rudá</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maia, Denise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fiol, Marco Del</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2f4323ee-3e7e-4be5-a4e4-0ebc9f716219</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241114s2021    sp 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lucas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a tale of loss, desperation, and moral complexity, Lucas finds himself at a crossroads after his father's death. As his world begins to crumble, he meets Álvaro, who offers him a lucrative deal: money in exchange for innocent pictures that will be used to create fake social media accounts to "just talk" with underage girls. Lucas, driven by financial desperation, agrees to the proposition.</subfield><subfield code="b"> Through a surprising, daring narrative, the film delves into the dark underbelly of the internet, exploring how it can be manipulated to mask identities and facilitate abuse. Lucas grapples with themes of yearning for youth and the purity of first love, the absence of a father figure, feelings of guilt, the need to sever ties with the past, and the pains of growing up. With thoughtful depth, the film prompts viewers to consider the consequences of desperate choices. It's a catalyst for student discussion, prompting reflection on ethical dilemmas, online safety, and the nature of human experience.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabrera, Jorge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aguilar, Jordi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lainez, Irene AnulaEmma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pastor, Máximo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gozalbo, Héctor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berenguer, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Motos, Jorge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Montoya, Alex</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/lucas/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8a2a37c0-dcd6-4cac-b8ea-a85f266d9778</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241114s2022    sp 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Low Season</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">En temporada baja</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The lives of four men seem to be going through a low season. For harsh financial reasons, they are forced to live at a campsite. The camaraderie between them will help them overcome their peculiar way of seeing the world. Meanwhile, their exes are doing well.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pardo, Rulo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Resines, Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Soto, Edu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martínez, Fele</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malla, Coque</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Milán, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pastor, Rosana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Severo, Junior</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Montoliu, Héctor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marqués, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fc05e28-7d96-4c6d-b821-9b2be7730d9d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241114s2022    sp 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">baq</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Living Kultur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Living Kultur is a transmedia project that narrates the culture within a given territory: Navarre. It seeks to elevate these activities to a museum-like form that is accesible to all as a way to isolate and frame the beauty of heritage.</subfield><subfield code="b"> It is a project that reflects the ancestral cultural heritage with a 21st century look and technique to build a discourse around a sensory journey. Fifty representations from oral tradition, games, carnival, profane and religious representations to trades, dances and groups.  It offers over 70 interviews with people who, out of affection, inheritance, contact or love, safeguard an inheritance that they give to the world.  Living Kultur moves away from real representation to show an ideal, the reverie and gaze of the filmmaker: the maximum beauty in photography direction with the perfect execution. We forge a new space between intangible heritage, the people who safeguard it and cinema as a perpetuator of the memory of people and things.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gutiérrez, Marga</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">16d310c1-7edc-498b-a885-9ea86970ec50</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2018    bl 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Latin Wars</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">América armada</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A visual demonstration of the "war on drugs" policy being carried out in various regions of Latin America. In Brazil, Mexico and Colombia, three direct victims of the violence of this system join forces to alert and raise awareness of the catastrophic public security situation in their respective countries. The film is exactly the right distance from emotion and reflection.</subfield><subfield code="b"> The documentary follows Brazilian activist Raul Santiago, who has founded several social projects as a human rights defender; Mexican photojournalist Beto Walls, who covers social movements throughout Latin America and lives with the constant threat of being a journalist in the most dangerous country to practice this profession; and Teresita Gaviria, founder of Madres de La Candelaria and mother of Juan Camilo, who disappeared 18 years ago, a victim of state violence in Colombia.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Santiago, Raul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walls, Beto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaviria, Teresita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Asbeg, Pedro</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lanari, Alice</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/latin-wars/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">84968f69-87b2-443d-bded-1c7b946a09d6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2011    mx 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="a">nq</subfield><subfield code="a">sp</subfield><subfield code="c">mx</subfield><subfield code="c">ni</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">La Yuma</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nicaragua’s first full-length feature in 20 years, La Yuma tells the story of a young woman who dreams of transcending her bleak life in the slums of Managua by becoming a boxer. Looking beyond the meager possibilities that seem available to her (and ignoring the advice of her gang-member friends), she finds solace and hope in her training and falls in love with a middle-class journalism student. With an extraordinary performance by Alma Blanco as Yuma, the strength, astuteness and determination of the main character reflect the feelings of a population that faces adversity and inequality. Jaugey’s film allows us the rare opportunity to get a glimpse of life in this Central American country where gender and class inequality are an everyday challenge.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blanco, Alma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jaugey, Florence</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-yuma/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f5b87220-9b24-4c8c-a83e-664735f87240</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2023    ck 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Suprema</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Teeming with irrepressible energy, La Suprema takes us back to 2001 Colombia and to La Suprema, a tiny and remote village in the Caribbean region that is far from any beach and seemingly lost in time.</subfield><subfield code="b"> Laureana is a strong-willed teenager who’s not about to conform to what society or her abuela have in store for her. When she finds out via the newspaper that her estranged uncle is days away from fighting in a boxing world championship in Venezuela, she ignites a spark that will quickly get the whole town on board with watching the match live on national television. The problem? It may be the 21st century, but the village has no electricity and no one has a TV set.  Laureana enlists the help of Efraín (Antonio Jiménez), the local trainer who discovered her uncle years ago. After much hesitation, he agrees to follow her lead and set sail for the big city. All odds are against them, but they know this history-making moment might put their town on the map and it is worth giving it their all.  Director Felipe Holguín Caro’s moving film captures the vibrancy of the town’s inner life; the musicality of daily talk and chores being done by the river, time spent playing dominoes, and just kids being kids. Much more than a setting or background, La Suprema and its inhabitants embody the endearing — and enduring — qualities of collective effort, joy, and pain.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caro, Felipe Holguín</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodríguez, Ana Victoria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jiménez, Juan José</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ramírez, Moisés</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fontalvo, Miguel Angel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zabaleta, Domingo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martínez, Elizabeth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jiménez, Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Florez, Pabla</subfield><subfield code="4">act</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-suprema/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">617809a8-9a89-4660-9bd7-5a5323c1cd2e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2016    xxc089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="a">it</subfield><subfield code="a">ve</subfield><subfield code="c">ca</subfield><subfield code="c">it</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Soledad</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Handyman José lives with his family in La Soledad, a dilapidated villa located in what was once among Caracas’ most affluent neighborhoods. After learning that the villa’s owners are planning to sell the estate, José seeks any solution that might keep his six-year-old daughter from growing up in Caracas’ crime-sodden slums. Might that fabled treasure supposedly hidden in La Soledad’s walls offer José’s family a chance at a better life?</subfield><subfield code="b"> Jorge Thielen Armand’s feature debut carves fiction from reality: La Soledad was once his family’s home; this story is true, acted out by the people who lived it. La Soledad looks beyond the headlines and gives a voice to those affected by contemporary Venezuela’s inner turmoil. It is a magnificent feat of real-life storytelling—and a profound fusion of creativity and compassion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thielen-Armand, Jorge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thielen-Armand, Jorge</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-soledad/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">53ca4d59-4f0f-4bad-a16b-a199d5ef9dc2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2021    sp 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La prima cosa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Cocorico is an orthodox Christian Arabian Israeli clown who sings Byzantine choir. Cocorico is also a snake hunter and a hotel receptionist. Cocorico is a musician. He plays guitar, drum, bass, ukulele, rabab and any other instrument. But what Cocorico really likes is to make the Syrian children who have ended up in the hospitals of their neighboring country and enemy, Israel, smile. Sometimes it works.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Razzak, Omar Al Abdul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ukrainitz, Shira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Razzak, Omar Al Abdul</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ukrainitz, Shira</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-prima-cosa/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7656ce7b-1e8f-4f98-829b-a28d3c4c171e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2012    ag 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">bo</subfield><subfield code="c">ar</subfield><subfield code="c">bo</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Paz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Liso, an upper middle-class young man, has just left a psychiatric institution and returns to live with his parents who treat him like a child. A relationship of mutual complicity with Sonia, the Bolivian maid, arises, while she takes care of him. Liso tries to recover old loves, but everything appears to be broken. Sonia and her grandmother are his only points of balance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodríguez, Lisandro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Strenitz, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Michel, Fidelia "Jhenny" Batallanos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Félix, Ricardo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loza, Santiago</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-paz/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2ae39a5c-25af-44c9-af7f-214f968e5691</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2021    bl 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">por</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">ug</subfield><subfield code="c">br</subfield><subfield code="c">ug</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kevin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It’s the first time that Joana, a Brazilian woman, visits her friend Kevin in Uganda. They became friends 20 years ago while studying in Germany and they haven’t seen each other in a long time. A film about a friendship between two women — completely different — and essentially the same.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oliveira, Joana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adweko, Kevin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oliveira, Joana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b902893c-7aca-48a1-94aa-2dd97aba7182</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2020    sp 061        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Karen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">María Pérez Sanz builds an intimate, elegant, and delicate portrait of Danish colonist Karen Blixen’s last years in Africa. Better known as Isak Dinesen, Karen is the free and adventurous woman who wrote the extraordinary famous "Out of Africa."</subfield><subfield code="b"> The film focuses on the peculiar relationship between Karen and her Somali servant Farah Aden: a friendship ahead of their time, in which those differences that seem unsolvable (a European woman in a position of power and an African man) are dissolved against an ancestral understanding.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosenvinge, Christina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jr, Alito Rodgers</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stoffel, Isabelle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sanz, María Pérez</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">283bc5bc-7f96-458d-8da4-fa0a6b0d8046</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241113s2022    sp 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Isosceles</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Enrique and Víctor were close friends during their university years. An absurd setback, associated with immaturity, caused a rift between the two that lasted for years. Enrique has decided to break the ice and has contacted his old friend, meeting him at his house. Víctor enthusiastically agrees to the meeting, although, unfortunately, he is unaware of the real reason for it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nacho, Ignacio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reina, Salva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guil, Mara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nacho, Ignacio</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fa7ca83-484b-48b1-851d-8bc1782f0f6b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2022    sp 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Isaac &amp; Nora 4</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The global viral phenomenon Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield><subfield code="b"> Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Nora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Isaac</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Maximiliano</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6f20b11d-f319-4e09-aaff-5c8787ea92c8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2022    sp 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Isaac &amp; Nora 3</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The global viral phenomenon Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield><subfield code="b"> Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Nora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Isaac</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Maximiliano</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">51770c51-75a9-4b06-8787-fbabcb340f82</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2022    sp 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Isaac &amp; Nora 2</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The global viral phenomenon Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield><subfield code="b"> Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Nora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Isaac</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Maximiliano</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d9202c10-66fb-4aab-82ab-7676fcd5a11e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2022    sp 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Isaac &amp; Nora 1</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The global viral phenomenon Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield><subfield code="b"> Isaac &amp; Nora embark on their first international tour. A journey to the heart of Latin folklore and rhythms. A tour in which they visit Mexico, Colombia, Peru, and Chile to finish in Madrid, and where they share the stage with renowned musicians from each country such as Monsieur Perine, Daniel Me Estas Matando or Rozalen. A vital and musical experience, especially for the children, who feel, see, touch and experience everything that they had only sung until now.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Nora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Restoin, Isaac</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Maximiliano</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d32abd4b-f0f8-4b78-856e-5d491febddf8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2018    ag 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">I Girl</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Yo niña</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Based on the director’s autobiographical experiences, I Girl tells the story of Armonía, a little girl who lives with Pablo and Julia, who seem to be her parents, in an idyllic landscape of lakes, rivers, and forests in southern Argentina. They are neo-hippies, vegetarians, promiscuous, questioners of the system, and have problems with the law. They consider that deviating from the consumer society is a form of decontamination, although that means -among many other things- no schooling and scandalous reactions to a gifted Barbie doll.</subfield><subfield code="b"> But their existence is more precarious that it seems; their cabin has no light, gas, or running water, and they are underprepared for the life they envision for themselves. Armonía is often left to her own devices in a way that seems neglectful.  After a tragic incident forces them to leave their idyllic dwelling and actually interact with the bourgeoisie, Armonía’s world starts to gradually open up as she discovers concepts that notions she’d never experienced in her short life.  Featuring outstanding performances, the story of I Girl has been rarely seen in Latin American cinema. It explores contemporary and complex subjects without losing sight of its central character’s point-of-view, and questions the limits of what we are willing to sacrifice and risk for our ideals.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carballo, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lamothe, Esteban</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paredes, Huenú Paz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carrazzone, Emiliano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Godoy, Bimbo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gonzalez, Mariano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Glezer, Marina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arpajou, Natural</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b5e880ed-cb5c-4dcc-b978-d0f09e57435f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241112s2015    bl 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Hopefuls</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Aspirantes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hopefuls tells the story of Junior, a young player for Bacaxa A.C, an amateur football team from the city of Saquarema, on the coast of Rio de Janeiro. He has to deal with the unexpected pregnancy of his girlfriend Karine, while his childhood best friend, Bento, signs a contract with a professional team. This debut feature from Brazillian director Ives Rosenfeld is a raw and powerful story of youthful dreams and harsh reality that is marked by some astounding performances.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barroso, Ariclenes</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malheiros, Sergio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bernat, Julia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosenfeld, Ives</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e63c13c6-b849-4204-a48a-a4a320a6e5a2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241106s2022    ec 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ec</subfield><subfield code="c">ec</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Helena from Sarayaku</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Helena Sarayaku Manta</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Traveling between her life in Finland and her mother’s homeland deep in the rainforests of Ecuador, 17-year-old Helena Gualinga yearns to protect her indigenous community from extractive development and the repercussions of climate change.</subfield><subfield code="b"> Her story highlights the efforts of the Kichwa people of Sarayaku to recognize the Amazon rainforest as a “Kawsak Sacha – Living Jungle”. The “Living Jungle” is both a cultural philosophy and a proposal that states the rainforest is not a resource to be used, but a living entity in need of protection.  With the help of her Sarayaku elders’ wisdom, Helena sets out on a journey to educate the world about the importance of conserving the Amazon rainforest, participating in climate marches and giving speeches about indigenous sovereignty. A story of perseverance and resilience, the film is an ode to indigenous communities striving to preserve their culture as they face consequences of a globalized world and the hastening effects of climate change.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gualinga, Helena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarayaku, Kichwa Indigenous People of</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gualinga, Eriberto</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ab0e9a5c-e320-450f-a6ad-dd6450df7b07</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241106s2019    bl 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Helen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Helen is a 9-year-old girl living in a cortiço in Bixiga - a neighborhood in the city of São Paulo, known for having a large concentration of migrants: first Italians, then Brazilians from the northeastern of the country, and now Haitians.</subfield><subfield code="b"> Born in a poor and unstructured family, Helen lives with her grandmother, Dona Maria, who also fulfills the role of mother and father. The matriarch supports the family through informal work. Between street plays, school classes, and a little help with home duties for her grandma, Helen lives the neighborhood life intensely, walking freely around and participating in the various traditional local events.  Still very naive, she spends the days oblivious to the harshness of her reality and her main concern is to raise money to buy a gift for grandma: a complete makeup kit.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cartaxo, Marcelia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Machado, Thalita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tornado, Tony</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collazzo, André Meirelles</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1bfb5028-e0f6-432a-8ac9-7ab06dfcb122</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241031s2016    ag 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">ve</subfield><subfield code="c">ar</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Harpoon</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Arpón</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">High school principal Mr. Arguello has developed a reputation among the students and teachers for his unorthodox methods. Day after day, he searches the backpacks of his students, looking for a threat.</subfield><subfield code="b"> Cata, a 14-year-old student, has an accident by the lake. Arguello takes care of her for a few hours while waiting for her parents to arrive. This wait will unleash the most important story of their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sil, Germán de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bléfar, Nina Suárez</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Celenta, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moyano, Laura López</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Melingo, Marcelo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Espinoza, Tom</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6f7af148-7d96-4a2f-b220-5af137cf5c2d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241031s2019    mx 119        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Guie'dani's Navel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Xquipi' Guie'dani</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a star-making performance, Sótera Cruz brings razor-sharp intensity to her portrayal of Guie’dani, a Zapotec girl determined to fight for her dignity.</subfield><subfield code="b"> Guie’dani is dragged to Mexico City by her mother to help in her work as a housekeeper for an upper-middle-class family. There, the subtle psychological subjugation inflicted by the white family functions as a metaphor for the oppression of the old world by the new. Yet, Guie’dani rejects the life of servitude and seeks her own identity through a friendship with another rebellious teen.  A striking contrast to Alfonso Cuarón's Roma, Guie’dani’s Navel is a unique coming-of-age narrative exploring the racism inflicted on indigenous people in Mexico and the empowerment of a new generation that refuses to accept it silently.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cruz, Sótera</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">López, Érika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alfaroh, Majo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valle, Yuriria del</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ríos, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buzzurro, Valentina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kesselman, Jerónimo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carmen, Mónica del</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sala, Xavi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7aa2c0e3-69b7-47ba-aa9d-4fa141cafa2b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241031s2019    uy 054        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">uy</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Freedom Is a Big Word</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La libertad es una palabra grande</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Guantánamo, then what? After 13 years, Mohammed, a 38-year-old Palestinian, is released from the notorious detention camp, where he was starved, tortured, and humiliated. Under this regime, he was given a choice: to stay in Guantanamo or start a new life in Uruguay, the only country that opened its doors to the detainee. There, he would get a home and welfare money for two years, then he would be on his own. Mohammed has a second chance to start a new life of freedom in an unknown place. But “freedom” is a big word with a very complex meaning.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rocamora, Guillermo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">11645890-b78d-468d-ad81-8c83de3d380b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090300.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241030s2016    cl 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">First Born</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Primero de la Familia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a Chilean suburb, Tomás spends the last weekend with family before travelling to Europe to continue his studies. A problem with the plumbing causes severe flooding in their house, and the bad smell moves through the house uncovering the real essence of the family's relationships.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barrales, Jessica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carmona, Camilo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gutiérrez, Ernesto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leiva, Carlos</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0c02d76c-363a-4f7a-af10-77e5afc0b4e4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241030s2018    sp 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Exploitaton Hotel: The Kellys</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hotel Explotación: Las Kellys</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hotel Explotación: Las Kellys uncovers the hidden reality of over 200,000 women working as cleaning staff in Spain's hospitality industry. Despite their indispensable role, they remain invisible and vulnerable to exploitation. In October 2016, the Kellys (hotel chambermaids) decided to take a stand for their rights against outsourcing and unfair labor practices.</subfield><subfield code="b"> As the government touts the strength of the tourism sector, the Kellys endure deteriorating working conditions and unfair wages. Over 70% rely on medication to endure the stress of cleaning multiple rooms daily. As outsourcing becomes a trend, many find themselves excluded from regular hotel staff.   Hotel Explotación: Las Kellys chronicles their struggle to organize, empower, and reclaim their dignity in the face of exploitation. Aimed at educators seeking to shed light on labor rights and social justice issues, this documentary offers a poignant portrayal of resilience and collective action amidst systemic injustice.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cisquella, Georgina</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">582d8c63-89b7-4871-b3eb-dc806b3c53ce</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241030s2017    bo 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">ita</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bo</subfield><subfield code="c">bo</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Eugenia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Eugenia, a young middle-class woman living in a small town in Bolivia, has decided to separate from her husband, leave her job, and move to her father’s house in another city. Predisposed to new experiences, she wants to start a different life. As time goes by, she gets disappointed with her surrounding environment until one day she receives a notice that will put her long-awaited independence at risk.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camponovo, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eid, Alvaro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lanza, Alejandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peña, Simón</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gumucio, Ricardo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gamio, Alicia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mesquita, Rafaela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lanza, Emilio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bouloq, Martin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/eugenia/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c39def92-9800-4268-b087-1b172196e89e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241028s2022    mx 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="a">uy</subfield><subfield code="c">mx</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Estación catorce</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Seven-year-old Luis is shocked: he has seen his neighbors get murdered while everyone remains indifferent and ransacks the victims’ home. His own father takes advantage of the situation and steals a sofa to sell it in another town. Father and son will then set out on a journey across the mountain, dragging the sofa behind.</subfield><subfield code="b"> Over the course of just a few days, Luis witnesses the mystery of death, the frailty of adults, and the wonder of time, all amid games. We witness his growing pains while life seemingly refuses to give way.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vázquez, Gael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Becerril, José Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Escárrega, Yoshira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Elizarrás, Lourdes</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herández, Margarita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Banda, Karla Belén</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jaramillo, Brayan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trujillo, Tonatiuh</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardozo, Diana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">302ff2a2-7292-49cb-b5e7-3aa441e7a788</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241028s2017    cl 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Enigma</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy has worked very hard to move on with her life. As she decides whether or not to be a part of the show, she confronts her family and their versions of the events that occurred, learning more about the person her daughter was.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Araya, Roxana Campos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zúñiga, Paula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pérez, Rodrigo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabezas, Claudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vásquez, Catalina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lagos, Macarena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Garretón, Rafaela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herrera, Belén</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Merillán, Ignacio Juricic</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/enigma/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">662ff550-8513-46c3-9eab-15f3348ed129</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241028s2009    bl 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Craft</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Riscado</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity. Craft is about everyone that longs to live with dignity and, exclusively, from the work they chose and love. People who conscientiously choose a path where reaching the goals is an endless day to day struggle to excel and break the barriers on the way.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teles, Karine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pellegrini, Camilo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rolland, Dany</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Muller, Otávio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pizzi, Gustavo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/craft/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cb3f1abd-1d2c-4b2f-bbc0-efcb91a85fae</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241028s2023    cu 066        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">rus</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cu</subfield><subfield code="a">gw</subfield><subfield code="a">no</subfield><subfield code="c">cu</subfield><subfield code="c">de</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Calls from Moscow</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Llamadas desde Moscú</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Luis Alejandro Yero’s striking first feature focuses on a group of migrants and their temporary dwelling in a snowy Moscow high-rise complex. The Russian capital was a pathway for the four young queer Cubans seeking to emigrate from the island, until Russia’s invasion of Ukraine put their fate in limbo.</subfield><subfield code="b"> They live in the city as migrants, some illegal, others recently arrived with a tourist visa. They work at whatever they can find, whether cleaning groceries or as telemarketers selling medicine. They can be as fabulous as they want in the apartment, but the elevator that brings them down to the Moscow streets is already a different space, where they avoid attracting attention; Russia and Cuba are so very far apart. Spare and intensely felt, the film records their connections to the outside world—phone calls with loved ones, immigration service lines, even remote work—that punctuate the silence and bring small comforts. Far away from the city streets where a bleak war campaign is taking hold, Calls from Moscow quietly contemplates an internal world of waiting.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Calderón, Juan Carlos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Botta, Eldis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Díaz, Dariel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Acuña, Daryl</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yero, Luis Alejandro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yero, Luis Alejandro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">148b17bf-c0fc-45b9-a127-188d2c912fdb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241028s2019    sp 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Arenal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two teenage friends spend their summer in Madrid but they can’t see each other. Gonzalo has yet again flunked several subjects and is grounded, confined at home, studying to retake his exams. Meanwhile, his friend Charlie wanders the city alone with his skateboard while he takes pictures and makes videos that he shares on Instagram, although what he really wishes to do is to be with Gonzalo.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herrero, Gonzalo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arango, Juan 'Charlie'</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alberola, Rafa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d5b5ba94-377c-400c-ab5c-61637701a9f0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241021s2020    bl 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Amazon Mirror</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">O Reflexo do Lago</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the 1980s, the military dictatorship in Brazil built the largest hydroelectric dam in the Amazon in the city of Tucuruí in the state of Pará. 40 years later, residents of the Caraipé River within the plant's lake remain without electricity in their homes since then. A filmmaker and crew explore their decision to stay despite the hardships, aiming to uncover their perspectives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Segtowick, Fernando</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f9d86c20-2005-4901-a5a5-533ffcb53c55</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">241021s2023    bl 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Strange Path</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Estranho Caminho</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young filmmaker returns to his hometown and attempts to reconnect with his father as the pandemic rapidly accelerates across Brazil. However, their relationship proves to be more complicated with increasingly bizarre phenomena occurring as they get closer.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Limeira, Lucas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Francisco, Carlos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Firmino, Tarzia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabaço, Rita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Capivara, Renan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marlene, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Parente, Guto</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">89e56c1c-f7eb-4340-a5ed-629c3ff7d2a2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240918s2021    dr 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dr</subfield><subfield code="c">do</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">El Blanco</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a rural corner of the Dominican Republic, the story of Genesis — a peasant woman who is offered by her father to marry Sandro, known as El Blanco, to "improve her race"— takes place. Her dream of a happy and peaceful life is interrupted by two unforeseen events: the impossibility of getting pregnant and the arrival of her estranged sister, Mariella, who unleashes a storm.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">D'Alessandro, Ettore</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Luciano, Alexis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mercedes, Gerardo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perez, Judith Rodríguez</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samboy, Alberto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valdez, Karina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andújar, Alejandro</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/el-blanco/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">50b6e58d-bba2-4bbf-a0b5-602c496874a8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240918s2022    sp 103        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Dragonflies</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Libélulas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With no job and no future, Alex and Cata spend their lives dreaming of the day they can leave their town together. They know they can rely on each other, which helps them through the daily grind. While planning their escape, they enjoy each night out as though it were their last. But they are fragile, like the flight of a dragonfly, suspended in equilibrium.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smit, Milena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baglivi, Olivia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hermoso, Pol</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collado, Javier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Esteve, Marina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herrero, Gonzalo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sánchez, Berta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wu, Lei Lei</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baglivi, Aramis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knowles, Luc</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/dragonflies/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">555706e2-296c-478b-905d-183b0714f30d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240918s2019    mx 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cuernavaca</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Andy's world changes when his mother has an accident. With no one to care for him, he is taken to Cuernavaca to his distant paternal grandmother (Carmen Maura). While his mother struggles between life and death, the boy will face his grandmother's rejection, the seductive and dangerous world of the gardener's son, and the search for his father.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maura, Carmen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arizmendi, Moises</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gajá, Mariana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puente, Emilio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pease, Alejandro Andrade</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/cuernavaca/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e2ff702a-ea27-497b-acaf-43fc31a2805f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240918s2020    bl 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">no</subfield><subfield code="a">pe</subfield><subfield code="a">ve</subfield><subfield code="c">br</subfield><subfield code="c">no</subfield><subfield code="c">pe</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Contactado</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Aldo (Baldomero Cáceres) is an aging, self-proclaimed prophet who lost a sense of meaning in his life—until Gabriel (Miguel Dávalos), a young follower who idolizes Aldo and still believes in his teachings, tracks him down and encourages him to return to preaching. As Aldo reflects on his identity as a fraud and contemplates returning to his spiritual mission, Gabriel embraces his role as young apprentice while duplicitously easing Aldo’s teachings into the new age.</subfield><subfield code="b"> From award-winning filmmakers Mariana Rondón and Marité Ugás comes this captivating story about faith, lies, and empathy. Situating a sense of place with striking locations, from Aldo’s shack on a beachside cliff to the marketplace of the inner city, Aldo’s simultaneous hope and paranoia are relentlessly evoked by the haunting score and invasive camera movements. Cáceres and Dávalos give subtly complex performances, mirroring each other’s evolving characters in this stunning portrayal of the power of faith—and deception—over those who desperately seek spiritual guidance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cáceres, Baldomero</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dávalos, Miguel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ugás, Marité</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/contactado/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">12a54c5c-07d3-4ce3-ac7d-bb3a3527643a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240918s2022    mx 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Place Called Music</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Un lugar llamado música</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With Philip Glass participation. A captivating documentary that explores the unexpected bond between Daniel Medina, a traditional Wixárika violinist from the mountains of Jalisco, Mexico, and Philip Glass, one of the most influential composers of our time.Despite their apparent differences, Daniel and Philip find common ground through music, embarking on a unique collaboration that merges Wixárika tradition with contemporary composition. Through rehearsals and performances in iconic venues across Mexico and New York, the film showcases the fusion of Daniel's ancestral melodies with the grand piano, marking a groundbreaking moment in musical history. Despite language barriers, their music becomes a universal language, creating a shared space where their spirits connect and resonate with each other.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosa, Daniel Medina de la</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Glass, Philip</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sánchez, Víictor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heiblum, Leo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beigel, Orly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rizo, Enrique M.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">53bc75b4-9b8f-447c-a39f-88286c22d02e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240909s2021    ag 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">por</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">uy</subfield><subfield code="c">ar</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">8 Stories About My Hearing Loss</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">8 Cuentos sobre mi hipoacusia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Diagnosed with bilateral sensorineural progressive hearing loss in the first grade, Charo Mato became fully deaf by the age of 23, and received cochlear implants against her parents’ wishes. Structured with eight distinct stories and questions, Mato’s autobiographical documentary flits between childhood stories and digressive memories, the scientific and medical explanations of hearing loss and implants, and poetic ruminations on the nature of life and language. Mato uses the film to process her own experience. A beautiful, highly personal film processing and celebrating the experiences of those with hearing loss.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mato, Charo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mato, Charo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">db948ab5-412e-4237-b68a-0cd254c94665</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240909s2023    dr 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dr</subfield><subfield code="c">do</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Boca Chica</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Beautifully juxtaposing the realities and expectations of a young girl approaching womanhood in the Dominican Republic, Boca Chica shines a light on the insidious child sex trade and the lives it seeks to destroy.</subfield><subfield code="b"> Director Gabriella A. Moses exposes the community’s complicity by way of 12-year-old Desi who is constantly exposed to unwanted advances and crude comments from older men. She works at the family restaurant alongside her mother Carmen, who encourages the behavior, in a once serene beachside town now bustling with foreign tourists.  Music is Desi’s escape. She dreams of parlaying her nascent musical talents into a full-fledged singing career. When she stumbles across a group of local rappers that set themselves apart from the scene, her passions begin to boil to the surface.  Boca Chica explores themes of identity, family, codependency, and truth, exposing how local social norms present the sexualization of very young girls as a path to survival.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camilo, Scarlet</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chapman, Lia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cruz, Jean</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Díaz, Richarson</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Howard, Cindy Lou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hughes, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paredes, Eliseo Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ramírez, Sterlyn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodríguez, Xiomara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salamanca, Pedro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moses, Gabriella A.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/boca-chica/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9b84f491-95fb-4dd3-8b15-b78eceef069e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240909s2020    ag 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Canela</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At 48, Áyax Grandi, an architect from the city of Rosario, decided to become Canela. This film narrates the moments in the life of Canela where she is torn between having gender reassignment surgery or not. With that in mind, her search begins. She consults with healthcare professionals, her sons, and old friends until she realizes something about her desire that she didn’t really expect.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grandi, Canela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valle, Cecilia del</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/canela/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">253a11ca-51d2-4774-849e-8a3ca91a162e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240905s2022    mx 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="a">py</subfield><subfield code="c">mx</subfield><subfield code="c">py</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Boreal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Benjamín, his uncle César, and Genaro are driven by their Mennonite Boss to a desolate spot in the Paraguayan Chaco, where they will stay for days building a fence for him. The days are long, the progress slow. Benjamín is antsy; he can’t get used to the hard, dull work and to the oppressive silence of this arid region. He wants to leave.</subfield><subfield code="b"> The Boss finally returns 30 days later; unsatisfied with the quality of the work, he tells the trio they need to stay three more days to complete the work. César and Genaro stay behind… but like Vladimir and Estragon in Beckett’s Waiting for Godot, for them, this time around the wait will be eternal. For César, the oldest of the three and perhaps the most experienced, the magnitude of the physical effort is supported by the pay for the job. Meanwhile, Genaro drowns his sorrows with liters of cheap alcohol. For Benjamin, the youngest, boredom exhausts him as much as carrying logs on his back from one place to another.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adorno, Federico</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/boreal/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c003aa89-e1a7-434f-9732-104e6585cd38</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240905s2021    ag 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Album for the Youth</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Álbum para la juventud</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Pedro (Santiago Canepari) and Sol (Ariel Rausch) have just finished high school and spend their holidays approaching the tasks that one day could be their professions. Sol uses her piano lessons to review old musical recordings from when she was a child. Pedro’s interested in dramaturgy and begins a writing workshop keeping it secret. They’re growing up without even noticing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Canepari, Santiago</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rausch, Ariel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ronco, Simón</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gagliardi, Agustín</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paredes, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jakob, Walter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Solarz, Malena</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0949ecec-c122-49d0-9f3c-01a09ba946f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240904s2021    dr 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cat</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dr</subfield><subfield code="c">do</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Film About Couples</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Una película sobre parejas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Comedy directed by Miriam Lies’ award-winning team, Natalia Cabral y Oriol Estrada, A Film About Couples is equal parts a candid exposition of the cinematic industry and a joyful exploration of marriage.Natalia and Oriol are a couple of filmmakers in their thirties who have a little daughter named Lia. One day, they receive an offer to direct a documentary and they decide to make a film about couples in love. Natalia and Oriol interview many couples, always wanting to know how they get along and what their most typical problems are. But as filming progresses, wounds from their own relationship begin to open up, fights and doubts seem to be endless. But finishing the film will be their opportunity to reformulate their love for each other and their love for cinema.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estrada, Oriol</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabral, Natalia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabral, Lia Estrada</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matos, Carlos M.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mora, Homer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estrada, Oriol</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cabral, Natalia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8fe2346c-8401-45fd-942a-9a49e967f47c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240904s2021    ag 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Faraway House</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Una casa lejos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Graciela dreams of going away and start a new life in the countryside. This desire begins to get disrupted when she discovers that her father has a relationship with a homeless young woman. Graciela does everything in her power to separate them, but she doesn’t understand her father’s obsession. Then she finds out that the girl is pregnant. Graciela will become closer to this woman and start building a friendship that will make her find another possible future.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Galazzi, Stella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rivkin, Carlos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Correa, Valeria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Muxo, Alicia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bottero, Mayra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7b1205f3-2825-4138-bef1-92feaa0764c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240904s2019    ag 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">bl</subfield><subfield code="a">fr</subfield><subfield code="c">ar</subfield><subfield code="c">br</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Burning Night</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Breve miragem de sol</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Paulo starts driving a cab to pay his bills and to cover child support for his son. Passengers' stories intertwine with his own while he drives at night through Rio de Janeiro - a chaotic city in permanent reinvention. Even though each passenger has a different destination, Paulo is always the one steering the wheel, hoping for better days in a city falling apart.</subfield><subfield code="b"> Eryk Rocha's edgy, impressionistic chronicle of the nocturnal encounters of a Rio cab driver vividly captures the strange unpredictability of a rapidly changing world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boliveira, Fabrício</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colen, Barbara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jay, Cadu N.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rocha, Eryk</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cc312715-1bb1-4263-a6bf-bf2753c8ff18</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240903s2018    bl 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ayahuasca: Expansion of Consciousness</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Combining scientific, religious, and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director Fausto Noro’s own healing process, this documentary provides for the first time, a holistic, yet balanced view of this controversial subject. It tells story of Ayahuasca, from its emergence in the Amazonian Forest to its popularity with the Santo Daime religion, and on to its arrival in urban centres.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noro, Fausto</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">252f4c0a-bb26-44ee-9590-ac6f1d2fff6f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240903s2018    ec 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ec</subfield><subfield code="a">uy</subfield><subfield code="c">ec</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Ashes</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cenizas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Caridad hasn’t spoken to her father in years—not since he left the family under a cloud of suspicion and accusations. But that changes when a long dormant volcano starts spewing ash and Caridad finds herself isolated and trapped within the blast zone. Out of options, she reaches out to her father and confronts the emotions she repressed for so many years.Cenizas is a keenly observed and delicately rendered family drama and the second feature from Ecuadorian writer/director Juan Sebastián Jácome. This film is an examination of a family in crisis set under the looming cloud of a geological disaster. Joined by Samanta Caicedo as Caridad and Diego Naranjo as her father Galo, Jácome explores the moments and emotions that lead to the confrontation of issues that that stayed as taboos for many years.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Naranjo, Diego</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estrella, Juana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Álvarez, Estela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caicedo, Samanta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jácome, Juan Sebastián</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ashes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">90c21522-e6b1-4d66-b6f2-4cd8a907cb1e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240903s2009    sp 067        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="a">uy</subfield><subfield code="c">es</subfield><subfield code="c">uy</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">A Useful Life</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La vida útil</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An art film enthusiast fears that decrease in attendance will force the Uruguayan Cinematheque to close. To save it, Jorge enters a new world and is exposed to an unknown passion. A modern classic film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jellinek, Jorge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carril, Manuel Martínez</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Venditto, Paola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Veiroj, Frederico</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bc536498-da7e-4723-9884-f44446a01dc6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240903s2016    xxu017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blast Beat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Carly, a Colombian metalhead and a new resident of the American suburbs, makes a bold leap into adulthood to save the future of his family. An Uber Metalized American Latino Adventure That'll Kick Your Ass Back to the Y2K.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arias, Mateo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arias, Moises</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blak, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grossman, Kevin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arango, Esteban</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a39faae9-1189-471a-b305-d218e729900e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240903s2022    bl 079        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="p">por</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Blooming on the Asphalt</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Germinio pétalas no asfalto</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As Jack starts his gender transition process, Brazil is plunged into a wave of extreme conservatism. For five years, we follow the transformations in both his life and in Brazil, as the LGBTQI+ community are challenged by an ultra-right-wing government and a devastating pandemic.</subfield><subfield code="b"> This intimate portrayal of Jack and his friends reveals a tender network of affection and solidarity that flourishes in the midst of adversity. Blooming on the Asphalt is a beautiful, vibrant documentary that captures the resilience and strength of queer Brazilian youth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matos, Julio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Celeste, Jack</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Agalenéa, Helena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Noah Silveira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vaz, Rafaela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Coraci</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fd4c0c87-caad-4386-801c-55dbbc4e043e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2016    sp 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Chillida: The Depth of Air</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Chillida: Lo profundo es el aire</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the age of 19, Eduardo Chillida (1942-2002) was a gifted athlete set to become a football legend. However, a severe injury during a match saw him move away from professional sport. At the time, nobody except for his life-long partner, Pilar Belzunce, could ever imagine that the young goalkeeper from Hernani was at the verge of re-writing his destiny.</subfield><subfield code="b"> Chillida would die a few decades later as one of the most prominent sculptors of the 20th century.  Lo profundo es el aire is not a conventional biography, but the poetic and fast-paced reminiscence of an unparalleled artist. Chillida’s personality is perpetuated through his work, his eight children, and some of his closest collaborators.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chillida, Ignacio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chillida, Susana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chillida, Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barrero, Juan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5dafeede-b683-47b2-87ea-89e27fda99b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2020    sp 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Drowning Letters</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cartas mojadas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thousands of people risk their lives crossing the Mediterranean Sea every year in an attempt to reach the European shores. In her new film, renowned documentarian Paula Palacios sheds light on the urgent migratory crisis taking place today.</subfield><subfield code="b"> While a mysterious voice coming from the depths of the sea reads letters written by mothers to their children, Drowning Letters follows a rescue ship of the Spanish NGO Open Arms as it embarks on a dramatic mission to save the lives of 550 people stranded in international waters. The film also takes us aboard a Libyan Coast Guard military ship and shows us the most dangerous place in the world, Libya, where human beings are abused and enslaved.  Featuring unprecedented access and must-see images, Drowning Letters is an urgent and necessary film to understand one of the most tragic chapters in contemporary history.</subfield></datafield><datafield ind1="0" ind2=" " tag="700"><subfield code="a">Medina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boujella, Colonel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martínez, Alejandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Calzada, Nico</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Albano, Alessia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="0" ind2=" " tag="700"><subfield code="a">Snaa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Si, Mauro Di</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maretta, Martín</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cañardo, Guillermo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reig, Marc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camps, Esther</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Canals, Gerard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cisse, Amina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandoval, Ricardo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Segú, Emma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fernández, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodríguez, Juan Ángel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camps, Oscar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Díaz, Ibai</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bocanegra, Cristina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Palacios, Paula</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/drowning-letters/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6867251c-42fe-444d-be7f-e53be0b46a99</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090301.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2016    pr 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pr</subfield><subfield code="c">pr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Before the Rooster Crows</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Antes que cante el gallo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Carmín is a teenager who lives in Barranquitas, a mountainous village in the center of Puerto Rico, with her tough and conservative grandmother. Carmín dreams of moving to the city, San Juan, with her mother but she just got remarried and is leaving for the US without her. Then, the arrival of her father after long years in prison eases Carmín’s profound sadness. The relationship with him, however, brings its own ambiguousness and complexities. Now the girl must learn to live between abandonment and carefulness; amidst desire and love to experience the deepest absence.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Purcell, Miranda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Cordelia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burgos, Kisha Tikina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hernández, José Eugenio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collazo, Yamil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cintrón, Isadora Lee</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">García, Iliana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lugo, Israel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cruz, Arí Maniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/before-the-rooster-crows/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">758ab5ac-1eb8-4382-8f61-f164e69e20dd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2013    ve 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield><subfield code="p">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ve</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bad Hair</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pelo malo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A nine-year-old boy’s preening obsession with straightening his hair elicits a tidal wave of homophobic panic in his hard-working mother, in this tender but clear-eyed coming-of-age tale.</subfield><subfield code="b"> Junior is a beautiful boy, with big brown eyes, a delicate frame, and a head of luxurious dark curls. But Junior aches to straighten those curls, to acquire a whole new look befitting his emerging fantasy image of himself as a long-haired singer. As the opportunity approaches to have his photo taken for the new school year, that ache turns into a fiery longing. Junior’s mother, Marta (Samantha Castillo), is barely hanging on. The father of her children has died, she recently lost her job as a security guard, and she now struggles to put a few arepas on the table for Junior and his baby brother.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lange, Samuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Castillo, Samantha</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rondón, Mariana</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bad-hair/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f313ebb1-ecd7-46b9-877f-2e33c11a2fa5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2016    ck 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="a">ve</subfield><subfield code="c">co</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Amparo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the Venezuelan town of El Amparo, near the border with Colombia, a group of fishermen sets off down the Aruca River. But only two men return, their friends shot down by the military, who claim they were clandestine guerrillas on a mission. The army soon arrives to claim the two survivors, held in the local jail, but they encounter an honorable policeman and fiercely loyal population who will do anything to protect the truth as the pressures to stick to the official story become overwhelming. Based on the true story of a 1988 massacre, this feature debut of filmmaker Rober Calzadilla is a searing drama, now more timely than ever.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quintero, Vicente</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">García, Giovanny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peña, Vicente</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Castillo, Samantha</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hernandez, Rossana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mabo, Tatiana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Calzadilla, Rober</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/el-amparo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9cc73947-fda6-4b21-b3ea-acadc9cc0a9f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240828s2020    bl 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="p">por</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">A Bruddah's Mind</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cabeça de nêgo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Based on real events, this political drama fuses Brazilian history with international anti-racist movements. Saulo, a black introvert student and fan of the Black Panther Movement, challenges his school in the largely white city of Fortaleza.After Saulo's reaction to a racial insult from a classmate, his teachers describe him as a young delinquent and swiftly attempt to expel him ignoring his usually calm and articulate demeanor. Outraged, Saulo refuses to leave the school until justice is done. His solitary occupation ends up challenging the school’s board and mobilizes the entire community. The students did not anticipate, however, the principal's extreme reaction.Echoing events from around the world, A Bruddah’s Mind effectively calls out racism, misogyny, and militarism. It reminds us about the importance of activism, political engagement, and the sacrifices that come with it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Limeira, Lucas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Joingley, Jennifer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Braga, Mayara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mota, Nicoly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardoso, Déo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/a-bruddahs-mind/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8db94a46-e842-47c4-802f-94155b7496a7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240827s2019    bl 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Alice Júnior</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Alice Júnior is a carefree, spoiled trans YouTuber with everything she could ask for: an apartment in a cool beach town, a loving dad, her own advice vlog, an almost-win on Teen Top Model, and a cat named Rhinoceros. So, when her father announces their move from the vibrant Brazilian city of Recife to a small, conservative town in the south and to an old-fashioned catholic school, Alice has to prepare herself for the prudery and small-mindedness she will confront there. The teenager, however, doesn’t let the initial hostility get her down. Alice releases her truest survival instinct to make her new schoolmates and teachers rethink their conservative ways, and catch her long-overdue first kiss: by being loud and unapologetically herself.With fast-moving cuts set to pop samples and sound effects, a hint of glitz, and a bagful of emojis, this coming of age gem is a breath of fresh air; a reminder that even amidst heavy socio-political turmoil stories of trans-Brazilians radiate life, joy, and infinite possibility.Alice Júnior is a celebration of rebellious youth that offers the potential for future generations to rethink outdated perspectives of gender, sexuality, and differences as a whole.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mota, Anne Celestino</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosset, Emmanuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schier, Thais</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amitrano, Surya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baroni, Gil</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/alice-junior/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f5bfb6fb-6143-4bfe-864c-ca64fe61adb4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240821s1938    xxk005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">The Tocher; A Film Ballet By Lotte Reiniger</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A silhouette fairy tale film about a man who wins his true love with the help of the 'wee folk'.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reiniger, Lotte</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7894c916-54bc-4265-9388-f23ca9ef1091</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240821s1968    xxk025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">One Of The Missing</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A soldier, out on reconnaissance in the American Civil War, finds himself trapped - buried alive and alone under the rubble of a fallen wall - deep in enemy territory. Unable to move, he is overcome by a mad terror as he hallucinates and awaits his almost certain death. This potent short, based on a Gothic tale by Ambrose Bierce, marked the directorial debut of True Romance director Tony Scott.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edwards, Stephen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edwards, Dave</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Ridley</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Tony</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ee34ce5d-0d3d-4cb3-9305-8f4ce6f1ec3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240821s1970    xxk052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Loving Memory</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The debut feature by future Hollywood star director Tony Scott is a dark, surreal piece about a couple who accidentally kill a young man while out driving their car. Taking him home, the woman treats the boy as if he were her own - and as if he were still alive. She finds happiness by talking to him and bringing him cups of tea.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Greenwood, Rosamund</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Evans, Roy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pugh, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Tony</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f52db67-d1c7-4fb0-aa8b-2a212da470f2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240820s1958    xxk025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Amelia And The Angel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In this charming early short from British cinema maverick Ken Russell, a young girl, cast as an angel in the school play, is distraught when her brother steals and damages her treasured wings. Pocket money in hand, Amelia traverses London on the hunt for a new pair in time for the play. Mercedes Quadros is enchanting as Amelia, but it's Rock, the Wonder Dog, who arguably steals the show.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quadros, Mercedes</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bloemen, Míka van</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ulman, Helen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Russell, Ken</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5cdd6115-d166-4ef6-9268-2cd3da8a15d2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240820s1944    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bon Voyage</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of the escape of two prisoners-of-war, one British, one Polish, from Germany, and the interrogation of the British officer by a French intelligence agent on certain details of the journey, after he has returned to London.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blythe, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Players, The Molière</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hitchcock, Alfred</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bon-voyage-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1b4bea1f-4668-4b65-b2f8-01cec2f2d4cc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240820s1944    xxk031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Aventure Malgache</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The true story of Claurus, a barrister who organised secret resistance on Madagascar after Petain had ordered capitulation. The cast consists of refugees from France who performed as the "Moliere players".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Clermont, Jules François</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bonifas, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Players, The Molière</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hitchcock, Alfred</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/aventure-malgache/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">89a8b0ae-729b-41d3-bfb3-56b75fca978d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240820s1929    xxk109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Piccadilly</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Stunningly designed and photographed, Piccadilly brings a sparkling cocktail of influences to its presentation of 20s London, from West End glitter to a seedy dive bar in cosmopolitan Limehouse. Tragic heroine Shosho (Chinese-American star Anna May Wong) beguiles her way from lowly nightclub kitchen hand to the star attraction; but will a love tryst with her boss be this deco diva's undoing?</subfield><subfield code="b"> Director E.A. Dupont was a German émigré who brought an international flair to late-1920s British cinema. Shosho's dance routines exploit the contemporary fad for eastern exoticism, but Dupont also offers a rare depiction of London's Chinese community and tackles the then risqué subject of interracial sex - though the censors ruled out an actual kiss between Anna May Wong and co-star Jameson Thomas. Piccadilly was restored by the BFI National Archive and is presented here with a specially commissioned score by Neil Brand.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gray, Gilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wong, Anna May</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dupont, E.A.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/piccadilly/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">eb256ebc-35bd-4c44-ae2a-bd0304696e3e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240820s1965    xxk028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Boy And Bicycle</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ridley Scott’s first film – featuring his younger brother, the late Tony Scott, as a schoolboy playing truant for the day to meander around Hartlepool on his bicycle – is a far cry from the director’s Hollywood blockbusters, a lyrical and highly personal evocation of the early sixties North East.</subfield><subfield code="b"> Taking inspiration from James Joyce’s Ulysses, Scott employs a stream of consciousness that reveals the everyday thoughts and frustrations of the teenage schoolboy. Scott shot in black and white on a Bolex 16mm cine-camera while studying photography at the Royal College of Art in London in 1962. In post-production, Scott was able to secure a score from John Barry, with the composer recording an original piece after being impressed with the young filmmaker’s work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Tony</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Ridley</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/boy-and-bicycle/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">027d0b54-bc82-48aa-b38f-d5fb048a7c44</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240819nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">TEST</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3358652e-7582-4178-9bab-3beb98c6a555</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240809nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">TEST FILM</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Blah Blah Blah </subfield><subfield code="b"> &lt;a href="https://w3schools.com/html/html_links.asp"&gt;HERE&lt;/a&gt;  You can watch episode 2 here: https://w3schools.com/html/html_links.asp</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1006ea40-2ebc-4094-88d6-4ea6c550bfd9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240723nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kurs Südwest 2</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4fbd906f-d3fb-4210-a6ae-2026341f84e3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240723nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Culpa 2</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a875574f-ed5e-4ad9-9052-25d78f914d1f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240723s2018    gw 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Symphony of Now</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the feature-length film Symphony of Now, a range of urban panoramas, personal ciphers and nighttime stories unfold under the guidance of director Johannes Schaff. Revisiting the avantgarde approach of Walther Ruttmann’s Berlin – Die Sinfonie der Großstadt, the 1927 film that describes a typical day in Berlin, Symphony of Now offers a kaleidoscopic sequence of scenes and images from nighttime Berlin. Using the camerawork of filmmaker Lil’ Internet and Alexandra Weltz, in addition to his own cinematography, director Johannes Schaff leads the viewer past urban panoramas, along recognisable junctures, to private moments and secret places. The films aural backbone is provided by a score curated by Innervisions’ Frank Wiedemann, with kindred Berlin musicians spanning several eras.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schaff, Johannes</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c76b52a0-9d2b-4301-bca6-f2129b4660d9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240723s2020    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kein richtig falsches Leben</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The ecovillage "Sieben Linden" in Northern Germany, founded 1997, is present on television and in the print media and is admired for its small ecological footprint which is only a third as large as the German average. However, the challenges of such a sustainable life in community are not subject in such short reports and articles. While sustainability, good living and personal freedom have to be permanently balanced, the film shows with a lot of humour the great but also the hard sides of such a life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Würfel, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">745c43f9-c476-4413-9813-bf1b7b5a01ac</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240716s2023    gw 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kurs Südwest</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The student Lukas Borchers fulfils his dream by embarking on an adventurous journey through southern Europe in his kayak. Starting in Geneva, he paddles across France via the Rhône and the Loire, reaches the Atlantic in Saint-Nazaire and continues his journey along the coast, switching to an old sailing boat in autumn to avoid the difficult conditions.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borchers, Lukas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borchers, Lukas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4108f54e-26ff-4b49-af65-ae4e6a41d5db</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240716s2020    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Culpa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In her new film CULPA, director Ulrike Grote tells the story of a couple who deals with a tragedy in very different ways. Although the event happened years ago, it remains omnipresent for the two main characters and has determined their lives ever since. Now they have reached a point where they have to choose whether or not to stay together or split up.</subfield><subfield code="b">  With her improvisational drama CULPA, director Ulrike Grote dares to do an experiment. With the two actors, Janna Striebeck, Joachim Raaf, and DOP Thomas Vollmar and sound operator Julian Mölich, the film was realized in 11 days of shooting in France and Marbella, Spain – without a script, without a budget and with no additional team. Ulrike Grote, who launched the project, set the story and the direction of the scenes. The rest was up to the two talented main actors and a cameraman whose images are very natural and documentary-film like.  The result is a film – as real as life itself.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Striebeck, Janna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Raaf, Joachim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grote, Ulrike</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bb361e0e-e83c-40f6-94b3-2a5a1bd35bf1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240716s2021    fr 124        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">heb</subfield><subfield code="h">kur</subfield><subfield code="j">fre</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">sz</subfield><subfield code="c">fr</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Neighbours</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nachbarn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A small village on the Syrian-Turkish border in the early 1980s: Six-year-old Kurdish boy Sero experiences his first school year in an Arab school and has to watch as his small world is radically changed by absurd nationalism. With a fine sense of humour and satire, Mano Khalil's new film tells the story of a childhood that also has some light moments under the Assad dictatorship.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khalil, Mano</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/neighbours/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">59d9eee8-1594-44ff-acbe-2e692a841998</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240711s2022    gw 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">tz</subfield><subfield code="c">de</subfield><subfield code="c">tz</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kilimandscharo - Diesmal mit Krücken</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mountaineer Thomas Lämmle climbed eight-thousanders such as Mount Everest without supplemental oxygen. After a serious paragliding accident in 2020, which he only just survived, he was confined to a wheelchair - with the suspicion that he would never be able to walk again. However, he could not come to terms with this. He began to train hard and set himself a goal: to climb his beloved Kilimanjaro once again. "And if that's only possible with crutches, then so be it," he said at the time. </subfield><subfield code="b">In September 2021, Thomas Lämmle will climb Africa's highest mountain on crutches. His doctor would later describe this as a minor medical miracle. On the way, the high-altitude researcher explains to his six Swabian companions, who are climbing for the first time, how high-altitude mountaineering works. And he explains the secret behind the breathing technique he has researched, which makes everyone more efficient at altitude - whether on Kilimanjaro or Mount Everest.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scheyer, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7c5ba64b-6da7-4136-b453-8367e8890da4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240708nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">TEST</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6999ae26-ff7d-4c62-8b37-e60337f750e5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2020    gw 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vier auf vier Rädern</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Can a family with two children explore South America for months in an expedition camper without giving everything up in Germany? Yes, it is possible.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Papenroth, Uwe</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stocks, Sandra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f8f2f4b7-b67d-478b-8dd1-5c983a7b14e4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2020    gw 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">rus</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lines of the Silk Road</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lines of the Silk Road is movie about the courage to travel into the unknown. Daria and Christoph escape and leave behind their jobs and their secure live in Germany, to travel the world and experience new adventures.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schaaf, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dd640784-804e-44c8-9a69-4236def7ec27</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2018    gw 117        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Ein Viertel der Welt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A journey into the unknown, in your own car through Africa. Foreign cultures and new experiences without security. Tobias Köhn, a young man from Krefeld, is no longer happy with his job. Something has to change, otherwise he has the feeling that he will be trapped for the rest of his life in a routine that doesn't make him happy. He buys a small off-road vehicle, builds it himself and embarks on an adventure trip to South Africa. An extraordinary journey that quickly becomes a journey to himself. He makes new friends, gets to know new cultures and the continent and finds out what he is made of during the trip!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Köhn, Tobias</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3a94da89-92ae-4a6a-9567-7e366ab227e1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2021    fr 117        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">ku</subfield><subfield code="a">qa</subfield><subfield code="a">ts</subfield><subfield code="a">xxk</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">kw</subfield><subfield code="c">qa</subfield><subfield code="c">ae</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Our River...Our Sky</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kulshi Makoo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The narrative in Our River…Our Sky (aka Kulshi Makoo in Arabic) is set against a background of sectarian violence in the last week of 2006, between Christmas and the Adha Eid. It tells the stories of ordinary Iraqis trying to live their everyday lives in Baghdad, the capital; despite unpredictable violent events, which put them in peril. Sara, a single mother and novelist, shocked into silence by the surrounding violence, has been unable to write one word of fiction. Shortly before the New Year, following unexpected news, Sara and her neighbors brace themselves for an uncertain future while trying to sustain a fragile sense of hope.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Joundi, Darina AL</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Joda, Zainab</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hashimi, Amed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abbas, Meriam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pachachi, Maysoon</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/our-river-our-sky/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d718e800-b925-4d77-adb1-a336aa680e58</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2020    bn 120        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bn</subfield><subfield code="a">ci</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">rb</subfield><subfield code="a">xv</subfield><subfield code="c">ba</subfield><subfield code="c">hr</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">rs</subfield><subfield code="c">si</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Father</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Otac</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A small town in Serbia. Nikola, day laborer and father of two, is ordered to give up his children to social services after poverty and hunger drive his wife to commit a desperate act. Until he can provide adequate conditions for their upbringing, the children will be placed in foster care. Despite Nikola’s best efforts and several appeals, the head of the social services centre refuses to return his children and his situation seems hopeless. But when Nikola discovers the local administration may be corrupt, he decides to travel across Serbia on foot and take his case directly to the national ministry in Belgrade. Against all odds and driven by love and despair, this father refuses to give up on justice and his right to raise his children.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bogdan, Goran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Isaković, Boris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Šargin, Nada</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Janevski, Milica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hamzić, Muharem</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Šantić, Ajla</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Džanković, Vahlid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marić, Milan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maksić, Jovo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rakočević, Nikola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Golubović, Srdan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/father/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2937139a-e9e7-42ed-8815-acb74064f5b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2006    gw 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Summer 04</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sommer 04</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Summer holidays on the Baltic Sea: Miriam, André, their 15-year-old son Nils and his 12-year-old girlfriend Livia are spending a harmonious vacation on their sailboat and holiday home on the Schlei. Until Livia starts a relationship that is more than platonic with Bill, a 38-year-old American who moves into a house nearby. Miriam wants to protect the young girl but ends up entering into a relationship with Bill herself which leads to an emotional crisis. At its 2006 premiere in Cannes, ‘Summer ’04’ was celebrated for its mixture of lightness, in the style of Eric Rohmer, and the escalating discomfort of Michael Haneke.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krohmer, Stefan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8e50d5dd-f76e-4a51-977c-ae92e8b32261</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240619s2021    fr 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">lu</subfield><subfield code="a">ti</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">lu</subfield><subfield code="c">tn</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sharaf</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The microcosm of the prison reflects the unimaginably complex life situation of people in Arab countries who suffer under dictatorships and poverty - and at the same time have to cope with a deeply unjust global economic system. Sharaf decides to climb the social ladder of the prison, but he will have to pay a high price.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Munirawi, Ahmed Al</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samra, Fadi Abi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Houissa, Khaled</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cherni, Jihed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nasr, Samir</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/sharaf/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1f36dd3a-2e2f-4a05-a708-ca86edc8bed9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240618s2023    gw 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield><subfield code="p">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sanitatem</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Widespread power cuts across Europe have separated Ilay from his family. Now he is trying to find insulin in his devastated home country of Germany in order to save the life of his daughter, who is all he has left. During a fierce fight with two brothers, Ilay saves the life of the young doctor Loana, who now helps him. Although Loana is not alone in this apocalyptic world, Ilay takes her with him, because only with her help can his daughter survive.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hoefner, Felix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tiltmann, Margaux</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Homann, Wolf Danny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krebs, Tobias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faix, Leon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Böttcher, Stephan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kleinfeld, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8e21390f-5f61-471e-83c5-bb637707db03</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240618s2018    gw 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">xxu</subfield><subfield code="c">de</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Finding the Beauty</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In this documentary film, Brede explores the art world in Berlin and New York City from the early 1990s to the present day. The connection between the cultural DNA of both metropolises is clearly shown in the film, while at the same time depicting the contrasts in the artistic development of both cities. The film takes the viewer through the lives of artists into the world of success and struggle, of desires and needs. It is a portrait of both cities that connects a group of artists from the fields of art, music, film and design and tells us how, when and why it all began.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Monk, Jaybo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mendoza, Ryan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lorenz, Flake</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heath, Ebon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schreifels, Walter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teboul, Augustin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sikorski, Ryan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brede, Lennart</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1a328cbb-b9e5-47a4-b76d-3338eb41e71a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240607s2017    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sp</subfield><subfield code="a">xxk</subfield><subfield code="c">de</subfield><subfield code="c">es</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">El Septimo Sentido - I am a dancer. Von der Kunst zu leben.</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Being ignored is worse than somebody hating you.</subfield><subfield code="b"> Dance documentary that accompanies 3 passionate female Spanish dance-artists across Europe: What is the value of Art in our current times of crisis and shortenings? Avatâra (choreographer), Eugenia(ballet teacher) and Alejandra (dancer) talk about the decision to either leave home and building up a new life in UK or Germany or staying in Spain and also starting from zero. A movie about friendship, passion, coherence and lonesome struggles, depending on each other to survive as artists, the desire to have a home and the absolute will to be perceived – a very personal insight against the background of the current unstable situation in Europe: migration of artists, shortenings of fundings, the current gender-debate in the UK.  Avatâra Ayuso: I had so many no´s in my life – so so many… Ok! Shame! But I really want to do it!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayuso, Avatâra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bañjo, Alejandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morales, Eugenia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abendschein, Silke</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">51d5c87d-4ff5-41a0-a722-eba7facb4d86</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240523s2018    it 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Friedkin Uncut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Friedkin Uncut offers an introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist &amp; Sorcerer. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and stories that have influenced his life and his artistic career. Thanks to an ‘all star’ cast of friends and collaborators (including Francis Ford Coppola, Quentin Tarantino, Willem Dafoe, Matthew McConaughey, Ellen Burstyn, Michael Shannon), we discover stories, anecdotes, and discuss what being an artist really means in order to celebrate the one and only Billy Friedkin and the fun and passion of making art.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Friedkin, William</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Coppola, Francis Ford</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tarantino, Quentin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dafoe, Willem</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McConaughey, Matthew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burstyn, Ellen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shannon, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chazelle, Damien</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zippel, Francesco</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f9905129-62b8-48d9-9ad6-6621f39465d5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240522s2011    fr 043        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Souvenirs of Serge</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mes images privées de Serge</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thirty years after their separation, Jane Birkin goes back, dipping into the memories of the family holidays she shared with Serge Gainsbourg. With her typical honesty wit and tenderness, she commentates on her own super 8 films. Serge the protector, the clown, looking after the children, quite another image of the now so famous man, adored and respected, and so terribly missed. Here, we are witness to this sensitive shy man, irresistibly funny and kind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gainsbourg, Serge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Birkin, Jane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">137bf0ee-7d9e-4458-ac27-b3ed0aebefbc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240522s2021    fr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Jane by Charlotte</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jane par Charlotte</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With the tremor of time passing by, Charlotte Gainsbourg started to look at her mother Jane Birkin in a way she never did, both overcoming a shared sense of reserve.</subfield><subfield code="b"> Through the camera lens, they expose themselves to one another, begin to step back, leaving space for a mother-daughter relationship to unfold.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gainsbourg, Charlotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Attal, Jo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Birkin, Jane</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gainsbourg, Charlotte</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f5afa3ab-6d65-4b73-ab9d-2e2728a09ea3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240418s2022    gw 059        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sore Legs - Race Across Germany</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two friends race across Germany on their racing bikes, closely followed by their crew in a camper van. Markus and Demian are taking part in the 2021 "Race across Germany," one of Germany's longest and most challenging bike races. Non-stop, day and night, the two friends ride 1,100 kilometers from Flensburg to Garmisch-Partenkirchen and have to push themselves to their physical and mental limits time and time again.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Laviano, Renan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">687e83af-3a74-421f-be77-5d19afb6becd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240418s2021    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">So Weit - Ein Fahrrad, eine Gitarre und 1400 km Neuanfang</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A crazy idea turns into a crazy, life-changing experience, which Till Seifert has summarized in the fascinating 75 minutes of the documentary. A life-affirming film about the most beautiful German landscapes, physical and mental challenges, and touching singer/songwriter concerts in the middle of the first wave of the pandemic that paralyzed the world like no other natural event. In a time when musicians were condemned to "do nothing" and the cultural scene was about to come to an end, Till did not wait for the mountain to come to the prophet but set out on his own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seifert, Till</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ede9decb-1b9b-43e5-87ff-3cfdd141ffc6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240417s2021    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mein Vater, mein Sohn und der Kilimandscharo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is the story of father and son fighting their way through the wild of Eastafrica accompanied by the Massai- Nomads, following their ambitious and challenging dream to climb the top of the Kilimanjaro. 30 years ago father Achill wanted to experience this adventure with his father, after he travelled 28 deserts by foot and camels. Then he got injured and his father left by himself, taping his whole journey on a cassette. 30 years later Achill and his son Aaron start the same journey to Tanzania. Following the fathers and grandfathers tracks, they experience the beautiful wildlife of the Serengeti and breathtaking landscapes, facing their final challenge: the Kilimanjaro with its 6000 meters height. But again a injury makes the path up hard and dangerous and lets father and son question their ambitious dream to reach the top of the Kilimanjaro.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moser, Aaron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7b81dfa-fbc7-4b78-9bd9-26fb95cf7b0a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090302.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240417s2021    gw 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ic</subfield><subfield code="c">de</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Hotspot - Iceland Between Mass Tourism and Loneliness</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hotspot - Island zwischen Massentourismus und Einsamkeit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Iceland benefits greatly from tourism. The island nation became famous after the eruption of Eyjafjallajökull in 2010 and has been experiencing a visitor boom for years. However, many Icelanders are paying a high price for this. The home of thousands of people is changing drastically. Nature is being destroyed and the otherwise idyllic and lonely regions are being overrun by thousands of tourists. Three young filmmakers from Schleswig-Holstein take a detailed look at the advantages and disadvantages of tourism on location, conducting interviews with experts and locals who experience the sunny and dark sides. The filmmakers take viewers on their journey and let them look behind the scenes of their debut feature film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Viering, Carlos</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Köhn, Tom</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4cfb0c33-93e1-4bd7-bc92-66675594ed98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240412s2014    gw 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">On Direct Detour</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Auf direkten Umweg</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Auf direktem Umweg (On direct Detour) tells the story of Niklas and Leo who try to reach the capital of Mongolia with their little, green Twingo.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caspari, Leonard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e25ea2a7-e58d-4f21-b399-8a81d5e8d9c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240411s2022    gw 109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Munay tanzt - Eine besondere Reise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Munay, a lovely elderly lady, 75 years old, radically burns all bridges to find herself after 27 years of Black Forest idyll.</subfield><subfield code="b">She wanders once across Germany. From Konstanz to Flensburg. Alone, with a small tent and light luggage.  Mario Kanzinger accompanies her in stages with his camera. An emotional journey into the past and into an uncertain future.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kanzinger, Mario</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5fbdb5b6-3d47-401a-bf8c-49297d54c251</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240404s2013    ci 112        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">rb</subfield><subfield code="a">xv</subfield><subfield code="c">hr</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">rs</subfield><subfield code="c">si</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Circles</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Krugovi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Bosnia - 1993. In the midst of the Bosnian war, Marko a Serbian soldier witnesses the bruta aggression of Haris, a Muslim civilian, by three fellow soldiers. Marko interferes and saves Haris but is beaten to death by the infuriated soldiers. 2008. The war is over but the wounds of the conflict are still open. Marko’s father is rebuilding a church, he is offered help by one of Marko’s killers’ son and hesitates about accepting it. Marko’s friend, a renowned surgeon in Belgrade, faces terrible choices when told to operate on one of the three soldiers on the verge of death. As for Haris, he now lives in Germany and is faced with a unique opportunity to repay his debt to his savior.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berček, Aleksandar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lučev, Leon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Glogovac, Nebojša</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rakočević, Nikola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Popović, Hristina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Isaković, Boris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kostić, Vuk</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Golubović, Srdan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9d90065b-c386-4c91-9add-728805b9ee8b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">240404s2019    gw 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Born for Korn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A fifth-generation family-run farm in the north of Schleswig-Holstein is taking new paths: Independent farmers with independent ideas!</subfield><subfield code="b"> With each generation change, the number of family-run farms in Germany is halved. Many are swallowed up by large industrialized operations, which now manage almost two-thirds of the cultivated land. The loss of a centuries-old tradition is imminent.  The Sierck family farm is one of these small operations. Father Jörn is a farmer and dairy farmer in the fifth generation on the farm in the northern Geest. His wife Gunda takes care of the on-farm dairy and the successful growing direct sales.  They consciously consider how the farm must be positioned in the future so that it can also feed the families that cultivate it in the sixth generation.  "Born for Korn" illustrates a positive example of peasant agriculture, an antithesis to industrial agriculture.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Arne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Jörn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Gunda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Malte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Hauke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sierck, Freidrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Szücs, Elmar</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heesch, Rainer</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Middleton, Niclas R.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0f1ce95c-19a3-49f2-ab4b-1f96bb0e03dc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231221s1908    fr 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Troubles of a Glass Widower</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vive la vie de garçon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After a domestic dispute, Max's wife leaves him and goes back to her mother. Max is overjoyed, but not for long: he had no idea how difficult housework could be.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Linder, Max</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d22edf18-d4b1-4a3c-9e1d-acb908deeb1c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231221s1920    xxu022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">One Week</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young couple is offered a house in kit. It remains only to go up her. It would be easy if a rival had not inverted the numbers of boxes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keaton, Buster</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roberts, Joe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seely, Sybil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keaton, Buster</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e73842db-1009-4844-8015-d9f3e448f781</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231221s1921    xxu024        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Haunted House</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Buster, a bank clerk, suspects his boss of fraud. He goes to see his boss, whose house seems to be inhabited by ghosts... unless they are counterfeiters.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keaton, Buster</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">24716739-5645-4844-94ea-8ece8afb831f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231220s1920    xxu020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Scarecrow</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Malec and Pylade, two bachelors living in a house they have skilfully converted, are in love with the same young girl. 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He falls in love with a young girl who has been kidnapped by gypsies. Edna, who lives in squalor in a gypsy caravan, is chosen as a model by a passing painter. The painting is exhibited, and her very rich mother recognises the daughter she has lost for years. 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M.</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An incredible acting performance, inspired by the music-hall number "The Inebriate", which was Chaplin's hit on stage with the Karno troupe. The Nightingale returns home after drinking too much. All the familiar objects become hostile and prevent him from going to bed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chaplin, Charlie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">57d78703-4b31-4ec3-86af-89e5d77c6d78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231218s1915    xxu014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">By the Sea</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a very windy day at the beach, Charlie walks past a man who is waiting for his wife. Both have hung their hats on a string to keep them from flying off. Their strings get tangled and they quickly come to blows... They eventually make up and eat the ice cream cone together, but fight again when it's time to pay.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Armstrong, Billy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reiger, Margie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jamison, Bud</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Purviance, Edna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chaplin, Charlie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6ca302d4-0251-4e51-89db-f36bcdc74637</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231215s1961    xxc007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Opening Speech</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Discours de bienvenue de Norman McLaren</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An animated film showing McLaren trying to welcome the audience to a film festival. A microphone that possesses his life and will prevents him from doing so. 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       o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Ocean Waif</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An abused woman finds love in the arms of a famous novelist.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blackwell, Carlyle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fraunholz, Fraunie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kenyon, Doris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Norton, Edgar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blaché, Alice Guy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">66cce114-16b7-4fe7-82d0-1848ba58ca8d</controlfield><controlfield 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code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In this drama about a man addicted to gambling and the woman who loves him, Guy Blaché is a master of cinematic space and sets up the action well in the foreground and background of the frame. 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It's love at first sight for young Florence, much to the despair of Jake, who is hopelessly in love with her.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blaché, Alice Guy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1a3679a9-ce46-454a-b625-02e9ac4c13a7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231214s1913    xxu014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A House Divided</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A married couple decide to live separately together.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blaché, Alice Guy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ef12cda5-56f2-4aee-889f-65bb0f0057c9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231214s1912    xxu012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Falling Leaves</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the opening scene, Dr. Headley demonstrates the success of his cure for consumption. He is congratulated by his colleagues. Meanwhile, it is autumn and Winifred is seriously ill with consumption. Her mother and younger sister, Trixie, are distraught. The family doctor tells Winifred's parents that she will die by the time the last leaf falls. Trixie takes these words literally; after the child is tucked into bed, she sneaks outside and starts tying fallen leaves back on branches with string. Passerby Dr. Headley sees her and learns from her what she is doing. He is led into the house where he administers an injection of his serum cure. Three months later, Winifred is well on the way to recovery. 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He raises slowly towards the center of the country, pushing the population on roads. In front of the inexorable moved forward of the cloud, it is the widespread panic. This cumulus is acid.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chaussoy, Antonin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khammes, Sofian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wyler, Maud</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Philippot, Just</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2bc9bcc7-ddd9-42e3-af6e-af695d950127</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231214s2014    fr 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tempête sur anorak</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A storm reaches the shores of brittany. Natures drives crazy, two young scientists get caught up in the chaos. 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She just caught a recrun of” He Died With His Eyes Open” on TV, and realized that she has been erased and replaced by another actress : Liz Gareth, who the media is calling “the new Charlotte Rampling”.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rampling, Charlotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caubère, Philippe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Darmon, Gérard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fonte, Vanessa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lahmi, Jean Michel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nakache, Géraldine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barcelo, Didier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-end/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a9c8e0e4-3b43-41fd-8747-5fb89ddf504e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090303.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231214s2014    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Planet ∑</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Planet Sigma, giant creatures are trapped inside the ice. 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A kind of super scanner that not only diagnoses but also heals depending on the patient’s means. 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They set off in a shell fired by a giant cannon. Arriving safely on the moon, they met its inhabitants: the Selenites, escaped their king and returned to earth in their shell, which had fallen into the sea and was rescued by a ship. 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She undresses with the help of her maid, who then pours water over her back with a jug.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/after-the-ball/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1dbf8a03-7252-4083-825b-520f6d4635ba</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1906    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Witch</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Fée carabosse ou le poignard fatal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young troubadour comes to consult the famous Fairy Carabosse to find out what the future holds for him. But the young man has no money, so he pays for the talisman with a purse full of sand. Carabosse is furious and swears revenge. After much hardship, the troubadour manages to free the charming princess, whose image the witch had made appear to him. The young couple marry, while the good druid sends the fairy to the bottom of the sea.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-witch/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">609b2e56-ec94-4709-b386-e232af285192</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1902    fr 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="242"><subfield code="a">An Impossible Balancing Feat</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">L'équilibre impossible</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A lone man, dressed "à la française", walks towards the audience. He takes off his jacket and finds himself wearing a shirt. He then performs various acrobatics and becomes four identical characters, one of whom is placed on his head and the other two in his hands.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/an-impossible-balancing-feat/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c99dc82d-fdea-4411-a34e-0fa5b3efc235</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1903    fr 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Infernal Cauldron</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le chaudron infernal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The demon Belphégor, who carries out the dirty work of hell, burns three unfortunate victims in his infernal cauldron, whose ghosts rise into the air and then disappear. The demon then throws himself into his cauldron.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-infernal-cauldron/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8b30e1f9-e290-4c45-8e18-e7fe81e90f18</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1909    fr 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Diabolic Tenant</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le locataire diabolique</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A tenant gifted with magical powers takes all his furniture - and even his family members - out of his travelling bag! Unable to pay the rent, he moves out at the drop of a hat.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-diabolic-tenant/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">969027a9-5abc-436d-8599-2f7a02333e3c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1903    fr 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Melomaniac</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le mélomane</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Accompanied by his pupils, a music lover uses telegraph wires as a musical staff. He hangs his own head on them to form the notes of the first three bars of the English anthem.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-melomaniac/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f4391f4a-1eaa-4dba-8574-98c6f608cab8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1903    fr 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Kingdom of Fairies</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le royaume des fées</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Princess Azurine is betrothed to Prince Bal Azor in the presence of the fairy godmothers. But they forgot to invite the witch, who is furious and takes her revenge by having the princess kidnapped. Her fiancé sets off in search of her and, after many adventures and trials, finds her and marries her amid the court festivities. The witch is put to death.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2fba7ada-4538-4a7b-9394-f22b32a3eec9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231213s1906    fr 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Hilarious Posters</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Les affiches en goguette</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Advertising posters come to life, talking to each other and then bombarding town sergeants who have come to see the commotion in the street. The posters fall on them, and they find themselves hanging on a grating, while the living characters from the posters parade past them, mocking them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-hilarious-posters/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">66b3ce97-1e21-4c23-8188-60e2d7c80a7c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231212s1898    fr 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Four Troublesome Heads</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Un homme de tête</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A gentleman appears and takes his head from above his shoulders and places it to his left on a table, a second head having returned to him, he takes it again and places it next to the first. The two heads converse with each other, as well as with the figure to whom a third head has returned, which he removes again and places this time on his right, and gives a concert with his four absolutely identical heads. He makes the three heads placed on the tables disappear, takes the one on his shoulders, throws it away and another one immediately falls to him.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">53fd852c-fb7a-451b-a375-a4420647b309</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231212s1901    fr 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Brahmin and the Butterfly</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Chrysalide et le papillon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An oriental magician transforms a giant caterpillar into a female butterfly, depriving her of her wings to keep her close to him. But she takes her revenge.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Méliès, Georges</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">42b67506-0e1e-4c33-a6a0-d2b6727a9d48</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231212s1905    fr 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Crazy Composer</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le Compositeur toqué</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A composer in need of inspiration finally falls asleep in his armchair. 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He breaks them into a hat, beats the whole thing as if to make an omelette, and pulls out an egg as big as the hat. 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code="a">Le Bunker de la dernière rafale</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Shut away in a bunker during an unspecified time in the future, a group of servicemen live in an atmosphere of constant tension and madness, on the look-out for a hypothetical and invisible enemy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caro, Marc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jeunet, Jean-Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caro, Marc</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/le-bunker-de-la-derniere-rafale/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4e7929e1-b75e-4813-9e59-85c2de71865f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231212s2016    fr 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield 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code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two snails set off to the funeral of a dead leaf.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bauer, Sarah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Becker, Jean-Pierre</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bettenfeld, Dominique</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cancelier, Urbain</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cornillac, Clovis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deutsch, Lorànt</subfield><subfield code="4">act</subfield></datafield><datafield 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code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marielle, Jean-Pierre</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marsac, Laure</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Merlin, Serge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moreau, Yolande</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neuwirth, Chantal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paroux, Patrick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perron, Claude</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pinette, Ludovic</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pinon, Dominique</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tautou, Audrey</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thomassin, Florence</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiatr, Juliette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jeunet, Jean-Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Segaud, Romain</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/two-snails-set-off/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6dbe5651-c45b-4abe-b7f4-440984bad547</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231108s2017    bl 135        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">fr</subfield><subfield code="c">br</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Good Manners</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">As Boas Maneiras</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny of her unborn child. Against all odds, the two women develop a strong bond. But a fateful night changes their plans.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zuaa, Isabél</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Estiano, Marjorie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lobo, Miguel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rojas, Juliana</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dutra, Marco</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4ea4d1de-2312-4ef8-aa19-a31f9e3ed572</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231023s2007    gw 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sw</subfield><subfield code="c">de</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">You, the Living</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Du Levande</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. 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He has ran away so she starts her recovery by herself, slowly. Strange sounds, objects that change places, shadows and voices that follow her: Juana doesn´t know if her husband is hidden there, everything is a figment of her imagination, or the house is haunted by a ghost…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cartasegna, Cecilia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carrazzone, Emiliano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Monteoliva, Jimena</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f4979cd5-c7cf-4bd0-b37c-53a61ef62933</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231013s2019    ag 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Kill the Children</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Morirán los niños</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mara, a 30-year-old nanny, is in charge of two children she only gets to watch through an electronic device. 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As Mary writes, the characters of her novel come to life and begin to plague her relationship with Percy. Soon, she must choose between true love and her literary masterpiece.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Unkel, Nora</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b9ed4696-e369-4091-8d19-7aa0ce8bb0d5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231012s2023    ke 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rise of the Phoenix</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ajabu Olailepo, a spirited city girl who gets separated from her mother following the death of her father, has to fight her way off the village to escape her bizarre captors who are also her extended family in a bid to reject their community’s cataclysmic rituals.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koech, Moreen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andayi, Terry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogege, Dullo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kawira, Glory</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wang'ombe, Ngumi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2c98507b-9389-43ab-be7b-4b4b7e8146af</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231011s2022    ke 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">som</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="a">so</subfield><subfield code="c">ke</subfield><subfield code="c">so</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ayaanle</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ayaanle is the story of a 21 year old Somali boy living in Nairobi, with dreams of becoming a world famous actor. His life is turned upside down through a series of unlikely and unfortunate events as he is forced to defy the odds for his survival.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abdirahman, Barkhad</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tokodi, Pascal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ali, Mariam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mohammed, Amina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lungaho, Blessing</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Farah, Ahmed</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ayaanle/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bb41ff0d-696f-43ad-97de-08ab360e41a4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231010s2021    ke 118        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Taliya</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In an idyllic fishing village off the coast of Kenya, BABU, a poor but ambitious fisherman, ensnares TALIYA, a mermaid-like water spirit, in stolen nets. Unable to get his 'three wishes' (or is it five) as told in the village's stories of old, Babu decides to exploit Taliya as a grand magical theatrical exhibit instead. He employs the Village Storyteller to help sell his story to the masses, and soon comes to conflict with the Chief's Son and a White Missionary Priest, who wish to end his act. But Taliya herself just wants to go home and so must effect her own plan, using Babu's MAL-FORMED eight-year-old son as a crucial part of her exit strategy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maina, Olwenya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belle, Mwajuma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Omari, Joseph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogola, Brian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mwanjila, Arnold</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/taliya/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9dbda7cb-2653-43b3-9bf5-f8962a397261</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231009s2020    sx 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">afr</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sx</subfield><subfield code="c">na</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kapana</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">‘Kapana’ follows the story of George, insurance broker, openly gay, with a supportive family and friends and his meeting with Simeon, a kapana seller (kapana is the local name for barbecued meat) who doesn’t want to accept he is gay and cannot imagine a place where he could be happy having a relationship with a man.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Visago, Adriano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hanga, Simon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vries, Chanwill</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Garoes, Mikiros</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haiduwah, Foresun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hainane, Albertina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Talavera, Philippe</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">48590a72-fcf9-417a-bb93-1da7d839ea27</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231009s2022    cg 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cg</subfield><subfield code="a">ne</subfield><subfield code="c">cd</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Stop Filming Us, But Listen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Goma (DRC), Congolese filmmaker and journalist Bernadette Vivuya seeks funding for her decolonial film. At the same time, a Dutch crew wants to make a film about the conflicting perspectives of Goma, but is quickly confronted with the local community's refusal to be filmed. This sparks a conversation around power and trust, coloniality and representation. 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Emem decides to take him to stay with her Widower Father; Dr. Udoh who had retired and has been living in his country home since the death pf his wife. Bassey who has always searched for a place to belong finds it in his Grandfather's home. They form a bond which transcends that of relatives and he has to help his Grandfather who has a love trouble of his own; He is smitten by a nurse he meets on one of his walks but he has never been with another woman aside his late wife who he had been married to for over 53 years. Emem is still dealing with her crumbling marriage and is tempted when a wild painter she interviews for her magazine falls in love with her. Bassey also somehow gets entangled with an emotionally unavailable girl and all three are trying to overcome their loneliness.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ameh, Lucy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ehinome, Martha</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nadi, Daramini</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Utomi, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samuel, Asaah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nnadieke, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Umoren, Imoh</subfield><subfield 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code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When they meet a talented girl with no schooling, a teacher and young scout challenge tradition in a primal village, when the girl is chosen as the new wife of the village.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bright, Nchini Sylvia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jr, Eystein Young</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brown, Nchini Justin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Donalds, Mac</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Che, Syriette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samson, Vulga</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Romanus, Ngang</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/hidden-dreams/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">269d0fe5-af6c-43b5-b677-7e670ac9481f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090304.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231005s2022    sz 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">amh</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">gsw</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Urban Genesis</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ethiopian farmers and a team of international architects come together, in order to find a solution for the increasing rural exodus. Might a sustainable model city be the solution for the global urbanization crisis?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayelew, Tilahun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tilahun, Fitalew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tilahun, Agegno</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bayley, Tigabnesh</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hunziker, Dodo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">55d5268a-90f2-44ae-b064-3e71694cd7e9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">231004s2020    ne 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Stop Filming Us</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Based on the struggle of young people in Goma (Northeastern Congo) against the prevailing Western reporting about war and misery, Stop Filming Us investigates how these Western stereotypes are the result of a skewed balance of power.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Postema, Joris</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">59b0eb80-28f0-41a7-91b9-3ffd2af53d23</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230926s2016    no 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Grand Hotel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An alcoholic and a boy with Tourette's syndrome are forced to spend the whole week together in a luxury hotel.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Antonsen, Atle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vitali, Vera</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bøhmer, Håkon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fröhlich, Arild</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">800112ca-55de-4b56-ada8-99a2bd87e41c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230925s1981    xxk044        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Käthe Kollwitz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dramatisation of the last few months in the life of the German artist Käthe Kollwitz (1867-1945), taken from her letters and diaries.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bruce, Brenda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Orders, Ron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e9254f2a-d366-46c9-a946-efd2c71b580b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230912s1979    xxk045        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dread Beat and Blood</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A portrait of Linton Kwesi Johnson and the Brixton community where he lives and works as a poet-activist. The film inter-cuts poetry readings, recordings and interviews. The film contains footage of street riots and demonstrations, including one in Bradford where the crowd chant some of Johnson's verse. It also includes footage of Johnson at poetry readings and in the recording studio.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Johnson, Linton Kwesi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosso, Franco</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aab9952b-d8f3-4340-bb93-b9f1e018d528</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230912s1974    xxk072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">A Private Enterprise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Documents one Asian immigrant's problematic pursuit of both entrepreneurial success and social acceptance in the inhospitable setting of industrial Birmingham.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peer, Salmaan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zuber, Marc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sinha, Ramon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, Peter K.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cfc644bb-fbee-45d9-ac5e-edbeefbd825e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1999    it 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="a">xxk</subfield><subfield code="a">xxu</subfield><subfield code="c">it</subfield><subfield code="c">gb</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Silent Shakespeare</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A compilation of seven silent film adaptations of plays by William Shakespeare, accompanied by a specially-written score by Laura Rossi. Created from nitrate prints held in the National Film and Television Archive. They are: 'King John' (GB, 1899) directed by William Kennedy-Laurie Dickson, produced by British Mutoscope and Biograph Company, featuring Herbert Beerbohm Tree (King John), Dora Senior (Prince Henry) and F.M. Paget (Robert Bigot) the first Shakespeare film ever made, released both as a film in variety theatres and as a peepshow Mutoscope on the same day as Tree's production of the play opened at the Her Majesty's Theatre, London; 'The Tempest' (GB, 1908) directed by Percy Stow, produced by Clarendon Film Company, cast unknown; 'A Midsummer Night's Dream' (USA, 1909) directed by J. Stuart Blackton/Charles Kent, produced by Vitagraph Company of America, starring William V. Ranous (Bottom), Maurice Costello (Lysander) and Julia Swayne Gordon (Helena); 'King Lear/Re Lear' (Italy, 1910) directed by Gerolamo Lo Savio, produced by Film d'Arte Italiana, starring Ermete Novelli (King Lear) and Francesca Bertini (Cordelia); 'Twelfth Night' (USA, 1910) directed by Charles Kent, produced by Vitagraph, starring Florence Turner (Viola), Charles Kent (Malvolio) and Julia Swayne Gordon (Olivia); 'The Merchant of Venice/Il Mercante di Venezia' (Italy, 1910) directed by Gerolamo Lo Savio, produced by Film d'Arte Italiana, starring Ermete Novelli (Shylock), Olga Giannini Novelli (Portia) and Francesca Bertini (Jessica); 'Richard III' (GB, 1911) produced by Co-operative Film Company, starring Frank Benson (Richard III), Alfred Brydone (Edward IV) and James Berry (Henry VI), a condensed version of one of the Stratford productions mounted by the F.R. Benson Company.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dickson, William Kennedy-Laurie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blackton, Percy Stow, J. Stuart</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kent, Charles</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Savio, Gerolamo Lo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">12dcd0ab-473f-4dd7-9460-dc1bced2345c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1996    ja 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="a">mx</subfield><subfield code="a">xxu</subfield><subfield code="c">jp</subfield><subfield code="c">mx</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Death &amp; The Compass</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lonnrot, an infallible detective, declares war on the notorious outlaw Red Scharlach after Scharlach pulls off a particularly daring robbery. The mysterious murder of a Talmudic priest provides Lonnrot with a clue which leads him and Inspector Treviranus to the Liverpool Bar, in search of the kidnapped tipster Gryphius. From there, accompanied by atheist reporter Zunz, Lonnrot follows Scharlach to the Villa Triste-le-Roy, and unravels the greatest mystery of all.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boyle, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eccleston, Christopher</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandoval, Miguel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cox, Alex</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c37a2fe6-ed11-4c2e-9554-128bf6de9b87</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1953    xxk071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Man of Africa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Records the migration of a Uganda tribe to a foreign region and their relations with the pigmies they find there.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heath, Gordon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bijurenda, Frederick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mukabureza, Violet</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frankel, Cyril</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2854f99c-0279-453a-a0b6-aa9791cb5694</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1976    xxk070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Welcome to Britain</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Examines the application of Britain's Immigration Laws as it affects visitors from Pakistan, India, Bangladesh, East Africa and Cyprus and relatives wishing to join immigrants resident in Britain. Looks at the commercial advice and aid service for immigrants run by Reuben Davis and at the UKIAS, the free, government-sponsored United Kingdom Immigrants Advisory Service.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lewin, Ben</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9e80e525-623f-46a9-8b19-fcd41de2df53</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1986    xxk083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ballet Black</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">About the first all black dance company Ballet Nègres, created in 1946 by Berto Pasuka. Looks at the company's history and the attitudes towards it expressed through reviews and news coverage of the time. Young dancers rehearse and perform 'They came', a ballet about colonisation and exploitation. After 35 years a reunion of the original members of the company unlock memories that evoke the energy and excitement of the group.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bailey, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boatswain, Jacqui</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bryant, Beaux</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dwoskin, Stephen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b1dfbc79-f8a3-4842-a5da-05f8a24dbffa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230817s1998    xxk077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Speak Like a Child</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Charts the psychological journey of three friends, Sammy, Billy and Ruby, whose intense "menage à trois" relationship evolves in a children's home on the Northumbrian coast..Their lives are changed irrevocably by an event that spirals out of control.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">MacAninch, Cal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mylan, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fielding, Rachel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Akomfrah, John</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">79587e77-cd76-4aff-95bd-27daf913281d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230816s1997    xxk098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sixth Happiness</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fictional biography of the life of disabled author Firdaus Kanga, growing up in Bombay's Parsee community. Tells the painful and humorous story of a young Parsee boy growing up in Bombay with brittle bone disease. Surrounded by his eccentric family and friends, he faces life with wry pragmatism, and doesn't let "little" things, like his ribs breaking when he laughs, cloud his ambitions or restrict his lifestyle. A fictionalised account of the early life of the writer, Firdaus Kanga.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kanga, Firdaus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faress, Souad</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wadia, Khodus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hussein, Waris</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9db1632f-426d-47b9-8389-f5c124bd70fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230816s1984    xxk099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nineteen Nineteen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man and woman meet in Vienna in 1970 and together recall the events of 1919 when they were separate patients of Sigmund Freud. One was suicidal after a lesbian affair, the other unable to love except without sex. They discuss their memories of Freud and his analysis of their problems. These memories of 1919 are seen in flashback.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scofield, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schell, Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">(voice), Frank Finlay</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quick, Diana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Higgins, Clare</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Firth, Colin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brody, Hugh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3eb42f0c-2828-41cc-9195-903da2881a93</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230809s1983    at 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Girl's Own Story</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Story of schoolgirl adolescence in the 1960's.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shornegg, Gabrielle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haywood, Geraldine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knight, Marina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Campion, Jane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a608b34b-b618-4df7-b37b-da467e61ea6c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230727s1987    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ostia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Reconstruction of the events leading to the murder of Pier Paolo Pasolini.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jarman, Derek</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dipnall, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cole, Julian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">88043e2c-3ae6-4ac3-859f-84fe0a6644ce</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230726s1992    xxk022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Memories in Mind</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Four women from the Caribbean recall, candidly, stark memories of their migration to Britain in the 50s. A cricketer's wife, a budding concert pianist and two young brides all made a journey which changed their lives irrevocably. The stories are interspersed with dramatic recreations of their experiences.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Henry, Dollie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mark, Connie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Franklin, Maxine M.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walker, Merlin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thompson, Hyacinth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thompson, Shirley</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a02d0b5b-314e-4859-b68a-8db64653e140</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230725s1993    be 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">xxk</subfield><subfield code="c">be</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Anchoress</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Shere, in Surrey during the 14th century, 14-year-old Christine Carpenter claims to be in direct contact with the Virgin Mary. Despite the protestations of her parents, she follows the advice of her local priest and becomes an anchoress. She is voluntarily walled up into a tiny cell adjoining the local church and is actively discouraged from continuing her relationship with her family, devoting her entire life to prayer and surviving on charitable donations of food while dispensing advice to pilgrims.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morse, Natalie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bervoets, Eugene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Willcox, Toyah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Newby, Christopher</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b851c5fc-4e8f-4366-bb95-41fb9dc06dec</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230725s1999    xxk025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Luna</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mixture of animation and live action. Real and human rats.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nesbit, Beryl</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heppel, Keri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skinner, Gina Louise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neubauer, Vera</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f920f275-fab2-4524-8ee2-0dda4f98845f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230725s1983    xxk035        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Margaret Tait: Film Maker</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Portrait of Margaret Tait, including extracts from many of her films. In interviews, she talks about her introduction to the cinema in Italy and her move to Scotland where she began making her own films. She discusses the important influences of poetry, music and Eastern philosphy on her approach to filmmaking.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Williams, Margaret</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6801e103-429d-4f45-b686-63cb603e3baf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230725s1991    xxk022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Relax</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sympathetic account of the ten days elapsing between a young man taking an HIV test and receiving his results.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosch, Phillip</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oatley, Grant</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Searby, Joe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Newby, Christopher</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">271b4b30-12a0-49d7-a5ed-b379bcd2fa90</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230630s1997    |||080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">hk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Yang ± Yin Gender in Chinese Cinema</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A personal account of Chinese film history by Hong Kong director Stanley Kwan, who examines in particular issues of gender and sexuality. Includes interviews with a number of important filmmakers as well as the director's mother; Kwan also uses this film publicly to address his own sexual identity.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kam-pang, Stanley Kwan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2cb8d0ea-3661-4962-91e5-618ee0a21558</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230619s1991    gw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ostkreuz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Walll. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tonke, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baka, Miroslaw</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borsody, Suzanne von</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cammann, Stefan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barwicki, Gustav</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marcinkowski, Henry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klier, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3aee7505-e0e6-4a8a-a082-1def7781a0d1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230613s1963    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Christmas</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Weihnacht</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A boy is given a lottery ticket and wanders through the streets during Christmas time. The hustle of people, shimmering and flickering lights, electric toys behind the mirrored shop windows create the vision of the literal electrified streets during Christmas. Meanwhile, the boy dreams of flying; at the beginning of the film he observed a paper airplane. “Maybe he could even buy the toy in the end, but he doesn’t convert the ticket into money, but realizes his idea of flying and folds the ticket into an airplane.” (Rudolf Worschech, epd film 9/92)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klick, Roland</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0891e8d2-39be-494f-a1b1-bc5cad7aae98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230613s1970    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Deadlock</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young man, Kid (Marquard Bohm, Ali in FEAR EATS THE SOUL, THE AMERICAN SOLDIER, KARL MAY a. o.), stumbles through the Mexican Sierra, shot and half bled to death, carrying a suitcase containing the loot from a bank robbery. Passing out from heat and blood loss, he is found by Charles Dump (Mario Adorf, THE TIN DRUM, MANHUNT), a former gold miner living on the outskirts of ghost town “Deadlock” with his daughter (Klick discovery Mascha Elm-Rabben, later to appear in Schroeter’s BOMBERPILOT and SALOME or Fassbinder’s WORLD ON A WIRE).</subfield><subfield code="b">As Dump realizes what’s in the suitcase, he tries to come up with a plan to get rid of its owner. As they are joined by Kid’s partner in crime, the sadistic killer Sunshine (Anthony Dawson, DIAL M FOR MURDER, DR. NO a. o.), the conflict triangle is perfect. Soon it’s everyone for himself in a violent endgame under the glistening sun where only one can walk away with the suitcase.  Filmed literally days after the Six-Day War in a valley cornered by the Israeli and Jordanian armies still bristling with weapons, the intensity of the shoot translated directly onto the film; a tour de force in no man's land.  DEADLOCK is a dark, nihilistic tale of greed, corruption and codes of honor. A chamber play of Beckettian proportions, it is also a psychedelic Western as gritty as they come. The film's outspoken admirors ranging from Alejandro Jodorowsky to Steven Spielberg to Quentin Tarantino, DEADLOCK never loses pace and moves along with an intensity not to be found again in German film. With a soundtrack by legendary Krautrock band CAN!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adorf, Mario</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dawson, Anthony</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bohm, Marquard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rabben, Mascha Elm</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klick, Roland</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b75f30f2-4bb9-48e3-af91-46d7b1307116</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230612s1974    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Supermarket</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Supermarkt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Willi (Klick-discovery Charlie Wierczejewski) lives on the streets of Hamburg, always on the run. Being sheltered by a good-natured journalist who attempts to resocialize him doesn’t stop him from getting in trouble. While being involved with small-time crook Theo (Walter Kohut, A BRIDGE TOO FAR a.o.) who makes him work the streets, he falls in love with prostitute Monika (Eva Mattes, STROSZEK, ENEMY AT THE GATES, IN A YEAR WITH 13 MOONS a.o.). Willi comes up with a dangerous plan that will enable both of them to make their last great escape.</subfield><subfield code="b"> Not making its protagonist a welfare case but romanticizing it as a James-Dean-like outlaw was unheard of in German cinema of the time; SUPERMARKET was the first film to depict social reality in such an immersive way. As much as it is a carefully orchestrated action film, SUPERMARKET encompasses the hopes of a generation of young people who thought of themselves as both misunderstood and rejected and is rightfully a landmark of 70s cinema. The style of Director of Photography Jost Vacano, whose legendary tracking shots became part of cinematic lore, can be traced back all the way to SUPERMARKET: faced with the difficulty of having to run after its protagonist and to produce the now-legendary heist scene, Vacano levelled the camera gyroscopically, a technique he would later use in DAS BOOT. Hence, the camera becomes one with the spectator's eye: with an intense knowledge of the milieu it depicts, the audience follows protagonist Willi, acting in a story not to far from his own, through the shady bars and back yards of Hamburg of the 70s. The camera’s moveability matching that of the protagonist, SUPERMARKET creates a gripping experience of a restless, homeless life on the run.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wierzejewski, Charly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mattes, Eva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Degen, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klick, Roland</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">07cb02c8-94b0-49e4-82f2-8c770869a831</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230609s1983    gw 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">White Star</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Berlin, 1981. Ken Barlow (Dennis Hopper), a washed up tour manager, hit his peak as a road manager for the Rolling Stones but things have been going downhill for him ever since. He has found salvation in Moody (Terrance Robay), an up and coming synth-pop artist, who he vies to take straight to the top of the pops. Obsessed by the idea that all publicity is good publicity, Barlow, together with his accomplice on the streets (David Hess, THE LAST HOUSE ON THE LEFT) incites a violent punk riot at Moody’s first concert. But that is only the first glimpse into Barlow’s bag of tricks that sends both him and Moody down a ever more destructive path.</subfield><subfield code="b"> On one hand, WHITE STAR is a film about the corrupt machinations of the entertainment industry, about cultural and personal myths, about father figures, childhood hopes, an almost metaphysical tale of purity and depravation – and the obligatory downfall of Ken Barlow who, despite proclaiming Moody’s music as “the damn future”, still cannot let go of his past. On the other hand, it is a film about the congruence of a film performances and private life: WHITE STAR is the last film starring Hopper before being arrested for drugs in Mexico and disappearing into rehab. The shooting of the film proved to be problematic, to say the least. Hopper comes dangerously close to the figure he portrays – and the only scenes that made it into the film show Hopper on a frenzied cocaine high. Nevertheless – WHITE STAR shows one of the most intense, ruthlessly unadulterated performances Hopper has ever put to screen.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robay, Terrance</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hopper, Dennis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klick, Roland</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cc9288ef-4305-4093-a8f4-4d68d74ad950</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230606s1990    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Open Universe</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Das offene Universum</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The whole world in one film:</subfield><subfield code="b"> Robert, a young Dane, is shanghaied in Marseille, and via Acapulco he is abducted into the South Pacific. There he kills his father and seduces his mother. Then he explores the changing world. The end finds him in a Polynesian village, where the chief bestows him with a girl of his age-class. A novel of adventure, a novel of love, also an oratory of some sort.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hemmerling, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Swinton, Tilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zischler, Hanns</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rhode, Eckhard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wyborny, Klaus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">964a74b3-9f64-424d-83dc-2548bf3bc8b6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230526s1995    gw 031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Allal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young boy living as an outcast in an Arab village in the desert trades bodies with a snake that he has stolen from an old man ...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zakir, Said</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belfquih, Mohammed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlaich, Frieder</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2ca6fc11-b796-4f02-87d9-d196d9aeb3dd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230526s1993    gw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Call at Corazón</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zwischenhalt in Corazón</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">CALL AT CORAZON is about a trip down the Amazon through the Brazilian rain forest, and it becomes a gruelling ordeal for a fresh married couple on their honeymoon.</subfield><subfield code="b"> It is based on a short story by famouse American writer Paul Bowles.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quilligan, Veronica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cox, Sam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alberti, Irene von</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">635f8760-0b24-4c0d-bcb0-827987f6ff56</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090305.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230524s1993    gw 031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Merkala Beach</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Am Strand von Merkala</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">MERKALA BEACH tells of two young men in Tangier, one of whom prefers to smoke kif, while the other prefers to drink alcohol. When they both fall in love with the same beautiful girl, their friendship is put to the ultimate test.</subfield><subfield code="b"> „The difference between Lahcen and ldir was that Lahcen liked to drink and ldir smoked kif. Kif smokers want to stay quiet in their heads, and drinkers are not like that. They want to break things.“ (Paul Bowles)  MERKALA BEACH is part of the feature film PAUL BOWLES – HALFMOON, based on three short stories by Paul Bowles.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guesmi, Samir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ksouri, Khaled</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belhassen, Sondos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlaich, Frieder</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aa68d18e-c47d-40c6-910a-608a8a0c87a5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230124s1995    gw 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield><subfield code="j">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Paul Bowles – Halfmoon</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Paul Bowles Halbmond</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three short stories by Paul Bowles, the American writer from Tangiers whose 1949 Masterpiece “The Sheltering Sky” was filmed by Bernardo Bertoculli in 1990, are the subject of the prizewinning film by Irene von Alberti and Frieder Schlaich. PAUL BOWLES – HALFMOON is a magical three-part descent into the realms of cobras, kif and quandries of life. The famous cult author himself introduces the episodes, which all tell of ununsual relationships.</subfield><subfield code="b"> In MERKALA BEACH (“The Story of Lahcen and Idir”) the friendship between two men in Tangiers is put to the ultimat test when they both fall in love with the same beautiful girl. In CALL AT CORAZON a trip down the Amazon through the Brazilian rain forest becomes a gruelling ordeal for a fresh married couple on their honeymoon. And in ALLAL, a young boy living as an outcast in an Arab village in the desert trades bodies with a snake that he has stolen from an old man...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bowles, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quilligan, Veronica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cox, Sam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zakir, Said</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belfquih, Mohammed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guesmi, Samir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ksouri, Khaled</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belhassen, Sondos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlaich, Frieder</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alberti, Irene von</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">18d3ccae-574c-4420-bb16-bad0aa6c5925</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230124s2004    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Marseille</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Young fotographer Sophie exchanges her flat with a student from Marseille. It’s February, Marseille seems rough and inaccessible. Sophie is by herself and takes photographs. In a car repair shop she asks the young mechanic Pierre, if he can get her a car. The more she turns herself over to the city, the more impossible her previous life seems to her...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eggert, Maren</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Striesow, Devid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sellem, Maria-Lou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loret, Alexis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schanelec, Angela</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">adc61ea7-d7b2-4229-8c6f-beeb684bdd43</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230119s2009    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">spa</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="j">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Invisible Frame</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1988, the British director Cynthia Beatt, who is based in Berlin, conceived a special cinematic bike tour. She selected a number of places along the 160 km long border where the young Tilda Swinton cycled along and thus apparently circled the island of West Berlin once. Today CYCLING THE FRAME is a rare historic document and Tilda Swinton is one of the world’s most admired performers.</subfield><subfield code="b">In June 2009, Cynthia Beatt and Tilda Swinton re-traced the line of the Wall that once isolated Berlin from East and West Germany. THE INVISIBLE FRAME describes this journey, a Wall’s fall and 21 years later, through varied landscapes, this time on both sides of the former Wall. The stagnation of organic growth that characterized the areas separated by the Wall, is now replaced by unchecked nature and building development. The rhythmic interaction of fixed camera and tracking shots combine in a vibrant orbiting of Berlin, visually intertwining west and east. Tilda Swinton’s personal reflections are integrated as inner monologues and complete the film’s soundscape composed by Simon Fisher Turner, who collaborated with Derek Jarman and Tilda Swinton in the 80’s.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Swinton, Tilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beatt, Cynthia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f7cc8415-f92c-454d-b283-6dbee3618d11</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">230109s2010    gw 064        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rammbock</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Just when Michael arrives in Berlin to visit his ex-girlfriend Gabi, a terrible virus starts spreading across the city at a rapid pace, turning people into mindless homicidal maniacs. Much to Michael’s concern, Gabi’s not home; instead, he meets Harper, a teenage plumber’s apprentice at work in her apartment block. Together, they manage to barricade themselves when raging hordes of infected people swarm the building. Surrounded by these thirsty zombies, Michael and Harper have their hands full to survive – and it will take all of their ingenuity to make their way out to try and find Gabi.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fuith, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trebs, Theo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Graczyk, Anka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cox, Emily</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schröders, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Philips-Lebon, Kathelijne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Münster, Steffen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schröders, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kren, Brigitte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kren, Marvin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e7c03fd1-a5d1-4108-9ca3-f5fbbafc9449</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221230s2010    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Shadows</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Im Schatten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Trojan is a professional criminal who specializes in armed robbery. Released from prison, he picks up from where he left off before he was arrested. But now he has to begin again almost from scratch. Numerous obstacles get in the way of his pressing need for independence. He is almost broke and most of his old contacts prove to be less than reliable.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matičević, Mišel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eichhorn, Karoline</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bohm, Uwe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bock, Rainer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scheller, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kurth, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zischler, Hanns</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arslan, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">24a794c8-4f4e-4ba1-b689-f4122ffbea72</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221230s2014    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">For Nothing</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Umsonst</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Unannounced, Aziza is once again standing in her room in Berlin Kreuzberg, but her room is occupied. Her mother has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chuh, Ceci</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McKee, Elliott</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daniel, Vivian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ilci, Dilara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Saleh, Seyneb</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kahn, Imri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schiller, Pascale</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geene, Nik</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schulze, Mathis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lewer, Chloe Alice</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geene, Stephan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">63ce01be-902f-42f2-a098-3dea932f095c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221230s2015    fr 130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">ht</subfield><subfield code="a">no</subfield><subfield code="c">fr</subfield><subfield code="c">ht</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Murder in Pacot</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Meurtre à Pacot</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After the terrible January 2010 earthquake in Port-au-Prince, an intellectual bourgeois couple struggles to reinvent a life amid the rubbles of their luxurious home. Needing money to survive, the couple decides to rent the remaining habitable part of the villa to “Alex”, a high-level foreign relief worker. He brings with him in the house, Andrémise, an ambitious 17 years old Haitian girl of modest background. Now the couple, strained by the loss of their social position, their ideals, their dreams and desires must face this toxic intrusion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Descas, Alex</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayo, Joy Olasunmibo Ogunmakin /</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vinçon, Thibault</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fifi, Lovely Kermonde</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moléon, Albert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Soualem, Zinedine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alcera, Pinas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kénol, Max</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Raoul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">76de90d7-2783-4553-bd2a-49c2536400ea</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221230s2017    gw 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">pe</subfield><subfield code="c">de</subfield><subfield code="c">pe</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Naomi's Journey</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Naomis Reise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">20-year-old Naomi lives a simple life with her younger siblings in Peru. Only her big sister seems to live a life of fortune, being married in Germany. But now she is dead, murdered by her German husband. Stunned by the news, Naomi can’t imagine accompanying her mother to Germany, the land of the crime. But then she changes her mind, becomes a joint plaintiff, and takes part in the trial in Berlin.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jaimes, Scarlett</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trujillo, Liliana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Huezo, Citlali</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valenzuela, Miguel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hinojo, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rothbart, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Voss, Christian</subfield><subfield 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code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Huamán, Carmen Campos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weyers, Undine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlaich, Frieder</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1b234cda-fc74-4d75-acc4-2afa00e2f9ca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221229s2018    gw 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Things I don't get</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fünf Dinge, die ich nicht verstehe</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The 15-year-old farmer prefers to skip class and go around downtown rather than spend his time at school. His father and his older brother neglect him and he spends most of his time with his friend Marika. As their friendship gradually turns into love, Johannes does not know where he belongs anymore. He goes hunting with his father and other people, he starts going out with his brother at night and he distances himself from Marike, who turns away from him in disappointment. He trries to get away from it all – but he can't get away from himself.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirthammer, Jerome</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Flüsloh, Henning</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lohmeyer, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tiemann, Michelle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schulz, Victoria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Böttcher, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beckhoff, Henning</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">45a33a68-4bff-4ce6-ad90-280af1f88206</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221229s2019    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Music and Apocalypse</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Weitermachen Sanssouci</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Institute for Cybernetics and Simulation Research is threatened with closure – the starting point for this satire about how the university system is to be transformed into a turbo-capitalist research machine. Phoebe Phaidon, a highly qualified, up-and-coming young academic, accepts yet another temporary teaching contract. With her progressive ideals on climate research still more or less intact, she acts as a link to the frustrated, yet combat-ready students who have occupied the library. On the other side of the battle lines are the established faculty, whose will to survive in the cesspool of third-party funding acquisition has ground them down into vain cynics for whom no ridiculous concession to evaluation madness is too grotesque. Max Linz crafts his film with a keen sense of Berlin’s sensitivities, urban backdrops, office décor and academic attire. And he exaggerates decadent university jargon with gusto, its buzzwords functioning almost like the bait in behavioural studies. By the end, the film has practically become a musical, with a catchy tune that could be a post-capitalist revolutionary anthem: “Why can’t it be nice here, why are we not happy?”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Papenburg, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ralfs, Sarah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rois, Sophie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hauß, Philipp</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moss, Bernd</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zaree, Maryam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trost, Bastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jenning, Leonie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krawen, Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mechow, Martha von</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wagner, Max</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lystsova, Olga</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grassmann, Kerstin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chaize, Jean</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Liechstenstein, Friedrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Linz, Max</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fe0c4626-305b-4822-ac4d-19d47f12b0d6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221229s2019    fr 132        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">po</subfield><subfield code="a">sp</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">pt</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Liberté</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duc de Tesis and the Duc de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berger, Helmut</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Susini, Marc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zabeth, Iliana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Poulvet, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pinteaux, Baptiste</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marcadé, Théodora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Düttmann, Alexander García</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Serrat, Lluís</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pérez, Xavier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daranas, Francesc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jugravu, Cătălin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Triola, Montse</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robens, Safira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Serra, Albert</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c783d2c4-934e-45eb-ae9b-137897a2269e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zeynep Kivilcim im Gespräch mit Joseph Vogl</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">61511ef2-4fe0-4bdb-b9fa-3916c001ee52</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 183        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Liao Yiwu im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a01d292f-fd08-4ed3-9e63-9aa679375c57</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 157        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Yasmin Merei im Gespräch mit Joseph Vogl</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">78280b60-46b3-409b-984b-12ac84286747</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Viktor im Gespräch mit Mohamed Amjahid</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">33272b3c-e1ec-45be-9f65-b07917773c5a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 191        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Stephen Okumu im Gespräch mit Ethel Matala de Mazza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. 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Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">33af4a58-8eec-4115-950a-987ad6579cef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sasha Marianna Salzmann im Gespräch mit Ethel Matala de Mazza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a1af4fd6-7fe1-4593-9e22-51dd2a6f4a32</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 127        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Samra Habta im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7a0d4f1-dad5-45d2-b789-3995faae05c4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 103        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Saloua Nyazy im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">96e7a55a-7e19-4def-8f45-a21f401459df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 142        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Saideh Saadat-Lendle im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a5137a45-d736-4ee9-bcd4-b79614f1f0df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 122        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Remzija Suljić im Gespräch mit Mohamed Amjahid</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">30d7f2f0-7a63-42c3-b36d-c920a810a87b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 156        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Regina Webert-Lehmann im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2e6606fc-b005-4af3-a247-7c72d4bffc31</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 146        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ranjith Henayaka-Lochbihler im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4b3f1416-7355-4c50-893a-21ecce01ec0d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 133        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dao Quang Vinh im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e7b9f189-5269-4456-8875-4ed78c48320f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nelly Neufeld im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7e37c102-a601-4d66-88a7-5f8be2022f24</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nadja Salzmann im Gespräch mit Gabriele von Arnim</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4bcab033-82a2-4092-b065-70b3c788b6b4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221219s2021    gw 150        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Muhammed Lamin Jadama im Gespräch mit Amir Theilhaber</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ca7d1724-643d-4e43-9a55-24e97bbe6b6c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 117        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mouna Aleek im Gespräch mit Ethel Matala de Mazza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c99d9491-0acd-4fca-9005-ef940737dea9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 178        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Moro Yapha im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">59c0ee09-1052-408c-a6d9-4df9524ef6e7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mira im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c9540ff1-90c2-4b9a-b4d4-c3adfa69986a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mila Mossafer im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4f2639f1-bfb3-40c3-8e0d-b64db2cb635e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 145        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Max Welch Guerra im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1be61728-960f-4727-b3ba-c9378a6f3bc3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 144        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lucía Muriel im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a05e85fc-d632-4e48-8c3f-9bc0d7be6f74</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Levent Konca im Gespräch mit Charlene Lynch</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e919b3a6-8324-4f08-86fd-c19af9c063ab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Khesrau Behroz im Gespräch mit Amir Theilhaber</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">65859fa9-ede4-4ac3-a49f-d3b09803f502</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 184        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kerim Borovina im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ad4f6515-c149-404c-824e-3e16c91fe6bd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 150        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kava Spartak im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2488e1fe-d308-4145-b9f1-d07d2fcaba19</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 331        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ibraimo Alberto im Gespräch mit Ethel Matala de Mazza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7a3dc2d6-2dd1-413d-8468-1f7d52631a45</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 103        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hayyan al Yousouf im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">daaeb3f5-6f62-456d-883a-1cae80502126</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 126        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hamid Nowzari im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">445b533e-ffed-4f87-8133-75da48ab411b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221216s2021    gw 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gudrun Lintzel im Gespräch mit Charlene Lynch</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b8bfc071-e27b-4b26-a3f1-49bb466aae89</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 111        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Freweyni Habtemariam im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9ab7f20f-6d18-4e85-a2bd-31d2ae4b7436</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fatuma Musa Afrah im Gespräch mit Eva Gilmer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">20ad5421-84b3-4ae8-88d4-a25eca296c2f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fatima Youssouf im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7df753af-67da-47f9-afed-ec7965957a73</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090306.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Évá Ádám im Gespräch mit Mohammad A. S. Sarhangi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84b11037-7462-4d1c-98b9-00b8f336e47b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Eric Mbiakeu im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">26ca6bba-87a4-40a7-8d57-fb9f13d8b66c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 119        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bruno Watara im Gespräch mit Manuela Bojadžijev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6d135f98-3c1f-40f5-a599-0252e9bfef9c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221214s2021    gw 150        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blaise Baneh Mbuh im Gespräch mit Gabriele von Arnim</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b6ef28db-b9b8-4ea4-9e31-d000d6242404</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221213s2021    gw 173        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bino Byansi Byakuleka im Gespräch mit Joseph Vogl</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f0745b0e-4ddf-4128-be29-b46bb65bf1a5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221213s2021    gw 146        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bashar Taha im Gespräch mit Carolin Emcke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a77e9f4f-4c5d-4852-bdcc-767e646a97fd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221213s2021    gw 125        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ahmad Hussainy im Gespräch mit Charlene Lynch</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ce073fa5-fa0b-4012-9af0-76c902a255ea</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221213s2021    gw 138        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Abdulkadir Musa im Gespräch mit Gabriele von Arnim</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Initiated by Haus der Kulturen der Welt as a large-scale oral history project, this online archive collects film interviews of 41 protagonists who fled to Germany between 1945 and 2016. They come from 28 countries of origin in South America, Africa, Eastern and South Eastern Europe, the Middle East, South East Asia, and East Asia and share their stories in nine languages. </subfield><subfield code="b"> The life stories cover a wide range of social or cultural backgrounds, religions, sexualities, and speak of the countries of origin, the journey, and life in Germany. At the time of recording, the interviewees were between 19 and 87 years old. The individual conversations are between one and six hours long.   Curators: Carolin Emcke, Manuela Bojadžijev Artistic director: Bernd Scherer</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a844fef5-26f5-476b-9c03-c7623b59303e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221125s2019    gw 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Years of Construction</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film begins with the sound of water. A building site on the other side of the Rhine: Block 9 of Mannheim Power Station. The opening was planned for 2013.</subfield><subfield code="b"> YEARS OF CONSTRUCTION follows the demolition and reconstruction of part of the Kunsthalle Mannheim between 2013 and 2018. Starting from the fountains in the Friedrichsplatz opposite, Emigholz’s camera approaches the building complex. A passage leads from the imposing Jugendstil edifice to the 1983 extension by Hans Mitzlaff; the sculptures it was built for seem to be trying to find their place in a space not big enough for them. The architecture isn’t suitable for paintings: it casts light and shadow according to its own whims. In between, Emigholz shows streets that cross at right angles, bridges and overpasses, the city of Mannheim. References to the vision of architects Gerkan, Marg and Partners: after the demolition and construction phase, a complex of cubes, passages and terraces appears and forms an interior. A stone and a clock swing through the air: “The Moving Emptiness of the Moment” is the name of the installation. Metal meshing holds the new Kunsthalle – a mighty cube when seen from the outside – firmly in its grip.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emigholz, Heinz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">50372d7f-6915-412b-88c8-cea9006a1583</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">221125s2020    gw 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Last City</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die letzte Stadt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An archeologist and a weapons designer – who, in a prior life, knew each other as a filmmaker and a psychoanalyst – meet at an archeological excavation site in the Negev Desert and begin discussing love and war; a conversation they continue in the Israeli city of Be'er Sheva. The film then proceeds with changing actors in changing roles; a round dance that takes us to the cities of Athens, Berlin, Hong Kong and São Paulo. The characters include: an old artist, who meets his younger self; a mother, who lives with her two grown sons – a priest and a policeman; a Chinese woman and a Japanese woman; a curator and a cosmologist.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erdman, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perel, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Han, Young Sun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ko, Dorothy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sachsse, Susanne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wagner, Laurean</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emigholz, Heinz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1be6d5d6-4e88-4647-ba02-e6b9e56fc77f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220823s2007    xxu076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">lin</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Greatest Silence: Rape in the Congo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Shot in the war zones of the Democratic Republic of Congo in 2006, this film breaks the silence surrounding the tens of thousands of women and girls who have been kidnapped, raped and sexually tortured in that country's intractable civil war. The filmmaker, herself a survivor of gang rape, talks with activists, peacekeepers, physicians and with the rapists themselves. She travels to remote villages to meet rape survivors who have been shamed and abandoned, providing a piercing, intimate look into the horror, struggle and ultimate grace of their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jackson, Lisa F.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1a7f5c66-7901-4419-ac07-1c344d328053</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220823s2011    ii 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tam</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ii</subfield><subfield code="c">in</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Invoking Justice</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Award-winning filmmaker Deepa Dhanraj (SOMETHING LIKE A WAR) follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives. Above all, the women’s Jamaat exists to hold their male counterparts and local police to account, and to reform a profoundly corrupt system which allows men to take refuge in the most extreme interpretation of the Qur’an to justify violence towards women.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dhanraj, Deepa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8cdd69c8-e00d-4723-8188-41881cef241e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220823s2013    ii 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tam</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ii</subfield><subfield code="a">xxk</subfield><subfield code="c">in</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Salma</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village. </subfield><subfield code="b"> As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Longinotto, Kim</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">838a4a83-13fc-40a6-8730-0f54732b1812</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220823s2014    gr 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gr</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Playing with Fire: Women Actors of Afghanistan</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Afghanistan, women deciding to be actors make a dangerous choice. Banned under Taliban rule (1994-2001), Afghan theater is experiencing a comeback with many women at the forefront. But with powerful forces of Islamic fundamentalism, a resurgent Taliban, and patriarchal traditions in play, actresses often face the harshest criticism and are even sometimes viewed as prostitutes. Socially ostracized, and pressured to abandon their careers, they receive beatings and death threats for them and their family. Some are forced to flee the country and some are even killed. </subfield><subfield code="b"> PLAYING WITH FIRE introduces us to six courageous Afghan women who share their passions for acting, dreams, and difficult realities. They include Sajida, a student targeted by extremists; Monirah, besieged co-founder of an innovative women’s theater troupe; Tahera, forced into exile because of award-winning work at a theater festival; Roya, whose TV career brings her constant harassment; and Leena and Breshna, unprotected by their stage and motion picture fame.   Filmmaker Anneta Papathanassiou exposes pervasive erosions of Afghan women’s rights. Her timely, eye-opening documentary perfectly captures art’s transformative power and the dangers these courageous women face to do the work they love.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Papathanassiou, Anneta</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0b0013a8-2a15-4d68-8593-ceb100eb20f9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220822s2004    rw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">kin</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rw</subfield><subfield code="a">xxu</subfield><subfield code="c">rw</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">God Sleeps in Rwanda</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Uncovering amazing stories of hope in the aftermath of the Rwandan genocide, Academy Award-Nominee GOD SLEEPS IN RWANDA captures the spirit of five courageous women as they rebuild their lives, redefine women’s roles in Rwandan society and bring hope to a wounded nation.</subfield><subfield code="b"> The 1994 Rwandan Genocide left the country nearly 70 percent female, handing Rwanda’s women an extraordinary burden and an unprecedented opportunity. Girls are attending school in record numbers, and women now make up a large part of the country’s leadership. Working with two cameras and no crew except for their translator—a genocide survivor herself—the filmmakers uncover incredible stories: an HIV-positive policewoman raising four children alone and attending night school to become a lawyer, a teenager who has become head of household for her four siblings, and a young woman orphaned in her teens who is now the top development official in her area. Heart-wrenching and inspiring, this powerful film is a brutal reminder of the consequences of the Rwandan tragedy, and a tribute to the strength and spirit of those who are moving forth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Acquaro, Kimberlee</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sherman, Stacy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c0c721b3-6eb9-4cf1-8df5-fbfc1a9064d9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220822s2010    es 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">es</subfield><subfield code="a">mx</subfield><subfield code="c">sv</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Maria in Nobody's Land</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Maria en tierra de nadie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US. Doña Inés, a 60 year old woman, has been looking for her daughter for five years and is following the same route her daughter took. Marta and Sandra, tired of the violence from their husbands and wanting to overcome poverty, decide to leave their families behind to travel to America - with only thirty dollars in their pockets. During their harrowing journey, the three women encounter prostitution, slave trade, rape, kidnapping and even death, in an unwavering quest for a better life. </subfield><subfield code="b"> In making this documentary, a team of six journalists and filmographers rode with migrants on the tops of trains and slept in migrant shelters. As the immigration debate continues to be a hot button issue, this film, which helps to bring understanding to these urgent issues, is essential for courses on human rights, Latin American studies, Chicano studies, immigration, labor, international studies and women's studies, as well as for public libraries and interested community groups.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chamorro, Marcela Zamora</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3af600ec-e9a3-41d9-8603-c12e728a91c4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220802s2017    fi 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Ceiling</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Katto</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the midst of divorce, Olavi retreats to his summer cottage only to find that the ceiling has mysteriously come down.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Airaksinen, Teppo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f99e0a8d-98d8-4815-86be-7ab7f1a52b4a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220802s2016    no 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Thanks for Dancing</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Takk for turen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thanks for Dancing is a short film centred around a lifelong relationship is coming to an end, as we follow two elderly men and former athletes the last winter they are living together.</subfield><subfield code="b"> It is early February and close to the freezing point in Hedmark, East Norway. The previous national champion in Combined Skiing, Roland (65), lives with his Swedish coach through all years, Bertil (79), at a isolated and remote farmhouse.  As Roland enters retirement, his partners cancer diagnosis casts a shadow over their warm and established coexistence. Roland’s frustration is not helped by Bertil’s rejection of any life prolonging treatment. Bertil will rather spend his energy enjoying what time he has left.  For the first time in their long relationship, it is Roland who is in charge and must look after his old coach and partner. Together they look back at the life they have shared, while Roland is forced to look forward and reinvent his future and its possibilities.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malmsjø, Jan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Winge, Stein</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boysen, Lia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Owren, Alma Flygel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gimle, Ingar Helge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dahlsbakken, Henrik Martin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9d9b8407-e29e-4abf-9143-f7721454957f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220722s2009    gw 035        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Toyland</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Spielzeugland</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Germany 1942: In order to protect her son Marianne Meißner tried to make him believe that the Jewish neighbours are going on a journey to “Toyland”. One morning her son has disappeared - the Jewish nighbours too. TOYLAND is a film about guilt, responsibility, small and big lies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Freydank, Jochen A.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d6a1d6c3-1054-40ef-ab80-4089758fc141</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220722s2019    xxu089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The New Bauhaus - The Life &amp; Legacy of Moholy-Nagy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An odyssey through the life and legacy of László Moholy-Nagy, the innovative artist and educator whose pioneering approach to integrating technology into design continues to influence and inspire.</subfield><subfield code="b"> In the 1920s, rising artist László Moholy-Nagy taught at the revolutionary Bauhaus school in Weimar, Germany, alongside luminaries like Paul Klee, Josef Albers, Anni Albers, Gunta Stolzl, Wassily Kandinsky, and Marcel Breuer. An upstart within this esteemed group, Moholy established himself as a visionary, and the approach he developed while teaching became the ethos of his work: training artists to live “happier lives in modernity.” Forced into exile by the Nazis, Moholy moved to Chicago with his two daughters and his second wife, Sibyl Moholy-Nagy, where he found himself inspired by the sense of re-invention in the city. Initially at the New Bauhaus and ultimately through the Institute of Design, Moholy challenged students to create systemic, human-centered design. Motivated by the challenge of creating within the limitations of the Great Depression and then World War II, Moholy’s embrace of artistic versatility and technological possibility continues to reverberate in the artworld toda</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nahmias, Alysa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dbc85cb2-8849-4010-a6ed-bc4b97a05483</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220722s2020    sz 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Little Bird and the Bees</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der kleine Vogel und die Bienen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">High above, the small bird enjoys the flowers of its maple tree. A mysterious humming that needs to be fathomed sends him on a journey into a magical world of flowers. Of course, the fiery red fox is soon on the little bird’s heels. Trailed by bad luck the fox makes acquaintance with the hard-working bees. The final encounter with the beehive results into a rather unpleasant surprise for the troublemaker. In the end the little bird is once again enriched with an experience and offers a colorful welcome to his new friends.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döhren, Lena von</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fa96207-f6a9-4820-87ff-97a5dbc95cbe</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220720s2019    sp 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Art of Cooking With Fire - Bittor Arginzoniz &amp; Etxebarri</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bittor Arginzoniz. Vivir en el silencio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Self-taught Bittor Arginzoniz has achieved world fame as a grill genius with his restaurant Asador Etxebarri, ranked number 3 of the world best restaurants in 2019. His personality and the place where he lives make his cuisine unique, minimalism is his trademark. Bittor has revolutionized the way people roast meat, fish or vegetables. He has a remarkable ability to coax out explosive flavour from seemingly simple ingredients, most of which are grilled over his famous adjustable-height grills. The film offers viewers an exclusive look into Bittor’s way of working, from the obsessive search for the best product to preparation and cooking. Bittor shares his sources of inspiration and motivation.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arteta, Iñaki</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cdb9c66b-b19c-425c-94d5-5b09c4aab4de</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220720s2020    dk 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Shade Grown Coffee</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">SHADE GROWN COFFEE is the inspiring story about how growing coffee in the shade of native trees in the tropics can have a truly positive impact on local communities, halt deforestation and protect critical habitat for wildlife - all while giving your daily dose of caffeine a better aftertaste. Get insight into the coffee-making process, all the way from harvesting the ripe cherries to preparing the perfect cup of coffee and hear from passionate coffee farmers, roasters and baristas from around the world how we can all enjoy a more sustainable cup and a brighter tomorrow.</subfield><subfield code="b"> A doc for coffee enthusiasts and nature lovers alike, SHADE GROWN COFFEE aims to deepen the viewers’ understanding of their roles as consumers and appreciation of their next cup of coffee.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinnunen, Alexander</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">764f063a-ef0d-4132-b635-9ba8bb21ae78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220720s2015    dk 029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Riders</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sickened by its deadly violence, Lars is determined to leave his outlaw motorcycle club after eight years in prison. He heads for a fresh start with his wife and son in another country. But nothing works out the way Lars has planned.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rasmussen, Jesper V.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">158d9485-21e7-4aa1-94ae-731ed055e5c2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220720s2020    xxu009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">QUERY</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Over the course of a day, Jay and Alex, roommates and best friends, spend their time verbally jousting over whether it’s instinct or social norms that drives their heterosexual proclivities. As the day unfolds through PlayStation battles and beers, the barriers slowly fall and the conversation climaxes in a choice that has a profound impact on their evening.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, Justice</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martin, Graham Patrick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hammer, Armie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sui, Olivia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kargman, Sophie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">67a1c993-0dcd-4887-8a02-4c077fef75e9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220719s2015    xxu010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pink Grapefruit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young married couple invites two of their single friends out to Palm Springs for a long weekend. It does not go as planned.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mohan, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">14277efa-15d4-4dd2-9348-b92dec46b094</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220719s2012    sz 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">per</subfield><subfield code="h">gsw</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Parvaneh</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Parvaneh is a young, Afghan migrant who lives in a transit centre for asylum in the Swiss mountains.</subfield><subfield code="b">The only thing she knows of Switzerland is the countryside and the residential home. Once she hears about her father's health condition she wants to go to the city to send her entire savings to her homeland. As soon as she sets foot into the city, Parvaneh is overwhelmed by the hustle and bustle, the fluorescent billboards and the click-clack of the train tracks. Since Parvaneh does not own a valid I.D., she cannot wire the money. The only person willing to help her is a punk girl. This is the starting point of various encounters.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kashani, Nissa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Graf, Cheryl</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hamzavi, Talkhon</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">56734fc1-b8cd-46b3-abe9-494daf98c581</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220719s2008    gw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Our Wonderful Nature</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Wild Kingdom this is not. When two competing male shrews spot a female in heat, we become witness to a rare fight caught on film. Part nature doc, part Matrix and all shrew, this film will have you rolling in the aisles.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eshed, Tomer</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9715dd3c-ae0e-40a3-9359-c24bb9d10b30</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220719s2020    sz 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">NOT ME – A Journey with Not Vital</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film takes us on a journey through the eventful life of the contemporary Swiss artist Not Vital.</subfield><subfield code="b">Director Pascal Hofmann traces the driving force behind the restless cosmopolitan and establishes a dialogue between the motifs in Vital's work, his childhood dreams and the influences of his most important stations such as Beijing, Patagonia, Niger, Sent in Grisons or New York.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vital, Not</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hofmann, Pascal</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">db7da8f0-ff68-43b5-a19b-1532d7c33632</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220719s2020    sz 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Megamall</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a world of escalators, figures pursue their desire to consume in a given rhythm. One of the figures is sucked in at the end of an escalator and finds itself in a quiet, weightless room, where it joins the playing figures. Meanwhile, the escalator world is thrown into confusion by a chips-mad dog. 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When a storm approaches their friendship is put to the test; Øyvind want’s to turn back, but Joachim will apparently stop at nothing to pull off his very last jump.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kristiansen, Petter Width</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berg, Kenneth Åkerland</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grjotheim, Edda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olsen, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sletta, Tov</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Danbolt, Aslak</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3ea993a8-46c4-4b91-9f27-d0587e8c82b0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220718s2012    rw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rw</subfield><subfield code="a">sw</subfield><subfield code="c">rw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kiruna-Kigali</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the midst of frost and snow, a woman is driving her way to the hospital in Kiruna, the northernmost city of Sweden. Under the scorching sunlight of Kigali, Rwanda, another woman is being carried to the hospital on a stretcher. The two single mothers-to-be on the verge of giving birth to a baby are departed thousands of miles apart, but share the same fear of entering the unknown world of motherhood.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kapetanovic, Goran</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4c18bf8b-4dd2-4ec8-b48e-e1222ba9e829</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220718s2020    sw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">I, Julia</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jag, Julia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Julia is a 14 year old, living what seems to be an idyllic life. But there is a darkness growing inside. Her father controls the family with physical and mental abuse. A story about every day struggle and resilience, told from a young girls perspective.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rurling, Ylvali</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarri, Olle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Littorin, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kananian, Arvin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e63ec264-0a03-4b22-81f5-fd3d0858c7f5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220718s2016    at 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">HIGHWAY</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a stark mountain highway, troubled teen hitchhiker Hester Black's radio begins to receive phantom broadcast signals bearing news of impending disaster. When a strange couple and their two children stop to pick Hester up, she hopes to be taken to safety. But fate has other plans for Hester...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Young, Odessa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smart, Rebecca</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gilbert, Andrew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zanker, Rhiannon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gazy, Vanessa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">91e3b11a-7ef9-41a6-9050-e9b9893abf6d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220718s2013    dk 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Helium</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young boy Alfred is dying, but through the stories about HELIUM - a magical fantasy world, told by the hospital's eccentric janitor Enzo, Alfred regain the joy and happiness of his life, and finds a safe haven away from daily life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Crump, Casper</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jankovic, Marijana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krusbaek, Pelle Falk</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walter, Anders</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7e51c76b-7c93-4101-9b26-6cd824388edf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220715s2012    xxu012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Feral</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sousa, Daniel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4a6a1b51-5dc3-474a-883c-d3b3a1b1e049</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090307.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220715s2018    lv 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">lv</subfield><subfield code="c">lv</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Electrician's Day</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Elektrika Diena</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As result of an accident during the repair work next to psychiatric hospital the electrician loses his consciousness and finds himself behind the wall.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leschiov, Vladimir</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">88b175b1-9800-4a0a-b2e2-7baabb8ca044</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220715s2012    xxc017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dead Hearts</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martin, Stephen W.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4707a117-7e56-4cef-bca7-076904d00561</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220715s2019    er 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="c">ee</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Cosmonaut</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kosmonaut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An old Cosmonaut lives the same kind of life now in his flat in a concrete panel apartment building as he did in his youth in a space station. As before, he still carries out heroic missions and misses his close relatives, who he left behind on his home planet. His close relatives see the situation altogether differently. Is this old man capable of coming to grips with the norms that apply in society? A cosmonaut will always be a cosmonaut. To the very end.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuus, Siiri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jancis, Kaspar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jancis, Kaspar</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fd65d750-9d19-422d-bdba-6a7d52903f0d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220714s2020    gw 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">tam</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ii</subfield><subfield code="c">de</subfield><subfield code="c">in</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">BREAKING BARRIERS - The Casteless Collective</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">`The Casteless Collective´ is a protest music band from Chennai, South India. Founded in December 2017, the 15-piece band is now playing an exciting mix of the folk music form of `Gaana´, an art coming from North Chennai‘s slum areas, and the modern musical styles of Rap and Rock. The driving beats of their songs come in a lyrical dress that gives exceptionally put in-your-face-truths about social issues that the Indian society usually prefers not to look at too closely. One among those issues is the still existing caste discrimination in India. The band deals with the oppressed social standing of women in Indian society, of LGBTQI+ people, and especially of the marginalized and underprivileged caste communities, represented by a large extent of the bandmembers themselves.</subfield><subfield code="b">The film shows the young band’s powerful attempt to break cultural stigmas, and joins their journey towards an Indian future of casteless mentality and reality.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meiners, Maja</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">17dade55-e92a-414a-b81b-c5c1a77e90d3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220714s2020    pl 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">BLESS YOU!</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zdrastvuyte!</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As the Covid-19 pandemic reaches Russia the government imposes a strict round-the-clock curfew on its population of elderly. Millions are stranded in their flats, some without immediate family, access to medication and even food. A municipal helpline is established for those seeking help in this extraordinary situation and we listen into some of the hundreds of phone calls received each day. These short conversations give a rare insight into the anxieties of those who grew up in Soviet Union and have largely been left to fend for themselves after the fall of communism.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chistova, Tatiana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f08e5627-abf1-4fc8-80d1-7199ca509380</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220714s2013    xxu009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bite of the Tail</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A wife is suffering from stomach pain and she firmly believes that she can find the cure from Doctor. However, Doctor has no idea how. Husband goes to an empty lot in search of a snake. When he hunts, he wears a beekeeper's hat. Sister talks but who knows if it is truth? Life is a constant struggle to find a right answer.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kim, Song E</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fca723f3-6c4b-49bf-96bf-014727ba090f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220714s2019    er 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="c">ee</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Angel's Trumpet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Inspiration for the film came to me from the plant Angel’s Trumpet (Brugmansia). One of its many breeds can be pollinated solely by a very long billed hummingbird. Only this bird is able to reach the core of the blossom and drink the flower’s nectar. It took millions of years of evolution to develop such cooperation between the bird and the plant. I was amazed by this interesting synergy and I played with the idea of imagining what could be the next step in the evolution of hummingbirds.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klemet, Martinus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3fd186ea-d898-4c14-a90b-9c536211b03f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220714s2017    ie 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">An Island</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A solitary man sets out to conquer an isolated island.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Byrne, Rory</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8419acbb-fe4b-4754-87bf-f46fb3fe1398</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220713s2017    ci 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">sz</subfield><subfield code="c">hr</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">AIRPORT</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film explores the borders between the right to freedom of movement and the restrictions national security requirements put on society. In a modern day airport, the flow of passengers is broken by sudden irregularities. Security forces try to get to the cause of the disruption, the atmosphere turns menacing at the slightest anomaly - a stranger becomes a suspect, and there is no room for outsiders.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Müller, Michaela</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3a53de46-8f67-4059-aaa9-7eece74aba93</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220627s2008    sp 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Invisible City</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Four decades of occupation of public land, 40,000 residents of up to four different communities - Spaniards, Muslims, Spanish gypsies and Romanians-, luxury villas and shacks, camels, drug addicts and volunteers, businessmen and outcasts ... more than 10,000 children. Not a hospital, not a school, not a sheep ...; Forty years after the arrival of the first settlers to the Cañada Real Galiana, this is the panorama of this linear city of sixteen kilometers located in the Community of Madrid: the largest illegal settlement in Europe.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rubio, Lucía Asué Mbomío</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0754ace-b01a-4738-b128-1b331f502bf6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220503s2015    es 061        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">es</subfield><subfield code="a">mx</subfield><subfield code="c">sv</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Room of Bones</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Cuarto De Los Huesos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chamorro, Marcela Zamora</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3aca8a3a-a43e-405e-a090-21d1c5794f51</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220423s2020    gw 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Seahorse</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Seepferdchen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The seahorse is a powerful animal. It cannot sink, encourages the swimming instructor. A place in the human brain is named after it, the hippocampus, where all memory begins. There we archive what we cannot forget. It is the seahorse in the brain where the terror and beauty of life meet – and for Hanan it is where she stores her memories of the ocean. When the young Yezidi crossed the Mediterranean Sea with her family in a small rubber dinghy, she could not swim. The images of the deep blue sea and the fear of drowning are irrevocably burned into her memory. To reconcile her past she learned how to swim. But the waters still await her with haunting images of the ocean. »Seahorse« poetically explores the contradictions of remembrance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dehnenkamp, Nele</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0d21851c-a3ae-495e-a381-17257531e4f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220422s2013    gw 079        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Two Mothers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zwei Mütter</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">KATJA (43) and ISABELLA (37) decide to get a child.</subfield><subfield code="b">The married couple has to find out that most of the sperm banks and fertility clinics do not offer treatment for homosexual couples because of legal purposes. They find a trader who sells utilities with which one can inseminate oneself at home. A casting for potential donators begins which endures over several grueling weeks. In this time Katja discovers that Isa is willing to betray their pact as well as their relationship in order to fulfill her wish of becoming pregnant.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wolf, Sabine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plachetka, Karina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zohra Berrached, Anne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4b9e1134-9850-4dee-a127-a3c3ca979876</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220421s2014    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Leiber</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Six months ago Felix started to work as an Escort. Several times a week he gets paid for sex by older men. This time it's not business as usual: a 550-lbs-man awaits him in his hotel room. But instead of having sex the man tells Felix his fascinating story.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berlin, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Polacek, Gerhard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krummel, André</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneider, Jonas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a406473e-7a41-4dc3-9123-0a98bf3627dd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220421s2019    gw 041        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Love and 50 Megatons</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a fictitious world, a wall goes through a country and its city. Both sides face each other irreconcilably. The film tells the story of the 40 year old rocket scientist Paul who falls in love with a supposed woman. Who, like him, is not absorbed with the irreconcilable differences of both sides and do not want to decide for one side. The drama begins when the love relationship between the two becomes public. Mary is not an ordinary woman, but an intercontinental rocket, 30 meters high and weighing 110 tons with a 50 megaton nuclear warhead at its tip.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Maeyer, Tony</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heutmann, Hendrik</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pink, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schick, Cornelius</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c376184d-fc06-4ee9-ad05-450db0620124</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220421s2016    gw 027        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Skywriters</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The sky is their canvas, the airplane is their paintbrush.</subfield><subfield code="b">For over 90 years, the Stinis have been making history in Skywriting. This documentary takes us behind the scenes of their flying cloud factory and carries us up in the air, where high rises and despair take turns. For skywriting is a daily struggle against weather, time and nerves - even for the most experienced pilots.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Otte, Nils</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dbacd7fd-24fc-4815-a62b-b64d8da28d15</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220420s2019    gw 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Space Cleaners</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Already in the next decades, the problem of space debris could make space travel impossible and could change our life on earth fundamentally. In order to prevent this desaster, scientists from Germany are working on solutions. But unlike on Earth, we are currently not able to actively remove debris from space.</subfield><subfield code="b">The film explores the work with space debris and shows the viewer that not only our action on Earth, but also our actions in Space have far-reaching consequences for us and our environment.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hülser, Marco</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8f75774a-12d7-4d6f-8700-8692e03aa080</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220414s2018    gw 029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">We will survive</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Elderly residents of the LGBT-friendly Julie-Roger-Haus in Frankfurt enjoy visits from male strippers, baking transgender Christmas cookies, and Sunday dance events with an emphasis on spring fever. At Julie-Roger-Haus, seniors of all sexual orientations are welcomed to express their sexuality during the last days of their lives. This short documentary We Will Survive observes the funny, heart-warming and at times delicate everyday life at Julie Roger Home and explores the concept of growing old in an unusual group setting.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dehnenkamp, Nele</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f6ac1d92-750f-4a45-a5ab-7c4d9ef7218a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220414s2019    gw 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="h">ukr</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Summerwar</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sommerkrieg</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jasmin and Jastrip are both 12 years old and live in Kiev. Jasmin is a girl from a loving family, who wants to excel at all cost. Jastrip is a boy, who is neglected and simply wants to find a place where he is loved. They both visit the Azovez camp which aims to raise a new class of patriotic warriors for a Ukraine of tomorrow. There the kids learn how to be real Ukrainians, to fight, to shoot, to yell, to get orders and to give orders. And over time this changes them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schulz, Moritz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">06d83f1d-e444-46ff-b841-ec59f9fe5e43</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220414s2018    gw 056        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Of neo-Nazis and superheroes – How the far right is changing a small German town</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Von Neonazis und Superhelden - Die Kleinstadt Themar und der Rechtsrock</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">There’s a rift within Themar: between right wing extremists and their opponents. In the film, all relevant parties get a chance to speak: the landlord of the concert field, committed members of the Church, a citizen speaking for many who won’t comment publicly, themselves, and a mayor who actively opposes the far right – in a town where the AfD became the strongest political force during the last election. The film offers unseen insights into a right-wing parallel world that was able to establish itself, locally. In Themar one can observe how a societal shift to the right takes place and what guises and effects creative forms of protest could have. Thus, Themar becomes a textbook example of democracy and why it’s threatening to fail.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oeser, Adrian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4ba687f7-c4ee-424c-bd81-956100212f9d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220407s2017    gw 046        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">After the Future</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nach der Zukunft</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">AFTER THE FUTURE is an exosé about the conflicted and complex life of a long term HIV survivor Ortwin Passon. At group sex parties, he's having sex with other men under the influence of hard drugs, without using condoms. To counter Government initiatives to criminalize "barebacking" Ortwin has written a Doctoral Thesis upholding what he sees as a basic human right. As he sees it: it is the right of HIV positive men to have unprotected anal sex.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krummel, André</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ceb5ac9d-20b6-4c4f-ab35-b611964a480c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220407s2018    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fuse</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A mousetrap snaps shut. A dusty town square awakens. A group of men debate how to kill the animal in the little box – each trying to outdo the others’ increasingly sadistic fantasies. Until a stranger suggests letting the creature loose. A voice of reason? Or the sickest manipulator of them all?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cave, Nick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bennett, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lawton, Shaun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hibbert, Jimmy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hykade, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adib, Shadi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">17c6d5fa-3309-4941-920b-257028c562d8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220407s2020    gw 025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Young, Fragile</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jung Fragil</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At times of changing gender roles, a Tinder date encourages young Leonid to live his own definition of "masculinity". We experience the sensitive and insecure young man with his close friends in intimate conversations and pressuring voice messages as well as in the moment he tensely waits to meet the older and self-confident Leyli. A current reflection on love, sexuality and role models.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berlin, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sirah Herden, Larissa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gareisen, Rafael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jung, Svenja</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lallo, Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bongard, Joscha</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">194f2656-59e3-4e66-a71e-c28a2664fbf8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220405nuuuuuuuu|||---        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Test of upload</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Test</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ee945e46-2c81-4333-a73f-da245c7eae25</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220405s2018    gw 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In My Skin</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">In meiner Haut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Why do women stay in violent relationships even when they have been abused for a long time?</subfield><subfield code="b">We experience the daily lives of three women with different backgrounds as the camera takes on their point of view. We hear their thoughts and suffer with them as they struggle to become more independent and break free. Based on true events, all voice-over texts were taken from interviews with the portrayed women.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Richard, Anna-Sophia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bed55e91-b8e8-4ebc-8e3e-e6d0259242c5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220405s2017    gw 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Carretera Austral - Vorstoß ins Herz Patagoniens</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Chile’s Route 7 or Carretera Austral is an expression of mankind’s unstoppable drive for conquest. The road is meant to connect the centre of the country with its southern tip. For almost 50 years construction is in progress and yet it is far from completion. On Chile`s narrow territory the way south is blocked by rainforest, steep mountains, fjords and a huge ice field.</subfield><subfield code="b">The road brings transformation into Patagonia’s wilderness. The documentary explores these changes through personal accounts of people living and working in this region – among them a retired general from Augusto Pinochet’s military junta, a Chilean cowboy, descendants of German settlers and other residents with fascinating stories about life along the Carretera Austral.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schumacher, Malte</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Preuss, Johannes</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">32fe6d0e-d7ac-46aa-b39e-181b33b43d6c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220405s2018    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hassjünger</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">They were trapped in an ideology for years. They gave up their entire lives and themselves for it. They were extremists: Dominic Schmitz and Felix Benneckenstein, an ex-Salafi and a former Neo-Nazi travel back in time. Two young people who became extremists during their puberty. In completely different groupings, but yet so similar in the biography. On the basis of their experiences, the film poses one of the most burning questions of our time: why do people radicalize themselves? What causes hate to develop? The documentation tries not to denounce, but to understand.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damm, Maximilian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knopp, Julia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">74f62d3a-401b-4961-941f-3bf3cf15e1a5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220317s2019    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Beauty</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What if plastic could be integrated into sea life? Take a deep breath and dive into a world, where feelings of guilt dissolve amongst the mysterious depths of the ocean. A world where we encounter bizarre creatures and discover eerily beautiful landscapes. Unfortunately, our air doesn’t last forever and we have to realize that nature alone can't solve this issue.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schelbli, Pascal</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">48970f86-47e8-43ec-ac70-ab21bbe6e4cf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090308.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220317s2019    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gravedad</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On her search for something to grab on to, Rosa learns that gravity is stronger than everybody else.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gonzalez, Matisse</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d12074ca-06fe-41f5-a27a-9ae5e9b2e867</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220317s2019    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blieschow</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Vast plains, colorful backdrops, a red dog, that seems to rise up to the sky.This is how Tom experiences summer in Blieschow, his grandfathers farm. He feels overwhelmed by the the exuberance of nature and finds himself in a constant competition with his cousin Matthias, who is seemingly better at everything. Envy end it’s yellow color in every nuance of the landscape and the little Tom, who is doing everything being recognised and loved, and reaching/encounter his Limit throughout.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarow, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a20e6e5a-ed3c-4f3e-bd92-5e610c87e224</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220317s2016    pn 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pn</subfield><subfield code="c">pa</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Joy of Sound</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Felicidad del sonido</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Identifying birds by their song, listening to a perfect classical music concert or making a radio show: these are just some of the many ways in which sound – that mysterious, invisible and intangible phenomenon – can give us pleasure. Some remarkable inhabitants of Panama explain why they are so captivated by the effect of those countless combinations of vibrating airwaves, which bring joy and fellowship, not to mention irritation. One man goes around the city giving away his favorite CDs to passersby; another drives in a car with huge speakers that make the doors rattle. Meanwhile, these passionate audiophiles share their perspectives on society, raising intriguing questions. Do you feel physically better when listening to loud music? Who owns sound – or the actual frequencies? Are we hearing all the sound there is to hear? What can dogs hear? Beautifully filmed in tightly-framed black and white, this ode to sound will change the way you listen forever.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Endara Mislov, Ana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2d117f19-7fac-4237-bb59-224ebee9dbe7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220303s2017    gw 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Millennials</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Millennials follows its two protagonists Anne and Leo like a wandering companion. Both in their early thirties, they are close friends but not a couple. What connects them is their urban background and their cosmopolitan attitude. Where they differ is their completely diverging approach to the little things in life. Their days and nights are full of possibility and yet nothing presents itself as inevitable. Anne is a successful director pursuing her career with singleminded determination. But she doesn’t have much of a social life. Leo’s head is in the clouds.</subfield><subfield code="b">He wants to be a photographer and is yearning to love and be loved. Their personal encounters and inspirational adventures cause them to realise the limitations of their varying approaches to life.  Millennials is an atmospheric trip into the ‘sentimental education’ of two individualists that describes both their failures and their moments of personal happiness. An urban fairy-tale with a documentary feel, suspended in a strange limbo and oscillating between the here and now and a sophisticated narrative structure.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dietsche, Leonel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zohra Berrached, Anne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bürgelin, Jana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5119e1b9-5723-45f5-addd-dd3cbea90dd7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220303s2019    gw 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">So hell die Nacht</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When most people close their eyes, some alarm clocks ring. Night workers - from dusk till dawn. This short film follows three night workers through their shifts.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmitt, Julius</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f1b063cc-76dc-4721-bf1c-2eccfc7c13f4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220302s2019    gw 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Am Cu Ce - Pride</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Am Cu Ce - mein ganzer Stolz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Romanian truck driver Stancu has given his nephew Dragan a second driver card. In their German transport company it‘s a common practice to stretch the legal driving time with this trick. But when Dragan almost causes an accident due to microsleep at the wheel, Stancu feels all of a sudden responsible.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Āboliņš, Gundars</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moustache, Axel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weissenborn, Hannah</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3e451a74-09e4-476a-afd5-a43176f061d1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220301s2019    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hot Dog</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klenke, Lena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zermini, Alfredo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buddecke, Alma</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valien, Marleen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">de3e5157-9a25-4764-925c-fd49ce7fa394</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220301s2017    gw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Galamsey - For a Fistful of Gold</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Galamsey - Für eine Handvoll Gold</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As a young development worker the narrator experienced a gold rush in a small town in Ghana. Some years later he returns to find out what the gold really means for residents of this town. On his journey he meets old friends, arrives at places of destruction and learns about a dangerous magnetism between people and gold. In the small town a bloody conflict broke out between local police and gold miners. Who are profiteers and who are victims in this hunt for glittering stones?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Preuss, Johannes</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">64dc5406-810c-49f1-93c0-23302844bd91</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220301s2018    gw 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le Ciel, la Terre et L'Homme</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„LE CIEL, LA TERRE ET L’HOMME“ tries to get hold of the impressions of the Moroccan desert landscape, through which perpetually blows the wind, as well as of the people living there and to tell their stories. In the reality of the film a space of encounters with Ahmed, Yussef, Lahcen, and Idir is being developed and their stories enable the viewer to witness their daily lives, their desires and their feeling of belonging.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reucker, Caroline</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3391d1f0-b98a-480d-8111-db6272bb7aa0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220223s2019    gw 064        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Do Not Fear</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fürchte Dich nicht</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The rumors that he as a pastor would wear women's clothes, force Hans-Gerd Spörkel after 27 years of community work to take a break, his then wife separates from him, the village turns away. Half a year later she resolutely returns as Elke Spörkel and holds her first service as a woman. After a controversial discussion, the church resumes its transidental pastor and tries to get back to normal, but when Elke meets her new wife Kirstin and the two start planning their wedding, the mood changes again. Influential forces within the village begin to work hard to finally get rid of their colorful pastor.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rees, Manuel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">77684fc9-5b1f-4e3b-b212-368a341da545</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220222s2019    gw 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Lady Anatomist</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Die Anatomin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For a long time, the wax portrait of a woman was a mystery. Feminine and nobly dressed she is seen with a scalped brain in her lap. The portrait stands amidst a collection of anatomical models that were revolutionary in the 18th century. For an audience of doctors who did not tolerate women in their ranks.</subfield><subfield code="b">A long lost document now reveals the extraordinary story of this woman, recounting her relationship with the Pope and 80 models of male sexual organs that suddenly reversed the rigid role models of the 18th century.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Romaner, Barbara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fegerl, Iris</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8d4c05f9-bef0-4ccb-972c-804d95a64925</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220222s2011    gw 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Monika</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Barely out of her teens, dependent on her family and extremely nearsighted, Monika, 20, desperately wants to pass her driving test. She undertakes a risky eye laser operation which fails and she loses her sight. Her fragile mother cracks under the strain of seeing her daughter blind and defenceless. Through this Monika shows her own inner strength and fights for her independence. A year later she enrols in an apprenticeship as a physical therapist. She discovers a new sensual connection to the outside world and discovers a balance between disability and autonomy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thomass, Rosalie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Werner, Christian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">de22f586-aa68-4623-92f2-3573e68fcfb8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220217s2009    gw 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">For Miriam</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Für Miriam</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A fatal accident. Karen, a young mathematics teacher, feels guilty although she isn’t. Seeking forgiveness, she starts a self-destructive relationship with the brother of dead Miriam, one of her students.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Petri, Franziska</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Redetzki, Vincent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scheve, Kai</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gisbertz, Regina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kanies, Rolf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Breuer, Marita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lotz, Lars-Gunnar</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f360266e-5fb2-4d12-9d84-0ce9702f4ef2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220217s2017    gw 029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Blue Summer Symphony</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Freibadsinfonie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A public pool, a sociotope. A scene of daydreaming and gentle snoozing. It is a place where everything is fine, or at least it feels like it. The smells of summer are in the air: sun milk lawn and flower fries, beach ball melon and chlorine lemonade. In the tightest of spaces many half-naked people share an afternoon, some hours with each other while time flies by so quickly. That is where you find the poetic banality of everyday life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rohde, Anne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Toos, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scharnitzky, Gabrielle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spiess, Carolin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kraft, Holger</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kraft, Hannah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Menzel, Leander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Flüs, Katrin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Darnov, Hans-Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Köhler, Sinje</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7d2b680c-224b-4472-b378-f73a28c284fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220209s2016    gw 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Impossible Picture</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Das unmögliche Bild</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Vienna in the 1950’s. A childhood captured on 8mm film, documented by 13-year-old Johanna. A childhood as it might have been. We see fragments of family life and family secrets, an apartment regularly visited by women, centered around grandmother Maria Steinwendner who holds weekly cooking clubs in her kitchen. But somehow, the women never actually seem to do any cooking.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Linder, Eva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schramek, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmidt, Isabel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McKinnon, Jana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reisinger, Mira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jakob, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiesner, Helmut</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Simon, Isabella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wollner, Sandra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">87c11a8d-0034-4d2d-a530-f925d4d0be34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220209s2017    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Club Europa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Driven by the wish to do something good - also based on a guilty conscience not being dedicated enough to ‘help’ in everyday life - Martha convinces her flatmates Yasmin and Jamie, to invite a refugee to live with them in the spare room of their apartment in Kreuzberg, Berlin. Shortly after, mediated by an NGO, Samuel moves in. Life together is characterized by a friendly togetherness; within the walls of the apartment, Martha, Yasmin, Jamie and Samuel grow closer. When the situation of their Cameroonian housemate Samuel takes a dramatic turn, the dedicated Martha and her flatmates have to face the question: How far do they really want to go, to help?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faligant, Sylvaine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gilz, Artjom</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zaree, Maryam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fouofié Djimeli, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hoenisch, Franziska Margarete</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">78aaffb5-ffe1-4b7b-b99b-e73589003dfd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220204s2018    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Blink of an Eye</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Augenblicke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Augenblicke“ (German for MOMENTS)</subfield><subfield code="b">A woman walks home at night. She is overwhelmed from behind by a stranger. He grabs her and tries to rip off her clothes. They fight. The point of view switches between man and woman. Reality and fears blur into each other. A new Point of view is involved: eyewitnesses who live in surrounding houses. They look down to an escaping perpetrator and a helpless victim. But for the woman herself this situation is not so clear.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Naghshineh, Kiana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1218234f-97f0-4e7d-884b-265968e11e3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220204s2012    ck 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="a">fr</subfield><subfield code="a">mx</subfield><subfield code="c">co</subfield><subfield code="c">fr</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Towrope</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">La Sirga</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Alice is helpless. War memories invade her mind like threatening thunder. Uprooted by the armed conflict, she tries to reshape her life in La Sirga, a decadent hostel on the shores of a great lake in the highlands of the Andes. The house belongs to Oscar, her only family member alive, and an old solitary hermit. There, on a swampy and murky beach, she will try to settle down until her fears and the threat of war resurface again.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arias, Joghis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">César Roble, Julio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vega, William</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0aa24b60-c781-413a-b25c-23ca02b90f4b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220202s2017    fr 031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Summer Film</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le film de l'été</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is a film about motorway, tourists under transhumance, concrete picnic tables, lines to the restroom, tepid melon slices and carwashs. It is a film about a man who wants to leave and a kid holding him back. It's a summer movie.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ugeux, Jean-Benoît</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Monfé, Balthazar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Minne, Vincent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marre, Emmanuel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5e72e143-b060-45f4-9466-37244d9a2150</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220202s2014    gw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Telecommander</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Telekommando</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Volker Henk has been working for the local city authorities for years, he’s in charge of the automation of urban activities. He impressively demonstrates the myriad possibilities of his universal remote control. But when it gets stolen, the city succumbs to apocalyptic chaos.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Renken, Folke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mehmet, Maxim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Müller, Stephan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmitt, Erik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4637f038-d02e-4d6e-b762-630e2a490873</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220202s2011    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Doctor Rao</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Doctor Rao has died. His family and friends accompany him on his last journey. Two horses lead the procession. The fires are lit and only at the end will all speed come to rest. A film consisting of 5975 photographs.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tchernyi, Alexej</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zhi, Wu</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">103f95f6-ed41-4033-9a87-75a92d7ece77</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220127s1996    at 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pact</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A couple attempts several unsuccesfull suicides: death pills, guns and knives. Finally after they decide that life is worth living the boy realizes that the girl has killed herself. Seconds later in a switch from black-and-white we see him flying out of the window to a death in glorious technicolor.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neave, Veronica</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walton, Rhett</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Patterson, Scott</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">820e2a0d-13e5-400c-9cf5-a429cf7cf124</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220126s1995    gw 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Brief History of Russia</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="5" tag="245"><subfield code="a">Eine Kleine Geschichte Russlands</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A series about unexploreed phenomena. An archaeological study shows that receptacles and their decoration are not only beautiful but also enlightening documents of early cultures - in this case, Russia in the 20th century. Part of "Der Porzellanladen" (The China Shop).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Winzentsen, Franz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e93139e7-b10e-407b-a252-a430937fcdc4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220126s1993    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bye</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Und Tschüss</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A round dance of different young lovers at the station. Done in a single shot with almost constantly moving camera.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Albrecht, Jürgen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arnold, Ulrike</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aurell, Birgit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Furch, Rainer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kapust, Nina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Köster, Karin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lenz, George</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Luft, Thomas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">di Mauro, Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mössmer, Dietmar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moreth, Kostia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ricciardo, Marco</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Riemhofer, Ursula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ritter, Gerd</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seitz, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wasow, Kathrin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneider, Stefan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Feistle, Walter</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1c594ec4-e207-4b35-869a-5cac78e83fe6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220125s1996    bl 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Soul of Business</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Alma do Negócio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisement. Soon their behavior departs from the qouted ad's and they start a cruel and bloody fight to the death.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mariano, Carlos</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guimaraes, Renata</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roberto, José</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b57c6bb2-e19a-42a2-b8c2-62d9188e178e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090309.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220125s2013    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">xxk</subfield><subfield code="c">de</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Border Patrol</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Carl and Franz are ready to get off work and go and watch the big soccer match Germany against Austria when they make an unwelcome discovery. 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People who have never been up there before have to chose whether to jump or climb down. The situation in itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down. Ten Meter Tower is an entertaining study of the human in a vulnerable position.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">van Aertryck, Maximilien</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Danielson, Axel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">75c63c5c-2552-49ed-be1a-2c8e32c7a834</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220120s2009    gw 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Fly</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fliegen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dima lives in fear of being deportetd from Germany. A petty criminal, he finds refuge with Sarah, who is making a documentary about the lack of prospects for young foreigners. While the film is being made, Sarah lets him hide in her attic. But before long, Dima is playing a leading role in Sarah's film - and her life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hüller, Sandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matschenz, Jacob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moltzen, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Özdemir, Oktay</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lewandowski, Piotr J.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">56677cdc-0824-47e6-83db-ac0f2869d289</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220120s2016    ne 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bos</subfield><subfield code="h">dut</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Import</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young Bosnian refugee family ends up in a small village in the Netherlands after getting a residence permit in 1994. Absurd situations arise as they are trying to make this new world their home.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dzebo, Alena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knezović, Mario</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Crnić, Aya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hrusto, Esma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sendijarević, Ena</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">efa1a7f5-9923-4476-80d3-173233bd05a8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220120s2018    xxk009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">le</subfield><subfield code="c">gb</subfield><subfield code="c">lb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Three Centimetres</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Four Lebanese girls go on a Ferris wheel ride to make their friend feel better about her breakup. Their conversation drifts to a less fun place.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Choukeir, Mira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abou Jaoude, Joyce</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ahmad, Bissan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dano, Melissa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zeidan, Lara</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f8025491-cf74-48f4-bcfc-7ae263d3f7de</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220119s2018    sw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Slowdance</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Skoldiscot</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A shy boy at a middle-school dance tackles the new concepts of identity, sexuality and love.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuub Olsen, Philip</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berghe, Gustav</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hayman, Joshua</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zetterberg, Christian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">26e8f57c-7740-4347-8e84-d36ffca39630</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220119s2013    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Rhino Full Throttle</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nashorn im Galopp</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Bruno is making his way through the city searching for its soul. Driven by his curiosity he is lifting the old dusty curtain on the city‘s crusted perception.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mewes, Tino</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lohse, Marleen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Renken, Folke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Müller, Stephan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmitt, Erik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">13a1357f-b928-40dc-9555-5ddcebb6507d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220119s2015    gw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Willi gibt es wirklich?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Willi gibt es wirklich" is about young Willi who was born with Down's syndrome. 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Willi loves life and life loves him back!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wendt, Sören</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">13cd38a2-dad8-4d36-98cd-6223396c2bef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220119s2015    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">PAWO</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“PAWO” is the magical adventure of a little toy figure, who finds herself in a curious world. Thanks to some strange companion, she gradually becomes aware of her strength and skills.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heyn, Antje</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3ece979e-7747-4e08-8827-8e8fe01c9f84</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220119s2017    sw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="a">no</subfield><subfield code="c">se</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Gay Sister</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Min Homosyster</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Majken has known that she is a lesbian since she was 7 years old and Gabbi just recently found out that she’s also into girls. But how about Gabbi’s 10- year old sister Cleo, who is she in love with? Is it a girl or is it a boy? Cleo joins Gabbi to her girlfriend Majken’s summerhouse. On a roadtrip up north a silent struggle begins between the older role models, who will gain Cleo’s trust? My Gay Sister is a story about a young girls first meeting with the expectations to define her sexuality and about the ability to create, gain and lose trust for one another.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hietala, Lia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2dfc2cf3-fe54-45d7-946f-fc16230e5573</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220118s2020    ja 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Woman Who Acts</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">演じる女</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Akira is an old man with little time left to live due to illness. He has a young and beautiful wife, Yoshiko, who tries to take him outside to enjoy his last days. She looks delighted as Akira gets weaker and weaker. What are her true intentions?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mitsushima, Hikari</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shinagawa, Tetu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teruya, Toshiyuki</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/woman-who-acts/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2311b1aa-219d-4724-94a7-889ede77a547</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220118s2019    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nagisa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A woman, Megumi, who got tired of living in the city and arrived at the coast of Onna Village, Okinawa Prefecture. A cheerful girl who met there, Megumi who can make friends with anyone immediately. A fantasy film set in the blue sea, rich nature, and nostalgic cityscape where is Onna Village,Okinawa Prefecture,. with the theme of conflicting feelings of “I want to die” and “I want to live”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eguchi, Noriko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arai, Miyu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinjyo, Fumiyo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fukimine, Hatsue</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ueda, Mayumi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nakahodo, Choji</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Omine, Jyun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teruya, Toshiyuki</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/nagisa/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">dbd63e93-3710-4b1a-ad2a-4b898f7f2de8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220118s2018    ja 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Yachimun</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A real-life story of an artist’s final days who devoted his life to pottery (Yachimun) in the heart of the deep green mountains.  The distant potter, Seisho Kuniyoshi (Atsushi Murakami) ingenuously sacrifices his life seeking the charms of nature.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Takayama, Souichi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/yachimun/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">009853ea-d957-4003-a7ca-fec64adf07eb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">220106s2021    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Soundcheck:The Harp.</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Soundcheck:Die Harfe.</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Soundcheck, adolescents are shown in which ways the material and shape of an instrument constitute its use and what a difference getting to know and practicing the required technique makes. Furthermore, they learn about the role an instrument plays within an orchestra as well as what it is that fascinates musicians about their individual instrument.</subfield><subfield code="b"> In this episode, Ronith Mues, solo harpist of the Konzerthausorchester Berlin, explains her own instrument in an entertaining way.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Unger, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9a49bc3f-2374-49b7-be3f-28d1c89ed83c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211216s2019    fi 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fin</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Two Bodies on a Beach</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kaksi ruumista rannalla</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A woman wakes up on a beach wrapped in plastic, half-naked and in high heels. "Not again", she sighs and decides to find out who is behind this. She persuades an older woman who has been pushed to the margins of society to accompany her on her revenge trip. During their journey through classical cinematic landscapes, the two women have to face their own lusts, conflicts between generations, and their fragile ideologies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paavilainen, Anna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fc75c379-a78d-461e-89f6-dfbe7ee9a789</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211216s2018    sw 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Juck</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Juck (literally Hump) is the dance group that made its breakthrough in a 2013 viral video, where they pushed the limits for how the female body is allowed to express itself and make a statement. Since then they have ›humped‹ all over the world. A film that swings between documentary, dance and fiction asks the question, ›What is femininity?‹</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kastebring, Olivia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gumpert, Julia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bandeira, Ulrika</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">61dd2d01-cae2-4699-97f9-f7423d4ae335</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211210s2016    xxu072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Memories of a Penitent Heart</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Combining a wealth of recently discovered home movies, video, and written documents with artfully shot contemporary interviews and vérité footage, MEMORIES OF A PENITENT HEART is a documentary that cracks open a Pandora’s box of unresolved family drama. Originating from filmmaker Cecilia Aldarondo’s suspicion that there was something ugly in her family’s past, the film charts her excavation of the buried family conflict around her uncle Miguel’s death, and her search for Miguel’s partner Robert a generation later. After two years of dead ends, Robert turns up: but he’s not the same man. He’s reinvented himself as Father Aquin, a Franciscan monk with twenty- five years of pent-up grief and bitterness. For the first time, a member of Miguel’s family wants to hear Aquin’s side of the story—but is it too little, too late? A story about the mistakes of the past and the second chances of the present, MEMORIES OF A PENITENT HEART is a cautionary tale about the unresolved conflicts wrought by AIDS, and a nuanced exploration of how faith is used and abused in times of crisis.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aldarondo, Cecilia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c31f32d0-a280-44cc-84e8-f2eca45c06e4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2018    xr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Vote for Kibera</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kibera: Příběh slumu</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Vote for Kibera is about the people of Africa’s largest slum who have decided, despite the harsh conditions, to transform their merciless environment into a better place to live. Will they make it through the tensions and violence accompanying the 2017 presidential elections?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Páv, Martin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">677ad26b-0856-49cb-88da-b9fad3454aef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2014    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tur</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">tu</subfield><subfield code="c">de</subfield><subfield code="c">tr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Until I Lose My Breath</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nefesim kesilene kadar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Serap is a quite but hot-headed adolescent who is working long hours in a cramped clothing workshop as a runner. Fed up with her abusive brother-in-law and detached sister, the only thing that keeps Serap going is the hope of moving into an apartment with her father who is a long distance truck driver. Since the father is quite indifferent to Serap’s wishes, however, she decides to take matters in her own hands.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madra, Esme</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Akin, Riza</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yüksel, Ece</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Denizci, Gizmet</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kecik, Sema</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emel Balci, Emine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f18bc700-ecd0-4245-96d1-b53404d9bf67</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2018    po 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="a">sa</subfield><subfield code="c">pt</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Sound of Masks</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer, takes us on a surreal journey interweaving the politics of Mozambique’s colonial past and its present. Using music, dance and the body as archive, we experience the ugliness of war through the beauty of dance and poetry. During Portuguese rule Mapiko was often used as social commentary to challenge colonization. The 10 year Independence War against the Portuguese stopped this dance for a few years. Mapiko has however seen a revival since the end of the civil war that followed the country’s Independence. Nowadays, it celebrates freedom, cultural identity and collective memory. As Atanásio himself says, «the dance is linked to the domination, and so history, war and culture are all linked. They are inseparable». Through his work, Atanásio has had an important role in promoting Mapiko as a contemporary art form. As an artist but also as a memory keeper, he now faces the challenge to transmit his knowledge to his son Natepo. Blending observational footage, archive material and contemporary dance sequences, the film crosses the threshold between real and imaginary. These two parallel story-worlds are interwoven creating a visual narrative linking past and present in a radically shifting country.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">De Gouveia, Sara CF</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">05183650-deaf-48bf-8e89-4c1f04759209</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2019    nr 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">nr</subfield><subfield code="c">ng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Coffin Salesman</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Coffin Salesman is a black comedy/satire that holds up a mirror to life, love and living. It follows the story of a well..A coffin salesman Uwem Akan played by four-time AMVCA Nominee Kelechi Udegbe whose business hits a rough patch as he is unable to sell coffins…Nobody has died for a while in the small town he lives and and it gradually looks unlikely as everyone is living healthy; exercising, quitting smoking etc. Desperate he goes out trying to market and is met but a barrier as culturally death is not something Nigerians want to discuss. Uwem’s problem is compounded when his clearly-above-his-league wife decides she has had enough of the poverty and leaves him right after his daughter Nse (Played by Mariam Kayode who is the youngest person ever nominated for the AMVCA at 11) grimly informs him she has been cheating on him. Heartbroken, Uwem is faced with yet another problem; His daughter Nse thinks she is a super hero and dresses up in a one-piece with an ankara cape attached. Her school concerned about her decide to (like most schools not used to dealing with special needs children) suspend her from school. Annoyed, Uwem withdraws her and begins to accept the fact that she is just a different child. The story switches gear when KPAI Murder Services moves next door to Uwem’s Coffin shop and tries to buy his business. In a night out drinking with the CEO of KPAI he agrees to have his wife’s new boyfriend murdered for part ownership of his business. And just when he finally scores a sale he realizes his mistake when he gets a notification that the murder is about to be carried out. Panicked and confused, He has to save his wife before the KPAI Murder Agents carry out their work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Umoren, Imoh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">573e90db-93bc-48e9-99ab-8c48217dad21</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2015    ic 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ice</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ic</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Homecoming</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blóðberg</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Gunnar, a sociologist in his fifties who has written countless self-help books lives in a beautiful house with Dísa, his wife of thirty years. Despite his expertise, their relationship is on the rocks and their attitude towards one another is becoming increasingly resentful and bitter. Their 25-year-old son and only child, David, comes back from a holiday with a new girlfriend, Sunna. Sunna is pretty, smart, polite and on the face of it, the perfect daughter in law. However, on meeting Sunna, Gunnar is forced to face a dark secret. Although his life's work has been to instruct others on how to work through their problems, he seems incapable of dealing with his own dilemma. He starts to act strange and does all he can to sabotage his son's relationship with Sunna. However, inch by inch, the noose tightens and finally he is forced to reveal his secret. Sunna is Gunnar's daughter from a brief love affair he had when Dísa was pregnant with David. When his lover became pregnant he ended the relationship and hasn't been in contact with his daughter since. Now, the secret is out.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jónsson, Hilmar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arnardóttir, Harpa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jensson, Hilmir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kristjánsdóttir, Þórunn Arna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haraldsson, Björn Hlynur</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">362848c0-780a-4d14-9d07-a10cc24d6113</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2018    dk 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">ke</subfield><subfield code="c">dk</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Subira</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">SUBIRA is a free spirit, a young Muslim girl born to be in the water. She loves to swim and go fishing with her father – much to her mother’s dismay. In her element in the ocean, SUBIRA dreams of swimming competitively, as the boys do. But when her father dies in a boating accident, suddenly she’s not allowed to swim at all anymore. Subira now finds herself firmly in the clutches of her traditional mother, Mwana, whose single-minded aim is to arrange a good marriage for her daughter. Though matched with the sensitive, progressive-minded Toufiq, marriage does not quell Subira’s longing to swim and her problems are just beginning. Director Sippy Chadha has expanded her award-winning short film of the same name to make an engaging feature-length drama about a young woman’s fight to follow her dreams.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wairimu, Brenda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Padam, Tirath</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Githinji, Nice</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alusa, Melvin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chadha, Sippy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aaa66845-6dee-4ef7-8013-8bfba06f8690</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211208s2016    sp 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">jpn</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Soul</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Documentary that deepens into the souls of some of the top three-starred Michelin chefs.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blanco, José Antonio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Parra, Angel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">674d0a3a-6c8b-45e4-bd78-ec458397222e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211201s2018    et 040        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">amh</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">et</subfield><subfield code="c">et</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Saint Music</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Saint Music is a documentary exploring Ethiopian music, its brief history and the challenges it faces. The film comprises of interviews of the country's music elite including Mr. Yilma Gebre Ab, Mr. Dawit Yifu, Betty G. and others as well as a brief overview of the prominent music school; Yared Music School named after Yared who is considered to be the father of Ethiopian music. The documentary delves into the problem that the music has of not performing as well in the international market. However, foreigners have embarked on a journey to fuse the music with their own culture and try to make new sounds. Ethiopian music is known for its pentatonic scale under which the four modes; Bati, Ambassel, Anchi Hoye and Tizita play a defining role in the music both past and present.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zemed, Dagmawi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">369e078e-21ae-478e-8e8d-beb60adf0cdd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211201s2017    sw 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Small Town Curtains</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Smålstad</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Löfstedt, Johan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">46e8d32f-d687-4bac-8f4b-41e907dc2286</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211201s2016    dk 114        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Blood</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Blodet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's summer in Copenhagen; a time of endless days and carefree nights. Simon (23) goes to medical school with his best friend Knud (23). Together with their friends SØREN and ESBEN the boys party, drink and chase girls and wake up the next day only to do the whole thing all over again. But it is also a time of change between the friends and when everyone, except Simon, decides its time to sell their shared apartment, it creates a growing tension within the group. Whilst the others gravitate towards the safe haven of adulthood, Simon is not ready to let go of his airy adolescent life. He becomes smitten with a bartender, EMILIE (22), but is unable to acknowledge his growing love for her. This only sends him deeper into a world of never ending parties, which slowly threatens to destroy his friendships.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bech, Kristoffer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Crosset Hove, Elliot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carmen Sonne, Victoria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heisterberg, Rasmus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ba5eb9fa-1ed3-4216-9ff2-fc72a0ac2031</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211201s2013    fi 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="h">nor</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="a">no</subfield><subfield code="c">fi</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Things We Do For Love</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kaikella rakkaudella</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Vaarala, a reserved romantic photographer, has an odd artistic vision of lonliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa his ‘bench’ is suddenly filled. But in order to be with her he has not only to overcome his own frailties but the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness. Someone ends up dead, and in the mess of difficult and fractured small-town relationships, reaching far beyond Vaarala and Ansa, its not surprising. It’s madness and mayhem and beauty and bliss: this is life, and these are the things we do for love.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kosonen, Krista</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarkola, Sampo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Korpela, Tommi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ijäs, Matti</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">47f125fb-e47e-4296-be11-be9ae126a17e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211111s2020    ag 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="h">por</subfield><subfield code="h">que</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">mx</subfield><subfield code="a">no</subfield><subfield code="c">ar</subfield><subfield code="c">mx</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Map of Latin American Dreams</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mapa de sueños latinoamericanos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Between 1992 and 2013 the Argentine artist, Martín Weber, photographed with intensity and intimacy Latin America, asking people to write their dreams with chalk on a wooden board. Decades later, he wondered if any of those wishes had been fulfilled. This film is a new journey in the search for the same people to give testimony of their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weber, Martín</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">27af00f6-70b8-4839-8dc6-ccdef3eea2e4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211026s2016    sa 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">xho</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="a">gw</subfield><subfield code="a">ne</subfield><subfield code="a">fr</subfield><subfield code="c">za</subfield><subfield code="c">de</subfield><subfield code="c">nl</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Wound</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Inxeba</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Xolani, a lonely factory worker, joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best kept secret, Xolani's entire existence begins to unravel.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trengove, John</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c2104389-8c9a-496c-8190-1b5f003e1f61</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211026s1993    gw 110        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Die Wismut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1946, the Soviet occupying force founded the mining company Wismut. Stalin wanted the atomic bomb and the uranium needed for its production was in the Saxon Erzgebirge.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koepp, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bae47309-e452-4a42-b469-2fbdd1018358</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211026s2004    fr 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wild Side</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mikhail and Djamel share the bed of a young transsexual, Stéphanie. At the beginning, their story is about three solitary people who encounter each other. Despite their chaotic lives, they find comfort in each other’s arms.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lifshitz, Sébastien</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3fb14c85-5ef0-40f6-bf43-f92312ae8e50</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211026s2018    xxu084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wild Nights with Emily</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This film is about Emily Dickinson’s life as a writer, her attempts to get published, and her vivacious, irreverent side that was covered up for years — most notably, her lifelong romantic relationship with another woman.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shannon, Molly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seimetz, Amy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ziegler, Susan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olnek, Madeleine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8696ad28-d715-41b5-a1a8-fa262f1d0f22</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211026s1985    gw 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Westler</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Berlin in the mid-Eighties. Felix from West Berlin and Thomas from East Berlin only live a few kilometres apart from each other – but still in completely different worlds. Between them lies the Berlin Wall, they can only see each other once a week for a few hours. As their love grows, each forced separation becomes more and more painful. Ultimately, Thomas only sees one solution: to escape the GDR, via Prague into the West, to Felix.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Speck, Wieland</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2b5e5ea6-7b94-441a-8c66-8add8e29b3bc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211021s2012    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Westerland</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jesús and Cem meet one winter on the German North Sea island of Sylt. One is an oddball who ended up here by chance, the other a by-the-book son of Turkish immigrants. Both decide to give their affair a go and shut out the world by holing up in Cem’s small apartment. They decide on rules for their relationships and are both constantly breaking them. They lose control while at the same time holding on to one another. Unfortunately, one loves more than the other. In their search for their place in life, both young men must learn that sometimes you have to put yourself first.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schorlemmer, Wolfram</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yigit, Burak</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arslan, Tamer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Staffel, Tim</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dae1906b-7b31-49a3-a7e9-c43c8f973fc5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090310.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211021s1925    gw 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Ways to Strength and Beauty</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wege zu Kraft und Schönheit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What is the perfect body - and how do you get it? People were already grappling with these questions 100 years ago. Wilhelm Prager's and Nicholas Kaufmann's documentary "Wege zu Kraft und Schönheit" (Ways to Strength and Beauty), filmed in 1925 for the UFA cultural department, first criticises modern society, which weakens and deforms the human body through industrial work and office activities. According to the motto "A healthy mind lives in a healthy body", the didactically prepared educational film aims in six chapters at a re-appropriation of a physical ideal state according to the model of antiquity and propagates above all physical training for this purpose. </subfield><subfield code="b"> The most radical thing about Prager's film is its revealing imagery: the naked or scantily clad human body is literally celebrated in stylised documentary scenes during the most diverse activities - body care, gymnastics, sport and dance. In the 1920s, this struck a chord with the times: it was an expression of a new body consciousness that had been established since the beginning of the 20th century in the form of the life reform movement and naturalism. But "Ways to Strength and Beauty" is also a valuable film-historical document that can be seen as an ideological precursor of the National Socialist cult of the body, as it was later celebrated in propaganda films by Leni Riefenstahl, for example. Riefenstahl appears in Prager's film as an extra in a dance group.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Prager, Wilhelm</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaufmann, Nicholas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">868b2301-e842-4497-940d-d7d5c700f9aa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211021s2020    gw 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wagenknecht</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">WAGENKNECHT is a multi-layered film about idealism and dedication to deeply held convictions. It tells the story of a life lived with and in the world of politics – and highlights the price one must pay to navigate the absurdities and forces of Berlin’s political scene.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaudelka, Sandra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4e713edb-daa4-431f-b086-3131012d3fca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211021s2014    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Of Girls and Horses</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Von Mädchen und Pferden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Alex is 16, a misfit, a drop-out, a failure. She uses drugs; she cuts herself. She has been sent by her despairing adoptive mother to a farm in northern Germany. At first, Alex hates this remote place and the demanding job of looking after the horses. But under the tutelage of Nina, a 30-something taking a break from city life and her partner, Christine, Alex gradually comes to form a bond with the animals in her charge.</subfield><subfield code="b"> Then Kathy arrives at the farm to take a holiday, bringing her own, beautiful horse with her. Alex takes an instant dislike to this privileged newcomer. Slowly, though, the barriers between the two are broken down and Kathy finds herself smitten by the streetwise and energetic Alex. The pair starts horsing around, larking about on the mudflats, until one weekend, when they’re alone at the farm, things spiral out of control. A coming-of-age story with girls and horses, under the lowering skies of northernmost Germany, by the ocean and close to the Danish border.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chuh, Ceci</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilms, Alissa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karun, Vanida</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grell, Ellen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Treut, Monika</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ba1c483e-559b-4f5f-987f-dc5113cfa8cb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211020s2015    ie 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Viva</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jesus, an eighteen-year-old Cuban is lost and struggling to realize his true identity. Unsure of himself or his future direction, he works at a local Havana drag club where he entertains dreams of becoming a performer whilst earning his money through hustling. At home he finds solace listening to the records his mother and grandmother left him. Into his life, however, comes a force to challenge his direction and freedom – his long-lost father Angel, once a celebrated boxer and newly released from a 15-year prison term.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Medina, Héctor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perugorría, Jorge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alberto García, Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Breathnach, Paddy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84fd205d-e30b-48d6-bdab-b06e41e7d338</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211020s2016    fr 141        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Four Days in France</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jours de France</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Disillusioned with his life in Paris, Pierre Tomas drops everything to travel through France. Via phone numbers written in bathroom stalls, coincidental rendezvous, and Grindr, a smartphone app, Pierre never ceases to find a parking spot for the car he so dearly maneuvers. As he wanders the country for four days and four nights, his lover, Paul, will try to find him, using the same app that compasses Pierre. In a game of absurdist cat and mouse, these two lovers try, in their own ways, to find their way back to one another.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cervo, Pascal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Igual, Arthur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Babe, Fabienne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reybaud, Jérôme</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5f3b30b4-d80c-45b9-8e13-17fdf716da3c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211020s1985    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Seduction: The Cruel Woman</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Verführung: Die grausame Frau</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Wanda is a dominatrix who runs a gallery in a building on the Hamburg waterfront, where audiences pay for the privilege of watching her humiliate her slaves. She is a business woman who smashes sexual stereotypes and social taboos with icy self-possession and an enigmatic smile. As artist she specializes in the staging of elaborate S &amp; M fantasies and her affairs transgress the usual boundaries of personal and professional life. Along the way she leaves her German lesbian lover, a shoe fetishist, for an American trainee, and does more than step on the toes of the male performer who has broken the rules of the master-slave relationship by falling in love with her.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grossmann, Mechithild</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McLaughlin, Sheila</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Treut, Monika</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mikesch, Elfi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f7def1d-d51a-4e7e-9d7d-96dd0147e30d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211020s2018    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Usedom – Clear View at the Sea</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Usedom - Der freie Blick aufs Meer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For Berliners, the Baltic island of Usedom was once the most luxurious destination for excursions within striking distance of the city. This is where imperial Germany’s grand health resorts of Bansin, Heringsdorf and Ahlbeck were built. Heinz Brinkmann, who was born in Heringsdorf, traces the eventful history of his island. He talks about the magnificent villas on Europe’s longest beach promenade, about the expulsion of Jewish citizens by the Nazis and about Usedom being split into a German and a Polish half after the Second World War. During the GDR era, most of the spa architecture remained intact because of the lack of means to build something new. Since the fall of the Wall, however, investors have been trying to replace it with indistinguishable luxury residences. Brinkmann also asks people about conservation and change. We hear from the mayor infuriated by the architectural eyesores of recent years, a farmer who bought an island in the Achterwasser lagoon for his organic cattle, a Polish hotel manageress and other bridge-builders between the two countries. Brinkmann also quotes from his own 1992 Usedom film and compares the plans of his former protagonists with today’s reality. A discursive tour through a fractured paradise.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brinkmann, Heinz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">960b11a2-f00d-44ac-bb5f-c36333f17cb3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211020s2004    gw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">En Route</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Unterwegs</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three young people are spending their holidays on a camping ground in Brandenburg, south of Berlin. Sandra, a young single mother, with her daughter Jule. Benni, seriously in love with Sandra. And, Marco, hidden behind his sunglasses, colorful, smiling, but also unpredictable, and apparently with nothing much to lose.</subfield><subfield code="b"> After a few days (and a few fights), they all find confidence in each other. When Marco gets in trouble, they decide to leave the camping ground and travel further to the Polish Baltic Coast.  Step by step, new desires begin to reveal themselves. For some time a strange little family comes into being, in which each one finds what he is looking for. Discoveries and difficulties, funny moments and challenges follow their steps.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lachatte, Anabelle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Panzner, Florian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kiefer, Martin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krüger, Jan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0745c9f1-f90b-436b-a519-ae7cf08c7392</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211019s2012    gw 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Among Men – Gay in East Germany</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Unter Männern - Schwul in der DDR</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">More than two decades ago, a country in Europe existed that marked the border to a different political and economic system, yet was the very heart of the continent. This country, called the German Democratic Republic, made Socialism a reality and was home to 17 million people. Born in the deep eastern provinces, Ringo Rösener merely witnessed the collapse of East Germany as a nation. Ringing in the new millennium, he leaves his home town of Anklam to live out his homosexuality – something he had never dared to do. Would an openly gay life even have been possible in the real Socialist system? Ringo Rösener meets six gay men who lived in the GDR. Some of them speak openly about their sexuality for the first time in their lives. Little by little, they open up, begin to share their own personal stories and talk about their lives in the supposedly uniform state.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rösener, Ringo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stein, Markus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e2fa3022-b60b-407e-9d65-c2a252b2d65f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211019s2013    pl 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Floating Skyscrapers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Płynące wieżowce</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of a young man discovering his homosexuality, while his girlfriend tries to cling onto him.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Banasiuk, Mateusz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gelner, Bartosz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nieradkiewicz, Marta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wasilewski, Tomasz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7a3d025-086a-4de6-b5bd-ac36c746e0e5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211019s2019    mx 109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">This is not Berlin</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Esto No Es Berlín</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">1986. Mexico City. Seventeen-year-old Carlos doesn’t fit in anywhere: not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: post punk, sexual liberty, and drugs that challenges the relationship with his best friend Gera and lets him find his passion for art.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ponce de León, Xabiani</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Toledano, José Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Romo, Ximena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sama, Hari</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cfc98aca-d933-4378-9b19-7b9e2b7adf84</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">211019s2016    fr 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Paris 05:59</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Théo et Hugo dans le même bateau</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Théo and Hugo encounter each other’s bodies in a sex club. They talk, things blur into the haziness of unbridled desire, then take shape for a moment as their gaze meets before they resume their exploration and lose themselves anew. A few moments later the two men feel the need to go outside. Together they drift down the deserted streets of nocturnal Paris. Suddenly they find themselves confronted by a sense of reality that wipes out their freedom and aimlessness and lends each step an existential helplessness. Do they want to know more about each other? Will their trust be rewarded? What are their expectations? Olivier Ducastel and Jacques Martineau display consummate sensitivity in bringing us closer to two men as they strive for intimacy in spite of being stalled by their insecurity. Their two leading actors delight us with their remarkably intuitive performances and their incredible charm.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Couët, Geoffrey</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nambot, François</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ducastel, Olivier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martineau, Jacques</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">440edc3b-acef-4cc6-83fc-31f1c9a0a5e1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210929s2015    xxu087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Best of Enemies</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the summer of 1968 television news changed forever. Dead last in the ratings, ABC hired two towering public intellectuals to debate each other during the Democratic and Republican national conventions. William F. Buckley Jr. was a leading light of the new conservative movement. A Democrat and cousin to Jackie Onassis, Gore Vidal was a leftist novelist and polemicist. Armed with deep-seated distrust and enmity, Vidal and Buckley believed each other’s political ideologies were dangerous for America. Like rounds in a heavyweight battle, they pummeled out policy and personal insult—their explosive exchanges devolving into vitriolic name-calling. Live and unscripted, they kept viewers riveted. Ratings for ABC News skyrocketed. And a new era in public discourse was born.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gordon, Robert</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neville, Morgan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7ca99213-dc71-4958-a3aa-03be30944980</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210929s2017    fi 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nokia Mobile - We were Connecting People</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nokia Mobile - Matkapuhelimen tarina</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With Nokia’s innovations Finland was steered out of depression and into leadership of the cell phone world. In 2013 Nokia’s mobile phone business was sold to Microsoft; what were the decisions that led to the demise of one of the most successful technological businesses of modern times? A story told from the perspective of the inventors and engineers who worked in the mobile phone business during it’s heyday.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koskinen, Arto</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c2e02279-bbc1-4069-b2b3-4d874fac28c9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210929s2018    au 112        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">ita</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Border Fence</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die bauliche Maßnahme</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Brenner Pass, Alpine border, spring 2016: the Austrian government announces the construction of a border fence, expecting a shift of the refugee routes to Italy after the Balkan route is closed. The residents fear the fence just as much as the supposedly threatening influx of foreigners to their homeland. Two years later, the fence is still rolled up in a container, as the inrush of refugees never occurred.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geyrhalter, Nikolaus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ae1d18dd-6d66-44af-9d56-edb44707d81e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210929s2019    be 128        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">swe</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">dk</subfield><subfield code="a">no</subfield><subfield code="a">sw</subfield><subfield code="c">be</subfield><subfield code="c">dk</subfield><subfield code="c">no</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cold Case Hammerskjöld</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1961, United Nations secretary-general Dag Hammarskjöld’s plane mysteriously crashed, killing Hammarskjöld and most of the crew. With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger (The Red Chapel, The Ambassador) leads us down an investigative rabbit hole to unearth the truth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brügger, Mads</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">17f50e5b-0fe1-4669-a26f-919b5e861151</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210929s2016    xxu072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Do not Resist</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Starting on the streets of Ferguson, Missouri, as the community grapples with the death of Michael Brown, Do Not Resist offers a stunning look at the current state of policing in America and a glimpse into the future. The Tribeca Film Festival winner for Best Documentary puts viewers in the center of the action — from a ride—along with a South Carolina SWAT team and inside a police training seminar that teaches the importance of “righteous violence” to the floor of a congressional hearing on the proliferation of military equipment in small—town police departments — before exploring where controversial new technologies including predictive policing algorithms could lead the field next.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Atkinson, Craig</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6719693f-1fa7-4836-ae70-923759deca1b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210924s1974    xxk121        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bird on a Wire: Leonard Cohen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On March 18th 1972, Leonard Cohen began a 20- city European tour, beginning in Dublin and ending in Jerusalem on April 21st. Other cities included London at the Royal Albert Hall, Stockholm, Amsterdam, Copenhagen, Vienna, Berlin, Paris and Tel Aviv. This film is an impression of what happened during that tour.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Palmer, Tony</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ff0738f4-42fb-4f8b-8232-283b76c6a427</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210923s1980    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Taxi to the Toilet</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Taxi zum Klo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„I’m into men, I’m 30 years old and I work as an elementary teacher“, says Frank, who sometimes dresses up as Peggy. In drag he meets Bernd – and takes him directly from the cinema to his home. From that moment on, they are a couple. Frank enjoys being with Bernd, but he also wants to keep his freedom, e.g. meeting other men and having anonymous sex in parks and on public toilets. Bernd’s dreams of a monogamous relationship and a calm life on a farm are not what Frank is after. On the annual drag ball, it all ends up in a fuss …</subfield><subfield code="b"> In „Taxi to the Toilet“ director and main actor Frank Ripploh tells his own life story: Before becoming a filmmaker, he worked as a teacher in a school in West Berlin, his openness regarding his own homosexuality costed him his job. Ripploh’s film is not just an erotic, absurdly funny journey into the Eighties gay scene, but also a touching, completely independent piece of queer cinematic history.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ripploh, Frank</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Broaderup, Bernd</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lederer, Gitte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ripploh, Frank</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5165d847-58d2-4699-a761-e4da1fd7e059</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210923s2014    gw 105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">hun</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">hu</subfield><subfield code="c">de</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Land of Storms</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Viharsarok</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match and an ugly argument make Szabolcs reconsider his life, and he returns to Hungary with hopes of a simpler life. His solitude does not last long, however, and soon after his arrival he meets Áron. A mutual attraction develops between the two boys when Szabolcs receives an unexpected phone call from Bernard: he has arrived in Hungary...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sütö, András</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Varga, Ádám</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Urzendowsky, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Börcsök, Eniko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lajos Horváth, Ottó</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Császi, Ádám</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">491b0ced-3249-4e47-b79e-ac88d9c04f73</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210923s2011    gw 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Harvest</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Stadt Land Fluss</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">During harvest, hands are working every day. The crop has to be stored, the barn kept clean and if a cow refuses to bond with her calf, it is raised by hand. Marko (22) is an apprentice working on a large agricultural farm in the Nuthe-Urstrom valley, some 60 kilometers south of Berlin. If he passes his final examinations he will be a fully fledged farmer. That is, if he really wants it. But Marko is more of a loner, who rather dreams to escape in the old Lada Niva, which is rotting on the grounds. One day Jacob (19) turns up, a somewhat younger intern with two left hands. Suddenly Marko’s day dreaming breaks are not his own anymore, and suddenly there is this strong feeling of desire to another man.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steltner, Lukas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Müller, Kai-Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cantu, Benjamin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9b66739c-c285-4188-8d5f-1c990599c797</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210923s2018    fr 132        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Sorry Angel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Plaire, aimer et courir vite</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jacques is a writer living in Paris. He hasn’t turned 40 but already mistrusts that the best in life is yet to come. Arthur is a student living in Brittany. He reads and smiles a lot and refuses to think that everything in life might not be possible. Jacques and Arthur will like each other. Just like in a lovely dream. Just like in a sad story.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lacoste, Vincent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deladonchamps, Pierre</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Podalydès, Denis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Honoré, Christophe</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9e3bfe54-eeef-4aac-b934-dde789c734ab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210923s2014    li 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">lit</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">li</subfield><subfield code="a">fr</subfield><subfield code="a">ne</subfield><subfield code="c">lt</subfield><subfield code="c">fr</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Summer of Sangaile</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sangailé</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">17 year-old Sangaïlé, is fascinated by stunt planes. Afraid of heights, she has never dared to even enter in one of the cockpits. At a summer aeronautical show, nearby her parents’ lakeside villa, she meets Austé - a local girl of her age, who unlike Sangaïlé, lives her life to the full with creativity and dare. As the two girls become lovers, Sangaïlé allows Austé to discover her most intimate secret, and finds in her teenage love the only person to truly encourage her in flying.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steponaityte, Julija</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Diržiute, Aiste</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sodyte, Jurate</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Budraitis, Martynas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kavaïté, Alanté</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e419fc4f-eb0b-466d-9c5e-9697359d2248</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210922s2014    sw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Something Must Break</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nånting måste gå sönder</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A love story between two young men where one is the androgynous Sebastian and one is Andreas who is not gay. They form a unity. It’s them against the polished Swedish Ikeasociety. They dream about escaping boredom and the risk of becoming what everyone else is. And then there is Ellie- the superwoman growing inside of Sebastian who Andreas loves and fears. This is the summer when everything happens and both of them will choose paths that will determinate their lives forever. It’s a battle for love where Sebastian finally has to realise that he has to let Ellie loose, find the strength within himself and not let his happiness depend on someone else.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Becker, Saga</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malmborg, Iggy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Niavarani, Shima</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martin Bergsmark, Ester</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">55347a4c-9588-4e71-9aae-e5bcd61bb060</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210922s1994    xxk089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sister my Sister</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thriller based on a real murder which took place in a small French town in the 1930s when two young sisters murdered a woman and her daughter for whom they worked as maidservants.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walters, Julie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Richardson, Joely</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">May, Jodhi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thursfield, Sophie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meckler, Nancy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1f775fc6-92ef-436c-bdc5-6e6e3006146c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210922s2018    gw 135        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="h">est</subfield><subfield code="h">ger</subfield><subfield code="h">lav</subfield><subfield code="h">pol</subfield><subfield code="h">rus</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Seestück</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With SEESTÜCK, Volker Koepp concludes a series of documentaries that he began in 2010 with BERLIN-STETTIN. In this film, the director mixed autobiographical references with his description of East German film and living spaces for the first time. IN SARMATIA, 2013 he expanded the view of the region east of the Weichsel (Vistula) and between the Black Sea and the Baltic Sea. With LANDSTÜCK, 2016, Volker Koepp returned to the Uckermark in the north of Berlin. SEESTÜCK - a film about the Baltic Sea, about life by the sea and with the sea - concludes the series. As in the films before, the arcs of history are reflected here in the private lives of the present. The following also applies to the small Baltic Sea: landscape is world view.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koepp, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f305bd34-2089-4f42-8231-5e4a6d2565fc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210922s2018    gw 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Schatzkammer Berlin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Prussian Cultural Heritage Foundation guards a treasure that is unique worldwide. The 19 museums, archives and libraries encompass a collection that spurs the mind to travel across the globe through the entire history of mankind. More than 5 million objects from everyday life as well as archaeological artefacts and art masterpieces form one of the five greatest universal collections anywhere in the world.</subfield><subfield code="b"> Beyond their beauty, these objects provide answers to the important questions that have occupied humans since prehistory.  ‘Berlin’s Treasure Trove’ is more than a documentary about Berlin’s museums – it is an exciting and entertaining journey through the cultural history of mankind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Freyer, Dag</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4cae4641-5dbd-4692-83f3-9aff4058bf15</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210922s2018    fr 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sauvage</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Leo is 22 and sells his body on the street for a bit of cash. The men come and go, and he stays right here... longing for love. He doesn’t know what the future will bring. He hits the road. His heart is pounding.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maritaud, Félix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bernard, Éric</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dibla, Nicolas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ohrel, Philippe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vidal-Naquet, Camille</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2334f923-4aa0-4c73-9b36-d0799930fa28</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210921s2018    xxu082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Saturday Church</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bingham, Margot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, Regina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kain, Luka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardasis, Damon</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e77f98d3-ff2e-4fb7-a9c2-ffb6d26b03c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210921s2009    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Light Gradient</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rückenwind</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two young men, Johann and Robin, take a trip to the countryside. The further they walk into the forests, the stranger becomes their adventure. Bikes disappear, maps prove useless – and both discover a new side of each other’s desires. The lovers take it as a challenge – and just go with the flow.</subfield><subfield code="b"> After several days of hiking, they arrive at an old farmhouse inhabited by a woman and her adolescent son. The men receive a surprisingly warm welcome and begin to share the family’s daily routine and their secrets. For a while they enjoy an enchanting round of flirting and games – until one day the new companions get too close. Johann and Robin are flung out of their refuge…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlecht, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Golub, Eric</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Minich, Iris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alevi, Denis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krüger, Jan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">32c589a7-c1d5-444d-b7f0-6d0eaa54cf0f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210921s2017    ic 101        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ice</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ic</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Rift</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rökkur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Months after they broke up, Gunnar receives a strange phone call from his ex-boyfriend, Einar. He sounds distraught, like he's about to do something terrible to himself. Gunnar drives up to the secluded cabin where Einar is holed up and soon discovers that there's more going on than he imagined. As the two men come to terms with their broken relationship, some other person seems to be lurking outside the cabin, wanting to get in.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stefánsson, Björn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Óskarsson, Sigurður Þór</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ólafsson, Guðmundur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thoroddsen, Erlingur</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5f47d588-a776-4b3c-a22d-feebd25a1393</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210921s2018    ke 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swa</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rafiki</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mugatsia, Samantha</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Munyiva, Sheila</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kahiu, Wanuri</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f509d93d-90e4-4b7e-a738-b832d1178808</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210921s2017    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ita</subfield><subfield code="h">pol</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">pl</subfield><subfield code="c">de</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Prince and the Dybbuk</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Książę i dybuk</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Who was Moshe Waks, son of a poor Jewish blacksmith from Ukraine, who died as Prince Michał Waszyński in Italy? Was he a golden boy of cinema, a cunning fraud or a man who couldn't distinguish between the illusion of film and reality?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Niewiera, Elwira</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosołowski, Piotr</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4cc1dd73-d712-4261-96e0-2367e4e9d924</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210917s2017    xxu097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Princess Cyd</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">PRINCESS CYD follows 16-year-old athlete Cyd Loughlin (Jessie Pinnick) while visiting her novelist aunt (Rebecca Spence) in Chicago over the summer. Eager to escape life with her depressive single father, Cyd falls for a girl in the neighborhood, while she and her aunt gently challenge each other in the realms of sex and spirit.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spence, Rebecca</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pinnick, Jessie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">White, Malic</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cone, Stephen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">25128a7c-e169-49d4-b07b-355685c16b4c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210917s2019    xxu094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Port Authority</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On the steps outside New York City’s dizzying central bus station, Port Authority, a girl named Wye vogues with her siblings. Paul, a young drifter, watches her, transfixed by her beauty. After he seeks her out, an intense love soon blossoms. Wye introduces him to the ballroom community, an underground LGBTQ subculture, to her house, a self-selected chosen family. But when Paul realizes Wye is trans, he is forced to confront his feelings for her and the social forces that seek to rupture their bond.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Whitehead, Fionn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bloom, Leyna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lombardi, McCaul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krause, Louisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lessovitz, Danielle</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">63340599-a63c-4c95-b6e2-ea9fef9ec9b0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090311.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210917s2017    fi 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Screwed</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pihalla</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A Finnish drama comedy indie film, where seventeen year olds Miku and Elias find themselves, and each other, during a summer in the Finnish countryside. Love is not as easy as it seems.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kauppila, Mikko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lehtinen, Valtteri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Majuri, Sanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ekblom, Nils-Erik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1e0631df-f48b-43d4-9993-cde807803108</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210917s2016    po 118        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="h">eng</subfield><subfield code="h">chi</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="a">fr</subfield><subfield code="a">bl</subfield><subfield code="c">pt</subfield><subfield code="c">fr</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Ornithologist</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">O Ornitólogo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As he treks through the north of Portugal in search of rare birds, Fernando is swept away by the river rapids. Rescued by a couple of Chinese pilgrims, he tries to find his way back home through the eerie, dark forests, where uncanny encounters put him to the test. He soon becomes a different man, inspired, perhaps even enlightened…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hamy, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cagiao, Xelo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodrigues, João Pedro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodrigues, João Pedro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ce37d185-7f21-42f0-855a-c345963f840b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210917s2013    ne 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="a">gw</subfield><subfield code="c">nl</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">It’s all so Quiet</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Boven is het stil</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Helmer, a single farmer in his fifties, lives with his aged, bedridden father in the Dutch countryside. His working days are marked by the visits of milk collector Johan, a man of his own age for whom Helmer holds a secret fascination. One day Helmer decides to renovate the house, buying himself a new double bed and moving his father upstairs. 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Having survived the Holocaust and then stayed in Germany after the war, it is the food they cook together that they remember their childhoods, maintain a bond to each other and answer questions of heritage, memory and identity. As the film follows them through their daily lives, a portrait emerges of two women with with a light sense of humor, vivid stories, and a deep fondness for good food. 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Confused by his first experience, Rémi wanders around Paris in search of himself.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belmadi, Yasmine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rajot, Pierre-Loup</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abascal, Margot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damraoui, Mohamed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zidi, Malik</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dhouib, Dora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belkhadra, Karim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kerdaffrec, Réjane</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lifshitz, Sébastien</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lifshitz, Sébastien</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4f185652-48f1-4d0a-8abf-b3e6f9d81cfe</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210916s2018    pl 130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nina</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After twenty years, Nina’s marriage to Wojtek is going nowhere, partly because of their failed attempts to have children. When the couple meets a young woman, Magda, they ask her to become the surrogate mother for their child. Things get more complicated when Nina starts felling attracted to Magda.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kijowska, Julia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rycembel, Eliza</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Konopka, Andrzej</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chajdas, Olga</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8e15cba4-7c30-41fe-bf41-b9b9165af8a5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210916s1999    gw 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">My father is coming</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Vicky works as a waitress and dreams of stardom, but her hopes are continually dashed by disastrous auditions and an unconquerable German accent. Her world threatens to disintegrate when she learns of the impending visit of her father, lured by stories of his daughter’s success in America. Vicky’s attempts to dissimulate include concealing her job and inducing gay roommate Ben to pose as her husband. Bavarian sausage-smuggling Hans, Vicky’s father, arrives and encounters an exotic subculture of gender-benders, fakirs, and, most of all, ex-porn queen Annie Sprinkle (playing herself), leading to discovery and adventure for both father and daughter.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kästner, Shelley</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spinkle, Annie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Treut, Monika</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e5812ab0-963f-4e41-843f-833207b28aab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210916s2019    sa 103        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">afr</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Moffie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The year is 1981 and South Africa’s white minority government is embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart must complete two years of compulsory military service to defend the apartheid regime. The threat of communism and “die swart gevaar” (the so-called black danger) is at an all-time high. But that’s not the only danger Nicholas faces. He must survive the brutality of the army – something that becomes even more difficult when a connection is sparked between him and a fellow recruit.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brummer, Kai Luke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Villiers, Ryan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vey, Matthew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vermaak, Stefan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pelser, Hilton</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hermanus, Oliver</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">80864497-d450-413a-af28-e218f0ddd237</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2017    gw 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Misandrists</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Misandrists refers to a secret cell of feminist terrorists that is planning to liberate women, overthrow patriarchy, and usher in a new female world order. The group is led by Big Mother (Susanne Sachsse), who operates a school for wayward girls in the countryside as a front for a radical terroristic cell. When a young man, a radical leftist, who is running from the police, happens upon this remote female stronghold, one of the girls takes pity on him and hides him in the basement. His presence eventually disrupts the household and reveals a number of unexpected secrets, as the film moves towards its climax: The revelation of a new style of lesbian porn that is to be used as both propaganda tool and calling card for their new brand of female revolution.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sachße, Susanne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Viva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Phaler, Kembra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">LaBruce, Bruce</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">41c9581f-a08b-4b9d-9362-5a40e64c5373</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2020    xxu118        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Minyan</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young Russian Jewish immigrant in Brighton Beach, caught up in the tight constraints of his community, develops a close friendship with his grandfather’s new neighbors, two elderly closeted gay men who open his imagination to the possibilities of love and the realities of loss — and explores the East Village where he finds a world teeming with the energy of youth, desire and risk. Set in the late 1980s, as AIDS hammered New York City, Minyan is a powerful story of rebellion and self-discovery, sexual and spiritual awakening — and survival.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Levine, Samuel H.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rifkin, Ron</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McCann, Christopher</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steel, Eric</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d3d0c8d0-b835-4c59-815e-9ca6a53c1498</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2018    fr 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Knife + Heart</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Un couteau dans le coeur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the heart of the demonic Paris of the late 70s, Anne (Vanessa Paradis) made a career by producing pornographic films. To find the favors of his companion, Loïs (Kate Moran), Anne decides to change by financing a much more ambitious film, which she entrusts the direction to Archibald (Nicolas Maury). But a mysterious serial killer thwarts her plans and attacks all the actors involved in the project.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paradis, Vanessa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moran, Kate</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maury, Nicolas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Genet, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bohringer, Romane</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alouach, Khaled</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maritaud, Félix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hernández, Noé</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Servière, Thibault</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waultier, Bastien</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gonzalez, Yann</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0672330b-f0c5-4cc2-a239-ac308670a44d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2019    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">fr</subfield><subfield code="a">dk</subfield><subfield code="c">de</subfield><subfield code="c">fr</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Aren't You Happy?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.</subfield><subfield code="b">Through 15 of the girl’s humorous encounters, AREN’T YOU HAPPY? explores our post-modern society between precarity and self-marketing, serial monogamy and neo-spirituality, disillusionment and the pressure to be happy. Susanne Heinrich’s debut film brings together pop and theory, feminism and humour, and gives you tons of quotes you’ll want to see on advertising billboards in neon letters.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rathscheck, Marie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heinrich, Susanne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c520bd59-6b11-47cb-8341-48732e509885</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2017    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Wonderful West Berlin</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mein wunderbares West-Berlin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Today's hip image of Berlin is based on the city’s vibrant and subversive subcultures, which originally emerged within the grey walls surrounding West Berlin. The queer scene played a major role in creating that subculture, with its sexual diversity and its wild and unconstrained party culture, ranging from notorious clubs to CSD. Many of the scene’s actors, such as the Gay Museum, the Teddy Award, AIDS help organizations, and the queer magazine Siegessäule originated before 1989.</subfield><subfield code="b"> Yet gays in West Berlin suffered greatly under an incongruous provision in German law – the infamous Paragraph 175 – that made homosexual acts between men a crime up until its reform in 1969. Raids and arrests in bars were common, yet ultimately failed in suppressing gay life in West Berlin. Instead, the city turned into a gay capital. The late seventies in particular were a period of great sexual and political freedoms and more intense social intermingling between the gay-, hetero-, and transsexual worlds. Then AIDS struck, wrecking greater havoc in Berlin than in any other German city.  After OUT IN EAST BERLIN (2013)*, MY WONDERFUL WEST BERLIN describes gay life in the western half of the city in the dynamic period between the end of WWII and the fall of the Berlin Wall, all the while referencing current social issues. The stories and experiences of political activists, party-goers, hedonists, club owners, musicians, fashion designers, a DJ, and a make-up artist paint a vivid picture of the gay scene in that period. The use of never before seen archival film footage completes the picture by allowing viewers to travel through time to a hitherto unknown WestBerlin.  MY WONDERFUL WEST BERLIN explores the historic roots of the fascinating city, that is a dream destination and a place of refuge for gay men form across the world to this day. The film is the second part of filmmaker Jochen Hick’s Berlin trilogy, the final part of which will focus on the period after the fall of the Wall, up until today.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hick, Jochen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d972c869-3970-4dd5-8ef2-ef344d57bf3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210915s2015    th 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tha</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">th</subfield><subfield code="a">xxu</subfield><subfield code="a">io</subfield><subfield code="c">th</subfield><subfield code="c">us</subfield><subfield code="c">id</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">How to Win at Checkers (Every Time)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What can you do to change your fate?</subfield><subfield code="b"> On the morning of the annual military draft lottery, Oat reflects on his childhood, to the time when his older brother Ek faced the same exercise. While the parents of his wealthy boyfriend are able to maneuver their son out of the draw, Ek, part of the lower class, has no options. Unable to convince his brother to do whatever he can to change his fate, young Oat takes matters into his own hands, resulting in unexpected circumstances.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rakkaen, Toni</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chutikul, Thira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Navarat, Arthur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lakha, Natarat</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nanthita Khamphiranon, Belle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wattakul, Kowit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damrongsakkul, Ingkarat</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kim, Josh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">712b6b56-c5ab-4b29-80d1-5ece93a616a9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210914s2018    ag 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Best Friend</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mi Mejor Amigo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lorenzo, a quiet teenager lives in a small town at the edge of the world in beautiful Patagonia.</subfield><subfield code="b">He’s a good student and a curious and smart person, more skilled in music and literature than sports. Lorenzo’s father decides to host Caito, the son of a friend from Buenos Aires who had to go to hospital for a long stay. Caito has obviously a different family background and seems to be a tough kid. Lorenzo finds Caito very intriguing in many ways as they start spending a lot of time together… While their friendship is evolving towards perhaps deeper feelings, Caito reveals a secret…what will be the outcome?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mutti Spinetta, Angelo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodríguez, Lautaro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Anghileri, Mariana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deus, Martín</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">08a507b7-1547-4ec7-ad7d-40c3be7426cc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210914s2017    fr 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Reinventing Marvin</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Marvin ou la belle éducation</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Martin Clement, born Marvin Bijou, has escaped.</subfield><subfield code="b">He has escaped a little village in the countryside. He has escaped his family, his father's tyranny and his mother's resignation. He has escaped intolerance, rejection and the bullying he suffered from being singled out as "different." Against all odds, he has found allies. First Madeleine Clement, the middle school principal who introduced him to theater and whose name he will later adopt as a symbol of his salvation. Then Abel Pinto, his mentor and role model, who will encourage him to tell his story on stage. Finally, Isabelle Huppert will help him get his show produced and bring it to life. Marvin/Martin will risk everything to create this show that represents so much more than success: it is his path to re-invention.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Huppert, Isabelle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gadebois, Grégory</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Macaigne, Vincent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salée, Catherine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Porier, Jules</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mouchet, Catherine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berling, Charles</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oldfield, Finnegan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fontaine, Anne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c5792cf4-921c-44c6-af85-b32dd7c5b732</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210914s2018    is 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Red Cow</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Para Aduma</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koevary, Avigayil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Toren, Gal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosenblatt, Moran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barkai Yacov, Tsivia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6d320500-8d08-4d2a-bcdb-67a5f903b4cf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210914s2011    gw 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lollipop Monster</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two girls, Ari and Oona, dream of breaking free. The Baron, singer of their favorite band Tier sings: “We sense everything, you won’t fool us. We’re desire, lust and instinct...”. But in their families, nobody feels, nobody talks. Ari’s mother refuses to realize that her kids are grown up and her brother terrorizes the family in her colorful design world. Lolita-like Ari gets some missing affection by having sex with grown-up men and competes for the attention of mysterious, black-clad Oona. Oona feels guilty about the suicide of her dad, scratches her arms bloody and paints dark pictures of violence.</subfield><subfield code="b"> The two girls follow their instinct and go on a manhunt, sneak through the jungle of the city, dance with the Baron and bare their teeth. “We’re one of a kind. We understand each other intuitively. Because we are the same species.” Through their friendship, Oona learns how to extrovert her anger and Ari finally feels some kind of self-respect. But Ari starts an affair with Oona’s hated uncle Lukas. When Oona catches them red-handed, she is deeply hurt. The girls see only one last chance to save their friendship… “You should never forget that I could easily eat you…”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Horváth, Sarah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haase, Jella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krebitz, Nicolette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Riemann, Ziska</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">15f61942-e4bf-4fb1-b177-d864bb8f02e1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210908s2016    ci 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">geo</subfield><subfield code="h">rus</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">gs</subfield><subfield code="a">ru</subfield><subfield code="a">un</subfield><subfield code="c">hr</subfield><subfield code="c">ge</subfield><subfield code="c">ru</subfield><subfield code="c">ua</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Gogita's New Life</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gogitas akhali tckovreba</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After 14 years in prison, the time has come for Gogita to return to his normal life. He’s longing for a home of his own and to marry a nice woman. But who would be interested in a poor farmer and ex-con who still lives with his mother? Then he meets Maka on the internet. She’s not that young anymore, and she’s not the prettiest girl in the world, but she can bake delicious cakes. They’re soon making grand plans without even having met. What unfolds is a tragicomic tale of a simple man and woman looking for love in a world that’s placing high demands on them, a tender and humorous glimpse into the life of a Georgian man.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koguasvili, Levan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0b4ca869-fc0b-409e-92a0-90a181b54c21</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210908s2016    ie 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">It’s not yet dark</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It’s Not Yet Dark is a feature length documentary telling the story of Simon Fitzmaurice, a talented Irish Filmmaker who is living with Motor Neurone Disease. He was diagnosed at the age of 34, after his short film premiered at the Sundance Film Festival. His wife was expecting their third child and they were left shocked and reeling. Simon refused to give up and started to work on the script for a feature film – My Name is Emily. Now, five years later, the father of five children, he is completely physically incapacitated. Narrated by Colin Farrell, and using extracts from Simon’s best selling memoir, we follow Simon as he embarks on the direction of his first feature film through the use of the last physical attribute he has control over – his eyes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fenton, Frankie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8896544a-5504-406d-87db-d724bf28b8c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210907s2019    ic 073        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ice</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ic</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Dive – Rituals in Water</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">KAF</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For 28 years, Icelandic babies and their new parents have bonded in a unique way at a shabby pool not far from the ocean and the mountains. Six days a week, Snorri, a pioneer and visionary swimming coach, creates a unique world where babies stand on his palm and swim underwater by opening lines of nonverbal communication and earning their — and their parents’ — trust.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hansdóttir, Elín</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tryggvadóttir, Anna Rún</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valsdóttir, Hanna Björk</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dcd469bc-d7ad-4836-98e0-d741946cca70</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210907s2018    xxu077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">rus</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="a">ru</subfield><subfield code="c">us</subfield><subfield code="c">ru</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Our New President</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It all begins with Hillary Clinton and the curse of the Siberian mummy princess... A trip down the rabbit hole of fake news, Our New President is a satire about the Russian media and its take on American politics. Moving between Kremlin-controlled network news and colorful reinterpretations of this news diet by average Russians, the film charts Trump’s election using footage produced by Putin’s propaganda machine.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pozdorovkin, Maxim</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">70f79d6a-addd-4c2a-94e8-c3086ba510b6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210903s2017    li 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="h">eng</subfield><subfield code="h">dut</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">li</subfield><subfield code="a">it</subfield><subfield code="a">sz</subfield><subfield code="a">be</subfield><subfield code="a">lv</subfield><subfield code="a">xxk</subfield><subfield code="a">ie</subfield><subfield code="c">lt</subfield><subfield code="c">it</subfield><subfield code="c">ch</subfield><subfield code="c">be</subfield><subfield code="c">lv</subfield><subfield code="c">gb</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Wonderful Losers: A Different World</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nuostabieji lūzeriai</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For most of us, those cyclists running at the back of the race are simply the losers. Arūnas Matelis followed these Sancho Panzas of professional cycling for 7 years during the prestigious „Giro d’Italia“ and reveals the unseen world of these wonderful losers of professional cycling from the point of view of the doctors’ team. Our bike heroes crash, rise — and race again. “The film is like an Odyssey with the medical team and the main characters; days and nights, the race in the claustrophobically small medical car with wounded cyclist around as if on the front line of war, nights in massage sessions or hospital wards where life time gregarios Svein, Daniele, Paulo open doors to reveal the human strength, pride and self-sacrifice, illnesses and essential values, major discoveries and losses. “</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matelis, Arūnas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">587eb7ac-4ae7-4542-be15-fc4c3df29c5f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210903s2016    is 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">heb</subfield><subfield code="h">rus</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="a">fr</subfield><subfield code="c">il</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Wonderful Kingdom of Papa Alaev</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A modern-day Shakespearean tale about a legendary Tajik-Israeli musical family controlled by the charismatic patriarch Papa Alaev. Only his equally strong-willed daughter, Ada, dares to resist his will. As Papa nears 80 and generations clash over new musical directions, the family show must go on. But who will lead the band?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barda, Tal</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pinchas, Noam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7ac1edf5-06c2-4e0c-9f8c-6a6dd54adea6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210902s2017    dk 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">sy</subfield><subfield code="c">dk</subfield><subfield code="c">sy</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Last Men in Aleppo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The White Helmets are struggling to keep it together. Aleppo is close to collapsing; the end of the city as we know it. People are constantly putting their life at risk. How do they deal with their fear of death? After five years of war in Syria, the remaining 350.000 citizens of Aleppo are preparing themselves for a siege. Through the volunteers from The White Helmets, we experience daily life, death and struggles in the streets of Aleppo. Khalid, Subhi and Mahmoud are founding members of The White Helmets and are the first to enter the destroyed buildings, scouring through the rubble in search of bodies and signs of life. They have chosen to stay in Aleppo in order to save their people during the never ending siege.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fayyad, Feras</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ca27cecf-add8-4ace-b93c-03f0c2ef02b4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2016    sz 117        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">srp</subfield><subfield code="h">por</subfield><subfield code="h">ita</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Calabria</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">CALABRIA is a road movie in a hearse. After the death of a Calabrian emigrant who came to Switzerland to find work, two undertakers, Jovan and José, emigrants themselves, travel from the north to the south of Italy to repatriate the deceased to his home village. Jovan, a gypsy who was singer in Belgrade, believes in life after death, while José, a Portuguese man with a passion for culture, believes only what he sees. Together, all of them face the trip’s surprises and contingencies. Their voyage at once pays tribute to the dead person and celebrates Life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sauter, Pierre-François</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fcc26b7-8cc7-4778-8f0a-8d4dbe477c38</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2020    gw 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dance Tutorials: Matsukaze</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In addition to performances in Berlin, throughout Germany, and abroad, Sasha Waltz &amp; Guests has an active knowledge transfer program in the fields of education and community. The Berlin-based dance company is especially interested in collaborating with the local dance scene, developing sustainable international collaborations in intercultural contexts and in the countries that the dancers who have been working in Berlin for years originally came from.</subfield><subfield code="b"> Initiated by the dancer Zaratiana Randrianantenaina, an artistic exchange between Sasha Waltz &amp; Guests, dancers, and self-organized dance structures in Madagascar took off in 2019 and continues to this day. After the first workshops on site, the “Dance Tutorials: Continu &amp; Matsukaze” were created in 2020 in order to be able to continue and deepen the dialogue about Sasha Waltz’s choreographic work online due to the pandemic. In three short videos, Zaratiana Randrianantenaina and Orlando Rodriguez dance and explain their solos from the choreographies “Continu” (2010) and “Matsukaze” (2011, available in this media library)—both also give many instructions in the texts onscreen, which offer insights into the intentions, feelings, bodily tensions and worlds of movement when dancing a piece by Sasha Waltz. The artistic goal was to learn a solo, then reinterpret it and film it at a location of one’s choice.  For the first time, these tutorials here on AVA VOEBB make Sasha Waltz's movement material accessible to the Berlin audience—enjoy discovering and trying it out!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Orlando</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">89fa47c2-fb35-4f34-ab3e-e40db0d047fd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2020    gw 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dance Tutorials: Continu II</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In addition to performances in Berlin, throughout Germany, and abroad, Sasha Waltz &amp; Guests has an active knowledge transfer program in the fields of education and community. The Berlin-based dance company is especially interested in collaborating with the local dance scene, developing sustainable international collaborations in intercultural contexts and in the countries that the dancers who have been working in Berlin for years originally came from.</subfield><subfield code="b"> Initiated by the dancer Zaratiana Randrianantenaina, an artistic exchange between Sasha Waltz &amp; Guests, dancers, and self-organized dance structures in Madagascar took off in 2019 and continues to this day. After the first workshops on site, the “Dance Tutorials: Continu &amp; Matsukaze” were created in 2020 in order to be able to continue and deepen the dialogue about Sasha Waltz’s choreographic work online due to the pandemic. In three short videos, Zaratiana Randrianantenaina and Orlando Rodriguez dance and explain their solos from the choreographies “Continu” (2010) and “Matsukaze” (2011, available in this media library)—both also give many instructions in the texts onscreen, which offer insights into the intentions, feelings, bodily tensions and worlds of movement when dancing a piece by Sasha Waltz. The artistic goal was to learn a solo, then reinterpret it and film it at a location of one’s choice.  For the first time, these tutorials here on AVA VOEBB make Sasha Waltz's movement material accessible to the Berlin audience—enjoy discovering and trying it out!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Orlando</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cfdd51e3-d4d4-4880-b487-101e1ce574c9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2020    gw 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dance Tutorials: Continu I</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In addition to performances in Berlin, throughout Germany, and abroad, Sasha Waltz &amp; Guests has an active knowledge transfer program in the fields of education and community. The Berlin-based dance company is especially interested in collaborating with the local dance scene, developing sustainable international collaborations in intercultural contexts and in the countries that the dancers who have been working in Berlin for years originally came from.</subfield><subfield code="b"> Initiated by the dancer Zaratiana Randrianantenaina, an artistic exchange between Sasha Waltz &amp; Guests, dancers, and self-organized dance structures in Madagascar took off in 2019 and continues to this day. After the first workshops on site, the “Dance Tutorials: Continu &amp; Matsukaze” were created in 2020 in order to be able to continue and deepen the dialogue about Sasha Waltz’s choreographic work online due to the pandemic. In three short videos, Zaratiana Randrianantenaina and Orlando Rodriguez dance and explain their solos from the choreographies “Continu” (2010) and “Matsukaze” (2011, available in this media library)—both also give many instructions in the texts onscreen, which offer insights into the intentions, feelings, bodily tensions and worlds of movement when dancing a piece by Sasha Waltz. The artistic goal was to learn a solo, then reinterpret it and film it at a location of one’s choice.  For the first time, these tutorials here on AVA VOEBB make Sasha Waltz's movement material accessible to the Berlin audience—enjoy discovering and trying it out!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Orlando</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ad2845df-f5b5-451e-8571-ae0ca164141e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2018    gw 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Check out your mate</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Opposites attract and repel each other. Black meets white and this seems irreconcilable. Yet amidst this confrontation, it becomes clear that when we approach each other, we can come into contact, we can meet and connect with one another. A colorful, diverse, and strong community arises. Gabriel Galindez Cruz and his young dancers bring their ideas, imagination, and individual movement vocabularies into a collaboratively developed structure. Through physical movement, these children explore the question of how conflicts arise and how they can be (dis)solved.</subfield><subfield code="b"> Since 2007, the children's dance company offers children a possibility to develop their own dance skills. Today, it consists of four different groups (ages 6 to 8, 8 to 10, 11 to 14 and 14+). In regular training sessions under the guidance of Davide Camplani, Gabriel Galindez Cruz and other experienced dancers of the company Sasha Waltz &amp; Guests, the children and teenagers explore their own repertoire in physical movement as well as the interaction with one another in dance. In addition, they are offered intensive workshops with guest trainers and exchange with other groups of young dancers. The groups are encouraged to regularly develop and present their own stage pieces in showing events, giving them further training in acting on stage and interacting with an audience. The creations are very diverse, based on games, improvisations, children books stories, everyday life or abstract themes as well as current issues like climate change and climate justice.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brovot, Nika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Czaia, Lou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de la Cruz Fountoukis, Alma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yael Dickgreber, Lola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fiedler, Gemma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gabriel, Frida</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hänel, Emma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hockings, Sylvester</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Holzapfel, Ricarda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leseure, Caia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Luncke, Enno</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martingell, Josephine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mauler, Effie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lee Meyer, Nola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nöhring, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Onyeukwu, Ophelia Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ott, Sophie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Briegel, Friedrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scheid, Mina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pau Schüler, Niklas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thiem, Nima</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vasila, Rosa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zygouri, Dora</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f4044cbb-424d-49fa-ade6-53ce634e87ed</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2018    gw 053        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Teqsi muyu marq’ay – A warm hug for the earth</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Teqsi muyu marq’ay – Eine warme Umarmung für die Erde</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For »Teqsi muyu marq’ay – Eine warme Umarmung für die Erde« the teens group (14+) of Sasha Waltz &amp; Guests’ Children’s Dance Company delved deep into the topic of climate change and our modern society’s relationship to nature and earth. During the first part of the piece, the dancers perform in the middle of the audience, inviting it to reflect on the effects of climate change on individuals. In order to feel this reality and bring it to us, the young dancers put themselves in the lives of those already affected and wrote texts about them. In the second part the group demonstrate a possible common life with all humans and living beings on earth. Together with Luz Zenaida Hualpa Garcia, dancer and choreographer from Peru, the teens learned a traditional Quechua dance which merged into organic movements of contemporary dance. Combining nativeness and modernity offers the opportunity to escape the vicious cycle of our current understanding of progress and development, to create something completely new and to find solutions for a common future. »Teqsi muyu marq’ay—A warm embrace for the Earth« is a passionate, urgent appeal for a gentler humanity, for reliable integrity and a comprehensive love of nature and all living beings. The piece from 2018 is more relevant today than ever.</subfield><subfield code="b"> Since 2007, the children's dance company offers children a possibility to develop their own dance skills. Today, it consists of four different groups (ages 6 to 8, 8 to 10, 11 to 14 and 14+). In regular training sessions under the guidance of Davide Camplani, Gabriel Galindez Cruz and other experienced dancers of the company Sasha Waltz &amp; Guests, the children and teenagers explore their own repertoire in physical movement as well as the interaction with one another in dance. In addition, they are offered intensive workshops with guest trainers and exchange with other groups of young dancers. The groups are encouraged to regularly develop and present their own stage pieces in showing events, giving them further training in acting on stage and interacting with an audience. The creations are very diverse, based on games, improvisations, children books stories, everyday life or abstract themes as well as current issues like climate change and climate justice.  Piano: Neslihan Schmidt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aldinger, Noomi Amelie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blesken, Lovis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Campo Jastrzębski, Mira Antonina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Christian, Emily</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deutrich, Leandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Duran, Elias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frank, Jasper</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klier, Solveig</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marx Casimiro de Almeida, Luisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mühlmeyer, Flora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nöhring, Josefine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paul, Johanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pirot, Hannah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandig, Sophia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schindlbeck, Bruno</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Winterbauer, Marlene</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f3f3e0bc-216c-4007-82a6-6355a30c34dd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2002    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">noBody</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">»noBody« completes a choreographic cycle of three pieces about humans and their bodies which Sasha Waltz created in the years around the turn of the millennium. In her piece »Körper«, she investigated the materiality of the human being, relating the dancers' bodies to architecture, science and history. »S« searches for the origin of life, explores eros and sensibility. »noBody« deals with metaphysical levels to human existence. It addresses the absence of the body and confronts us with feelings aroused by our realisation of being mortal. What does being human mean beyond having a body? Which part of us is immortal? In »noBody«, the choreographer and 25 dancers face the challenge of visualizing the non-physical through the physical.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aristegui, Mikel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aozane Bilibio, Rita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cheng, Hsuan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deluy, Clémentine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Densem, Lisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ebbert-Scholl, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jang, Su-Mi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klohe, Hans-Werner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mascia, Nicola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mercy, Thusnelda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Millwood, Grayson</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steinwarz, Norbert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mualem, Michal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">NaBi Olsson, Joaquin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Queliz, Sasa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Serpa Soares, Claudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Siegmund, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suzuki, Takako</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thomas, Mohan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wada, Junko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Young, Laurie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zamir, Matan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zouk-Harder, Sigal</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a9cad3f5-96b3-4674-90d1-8304bd26c9c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2000    gw 059        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Körper</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Life’s substance can be pulled this way and that, thrown about, piled up and dissected. Through a sober recognition of the body’s materiality, the choreography »Körper« tries to understand the fundamental split imposed on us by our physical nature. It interrogates cultural templates for movement, brutal forms of pleasure, enhanced performance and cosmetic improvement: the body regarded as a resource. Why do we treat our fragility with such severity? Why do our accounts of our own bodies always bypass what we actually feel? Naked to the skeleton, to the kidneys, the piece submits the body to an even more radical undressing: the removal of the names which afflict and conceal it at every turn. Twisting and turning the body, taking it down wrong paths, over and over again this choreography begins the work of a genuine making-visible. The body appears as something never before seen.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cusimano, Nadia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Densem, Lisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mascia, Nicola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Millwood, Grayson</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">NaBi Olsson, Joaquin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Serpa Soares, Claudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suzuki, Takako</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Young, Laurie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zouk-Harder, Sigal</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5c2fa425-3124-4161-b84d-ffe0930a9124</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2005    gw 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dido &amp; Aeneas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">»Dido &amp; Aeneas« to the music of Henry Purcell with a libretto by Nahum Tate based on Virgil’s epic about Aeneas’ flight from burning Troy, whose wanderings speak of love in times of war. After taking refuge in her court, Aeneas leaves the Queen of Carthage, Dido. She is heartbroken. In her lament, »When I Am Laid in Earth«, one of the most famous arias in music history, she bids farewell to her life and love. Dance and opera are combined into the art form of choreographic opera as Sasha Waltz brings together musicians and dancers to form a unique ensemble. The work’s 2005 film version, directed by Peter Schönhofer for ZDF/ARTE, received the German Record Critics’ Award.</subfield><subfield code="b">It was with the 2005 work »Dido &amp; Aeneas« that the development of the choreographic opera began in Sasha Waltz’s practice. She was the first of this opera’s modern interpreters to conceive a choreographic work based on its complex emotional world, integrating singers into the dance process, and therefore combining dance and opera into a single art form. To demonstrate the inner fragmentation of the two lovers, Sasha Waltz casts two dancers in each role, who simultaneously express different emotions. She developed her first choreographic opera together with 12 dancers from her ensemble as well as 51 musicians from the Akademie für Alte Musik Berlin, choristers from the Vocalconsort Berlin, and selected vocal soloists. In 2014, Sasha Waltz’s highly acclaimed cycle ended with her interpretation of Claudio Monteverdi’s Orfeo. During this important, music-driven creative period, her works included choreographic operas to compositions by Hector Berlioz (»Roméo et Juliette«), Pascal Dusapin (Medea, Passion), and Toshio Hosokawa (»Matsukaze«).  Dido: Aurore Ugolin (mezzo-soprano) Aeneas: Reuben Willcox (baritone) Belinda: Deborah York (soprano) Sorceress: Fabrice Mantegna (baritone) Second Woman: Céline Ricci (soprano) First Witch / A Sailor: Eberhard Francesco Lorenz (tenor) Second Witch / Spirit: Michael Bennett (tenor)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bartovanec, Jirí</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colusi, Maria Marta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Engelkes, Charlotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mualem, Michal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alfonso Pérez Torres, Manuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Queliz, Sasa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shi, Xuan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suzuki, Takako</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandig, László</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">312c8442-c012-4c57-8aa0-6bfae54059e0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2014    be 041        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sacre</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Igor Stravinsky’s »Le Sacre du Printemps« is considered one of the key works of modernism. Its title translates to »The Rite of Spring«. The strikingly archaic, tension-charged and angular composition is characterised by a strongly emphasised rhythm, precipitous drops and a layering of constantly repeating musical motives. Its many almost noise-like dissonances and expressionist sonic impressions have made the work one of the most famous pieces of music of the modern avant-garde.</subfield><subfield code="b"> On this evening the audience will experience an adaptation of Sasha Waltz' »Sacre« creatively dealing with the limiting conditions and circumstances of our current situation. The original choreography to the ballet »Le sacre du printemps« by Igor Stravinsky was created 2013 on the occasion of its 100th anniversary commissioned by the Mariinsky Theatre in St. Petersburg. The current times lend new acuteness to this extraordinary piece of musical and dance history: The Covid 19 pandemic demands great sacrifices of every member of the society, the arts are highly affected by it. »Sacre« adresses important questions on how a society in times of crisis stands together and how it treats its individual members.  Orchester: La Monnaie Symphony Orchester</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alpizar Aguilar, Liza</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bartovanec, Jiří</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colusi, Maria Marta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ernesto, Edivaldo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaborit, Delphine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grelat, Peggy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hwang, Hwanhee</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matis, Sergiu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mualem, Michal</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Queliz, Sasa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Orlando</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sakka, Mata</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sánchez Ruíz, Judith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Yael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott-Gilbert, Corey</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Serpa Soares, Claudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shi, Xuan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suárez Gómez, Joel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zhou, Niannian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandig, László</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandig, Sophia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vais, Antonios</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">16b8dde0-f745-4382-b32c-5c979243ce3b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210901s2010    be 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Passion</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Opera by Pascal Dusapin </subfield><subfield code="b">Libretto Pascal Dusapin / Rita de Letteriis A Choreography by Sasha Waltz   Following on from »Dido &amp; Aeneas« (2005), »Medea« and »Roméo et Juliette« (2007) Sasha Waltz is with »Passion” again developing a choreographic opera. Like »Medea« a contemporary composition by Frenchman Pascal Dusapin serves as the fundament. The nucleus of Sasha Waltz’s choreography is the solo singers Barbara Hannigan and Georg Nigl, complemented figuratively by a small group of dancers.  Pascal Dusapin’s »Passion« is a musical engagement with the Orpheus myth. Claudio Monteverdi’s operatic setting is for Dusapin at centre. For the most part he relates the myth through Eurydice’s eyes.   Dramaturgically the myth describes the treatment. The staging and lighting indicate the boundaries between worlds. In course of the performance the players on stage, pass through various membranes separating the world of the living »Reality« from the hidden world, the  »Underworld«.   The title role is sung by the magnificent Barbara Hannigan, her partner being her peer Georg Nigl. The Vocalconsort Berlin constitutes the chorus, while Ensemble Modern under direction of Franck Ollu with whom Compagnie Sasha Waltz &amp; Guests realised Wolfgang Rihm’s  »Jagden und Formen« provides the music. The libretto is in Italian.   The composition was commissioned by the Festival d´Aix-en-Provence 2008. Sasha Waltz’s choreographic opera will première in Paris at the Théâtre des Champs-Élysées, Wednesday October 6, 2010.                                                                                                    Lei: Barbara Hannigan Lui: Georg Nigl Orchestra: La Monnaie Symphony Orchestra</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ernesto, Edivaldo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Yael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Xuan, Shi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zhou, Niannian</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">db0a43d0-7e4e-45e9-b82e-ec115e0ab3f3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210831s2017    fr 110        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">hrv</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">sz</subfield><subfield code="c">fr</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Paris Opera</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">L’opéra</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In turn ironic, light-hearted and cruel, encompassing music and ballet, The Paris Opéra turns the spotlight on great passions, and tells the story of life behind the scenes at one of the most prestigious performing arts institutions in the world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bron, Jean-Stephane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a0490056-6f30-4009-9ab4-8d042454ad8e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210831s2016    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">au</subfield><subfield code="c">de</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Athos - A Taste of Heaven</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Athos - Im Jenseits dieser Welt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mount Athos on a peninsula off the coast of Greece is one of Europe’s last remaining secrets. Access to women is strictly denied and in order to keep unwanted tourists out, visa are granted only to pilgrims and workers. The monastic republic attracts people who expect more than modern life can give them, men longing for a meaningful life. Several plots draw the audience into the monastic world and confront them with their struggle, inviting the audience to contemplate the two key issues that leads them through their life: truly experience every moment and to treat others with respect.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bardehle, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martin, Andreas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e7fbc0d9-cfa3-4152-a828-a399cc2e8c0b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210831s2016    xxu085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Little Men</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When 13-year-old Jake's (Theo Taplitz) grandfather dies, his family moves from Manhattan back into his father's old Brooklyn home. There, Jake befriends the charismatic Tony (Michael Barbieri), whose single mother Leonor (Paulina Garcia), a dressmaker from Chile, runs the shop downstairs. Soon, Jake's parents Brian (Greg Kinnear) and Kathy (Jennifer Ehle) -- one, a struggling actor, the other, a psychotherapist -- ask Leonor to sign a new, steeper lease on her store. For Leonor, the proposed new rent is untenable, and a feud ignites between the adults. At first, Jake and Tony don't seem to notice; the two boys, so different on the surface, begin to develop a formative kinship as they discover the pleasures of being young in Brooklyn. Jake aspires to be an artist, while Tony wants to be an actor, and they have dreams of going to the same prestigious arts high school together. But the children can't avoid the problems of their parents forever, and soon enough, the adult conflict intrudes upon the borders of their friendship.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barbieri, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taplitz, Theo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ehle, Jennifer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinnear, Greg</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">García, Paulina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Molina, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sachs, Ira</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">23180bf0-43bd-4f02-a114-9f26ec6808ea</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210831s2014    xxk086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">chi</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lilting</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In contemporary London, a Cambodian Chinese mother mourns the untimely death of her son. Her world is further disrupted by the presence of a stranger. We observe their difficulties in trying to connect with one another without a common language, as through a translator they begin to piece together memories of a man they both loved.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Whishaw, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pei-Pei, Cheng</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leung, Andrew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Christie, Naomi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bowles, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Christie, Morven</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khaou, Hong</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fdcc684e-8d10-4239-b8c1-71957fd5d462</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210831s2018    gw 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Signs of Life</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lebenszeichen - Jüdischsein in Berlin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Clattering plates that will set the table for the Rosh Hashanah feast. The brightly lit house of an elderly Jewish lady who survived the war in a dark bunker. A group of female friends who look after the garden of the Liebermann’s villa…</subfield><subfield code="b"> Two generations after the Holocaust, it may seem like the memories of this time have started to fade, but in fact they are still very present, in the small and seemingly trivial moments of everyday life. Director Alexa Karolinski interviews family members, friends, historians, and acquaintances, accompanying them through Berlin, searching for traces of the past. She documents the multi-faceted signs of life, rituals and habits to emphasize how personal memories and collective history, inherited trauma and our present-day life are related.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karolinski, Alexa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">31a8ea6c-88c4-4552-818f-965548ed7fd4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210818s2021    gw 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Lionel Haas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lionel Haas was born on December 27, 1971 in Bonn, Germany. He had his first piano lesson at the age of 9 and developed an interest in jazz, blues and rock at an early age. Lionel's first formal study of jazz was during a series of jazz workshops at the Richmond College near London, UK, at the age of 13 to 15. During his four-year stay in the US, he became increasingly involved in the Washington jazz scene and was frequently booked for gigs at restaurants, hotels and clubs. To advance his musical development, he attended some summer clinics at the Berklee College of Music. Back in Germany, Lionel Haas was a founding member of Blues by Five, a successful blues band in Bonn which is now known as Back to Back. He is a founder, bandleader and composer of several Berlin-based projects, including "Blowing Front" and the Lionel Haas Trio.</subfield><subfield code="b"> Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.   Line-up: Lionel Haas - piano Daryl Taylor - bass Kenny Martin - drums  Set-list 01 – I'm Crazy 'Bout My Baby (And My Baby's Crazy 'Bout Me) (Alexander Hill, Thomas Waller) 02 – Holy Land (Cedar Walton) 03 – Equipoise (Stanley Cowell) 04 – Lullaby Of Birdland (George Shearing) 05 – Tenderly (as interpreted by Oscar Peterson) (Walter Gross) 06 – One (Ahmad) (Sigidi Abdullah)</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f6a9c91e-ffd8-4065-a496-c61603f5e50f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210813s2016    gw 122        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Piece of Land</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Landstück</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Idyllic landscape shots and conversations with local inhabitants convey the different facets of the Uckermark in eastern Germany: a unique natural habitat, an embodiment of demographic change, a battle zone where agribusiness and organic farming duke it out.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koepp, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5c65eca7-e519-46bc-baa1-8d53cc4d5113</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210810s2021    gw 068        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Daryl Taylor</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Darryl Taylor’s family owned a night cafe outside of Houston Texas, which introduced him to Blues, Jazz, and the R&amp;B styles of the day. At 15, he started playing bass guitar, infected by the bass grooves of James Jamerson (Motown), and Bernard Odum (James Brown). By the age of 20 he was playing jazz standards on the Contrabass. After studying at school, privately, and in clubs, Taylor toured extensively with Archie Bell &amp; the Drells (Philly International Records). All that jazz was to follow, bringing highlight performances with: Arnett Cobb, Kenny Burrell, Sonny Stitt, Eddie Harris and many more. </subfield><subfield code="b">"Big Jay" McNeely's Sax-O-Mania II, brought Taylor touring through Germany in 1989, playing at Quasimodo-Berlin, Sept. 8-9 to witness the "Falling of the wall"...Darryl Taylor currently resides in Berlin performing, recording and composing music. His touring and recording projects include: Eric Gales Band, Jean-Paul Bourelly's Kiss The Sky, No Angels, Yvonne Catterfeld, Weather Girls, Brothers Keepers, BANTU-AfroBeat Academy and Taylor’s own funk/jazz unit "Witches Brew Reloaded".  Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.  Line-up:  Ben Abarbanel-Wolff - sax Daryl Taylor - e-bass, double bass, vocals Lionel Haas - piano, keyboard Marlon Browden - drums  Set-list  01 – Bitches Brew (Miles Davis) 02 – Thank You (Falettinme Be Mice Elf Agin) (Sly Stone) 03 – Vulcan Princess (Stanley Clarke) 04 – Moody's Mood for Love (Eddie Jefferson) 05 – Footprints (Wayne Shorter) 06 – Cleanhead Blues (Eddie Vinson)</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e66a9e6c-9972-467f-9e6c-041758eb6f8a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090312.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210810s2021    gw 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Kenny Martin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Originally from Brooklyn, New York, Kenny Martin has been the irreplaceable drummer of the legendary funk band Defunkt for over 35 years, touring the world several times. He played on more than 100 albums, including Peter Fox, as well as Lester Bowie, Jean-Paul Bourelly and Jaco Pastorius. In this episode of the Quasimodo Live Music Series Kenny Martin and his Berlin-based trio is taking the viewers on the journey through his childhood jazz influences - popular music of the 40s, 50s &amp; 60s.</subfield><subfield code="b"> Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.  Line-up: Marque Löwenthal - Piano Lars Gühlcke - Double Bass Kenny Martin - Drums, Band leader feat. Susanna Bartilla - Vocals on “Folks Who Live On The Hill”  Set-list 01 – Impressions (John Coltrane) 02 – Ceora (Lee Morgan) 03 – Folks Who Live On The Hill (Jerome Kern, Lyrics by Oscar Hammerstein II) 04 – Mamacita (Joe Henderson) 05 – Southern Smiles (Keith Jarrett) 06 – Willow Weep For Me (Ann Ronell) 07 – Dindi (Antônio Carlos Jobim) 08 – It’s Easy To Remember (and so Hard to Forget) (Richard Rogers)</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d333b4e0-d536-49f6-89a2-21d63113c557</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210810s2021    gw 059        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series – Regis "KinRe" Molina</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Regis "KinRe" Molina is a composer and improviser from Havana, Cuba, currently residing in Berlin. His music styles range from Afrocuban music up to the endless colours of modern Jazz. Regis Molina has shared the stage with many greats including Chucho Valdés, Estrellas del Buena Vista social Club and Afrocuban All Stars, Duquende, Jeff „Tain“ Watts, Till Brönner, Birelli Lagrene, David Gilmore, and many more. With his Berlin-based trio Tree-O Regis "KinRe" Molina invites the viewers on a musical adventure through continents and cultures.</subfield><subfield code="b"> Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.  Line-up: Regis “KinRe” Molina - Saxophones, Flute, Percussion Sergio “Checho” Gómez - Bass Javier Reyes - Drums Alexander Scull Castillo - Percussion  Set-list 01 – El Manisero (Moisés Simons) 02 – Sanga Abakuá (Regis Molina) 03 – Cómo Fue (Ernesto Duarte Brito) + Tree Of Life (Regis Molina) 04 – Broder Rasta (Regis Molina) + Running Away (Bob Marley) 05 – Evidence (Thelonious Monk) + Tallando con Monk (Regis Molina)</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cab0b968-a205-4891-b09f-8b415df13aa2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210810s2011    sw 103        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Kiss Me</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kyss mig</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The two women meet at an engagement party in the country — Frida’s mother is about to marry Mia’s father — and discover an instant attraction that immediately calls into question Mia’s engagement to her longtime boyfriend Tim. Notable for its sumptuous and sensual love scenes, Kiss Me deftly portrays the ecstasy of true undeniable lesbian love entwined with the angst of coming out. Beautifully written and directed, and featuring exceptional performances from a stellar cast, this deeply romantic and passionate drama has earned universal acclaim from fans and critics around the world and has already established itself as one of the most beloved lesbian films of the decade.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vega Fernandez, Ruth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mjönes, Liv</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Endre, Lena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keining, Alexandra-Therese</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7009cc23-1b6f-4725-b65b-6af4d9363c7f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210805s2019    xv 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">slv</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xv</subfield><subfield code="a">au</subfield><subfield code="c">si</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Consequences</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Actions have consequences. When Andrej is admitted to a youth detention centre, he has to fight for his place within the group of inmates. As he works to prove himself to the group s leader Zeljko, the pair get closer, and dangerous desires emerge. Blinded by his love for Zeljko, Andrej finds himself falling into an unsettling world full of dangerous men and heartless crimes. As Andrej comes to terms with the man he loves and the thing he s become, it slowly dawns on him; there will be consequences…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zemljic, Matej</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Šturbej, Timon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Markun, Gasper</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Štante, Darko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6edc8532-0a52-42ed-b689-6c8505e95580</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2010    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">fre</subfield><subfield code="h">lin</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kinshasa Symphony</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two hundred orchestral musicians are playing Beethoven’s Ninth – “Freude schöner Götterfunken“. A power cut strikes just a few bars before the last movement. Problems like this are the least of the worries facing the only symphony orchestra in the Congo. In the 15 years of its existence, the musicians have survived two putsches, various crises and a war. But concentration on the music and hopes for a better future keeps them going. Kinshasa Symphony is a study of people in one of the world’s most chaotic cities doing their best to maintain one of the most complex systems of joint human endeavour: a symphony orchestra. The film is about the Congo, the people in Kinshasa and the power of music.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wischmann, Claus</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baer, Martin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">64928b4e-bb3a-4d84-ab4d-319a4c264ce6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2012    xxu102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Keep the Lights On</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. Documentary filmmaker Erik (Thure Lindhardt) and closeted lawyer Paul (Zachary Booth, Damages) meet through a casual encounter, but soon find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity while being true to himself. Director Ira Sachs’s fearlessly personal screenplay is anchored by Lindhardt, who embodies Erik’s isolation and vulnerability with a gentle presence. Harrowing and romantic, visceral and layered, Keep the Lights On is a film that looks at love and all of its manifestations, taking it to dark depths and bringing it back to a place of grace.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindhardt, Thure</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Booth, Zachary</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steen, Paprika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">La Cause, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nicholson, Julianna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hess, Sarah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sachs, Ira</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a6a177ab-f28a-4b9d-92cb-b07293e95748</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2018    sa 123        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">afr</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Canary</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kanarie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Set in South Africa in 1985 against a backdrop of apartheid, religion, and war, CANARY follows a teen boy, Johan Niemand, who has always been bullied in his small town for his flair for British new wave music and love of Boy George. After he gets called on by the military and auditions for the Canaries (the South African Defence Force Church Choir and Concert Group), he believes the choir will be his ticket out of fighting the war, but he begins to see the role he plays in the oppression and injustice around him. On tour, he develops feelings for a fellow Canary and he starts to question everything he knows about himself, leading to a confrontation with his commanding officers. </subfield><subfield code="b"> Kanarie is a love story. A film about finding individuality in a world of oppression and uniformity.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bezuidenhout, Schalk</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Otto, Hannes</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geldenhuys, Germandt</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olwagen, Christiaan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">66712d3d-9112-4070-a32d-b7b3c0a15a9a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2018    ne 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Just Friends</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This charming romantic comedy follows Yad, as he returns from a life of study and partying in Amsterdam to his hometown. To his mother’s dismay, he settles for a job working as care assistant to an elderly woman Ans, and that’s when he meets Joris.</subfield><subfield code="b"> Joris is Ans’s handsome grandson. The spark is instant. But with Yad’s parents nagging him about his career choices, and Joris’s mother struggling in the aftermath of her divorce, will true love have a chance to blossom?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mardo, Majd</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stradowski, Josha</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arean, Jenny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smit, Ellen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b5c74a42-21c2-4eb9-9175-61580133418d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s1988    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Virgin Machine</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die Jungfrauenmaschine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dorothee, a would-be writer and journalist, leaves Germany for the Oz of San Francisco, searching for her long-lost mother and a cure for the malady of love. Installed in the Tenderloin, she peeps in on neighbors’ bizarre sex rituals as well as does sightseeing of the more traditional kind. But encounters with male impersonator Ramona, charming Hungarian bohemian Dominique, and Susie Sexpert, barker for an all-girl strip show, lead to exploratory adventures of self-discovery and fun. When Dorothy surfaces like a dazzled tourist on the wilder shores of the city’s lesbian community, she has discovered her true sexuality...and left some illusions behind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mars, Shelly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mur, Mona</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaspar, Dominique</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klein, Gad</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sexpert, Susie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kern, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blum, Ina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Treut, Monika</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">32c0f54e-9822-4bf7-8f65-d09e3baa58b7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2014    ne 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Boys</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jongens</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sieger is training in the new athletics team for the national relay championships and meets the intriguing and unpredictable Marc. The friendship that develops seems nothing out of the ordinary, but Sieger secretly harbours stronger feelings for Marc. He engages in a lonely struggle with himself when it emerges that Marc is also in love with him.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blom, Gijs</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zandvliet, Ko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smulders, Jonas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kas, Tom</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taverne, Stijn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kamp, Mischa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">57a8c4b2-64e8-4249-85bd-919607599884</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210804s2016    xxu093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="a">fr</subfield><subfield code="a">be</subfield><subfield code="a">sz</subfield><subfield code="c">us</subfield><subfield code="c">fr</subfield><subfield code="c">be</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Am Not Your Negro</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin’s death in 1987, he left behind only thirty completed pages of his manuscript. Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Raoul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8eb5304d-fb17-4893-8823-4975892ef523</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210803s2017    fi 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fin</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="a">xxk</subfield><subfield code="c">fi</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Moment in the Reeds</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men fall in love and spend a few days discovering one another during the Finnish midsummer.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puustinen, Janne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kabbani, Boodi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Melender, Mika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Makela, Mikko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7591545-2027-46f4-90f3-d445e08ff9bb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210803s2019    gw 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Before We Grow Old</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Heute oder Morgen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Summer in Berlin. Two Berliners, Maria and Niels, love each other, and they give each other life and the freedom. Their days are long, the nights even longer. What tomorrow is doesn't matter, only the moment counts. Then they meet Chloe. Maria dares to make the first move, and a flirtation quickly develops into an intense romance between the two young women. Niels becomes part of it - and falls for Chloe as well. A ménage-à-trois in which everything is lustful. But then an unexpected message puts the feelings of the three lovers to a hard test...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knüpling, Paula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hildebrandt, Maximilian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gouveia, Tala</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moritz Helm, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8b0ffbfb-56c2-4ad4-8050-c336aaf9a6b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210803s2019    gt 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gt</subfield><subfield code="c">gt</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Gunpowder Heart</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pólvora en El Corazón</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Claudia and Maria have fallen in love. They live in the city of Guatemala, a city full of stories related to abuse, unforgiving police officers and charming secret corners. Everything changes one night when they are attacked by three men. They manage to escape but they now have to choose if they want revenge.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Henry, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hernández, Vanessa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Mauricio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardona, Danilo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Urrutia, Camila</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">03c4bfa6-49ca-4aed-b34b-cac1239fb6ab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210803s2016    dk 129        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ice</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">ic</subfield><subfield code="c">dk</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Heartstone</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hjartasteinn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A remote fishing village in Iceland. Teenage boys Thor and Christian experience a turbulent summer as one tries to win the heart of a girl while the other discovers new feelings toward his best friend. When summer ends and the harsh nature of Iceland takes back its rights, it's time to leave the playground and face adulthood.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Einarsson, Baldur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hinriksson, Blær</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valsdóttir, Diljá</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Njálsdóttir, Katla</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guðmundsson, Guðmundur Arnar</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">18a22f1a-e940-414d-8f7c-be70a64ab76a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210730s1999    gw 126        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="h">rus</subfield><subfield code="h">ukr</subfield><subfield code="h">yid</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Mr. Zwilling and Mrs. Zuckermann</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Herr Zwilling und Frau Zuckermann</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Czernowitz in western Ukraine was once the centre of Jewish culture in Bukovina, a border landscape that was characterised by a mixture of peoples over the centuries. At times, the Jewish population made up half of the inhabitants; only a few survived the deportation to the camps in Transnistria imposed by the Germans and Romanians in 1941. Volker Koepp's film from 1999 focuses on Mr Zwilling and Mrs Zuckermann, who were among the last Jews still born in old Czernowitz. Besides their friendship, the two are connected not least by the German language. Mr Zwilling visits the 90-year-old Mrs Zuckermann every evening. They talk about earlier times, what they have experienced together, about politics and literature and their everyday worries. The misery of the 20th century is hidden in the life stories of these two people. The film links their memories with episodes from Jewish life in Czernowitz in the late 1990s, when the city first re-entered European consciousness after the end of the Soviet Union. In view of the resurgence of anti-Semitism throughout Europe, Koepp's cinematic masterpiece has lost none of its expressiveness and validity even 20 years after its premiere. The lives of the people in the region have also remained difficult with the political disputes, with the annexation of Crimea and the ongoing war in eastern Ukraine.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koepp, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">205ce1c3-fe33-400d-9e7a-6f8af006c6f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210730s2013    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hüter meines Bruders</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On the search for clues about the whereabouts of his brother Pietschi (30), Gregor (32) finds how little he actually knows about this one. While the signs point to a suicide. Gregor delves deeper and deeper into the life of his brother and threatens to lose. Without Pietschi, even Gregor can't remain the same as he was.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zimmler, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bobyleva, Nadja</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Finster, Robert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leo, Maximilian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">176a6c33-8d0a-445a-a205-06b39981a005</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2016    ie 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Handsome Devil</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This is the story of the unlikely friendship of boarding school roommates Ned and Conor. Despite taking an instant dislike to each other, they are encouraged by their English teacher Dan Sherry to find their own voices and defy the status quo of their rugby-obsessed school. As the two bond over music, an unlikely and inspiring friendship begins to blossom.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, Andrew</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O’Shea, Fionn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Galitzine, Nicolas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Butler, John</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a4dcbe84-ae5c-4be6-9bf3-214c5d952346</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s1997    it 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="h">tur</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="a">tu</subfield><subfield code="a">sp</subfield><subfield code="c">it</subfield><subfield code="c">tr</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Steam - The Turkish Bath</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hamam - Il Bagno Turco</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tired of his troubled marriage, an Italian businessman's life changes dramatically after he learns that an aunt has left him property in Istanbul. Francesco (Alessandro Gassman) arrives to the Turkish city hoping that he can take care of the matter swiftly and return to Italy. He is surprised to discover that the property is actually one of the last traditional hamams (old-fashioned bath houses) in Turkey. The family that has been running the Turkish bath for his aunt, takes him in and Francesco gradually rediscovers a long-missing sense of family as he accustoms himself to Turkish culture. Matters become complicated though when the couple's daughter Fusun falls for Francesco, who discovers himself increasingly and disconcertingly interested in her darkly handsome brother Mehmet. The situation comes to a head when Francesco's wife arrives to make an announcement.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gassmann, Alessandro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ergün, Halil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Secchi, Carlo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Özpetek, Ferzan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f5e35ffd-ac7b-4659-a621-ba9d7ff81a11</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2014    sw 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Girls Lost</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pojkarna</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kim, Bella and Momo are three fourteen-year-old girls who discover a fantastic flower with magic qualities: by drinking its nectar they are transformed into boys and they enter a new world. At first they enjoy their newly found freedom, but soon Bella and Momo realize that there are downsides to it. Kim however gets seriously addicted…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jagell, Tuva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Öhlander, Emrik</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nyvall, Louise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gustavsson, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keining, Alexandra-Therese</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e3465b81-a12b-4dcd-9b54-bc87c14f8593</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2016    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Brother and Sister</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die Geschwister</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Neukölln, a trendy district in Berlin, where cheap apartments are hard to find. To get a flat, one needs salary proof and guarantees. Thies knows the game. He works for a real estate management and strictly follows the rules. Until he meets Bruno and Sonia, two unequal siblings. He gets them a free apartment underhand – and begins an affair with Bruno. Step by step, he delves deeper into the mystery of the brother and his sister.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burlakov, Vladimir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nitschkoff, Julius</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Potapenko, Irina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krüger, Jan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">487c9951-7eb2-4f07-b5b1-ea89f01d3884</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s1990    xxk095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Garden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Half waking dream and half fiery polemic, The Garden was born of director Jarman’s rage over continued anti-gay discrimination and the sluggardly response to the AIDS crisis—he had been diagnosed HIV positive in 1988. Starring Tilda Swinton, this uniquely kaleidoscopic film shows the filmmaker’s genius at its most coruscating, making space in its breadth of vision for an over-the-top Hollywood-style musical number, nightmare images of tar-and-feather queer persecution, and footage of the particularly menacing-looking nuclear power plant that overlooks Jarman’s own garden, the point from which his film begins, and a cherished spot which he must keep to tending even as his body begins to betray him. Writhing with sorrow and anger, and yet so vividly alive to the loveliness of being, The Garden is a baleful and beautiful epistle from the brink of the beyond.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Swinton, Tilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mills, Johnny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collins, Kevin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lee-Wilson, Pete</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jarman, Derek</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b8aa208c-4fc2-4f7d-827c-dd1d203613e0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2018    gw 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Communist</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der Funktionär</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.</subfield><subfield code="b"> The focus is on the father and his lifelong ambition to found a social order in which “spirit and power are in complete agreement”. It’s on the primal scene of the Jewish intellectual (the sight of a dead worker), the career of an SED Party communist (head of a publishing house, cultural minister, ambassador, state secretary for church matters), insights into a driven private life. Part of this “communist genealogy” himself, Goldstein comments own photos, found television material and images from Berlin (then, today) from offscreen, setting a high standard for a re-evaluation of the state that will always be his origin: “We would reject questions about the legitimacy of our present existence. How come we ask them about the past all the time?”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Goldstein, Andreas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ac4b6c6d-e8f7-456f-a42d-3aad20f46b36</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2017    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Five Stars</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fünf Sterne</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Take your broken heart, make it into art. Annekatrin Hendel (VATERLANDSVERRÄTER, ANDERSON, FASSBINDER) paints an intimate picture of her friend, costume designer, singer, painter, and photographer Ines Rastig (1965–2016). Hendel takes on script, directing, cinematography, and sound herself. The footage is shot in January 2016 in a singular hotel room with a view of the Baltic Sea; two months after Ines Rastig was diagnosed with lung cancer and four months before her death. A film about contradictions: the narrowness of the room and the vastness of the ocean, the dying body and the creative energy, the physical closeness and the escape to the internet. A dialog on a par with a stubborn and feisty artist, who, in her last years, communicated with the world mainly virtually.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rastig, Ines</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hendel, Annekatrin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8992856c-256b-467b-a52b-ba6f9a7bc289</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2017    xxu091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Freak Show</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">FREAK SHOW tells the heartwarming and hilarious story of Billy Bloom, a boldly confident teenager who faces intolerance and persecution at his ultra conservative high school, and decides to fight back on behalf of all the misunderstood freaks of the world by running for the title of homecoming queen.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lawther, Alex</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cox, Laverne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Midler, Bette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Breslin, Abigail</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robb, Anna Sophia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nelson, Ian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Styler, Trudie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5c3facc2-5241-4a63-91a8-894d0608a650</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2002    sz 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">gsw</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Elisabeth Kübler-Ross: Facing Death</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Elisabeth Kübler-Ross - Dem Tod ins Gesicht sehen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Elisabeth Kübler-Ross is arguably the world’s most reknowned expert on the process of dying. With Kübler Ross’ full collaboration, Haupt's film looks back on her life and career, from her earliest days as a triplet in 1920s Zurich, to her fame as an international lecturer and writer based in the US. Now in her twilight years, Kübler-Ross is bedbound in Arizona, and awaiting death herself. A truly fascinating film that enables us to re-evaluate our own emotions regarding life's greatest certainty, death. With the addition of archive film and interviews with Kübler-Ross’ sisters and close colleagues, Haupt builds up a rich picture of a remarkable woman who has done so much to make death less of a taboo.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haupt, Stefan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1b07e54b-8f8a-4a6a-9b32-32aae6387493</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2017    xxk099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Just Charlie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Football star Charlie has the world at his feet. With a top club desperate to sign him, his future is seemingly mapped out. But the teenager only sees a nightmare. Trapped in the body of a boy, Charlie is torn between wanting to live up to her father’s expectations and shedding this ill-fitting skin. Charlie’s next move will tear the family apart and threaten everything they hold dear.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gilby, Harry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Williams, Scot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Potter, Patricia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fortune, Rebekah</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f4a9ffa5-126a-4053-bbef-1d3e0cdb5d77</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2020    dk 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Perfectly Normal Family</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">En helt almindelig familie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Emma (11) has a perfectly normal family until one day it turns out her dad, Thomas, is transgender. As Thomas becomes Agnete, both father and daughter struggle to hold on to what they had, while accepting that everything has changed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Toft Loholt, Kaya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boe Følsgaard, Mikkel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ranthe, Rigmor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rønholt, Neel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reymann, Malou</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ebe5342e-3ad1-452e-ad80-40203dd4bb87</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2016    ie 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Date for Mad Mary</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">'Mad’ Mary McArdle returns to Drogheda after a short spell in prison - for something she’d rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is maid of honour. When Charlene refuses Mary a ‘plus one’ on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong. But her attempts at dating are a disaster and she winds up feeling more alone... until she meets Jess and everything changes. ‘A Date for Mad Mary’ is a tough and tender story about friendship, first love, and letting go of the glory days.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kerslake, Seána</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lee, Tara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bailey, Charleigh</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McCormack, Denise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thornton, Darren</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3cbb7f5f-d846-4dba-8e67-f56f541ecdd4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2013    fr 129        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Eastern Boys</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Daniel cruises the Gare du Nord where Eastern European Boys hang out. One afternoon he plucks up his courage to speak to Marek, one of the boys and invites him to his home. However, next day when the doorbell rings, Daniel hasn’t the faintest idea that he has fallen into a trap.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rbourdin, Olivier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emelyanov, Kirill</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Campillo, Robin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3e4dc59c-fa96-4c68-8d80-bd1804f4b470</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2014    sw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dyke Hard</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dyke Hard is a lesbian action comedy musical feature film format. It is about a rock band on a roadtrip to a big music competition in the capital. They beat entourage with a Thai boxer to be in the same direction and together they experience a lot of improbable adventure with ninjas, cyborgs and prison riots. Dyke Hard is also a community project where about 300 people helped each other for four years to create the century cult roll.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kurttila, Lina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sands, Peggy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wågensjö, Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eriksson, Alle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andersson, Bitte</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">17955df9-c784-4f12-b5f3-dd5fc4a572fb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2009    is 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="c">il</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Eyes Wide Open</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Einayim Pkuhot</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Aaron, a respectable butcher in Jerusalem’s ultra-Orthodox Jewish community, is married to Rivka and is a dedicated father of four children. One day, he meets Ezri, a twenty-two-years-old handsome student, and soon falls in love with him. He then starts to neglect his family and community life, swept away by his love and lust for Ezri. But guilt, torment and pressure from the community will catch up, and lead him to take a strong decision…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Strauss, Zohar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Danker, Ran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a"> , Tinkerbell</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tabakman, Haim</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc7bacbd-6db3-4885-a45d-4c90e2ab1ee0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2018    un 121        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ukr</subfield><subfield code="h">rus</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">un</subfield><subfield code="c">ua</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">DONBASS</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">ДОНБАСС</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the Donbass, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbass unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loznitsa, Sergei</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d7cebcd4-3cd1-432d-a261-f9a772a8ee75</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090313.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2019    cl 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Strong Ones</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Los Fuertes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lucas travels to a remote town in southern Chile to visit his sister. In front of the ocean and the fog, he meets Antonio, a boatswain in a local fishing boat. When an intense romance grows between them, their strength, their independence and their adulthood become immovable in front of the tide.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">González, Samuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Altamirano, Antonio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salinas, Marcela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Contreras, Rafael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Corales, Nicolás</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zúñiga, Omar</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bc822a47-be0b-4856-8893-cb3729c690e9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2004    gw 130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="h">rus</subfield><subfield code="h">ukr</subfield><subfield code="h">yid</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">This Year in Czernowitz</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dieses Jahr in Czernowitz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jews who fled from Bukowina in the previous century found a place of exile in many parts of the world. Their families keep the memory of people, living quarters and landscapes alive. The film THIS YEAR IN CZERNOWITZ returns there with emigrants and their descendants. The cellist Eduard Weissmann makes his way there from Berlin, the sisters Evelyne Mayer and Katja Rainer come from Vienna, while the actor Harvey Keitel and the writer Norman Manea fly over from New York. The journey to the mythical places of their origins takes them not only back into the past, but also into the present, to people who live in Czernowitz today, to the Ukrainian student Tanja and the nearly 90-year-old German Johann Schlamp.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koepp, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">08a23c0a-8ca1-481f-b694-c8f0d1f8e220</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2015    xxk109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">fr</subfield><subfield code="c">gb</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Departure</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An English family prepare the sale of their holiday home in the South of France. Over one week, the teenage son, Elliot, wrestles with his burgeoning sexuality while his mother, Beatrice, confronts the end of her marriage to his father, who harbours a secret of his own. Haunted by a figure on the landscape and stirred by an enigmatic local boy who quietly enters their lives, mother and son are led to confront each other and their awakening desires. Touched by myth and landscape, 'Departure' narrates the story of the end of a marriage, the end of childhood and the end of an otherwise nuclear middle class family.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lawther, Alex</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brossard, Phénix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stevenson, Juliet</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cusack, Niamh</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steggall, Andrew</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cf7a8aac-973c-43dc-b966-3955d8423698</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210729s2013    xxu096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Concussion</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Abby, an attractive 40-something, wealthy housewife who – after getting smacked in the head by her son’s baseball – walks around every corner of her suburban life to confront a mounting desire for something else, something more. Determined to take on a new project, she buys a pied-à-terre in Manhattan. But walking around the city streets reminds Abby of what it feels like to be sexy and her pent-up libido compels Abby to invent a secret double life that draws her deeply into the world of high-end prostitution for women.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weigert, Robin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fain Lawrence, Julie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shapero, Maren</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shapero, Micah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Siff, Maggie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tchaikovsky, Johnathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Passon, Stacie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">99ea18b1-30fa-4fa3-9f79-5a2f5935d1d9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210728s2015    gw 059        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">is</subfield><subfield code="c">de</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Café Nagler</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">During the 1920s, Café Nagler was the hottest place in Berlin. The director embarks on a journey to find out what’s left of the legendary café owned by her family. After discovering that family myths don’t always match historical facts, she’ll re-create her family’s past together with her Berlin peers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaplansky, Mor</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barel, Yariv</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8250ff4c-c5cc-4823-9c61-b2d6cb29973e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210728s1985    xxu081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Buddies</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Arthur J. Bressan, Jr. (Gay USA) created this indie masterpiece in 1985, which was the first feature length drama about AIDS. When 25 year-old gay yuppie David (David Schachter) volunteers to be a "buddy" to an AIDS patient, the gay community center assigns him to Robert (Geoff Edholm), a 32 year-old politically impassioned gay California gardener abandoned by his friends and lovers. Revolving around the confines of Robert's Manhattan hospital room, Bressan skillfully unfolds this devastating two-hander (the rest of the cast is only heard off-screen). As David gazes out at the piers and rooftops of Manhattan, we hear his deftly scripted diary entries in voiceover. And as David is changed by knowing Robert, so, too, are we. In the simplicity of the story and the elegance of its unfolding, Buddies achieves a rare perfection. It's a timeless portrayal of an entire era in gay history.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schachter, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edholm, Geoff</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bressan Jr., Arthur J.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6880ab39-aec6-4754-8214-6deb0fb991d8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210728s2017    bl 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Body Electric</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Corpo Elétrico</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">New to Sao Paulo, Elias divides his days between working in a cloth factory and fleeting encounters with other men. As the end of the year approaches, work intensifies, and he finds himself increasingly trapped within the factory. With limited free time, he attempts to etch his place in new social circles and to assert the possibility of new relationships.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Macêdo, Kelner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andrade, Lucas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bungué, Welket</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cavalcanti, Ana Flavia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Serruya, Ronaldo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zanoni, Henrique</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caetano, Marcelo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f7d93e0a-9a21-425c-94c3-d4bcb0c5e19a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210728s2019    au 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Ground beneath My Feet</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der Boden unter den Füßen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lola is a jet-setting business consultant who excels at the aggressive tactics and nonstop work her job requires. She travels back and forth from Vienna, where her tasteful apartment serves more as mailbox and laundromat than home, to the headquarters of the latest corporation she’s restructuring. Her routine is one of late nights at the office, fancy client dinners and brief nights of sleep in sterile hotel rooms. Approaching 30, Lola is beautiful, works out, and her career seems on a fast track to success. Lola manages her personal life with the same ruthless efficiency she uses to optimize profit margins. She keeps her relationship with her boss Elise secret, as well as the existence of her older sister Conny, who has a long history of mental illness. But when she receives the news that Conny has attempted suicide, Lola's secrets threaten to explode into the open. As she tries to do what's best for her sister without jeopardizing all she's worked so hard for, Lola slowly finds her own grip on reality slipping away.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pachner, Valerie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hierzegger, Pia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hörbiger, Mavie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kreutzer, Marie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4d316070-a6ee-43ec-a595-812f931adcba</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2015    th 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tha</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">th</subfield><subfield code="c">th</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Blue Hour</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tam, a loner gay boy is always bullied by his friends at school. At home, his father who works in the army always beats him. His mother and brother never trust him. One day, Tam gets to know Phum, a mysterious boy on the internet. He goes to meet him at an abandoned swimming pool. They have sex and begin their relationship which will lead Tam to commit the biggest crime of his life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Poonsawas, Atthaphan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiwattanawarang, Oabnithi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirunsr, Djuangjai</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boonyawatana, Anucha</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1eccda51-8525-43b6-b267-f82cfb817dda</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2019    ag 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Blonde One</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Un Rubio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan’s wandering hands and meaningful looks. With a revolving door of beauties streaming out of Juan’s bedroom, his machismo seems firmly in place. However, the attraction between the two men is undeniable. What starts out as a sexual relationship based on convenience of location, soon develops into the engrossing evolution of a tender and intimate relationship, which is as sweet as it is heartbreaking. But, as reality begins to set in on their homemaking fantasy, something has to give, or does it? </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Re, Gastón</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barón, Alfonso</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Irusta, Malena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salas, Ailin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Velasco, Charly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berger, Marco</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2599bfc1-775c-482d-9112-978a29f58ec5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2016    gw 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pavlensky – Man and Might</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the course of his performances, the Russian political artist Pyotr Pavlensky has sewn up his mouth, nailed his scrotum to Red Square, and set fire to the door of the headquarters of the Russian secret service, to protest against „state terror“. He spent seven months in prison. According to Pavlensky, political artists in Putin’s Russia are being robbed of their voice and condemned to silence. The film shows Pyotr Pavlensky and his preoccupation with the liberty of the individual confronted by the power of the state.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Langemann, Irene</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fbbb7820-2bcc-4c61-b3d7-0beab93a0546</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2015    is 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">heb</subfield><subfield code="j">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="a">sw</subfield><subfield code="a">gw</subfield><subfield code="a">ne</subfield><subfield code="c">il</subfield><subfield code="c">se</subfield><subfield code="c">de</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MR. GAGA</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ohad Naharin, artistic director of the Batsheva Dance Company, is regarded as one of the most important choreographers in the world. Meeting him at a critical turning point in his personal life, this spirited and insightful documentary will introduce you to a man with great artistic integrity and an extraordinary vision. Filmed over a period of eight years, director Tomer Heymann mixes intimate rehearsal footage with an extensive unseen archive and breathtaking dance sequences.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heymann, Tomer</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ca6e2c8e-e8f4-448b-9cbb-0f8b10c18c34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2016    sw 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="a">xxu</subfield><subfield code="c">se</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kiki</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In New York City, LGBTQ youth-of-color gather out practicing a performance-based artform, Ballroom, which was made famous in the early 1990s by Madonna's music video "Vogue" and the documentary "Paris Is Burning." Through a strikingly intimate and visually daring lens, KIKI offers a riveting and complex insight into a safe space created and governed by LGBTQ youth of color, who are demanding happiness and political power. An exciting coming of age story about agency, resilience and the transformative artform that is voguing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jordenö, Sara</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">523c8214-ef7b-4e8a-bbdb-68cc2b7db16e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210727s2015    sw 114        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ita</subfield><subfield code="h">fre</subfield><subfield code="h">swe</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ingrid Bergman: In Her Own Words</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In spring 2011, director Stig Björkman meets Ingrid Bergman’s daughter Isabella Rossellini and she suggests him to ”make a film about Mama”. Through Isabella, Stig is able to tell Ingrid’s story through her own words and images.</subfield><subfield code="b">Seven time Academy Award nominee and three time Academy Award winner Ingrid Bergman was one of the most talented actresses of Hollywood’s Golden Age with great performances in films such as CASABLANCA (1942), GASLIGHT (1944) and AUTUMN SONATA (1978) . Through never-before-seen private footage, notes, letters, diaries and interviews with her children, this documentary presents a personal portrait and captivating look behind the scenes of the remarkable life of a young Swedish girl who became one of the most celebrated actresses of American and World cinema.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rossellini, Isabella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rossellini, Ingrid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rossellini, Roberto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindström, Pia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Björkman, Stig</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">debb8919-5ee5-41cb-9b42-cb4f9f318232</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210723s1997    xxk102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">ja</subfield><subfield code="c">gb</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bent</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Set amidst the decadence and terror of Fascist Germany, Bent recounts the fate of three homosexual men during the rise of Nazism. The film is a harrowing but inspirational tale of struggle against oppression. With original music by Philip Glass.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jagger, Mick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Owen, Clive</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bluteau, Lothaire</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Webber, Brian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McKellen, Ian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Coster-Waldau, Nikolaj</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mathias, Sean</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9862b4b5-8f4a-4290-9cd1-9221f3128238</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210723s1996    xxk087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Beautiful Thing</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A long, hot summer in South London and Jamie Gangel is bunking off school more than usual, scurrying back to the TV and the flat in the vast Thamesmead estate where he lives with his mother Sandra. Next door lives Leah who's been kicked out of school and spends her days listening to Mama Cass records. Also in the same block is Jamie's classmate Ste, sporty and athletic, but who nevertheless receives regular beatings from his father and brother. One night, to escape the violence, Ste takes refuge in Sandra's flat and sleeps head to toe with Jamie. As Sandra struggles with a job promotion and her relationship with her hippy-dippy boyfriend Tony, Jamie and Ste gradually discover their affection for each other.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Henry, Linda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berry, Glen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neal, Scott</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Empson, Tameka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daniels, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">MacDonald, Hettie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">37c64590-b38a-41c0-b3b7-b4cd4d8d6151</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210723s2017    xxu095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Beach Rats</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men. When his chatting and webcamming intensify, he begins meeting men at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dickinson, Harris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weinstein, Madeline</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hodge, Kate</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hittman, Eliza</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f864f64c-d2e5-468c-aeef-f4b30f35ca96</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210723s2011    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">fr</subfield><subfield code="c">de</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Looking for Simon</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Auf der Suche</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Simon, a young German doctor living and working in Marseille, vanishes, leaving no information. His apartment is empty. Valérie, his mother, is desperate. She doesn't understand the reason for his disappearance. Therefore she asks Jens, the former boyfriend of Simon, to come to Marseille and help her in her search for her son.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Harfouch, Corinna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rogner, Nico</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leroy, Valérie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dehbi, Mehdi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perrier, Mireille</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pütter, Trystan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krüger, Jan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4530029b-20b6-4673-9b67-abf379d9c5c4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210723s2016    xxu091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lazy Eye</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Passions reignite and hidden secrets revealed when a graphic designer in Los Angeles (Lucas Near-Verbrugghe) reconnects with an ex-lover (Aaron Costa Ganis) he hasn’t seen or heard from in 15 years. 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For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated and heartbroken. 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The film is the portrait of a generation looking for meaning in their lives. The main characters justify their irresponsibility and infantile behaviour by the lack of communication with their parents. Their principal agony is that they grew up without fathers ; now the time has come for them to achieve the status of adult males.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Avdeev, Filipp</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuznetsov, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shevtsova, Arina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Saveliev, Savva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gorchilin, Alexander</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0b4345eb-84f3-4ffd-8831-b93036dd85fe</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210722s2013    at 109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">52 Tuesdays</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">16-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition and their time together becomes limited to Tuesday afternoons. Filmed over the course of a year, once a week, every week – only on Tuesdays – these unique filmmaking rules bring a rare authenticity to this emotionally charged story of desire, responsibility and transformation.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cobham-Hervey, Tilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herbert-Jane, Del</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Althuizen, Sam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Archer, Imogen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hyde, Sophie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d898af74-8fa6-48e2-b4ba-fe1cc900d01b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210722s2018    xxu085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">1985</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Texas, Christmas 1985 – Adrian is home for the first time in three years. Between his mother’s warm affection, his father’s begrudging, stilted conversation and his younger brother Andrew’s cold shoulder, Adrian is all too aware of the impact his absence has had on them. Time to make up for lost time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, Cory Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madsen, Virginia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chiklis, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tan, Yen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3d79e81a-dcc7-4133-95ef-0e5dfb124baf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210722s2017    fr 144        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">120 BPM</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Early 1990s. With AIDS having already claimed countless lives for nearly ten years, ACT UP-Paris activists multiply actions to fight general indifference. Nathan, a newcomer to the group, has his world shaken up by Sean, a radical militant.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pérez Biscayart, Nahuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valois, Arnaud</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haenel, Adèle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reinartz, Antoine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maritaud, Félix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Campillo, Robin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">687610d6-d648-4d56-87ec-d4058fd3aa47</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210722s2015    sw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swe</subfield><subfield code="j">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Martha &amp; Niki</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2010, Swedish friends Martha Nabwire and Niki Tsappos were the first ever female hip hop dance duo to beat all their opponents (men included) at the most important international street dance competition, Juste Debout in Paris. Armed with boundless energy and huge amounts of talent, they annihilated the opposition. But in spite of their shared passions, the girls have very different backgrounds, different lives and different personalities. 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Filmmaker Matthew Heineman embeds himself in the heart of darkness as Tim "Nailer" Foley, an American veteran with his small paramilitary group, Dr. Jose Mireles, a small-town physician known as "El Doctor", and the cartel each vie to bring their own brand of justice to a society where institutions have failed. The film is a chilling meditation on the breakdown of order and the blurry line between good and evil. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heineman, Matthew</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2ecb5e47-0a16-4a4e-8a2d-4bec4e1a94f3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210721s2015    sz 118        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="a">gw</subfield><subfield code="a">xxu</subfield><subfield code="c">ch</subfield><subfield code="c">de</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Above &amp; Below</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Far, far away and out of sight, that's where April, Dave, Cindy, Rick and the Godfather are creating life on their own terms. From the depths of the flood channels under Sin City, to a reclaimed military bunker in the middle of the dusty, heated Californian nowhere land, to beyond the stratosphere where Mars now lives on earth. Each individual has been flung into periling circumstances on this rollercoaster ride called life. Through the hustle, pain, and laughter, we are whisked away to an unfamiliar world where we discover its inhabitants to be souls not unlike our very own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Steiner, Nicolas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1529a8d9-5dee-4b0d-9946-12708209726d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210721s1967    ja 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">X From Outer Space</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">宇宙大怪獣ギララ</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A rocket blasts off on a mission to Mars but is forced to make an emergency moonbase landing when a UFO blocks its path. The astronauts return to earth with a mysterious glowing object, which suddenly transforms into the gigantic space creature Girara…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wazaki, Syunya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neal, Peggy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Harada, Itoko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yanagisawa, Shinichi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gruber, Franz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nihonmatsu, Kazui</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e61923e4-0ee7-4bc8-86a4-e8c80d1fd891</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210721s1954    ja 162        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Twenty-Four Eyes</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">二十四の瞳</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A novice teacher arrives at a tiny elementary school with only twelve students on Shodo Island in Japan's inland sea. He, his family and his pupils become caught up in the surging waves of war.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Takamine, Hideko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amamoto, Hieyo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yashiro, Toshiyuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinoshita, Naotora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ryu, Chisyu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinoshita, Keisuke</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc438348-b879-42dc-bd6a-9d0cb122a37b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210716s1965    ja 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Samurai Gold Seekers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">獣の剣</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In October of the 4th year of Ansei, a ronin named Gennosuke Hiraki comes to the Iitomi Inn. He judges that he could overturn the clan's argument for reforming the domain administration by promoting human resources, and kills the castle retainer, Yamaoka Kemono. However, this was a ruse by the second in command, Yorimo Hoshino. Moreover, Hiraki is pursued by Misa Yamaoka, the daughter of the governor, and her husband, Daizaburo Torio, as well as Katori Gundayu, a master swordsman, on Hoshino's orders. With the help of Toragoro, their leader, the pursuers are looking for Hiraki in an attempt to take revenge.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Miki, Hirajiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kato, Go</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iwashita, Shima</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kimura, Toshie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tanaka, Kunie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gosya, Hideo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">99a31a24-b20d-47a6-b0ea-5b9a8cdf2732</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090314.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210716s1964    ja 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Three Outlaw Samurai</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">三匹の侍</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The ronin Shiba Sakon comes across a disturbance in a village under the control of the local magistrate Matsushita Uzaemon, where peasants crying over bad harvests and heavy taxes are trying to extort the magistrate's daughter Aya as a hostage. Sakon, with his chivalrous nature, joins the peasants and kicks aside the rushing officials in an attempt to get Aya back. Matsushita, fearing that the peasants would appeal to the lord returning from Edo, hunts down the ronin Kikyo Ekinosuke, Sakura Kyojuro and other delinquents and attacks the water mill where the peasants are holed up. However, Einosuke and Kyojuro realize that the peasants are righteous people, and join forces with Sakon.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tanba, Tetsuro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Miki, Hirajiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nagato, Isamu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuwano, Miyuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kimura, Toshie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gosya, Hideo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7a9d5293-ad15-41bc-ad34-d7ff053e6c5a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 044        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR w/ mobilegirl from Berlin TV Tower | International Women's Day</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's musical programme, United We Stream presents mobilegirl from the revolving restaurant 'Sphere' within the Berlin TV Tower with a 360° panoramic view.</subfield><subfield code="b"> mobilegirl is a producer and DJ born in Munich, but now based in Berlin. She is known for her eclecticism both in and outside of music, taking inspiration from her past studies in design and computer science. As a DJ she focuses on varied danceable rhythms, managing to weave together a range of styles and genres. Her mixes are often called 'collages' for their unusual selection and blends. Mobilegirl’s endeavors are best described as a constant search and stretch of the comfortable. Being quite uninhibited but thoughtful in her selection, her style behind the decks is focused on a highly energetic dancefloor that allows for emotionality but also for attention-demanding breaks. In November 2016 she played her third Boiler Room show of the year at the Weekender in Lake Harmony, Pennsylvania, ranking her as the artist with the most BR appearances of 2016—which was astonishing considering she had only picked up DJing two years before. </subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a104f5b1-4cab-46a1-9107-a13b9757135e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR w/ CATNAPP *live from Berlin TV Tower | International Women's Day</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's musical programme, United We Stream presents CATNAPP *live from the revolving restaurant 'Sphere' within the Berlin TV Tower with a 360° panoramic view.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f1999ab3-e229-4293-ae34-df4c07607824</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR - Talk w/ Franzie Eichler, Tobi Neumann, Mor Elian, Robbie Cordukes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's talk formats, United We Stream presents the Round Table format 'Real Talk' "How we've changed". </subfield><subfield code="b">The effects of social distancing affect us all. Our bodies and minds might suffer from the absence of social gatherings we attended before the breakout of the pandemic. The participants of the Round Table talk about their well-being in these especially demanding times.  They tell from their personal situation and how their professional lives have changed through the shutdown of cultural venues. They focus on positive aspects of their experiences during the several lockdowns and tell from precious moments and lesson they learned.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">02084060-9f70-471b-b702-e9370cfd6be6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR | Interview Charlot van Heeswijk | Hysteria</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's talk formats, United We Stream presents an interview with Charlot van Heeswijk.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8451d9bb-ece5-4a0e-92d9-01febe5bbe2d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 054        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR Talk w/ Lindi Delight, Lakuti, Monty Luke, Aérea Negrot, Mirca Lotz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's talk formats, United We Stream presents the panel discussion "Intersectionality &amp; Social Movements in the Music Industry".</subfield><subfield code="b">It aims to highlight fresh approaches to the biggest challenges of diversifying the music industry: How can we ensure the full inclusion of artists from marginalised communities in our industry? How do we overcome restrictive role models in terms of gender &amp; sexuality and break down gender stereotypes? How can we accelerate the representation and visibility of women and gender minorities as well as of artists and cultural entrepeneurs from marginalised communities?</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f03f24a-ec17-484a-84c9-95f7157fb6c6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">FEMMELY AFFAIR | Interview Katharin &amp; Lu | International Women's Day 2021</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As part of the FEMMELY AFFAIR's talk formats, United We Stream presents an interview between Katharin Ahrend from United We Stream and Lewamm Ghebremariam from BRENN collective and Change.org. They talk about women's solidarity, sisterhood, moments that can hold us back from supporting each other, and how we can make space for each other in the context of club culture, activism, and cultural management. Katharin has been part of the ​United We Stream​ team from the very beginning. Her main activities there include the development of awareness and safety guidelines for the project and the platform as well as diversity-sensitive and inclusive program work. The aim is always to create spaces and platforms that promote exchange and dismantling of borders and prejudices. Lewamm “Lu” Ghebremariam is a Senior Campaign Strategist for the petition platform Change.org Germany. Since 2018, she has been supporting and advising activists with her marketing and strategy expertise making national and international headlines. Lewamm is an honorary board member of the Berlin Clubcommission. Focusing on awareness, a low-discriminatory, diverse and sustainable club culture.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">449d92be-347c-47c4-bfd3-623215856fd7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">[Open] Club Day - The Lady Machine at Krake Festival, Berlin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On [Open] Club Day, live music venues and clubs all over Europe usually open their doors on the same day during daytime and invite people to discover what is happening behind their scenes. As the situation for the live music sector is more catastrophic than ever, we need to pursue our efforts in highlighting the immense value live music scenes bring to our lives, societies, communities and economies.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e61aa607-e429-4a06-8c20-e3537c8d57c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">[Open] Club Day - Insolate at a secret location, Croatia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On [Open] Club Day, live music venues and clubs all over Europe usually open their doors on the same day during daytime and invite people to discover what is happening behind their scenes. As the situation for the live music sector is more catastrophic than ever, we need to pursue our efforts in highlighting the immense value live music scenes bring to our lives, societies, communities and economies.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9a36edb4-eb2a-4f15-ae81-78bea925fbdf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210715s2021    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">[Open] Club Day - Katalina Schwarz at Galería CIMA - Santiago, Chile</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On [Open] Club Day, live music venues and clubs all over Europe usually open their doors on the same day during daytime and invite people to discover what is happening behind their scenes. As the situation for the live music sector is more catastrophic than ever, we need to pursue our efforts in highlighting the immense value live music scenes bring to our lives, societies, communities and economies.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4d208b1e-93fe-4a32-b4d9-91978017ac3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2021    gw 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">[Open] Club Day - Liona at Geodom at Red Rock - Terelj, Mongolia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On [Open] Club Day, live music venues and clubs all over Europe usually open their doors on the same day during daytime and invite people to discover what is happening behind their scenes. As the situation for the live music sector is more catastrophic than ever, we need to pursue our efforts in highlighting the immense value live music scenes bring to our lives, societies, communities and economies.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c1e957db-3454-449a-8310-c0fde8eb6b6c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2021    gw 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">[Open] Club Day - Tiny Giant -LIVE- at Golden Bridge, Vietnam</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On [Open] Club Day, live music venues and clubs all over Europe usually open their doors on the same day during daytime and invite people to discover what is happening behind their scenes. As the situation for the live music sector is more catastrophic than ever, we need to pursue our efforts in highlighting the immense value live music scenes bring to our lives, societies, communities and economies.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">54f0a278-904d-44bb-a4b7-c301fa6fcdbd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Signals of Hope (Frankfurter Buchmesse) - Kid Simius</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the crisis year 2020, the Frankfurt Book Fair wants to show the potential of the "Principle of Hope" and send "Signals of Hope" in the midst of a culture of indignation and conspiracy theories - not only to the cultural and literary businesses shaken by the Corona crisis, but to the whole world. It is important to open up spaces of opportunity in which hope can arise and to give hopeful voices from society and literature a platform.</subfield><subfield code="b">At Hopeful Beats, authors recorded hopeful lines from their books, fitting  a topic of the day at the Frankfurt Book Fair. These audio tracks are creatively mixed into their set by DJs. The subtopics are Raise Hope, Hope is Diverse, Hope and Action and Climate of Hope.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b81196e6-ec9c-4269-bc41-c0f2d93b56df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    gw 061        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Signals of Hope (Frankfurter Buchmesse) - Roi Perez</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the crisis year 2020, the Frankfurt Book Fair wants to show the potential of the "Principle of Hope" and send "Signals of Hope" in the midst of a culture of indignation and conspiracy theories - not only to the cultural and literary businesses shaken by the Corona crisis, but to the whole world. It is important to open up spaces of opportunity in which hope can arise and to give hopeful voices from society and literature a platform.</subfield><subfield code="b">At Hopeful Beats, authors recorded hopeful lines from their books, fitting  a topic of the day at the Frankfurt Book Fair. These audio tracks are creatively mixed into their set by DJs. The subtopics are Raise Hope, Hope is Diverse, Hope and Action and Climate of Hope.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a26f7db8-5243-4323-94f1-ee03efa2ef53</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    gw 064        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Signals of Hope (Frankfurter Buchmesse) - Nur Jaber</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the crisis year 2020, the Frankfurt Book Fair wants to show the potential of the "Principle of Hope" and send "Signals of Hope" in the midst of a culture of indignation and conspiracy theories - not only to the cultural and literary businesses shaken by the Corona crisis, but to the whole world. It is important to open up spaces of opportunity in which hope can arise and to give hopeful voices from society and literature a platform.</subfield><subfield code="b">At Hopeful Beats, authors recorded hopeful lines from their books, fitting  a topic of the day at the Frankfurt Book Fair. These audio tracks are creatively mixed into their set by DJs. The subtopics are Raise Hope, Hope is Diverse, Hope and Action and Climate of Hope.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c5fd3aff-1445-4768-94dd-a58cc0ff1de5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    gw 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Signals of Hope (Frankfurter Buchmesse) - Sandilé</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the crisis year 2020, the Frankfurt Book Fair wants to show the potential of the "Principle of Hope" and send "Signals of Hope" in the midst of a culture of indignation and conspiracy theories - not only to the cultural and literary businesses shaken by the Corona crisis, but to the whole world. It is important to open up spaces of opportunity in which hope can arise and to give hopeful voices from society and literature a platform.</subfield><subfield code="b">At Hopeful Beats, authors recorded hopeful lines from their books, fitting  a topic of the day at the Frankfurt Book Fair. These audio tracks are creatively mixed into their set by DJs. The subtopics are Raise Hope, Hope is Diverse, Hope and Action and Climate of Hope.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc5d1f33-4741-4ea4-98b6-218b1e749d8e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    gw 145        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dominik Eulberg - The Sound of Biodiversity (Museum für Naturkunde Berlin)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Human beings only perceive what they are aware of and only protect what they appreciate.“</subfield><subfield code="b"> Experience the sound of biodiversity and dive into a unique journey fusing science, environmental protection and club culture with no one other than bird whisperer Dominik Eulberg. We invite you to an exclusive digital tour with Dr. Kim Mortega through the Natural History Museum where you can discover hidden rooms and collections being usually closed to the public - soundtracked by an exclusively produced live-set of Dominik Eulberg.  Afterwards, follow the exciting discussion between the both experts debating the urgent need of preserving biodiversity and club culture.  Reconnect yourself with nature and be with us!</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4bf7570a-dbb2-4987-ab7b-e8f827d736df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2021    gw 053        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Will Jacobs</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Quasimodo Club Berlin presents:</subfield><subfield code="b">The Live Music Series – Will Jacobs  Known for his powerful, live performances, Will Jacobs is a modern Blues/R&amp;B/Soul artist from Chicago, Illinois, USA. At 26 years old, he's no stranger to performance stages. Will honed his chops the old-fashioned way – experience. At 12 years old, he was gigging in Chicago clubs backing many of the city's finest blues men and women. These experiences led to further study at Berklee College of Music (Boston, USA), then to gigging/composing/session work in Chicago and internationally. Making the jump across the pond to Europe in mid-2016, Will began performing and sharing his dynamic blues sound in Berlin, Germany. Whether playing clubs/festivals, gigging with other world-class musicians, sessions work or composing, Will looks forward to sharing the music passion with his audience.  Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.   Line-up: Will Jacobs – guitar, vocals  Fabian Entwitch – trumpet  Amadeus Chiodi – tenor sax  Bjorn Frank – tenor sax Stef Rosen – guitar Helmut Bruger – keys  Martin Strumpf – bass Brian Sauls - drums  Set-list 01 – Cold Sweat (Alfred „Pee Wee“ Ellis) 02 – Travelin‘ Man (Albert King) 03 – Woman’s gotta have it (Darryl Carter, Bobby Womack, Linda Womack)  04 – I Want to Ta-Ta You Baby (Johnny „Guitar“ Watson) 05 – I’m Ready (Willie Dixon) 06 – Smooth Sailing (Lucky Peterson)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jacobs, Will</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Entwitch, Fabian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chiodi, Amadeus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frank, Bjorn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosen, Stef</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bruger, Helmut</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Strumpf, Martin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sauls, Brian</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ff03a59f-4b73-4a1f-980b-c9c25ac4c803</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2021    gw 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Roberto Manzin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Quasimodo Club Berlin presents:</subfield><subfield code="b">The Live Music Series – Roberto Manzin  Roberto Manzin was born on 8 July 1966 in Rome, Italy, of Eastern European refugees who were also musicians. His musical life began in Milan where he moved with his family when he was five, he studied music privately and then at the school Civica Scuola di Musica Villa Simonetta. During the 1980s Manzin began playing in several music clubs in Milan, and during the 1990s was part of the Tony Scott Jazz Quintet. Manzin also worked extensively in TV where he played with, among others, James Brown, Zucchero Fornaciari and Manu Katché. Over the years Manzin has performed and recorded with many greats like Tony Scott, Laura Mvula, Trilok Gurtu, Martha Reeves and the Vandellas, Donna Summer, Pino Palladino and Mr. Dynamite, and many more. In the late 1990s Manzin migrated to London and recently moved to Berlin, where he continues his musical activity.  Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.   Line-up: Roberto Manzin - Sax Davide Incorvaia - Piano, Keys  Francesco Beccaro - E. Bass  David Guy - Drums  Set-list 01 – Chi Tene O’ Mare (Pino Daniele) 02 – November 15 (Kenny Garrett) 03 – Brother Hubbard (Kenny Garrett) 04 – Neptune (Bob Berg) 05 – Pools (Don Grolnick, as played by Steps Ahead)  06 – Suspone (Mike Stern)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Incorvaia, Davide</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beccaro, Francesco</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guy, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Manzin, Roberto</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f69371b7-b467-43a1-b165-2dade894c6cb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2021    gw 067        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Quasimodo Live Music Series - Monsters of Afrobeat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Quasimodo Club Berlin presents:</subfield><subfield code="b">The Live Music Series – Monsters of Afrobeat  Band leaders Ekow Alabi Savage, Eric Owusu and Ben Abarbanel-Wolff will take us on a trip through the history of Highlife and Afrobeat music in West Africa.  Featuring members of the bands of Ebo Taylor, Pat Thomas, Orlando Julius, Tony Allen and more.  Since 1975, the Quasimodo has been one of the oldest clubs in Berlin's cultural landscape and one of the most renowned live music venues in Europe. The initially jazz basement, in the truest sense of the word, became the musical home for many international artists of the most diverse genres. Under the Delphi-Filmpalast in the heart of Berlin, this musical cult club developed into a popular venue for jazz, blues, rock, latin, soul and funk concerts and music with quality.  Line-up: Ekow Alabi Savage - Drums and Vocals  Eric Owusu - Percussion and Vocals Ben Abarbanel-Wolff - Tenor Sax  Philip Sindy - Trumpet Lionel Haas - Keys Arenor Anuku - Guitar Daryl Taylor - Bass  Set-list 01 – Kyenkyen (Alhaji Kwabena Frimpong) 02 – Lady (Fela Aníkúlápó Kuti) 03 – Gentleman (Fela Aníkúlápó Kuti) 04 – Love and Death (Ebo Taylor) 05 - Water Get No Enemy (Fela Aníkúlápó Kuti)  06 – Heaven (Ebo Taylor)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alabi Savage, Ekow</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Owusu, Eric</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abarbanel-Wolff, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sindy, Philip</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haas, Lionel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Anuku, Arenor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, Daryl</subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9cde295d-0313-4b6d-9ea9-ec34822c8f5f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210714s2020    sw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">kur</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Idomeni</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is a place where you are suspended in time. You cannot move forward and you cannot go back. You are confined. But it is not a prison, it is a refugee camp. Refugee camps are usually located far away from the rest of society and they become like worlds of their own. This is a film about life in the camps. The film does not explore the dramatic events of the journey but the seemingly still and slowed down moments in the camps. It is March 2016. In the little Greek border village Idomeni a disorganized camp has emerged. Nadia and Nawaf and six of their children came to the border one day after it closed. Their home was destroyed and many of their friends and relatives are missing or dead in Iraq. That is the fate of the Yazidis. Nadia and Nawaf, like most people in the camp, want to start a new life in Germany. Yasir is alone in Idomeni. Yasir’s journey to Germany was also cut short. His main focus is to get news about his wife, Khalida, who is a prisoner of ISIS in Iraq. Yasir talks about Khalida with everyone he meets. A prisoner exchange between ISIS and Kurdish forces is taking place in Iraq. Yasir hopes that Khalida is among the released. Late at night he gets messages on the phone that she has not been freed. But Yasir remains convinced that she is alive and that it he can get her back. * Two months later all Yazidis in Idomeni are moved to another camp in Greece in the Olympic Mountains. The peaceful and monotonous situation in the new camp is broken by an accident when two young boys drown in a water-reservoir nearby. It affects the whole camp. Saber, one of Nadia and Nawaf’s sons, was friends with the dead boys. He tries to console a brother to one of the two boys who drowned. They talk about their grief, their hopeless situation, dreams for the future almost at the same time as they speak about Michael Jackson. The scenes with the children in the camps are intimate and give an insight in how to deal with a difficult situation. A theme through the film is the parallel lives of the children and adults in the camps. Yasir decides to smuggle himself to Germany where his seven-year-old son Sizar already lives. Sizar has been taken to Germany by a NGO, together with Yasir’s sisters. Nadia and Nawaf cannot to travel illegally with all their children. They have to stay in Greece and wait. They are taken yet another camp where there are real houses, not tents. It is a monotone waiting for an interview at the Greek Asylum Centre. Maybe they can be accepted for the EU Relocation Program. One year later Yasir has started a new life in Germany with his son, but someone is missing. Khalida, Yasir’s wife, is still in the hands of ISIS. But in May 2017 suddenly and unexpectedly something happens. A possibility to buy Khalida free from ISIS has materialized. She is taken from Syria to Iraq to her mother and other relatives. Yasir can only observe in his mobile what happens in Iraq from the distance of Germany. When he talks to Khalida on the phone something in Yasir’s gaze and whole appearance changes. They joke and flirt with each other through the mobile. She tells him some of what she has lived through the last three years. Now another long wait starts, to get Khalida to Germany. In November 2017, Nadia, Nawaf and their children are relocated to Germany. The children start school and are busy learning the language. For Nadia and especially for Nawaf it takes more time. Nawaf is mostly preoccupied with what is happening in Iraq, with the war and the terror attacks. But in the little town Uelzen in northern Germany all is calm. It is October 2018, Munich International Airport. Yasir and Sizar are in the arrival hall. Yasir has a big bunch of roses and Sizar has a small bouquet of flowers. They are about to meet Khalida for the first time in four years. Four years of massacre, death, flight, imprisonment, violence and displacement. The reunion is low-key, not overwhelming. Yasir and Khalida are almost shy in their contact with each other. Eight- year-old Sizar is at first very excited for his mother’s arrival but soon he becomes reserved towards her. She has been away for a long time. A new phase starts for Yasir, Sizar and Khalida in Göppingen, southern Germany. And a new life is coming. * Kocho Yasir and Khalida’s home village, in northern Iraq, was one of the Yazidi communities that were most brutally attacked by ISIS, in August 2014. Men were killed, women and children were taken as slaves and forcibly converted to Islam. Kocho is the village from where Nadia Murad also comes from. She was awarded the shared Nobel Peace Prize 2108 for her work against sexual violence in war.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aronowitsch, David</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abdullahi, Ahmed</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a99b398d-5adb-4c95-811a-2a1197ae5522</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210713s1995    ja 109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">GONIN</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Five men from the fringes of society decide to pull off a heist involving cash belonging to local mobsters, but their plans go sour and they become the targets of hitmen sent to teach them a lesson.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kitano, Takeshi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sato, Koichi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Motoki, Masahiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Takenaka, Nooto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shiina, Kipei</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ishi, Takashi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cebed0fc-5579-490f-a945-e1fcf1d55585</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210713s1974    ja 158        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Five Wolves</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">狼よ落日を斬れ</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two friends - a Mugairyu swordsman, Toranosuke Sugi and one of the leading swordsmen in Edo, Hachiro Date – arrive in Kyoto that is shaken by the Ikedaya riot. Both men are swallowed by the big wave of events, where each of them is destined to his own fate.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Takahashi, Hideki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogata, Ken</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kondo, Masaomi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Saigo, Teruhiko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matsuzaka, Keiko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Misum, Kenji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fd4ef145-28a9-4fa3-8093-f76fe17d185e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210630s2017    be 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Matsukaze</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">»Matsukaze« is among the best-loved classics of Japanese Nô Theatre. The sisters Matsukaze and Murasame are each in love with the same man; their feelings however remain unrequited in this life. Years after death the sisters’ spirits revisit this world in tireless pursuit of their beloved.</subfield><subfield code="b">With the world premiere of »Matsukaze« Sasha Waltz followed up on her opera productions »Medea« and »Dido &amp; Aeneas« which revolve around the fates of two female figures from ancient times. By way of her self-created choreographic opera Sasha Waltz has expanded the realm of music theatre, employing theatrical methods derived from dance to fashion a new mix of dance, song and music. Outstanding contemporary Japanese composer Toshio Hosokawa wrote the music to the reworked libretto of the Nô Theatre classic »Matsukaze«. Together with soloists Barbara Hannigan and Charlotte Hellekant extraordinary singers unite once more with dancers from Sasha Waltz &amp; Guests and the Vocalconsort Berlin on the opera stage.  Matsukaze: Barbara (Soprano) Murasame: Charlotte (Mezzosoprano) Monk: Frode Olsen (Bass) Fisherman: Kai-Uwe Fahnert (Bariton) Orchester: Kammermusikensemble des Théâtre Royal de la Monnaie Chor: Vocalconsort Berlin</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bartovanec, Jirí </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Justribó Manion, Lorena </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lamarca, Florencia </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lopez Gonzales, Elia </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matis, Sergiu </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moo Kim, Gyung </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Queliz, Sasa </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sakka, Mata </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shi, Xuan </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wada, Junko </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zhou, Niannian </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">436ec7e7-aec7-4a10-84bd-afa116b67051</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210630s2013    be 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jagden und Formen (Zustand 2008)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two distinguished companies, the Ensemble Modern and Sasha Waltz &amp; Guests, joined forces to work on Wolfgang Rihm's »Jagden und Formen« (Zustand 2008). This project ultimately succeeded in creating a unique combination of new music and contemporary dance, and in sensuously expressing the composer's deep affinity for dance. Following an encounter with the choreographer, Wolfgang Rihm reworked the score of »Jagden und Formen«, which has constantly gone through new phases since the mid-90s, into the current »Zustand 2008«. This formed the basis of an intensive dialogue between the companies, which is to be continued in the future. Rihm's complex, high-energy music, which appears to take on various physical forms and aggregate states and to describe basic physical conditions, finds its response in the choreography of the dancers and the musicians.</subfield><subfield code="b"> Orchestra: La Monnaie Symphony Orchestra  </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alpízar Aguilar, Liza </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bartovanec, Jirí</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ernesto, Edivaldo </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Galindez Cruz, Gabriel </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Graziadei, Renate </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mascia, Nicola </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sakka, Mata </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Yael </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d489925a-e89d-457e-8d28-8eb96d6abfe7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210630s2015    au 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Living Room</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Im Wohnzimmer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A look into the living room - How do shoes react when their owners do not move out of the chair?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gratzer, Alexander</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">808e09ad-40bf-4132-9409-cd6f65b7f245</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210630s2017    au 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">hu</subfield><subfield code="c">at</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Animateur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Animateur gives us a closer look at a small paradisiacal poolworld in the middle of an endless desert and raises the question: “What does an Animateur do, if there is nobody who wants to be animated?”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gratzer, Alexander</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">21da0030-eec6-47af-a15b-92b2e590a22d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210623s2007    gw 064        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Travelogue I – Twenty to Eight</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Humor, aggression and sensuality are important elements of my choreographic work. Use of concrete objects, sets, film editing techniques and the grotesque movements of the silent movies are major sources of inspiration in developing my movement vocabulary. The language is expressive and emotional, but still leaves space for abstraction. The simple events of daily life with comic turning points build the contrast to the dramatic and emotionally loaded parts. I concentrate on detail and the subtlety of gestures and action to create an intricate and rhythmic picture of our time. Cliché and stereotype transform the characters into caricatures of themselves. The music is a driving force in the creation of my pieces. For TRAVELOGUE the music is an original composition by Tristan Honsinger.</subfield><subfield code="b"> Starting point of »Travelogue I – Twenty to eight« is the kitchen. On this location, five people meet. The kitchen acts as a mirror in which rituals, habits and behaviour patterns can be observed and reflected as they truly are. Through these reflections a web of relationships is woven. The characters run around, neurotic and obsessive in their actions, lonely and lost, unable to find a way out ¬¬– prisoners of their own social structures.  I like to use real objects like a fridge, a telephone or a bed to challenge my choreographic research. This is a piece about us, our life, our way of living, about the banal activities and the simplicity of things. I want to show the beauty of ordinary objects, a beauty we no longer see. Our reality becomes a dream. This piece started with our passion for movies and their stars. We decided to become our own heroes, imperfect, ugly and as beautiful as we can possibly be. I was especially inspired by Luis Bunels / Salvador Dalis »Un Chien Andalou« and Jean-Luc Godard`s »A Bout de Souffle« (Breathless).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colusi, Maria Marta </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ernesto, Edivaldo </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kim, Mamajeang </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lamarca, Florencia </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">336dbac2-4b33-4694-b19e-de6a02cc2930</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210623s2017    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kreatur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Sasha Waltz' choreography »Kreatur«, dance is the result of tensions between creatures who share the same habitat. Collective experiences of turmoil, ecstasy and the seeking of shelter merge the dancers into one single creature, which breaks back again into separate fates, drifting into new conflicts and connections. States of power and powerlessness, dominance and weakness, community and isolation, sickness and desire all appear as facets within nature's iridescence. The struggling of these creatures with the chaos of their own impulses reflects the private and societal challenges of our present.</subfield><subfield code="b"> »Kreatur« is an interplay of artistic voices which share a decisively interdisciplinary approach. The sculptural, organic as well as technoid costumes were created by Iris van Herpen. The Dutch fashion designer is known throughout the world for her progressive work which combines traditional craft with digital technology. Urs Schönebaum designs lighting concepts for stagings at theatres and opera houses, art exhibitions, performances and installations worldwide, working with artists such as Marina Abramović, Robert Wilson and Michael Haneke. The musicians of Soundwalk Collective (Berlin/New York) create genre-dissolving sound compositions, using methods from the fields of anthropology, ethnography and psychogeography. Recently they were represented at documenta 14 in Athens/Kassel and collaborated with Patti Smith on the album »Killer Road«.  The filmic version of the choreography was filmed in December 2017 at the radialsystem in Berlin and received its first broadcast on arte/ZDF in the frame of the 25th anniversary of the dance company Sasha Waltz &amp; Guests in September 2018.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alpízar Aguilar, Liza </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bartovanec, Jirí </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Camplani, Davide </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deluy, Clémentine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grelat-Dupont, Peggy </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hwang, Hwanhee </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leso, Annapaola </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mascia, Nicola </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mercy, Thusnelda </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puodziunas, Virgis  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Randrianantenaina, Zaratiana </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Yael </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott-Gilbert, Corey </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Serpa Soares, Claudia </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a1d77bd2-087e-475e-a075-c4e6bfefc38b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210623s2019    gw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Impromptus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For the first time Sasha Waltz develops a dance piece based on the structure of a classical music composition. The music will be performed live onstage together with vocal accompaniment of four »Schubert-Lieder«. The dance like the music create in a subtle way emotional states between weightless floating and being off balance. Sasha Waltz researches in her work the existential questions of the human body with its vulnerability and beauty. Dance at its most riveting, at once unmasking, manipulating, and ultimately exalting in the innumerable aspects that make us human.</subfield><subfield code="b"> Song: Judith Simonis Piano: Cristina Marton</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colusi, Maria Marta </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mualem, Michal </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Queliz, Sasa </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Orlado </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Serpa Soares, Claudia </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shi, Xuan </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3f219348-dcb2-47c0-b08b-5381b535a2ee</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210623s1996    gw 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Allee der Kosmonauten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1996, the premiere of »Allee der Kosmonauten« was the very first production at the Sophiensaele. Since then, its choreographic approach has become legendary: the events of the piece center on the living room couch of a high-rise apartment in the Berlin suburb of Marzahn. Within this confined space, the feelings and movements of three generations of a Berlin family build up dangerously. The inhabitants bury their feelings in lethargy or abandon themselves to feedback loops caused by cramped living conditions. The choreographic encounter with this anxious space, crowded and colliding, triggers solutions at the limit of danceability. The lack of tenderness gives rise to uncomfortable comedy. Avenue of the Cosmonauts is one of a number of early Sasha Waltz projects which explore everyday worlds as spaces for dance interpretation. Created at the cusp of a new epoch, the piece recounts an era of living together without escape routes.</subfield><subfield code="b">In 1998 a filmic version of »Allee der Kosmonauten« was directed by Sasha Waltz for ARTE/ZDF, which in the year 2000 was awarded the Adolf-Grimme-Preis.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cusimano, Nadia </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunberry, Luc </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kruz Diaz de Garaio Esnaola, Juan </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mascia, Nicola </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suzuki, Takako </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Young, Laurie </subfield><subfield code="4">act</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">01704520-dbf8-461f-9150-9f4a0f2bb9ca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210616s2015    it 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Palio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With breathtaking cinematography, director Cosima Spender's enthralling documentary captures the intensity of world's oldest horse race. Not your average race: strategy, bribery and corruption play as much a part as the skill of the riders. Horses are allocated by lot four days prior to the race. This is when the madness truly begins. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spender, Cosima</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ac7011dd-218b-47b1-b8fc-251192141c90</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210616s2015    dk 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">af</subfield><subfield code="a">xxu</subfield><subfield code="c">dk</subfield><subfield code="c">af</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Motley’s Law</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film follows the extraordinary story of Kimberley Motley, an audacious, tough-as-nails African-American former beauty queen and mother who is the first and only Western litigation lawyer in Kabul, Afghanistan. As she vows to change the Afghan legal system and defend U.S. and European citizens amidst dangerous circumstances and threats of her own assassination, she must also struggle to balance the needs of her family and husband a world away in the U.S.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nielsen Horanyi, Nicole</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">abab3b30-ad3e-472e-b7f9-7b0c0ae96418</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210615s2015    is 125        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">heb</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="a">xxc</subfield><subfield code="c">il</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vita Activa : The Spirit of Hannah Arendt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hannah Arendt's life story interwined with her thoughts on the nature of evil, the plight of refugees and the menace of all ideologies. Her humanism and brilliant insights sound today more relevant than ever.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ushpiz, Ada</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b7af44cf-5d43-425e-9fca-710af40a2de9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210615s2015    ir 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">per</subfield><subfield code="j">slv</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ir</subfield><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">ir</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sonita</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sonita is an 18-year-old female, an undocumented Afghan illegal immigrant living in the poor surburbs of Tehran. She is a feisty, spirited young woman who fights to live the way she wants, as an artist, singer, and musician in spite of all her obstacles she confronts in Iran and her conservative patriarchal family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family. The price right now is about US $ 9.000.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaem Maghami, Rohsareh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">df1c9473-f225-4698-bbfb-0c3e85e00bca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210615s2015    ne 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Strange Love Affair With Ego</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Admiration for her sister Rowan's self-confidence leads filmmaker Ester Gould on a personal exploration of our narcissistic culture, with disconcerting results. A remarkable journey past four life stages and the fundamental need to be seen.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gould, Ester</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">08291084-6eac-4a49-a184-550c09b84745</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210611s2020    gw 045        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">JOHANNES BRAHMS: Symphony No. 3, F major op. 90</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">JOHANNES BRAHMS: Sinfonie Nr. 3 F-Dur op. 91</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">BERLIN CONCERT ORCHESTRA | CHRISTOPH ESCHENBACH Conductor</subfield><subfield code="b"> JOHANNES BRAHMS: Symphony No. 3 in F major op. 90 I. Allegro con brio 0:54 II. Andante 15:00 III. Poco allegretto 24:40 IV. Allegro – Un poco sostenuto 32:30  Recording from 28.02.2020 in the Great Hall of the Konzerthaus Berlin | Video: 3B production  During his debut season as principal conductor of the Konzerthausorchester Berlin, Christoph Eschenbach has conducted all of Johannes Brahms' symphonies. The second concert of the cycle on 28 February 2020 features the Symphony No. 3 from 1883.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">549651c3-2e48-4528-93eb-b3a9c31adf02</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210611s2019    gw 050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">JOHANNES BRAHMS: Symphony No. 1, C minor op.68</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">JOHANNES BRAHMS: Sinfonie Nr. 1 c-Moll op. 68</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">BERLIN CONCERT ORCHESTRA | CHRISTOPH ESCHENBACH Conductor</subfield><subfield code="b"> JOHANNES BRAHMS: Symphony No. 1 in C minor op. 68 I. Un poco sostenuto - Allegro II. Andante sostenuto 14:50 III. Un poco allegretto grazioso 24:30 IV. Adagio - Allegro non troppo, ma con brio 29:25  Recording from 28.11.2019 in the Great Hall of the Konzerthaus Berlin | Video: 3B production  During his debut season as principal conductor of the Konzerthausorchester Berlin, Christoph Eschenbach has conducted all of Johannes Brahms' symphonies. On 28.11.2019, the Symphony No. 1 from 1876 was performed in the Great Hall of the Konzerthaus Berlin.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e5dfbe1e-5cf0-4e83-966f-5345b12e6cb1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210610s2015    sp 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gabo: The Magic of Reality</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film is a story about the incredible power of human imagination, which follows the interwoven threads of Gabriel García Márquez's life and work - "Gabo" to all of Latin America - with the narrative tension of an investigation. How did a boy from a backward town on the Caribbean coast become a writer who won the hearts of millions, from the poorest to the most powerful political leaders, and whose works changed our perception of reality?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Webster, Justin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6830d4b0-9a89-450f-9a62-834ab3b23a4c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210610s2015    xxu082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ukr</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="a">un</subfield><subfield code="c">us</subfield><subfield code="c">ua</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Russian Woodpecker</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While researching a secret Soviet antenna at Chernobyl, which interrupted global radio communications from 1976 – 1989, Fedor Alexandrovich uncovers a dark conspiracy. The scientists and military men dismiss his warnings that Russia is behind a massive cover-up and he descends into a nightmare where he battles the antenna on his own terms. When he is invited to address the crowds in Kiev’s Revolution Square during height of the protests, he fears that powerful men may kill him if he speaks out.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gracia, Chad</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">79309ae4-089a-42a7-8d12-09671b0efc16</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210609s2015    xxk087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bolshoi Babylon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For the first time the Bolshoi Theatre allows a film crew full &amp; uncensored access backstage. After the traumatic events of January 2013 and the brutal attack on the ballet company's director, BOLSHOI BABYLON follows the dancers and managers through a new season as they try to repair the damage, and regain their status as the world's leading dance company.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Read, Nick</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">344a361a-a076-4f70-9cd5-d5b3fd2c3e02</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210608s2015    dk 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">au</subfield><subfield code="a">ie</subfield><subfield code="a">fi</subfield><subfield code="a">no</subfield><subfield code="c">dk</subfield><subfield code="c">at</subfield><subfield code="c">ie</subfield><subfield code="c">fi</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Visit – an Alien Encounter</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">THE VISIT is a documentary with comedy elements, and a philosophical exploration of our fear of strangers through the ultimate threat to our self-image: The discovery of Alien Intelligent Life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madsen, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2dfe1435-ce3f-48b0-adc3-59c0c1801663</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210608s2014    fr 105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">per</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">sz</subfield><subfield code="c">fr</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Iranian</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Iranien</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It took two years for Mehran Tamadon to persuade the four supporters of the Iranian regime to risk taking part in an experiment with him. Now he receives them as guests at his family's country house to try out something that does not exist in Iran: a pluralistic society. As the woman disappear into the guest rooms, the men discuss the advantages and disadvantages of a secular society, the veil, abortion, freedom of the press... </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tamadon, Mehran</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a50e6c69-e441-43b3-8648-46ae27c70df5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2020    gw 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">#GlobalOdeToJoy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">#GlobalOdeToJoy - The Konzerthausorchester Berlin is here with Beethoven's 9th Symphony!</subfield><subfield code="b"> When the sparks fly and the Konzerthausorchester Berlin lets all colours shine in Beethoven's 9th Symphony - with the video #GlobalOdeToJoy musicians stand for cohesion, solidarity and the joy of music.  For the musicians of the Konzerthausorchester Berlin, Beethoven's masterpiece prove the power of human emotions that can be shared universally, independent of cultural or social context, even in the 21st century and especially during the Corona crisis. </subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">526e4b98-fc95-43f7-9c57-1f9753a809ce</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Photoautomat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fe0614c6-ec76-4eee-940c-0a267316e6c8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Berliner Natur</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">12c4ca48-600f-4bc9-ace4-3e0097a175f4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Kreuzberg</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">72d85bcb-341a-4f0a-9633-9a79218af2fb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Berliner Handwerk</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3292f04e-5a58-4ebb-befa-c4ec5317e4e3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Christopher Street Day</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">af80ea56-4b0e-47bb-b4c6-b13a66983d5f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Zoo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">99ce5d79-f69e-4eb9-a222-84a01d7232d1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090315.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210603s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Rollkoffer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a3a5bf04-4d5f-405e-9e0d-432ea33ff3d3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210602s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - S-Bahn &amp; U-Bahn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ae51bee8-2fc8-41b3-94fd-0ff708e890f2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210602s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Spielplatz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f9e6bdbd-7c18-4115-a5d3-0bdd1df89ce7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210602s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Berliner Nachtleben</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5bd0f33c-e24b-403f-945e-d75452893828</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210602s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Tempelhofer Feld</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2c53bc3c-594c-4a32-bde1-35c59a5f896a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210601s2018    ja 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">BEING NATURAL</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">天然☆生活</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Since Jiro lost his wife, his heart is set on his pet turtle. Jiro’s son Noboru hates his father, school, and everything. One day in summer, Jiro’s missing brother Shintaro suddenly visits them with his fiancée. Shintaro forces Jiro to go on a trip together for their wedding ceremony. The journey of four people and a turtle goes reckless and crazy because of Shintaro. And another purpose of the journey gradually comes to light that is related to the death of Jiro’s wife.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kawase, Yohta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsuda, Kanji</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tanigawa, Shoichiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsuru, Tadahiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mieda, Natsuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nagayama, Tadashi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5902d5b2-018a-4db7-b5f0-229c3ee70d8a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210601s2017    ja 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Dark side of the light</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">ひかりをあててしぼる</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A severed hand is discovered along a Shibuya street. It belongs to a man living in a nearby luxury apartment and the prime suspect is his wife... Not long ago, Tomomi and Kohei recently met at a party, fell in love at first sight and began living together. But when Tomomi discovers Kohei lied to her about being a lawyer, her initial elation disappears. Her heated reaction ignites a latent impulse in Kohei, and his violence toward her begins.…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hatachiya, Megumi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oshinari, Shugo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nagayama, Takashi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sakurai, Yuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sakamaki, Ryota</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2f1bcef7-f029-492a-8bbc-1b50c935c8e0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210528s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Trabi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b94d94c0-8046-48b8-a55a-70a50f47cf8c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210528s2017    gw 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Klangberlins - Currywurst</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konzerthausorchester Berlin pays tribute to their city of Berlin. </subfield><subfield code="b">  Listen to the sizzling of the famous Berlin Currywurst, the snorting hippo in the Berlin zoo or the sound of Christopher Street Day as you have never before. 13 Videos in total capture key moments of the city and show how the orchestra imitates characteristic sounds of Berlin in a surprising and humorous way.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7af9e42e-6b12-416e-ab4b-c9fdbaf509f7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210526s2014    ja 117        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Sanchu Uprising: Voices at Dawn</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">新しき民</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The year is 1726. In Sanchu, located in Okayama Prefecture, Jihei is living quietly with his wife Tami, who is expecting a baby soon. One day, Tami's elder brother Shinroku says that the village farmers are planning on negotiating with the domain to exempt various taxes, and asks Jihei to take part in it. Jihei reluctantly participates. Confronted by countless farmers and fearing that the situation will get out of hand, the domain accepts the farmers' requests except for the exemption of mountain taxes. The mountain folks including wood workers and iron workers are furious with the result and they attack storehouses to steal rice. The domain quickly tries to suppress them, but the farmers decide to assemble and stand up once again to confront the domain. Unfortunately, the farmers are defeated by the domain's overwhelming power. After witnessing the beheading of the farmers that are captivated, Jihei faces his conflicted feelings of what he should do…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nakagaki, Naohisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kajiwara, Kano</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Honda, Shoichi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yamasaki, Juichiro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">42ca2133-72be-4f7b-a7dc-ec9604645d87</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210526s2017    ja 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">SAYOUNARA</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">左様なら</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">High school student Yuki’s peaceful life in a sleepy coastal town is rocked when her best friend Aya commits suicide. As friends since junior high, this unexpected event plunges Yuki into self-doubt about her life and the people around her. Her classmates respond in different ways, with Yuki becoming the target of derision for some of them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Imou, Haruka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Inori, Kirara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirai, Amon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hidaka, Nanami</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Natsume, Shino</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ishibashi, Yuho</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">810753e0-2712-4ceb-aff9-f50f7def8c76</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210526s2018    ja 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Nikaido’s Fall</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">二階堂家物語</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After losing his son, Tatsuya is anguished by the danger of his ancient family line coming to an end. His mother Haru urges him to embark on a loveless second marriage, and meanwhile he secretly hopes that his daughter Yuko will marry a husband willing to adopt the Nikaido name and follow in his footsteps.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kato, Masaya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ishibashi, Shizuka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Machida, Keita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shirakawa, Kazuko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Panahandeh, Ida</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">57528e96-0cb6-43de-b9fb-4c8113f53b60</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210526s2014    sp 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Paco de lucia. A Journey</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Paco de Lucía: la búsqueda</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A lively chronicle of the career of the brilliant Andalusian guitarist Paco de Lucía, who died suddenly in February 2014 at the age of 66. He conquered the world by pushing the boundaries of traditiona flamenco. This film covers 60 years of musical exploration, and personal development - all the way from the first time the penniless young Paco picked up a guitar in his birth city of Algeciras to the creation of his final album Canción Andaluza. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Varela, Francisco Sanchez</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">88bf3297-f35e-413b-ad1f-a9e4ad95bf3d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210521s2018    sy 120        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sy</subfield><subfield code="a">le</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">qa</subfield><subfield code="c">sy</subfield><subfield code="c">lb</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">qa</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Still Recording</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Saeed is a young cinema passionate trying to teach other young people in Eastern Ghouta in Syria the rules of filming, but the reality they face is much more harsh to respect any rule. His friend Milad is on the other side of the fence, in Damascus, under the control of the regime finishing his studies in Fine Arts. At one point, Milad decides to leave the capital and joins Saeed in under sieged Douma where they set up a local radio station and a recording studio. 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While the out- side world is made up of bombings and chaos, the family is managing to keep their home as a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsilyk, Iryna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">35b1d519-07c6-40f0-bec4-f3884e4745ba</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210521s2013    au 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">fr</subfield><subfield code="c">at</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cern</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The research centre CERN as a self-contained, independent zone - a parallel universe so to speak. Here the big bang scenario is recreated, searching for the smallest particle. Nikolaus Geyrhalter's documentary gives an impression of the huge infrastructure which makes an institution like CERN possible. For this Nikolaus Geyrhalter is searching for moments of tension between man and technology. He observes how insight is made, how knowledge originates.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geyrhalter, Nikolaus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e8d42d33-ea53-48db-9050-0d9f9d47824c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210520s2014    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Pepe Mujica - Lessons from the Flowerbed</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pepe Mujica – Lektionen eines Erdklumpens</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The nearly 80-year-old José “Pepe” Mujica is known as the poorest president on earth: he gives away 70 percent of his income. In the 1970s, he fought as a guerrilla against the dictatorial regime in Uruguay, and he has been the charismatic president of this South American country since 2010. Lessons from the Flowerbed followsMujica and his wife for several years. Interviews with the president are interwoven with archive footage and scenes from everyday political life, in which he is fighting for the legalization of marijuana among other things. The documentary is Heidi Specogna’s follow-up to Tupamaros (co-directed with Rainer Hofmann), about the guerrilla movement in which Mujica fought against poverty without shunning the use of violence. Mujica has put down his weapons long since, and his main weapon now is the spoken word. This is evident from the speeches in which he entrances his audience every time. But how do his grand ideals compare to the unruly political reality? Sitting in his chair in the garden of his small farm, Mujica looks at ease as he explains how capitalism is rooted in our culture and causes us to lose sight of the human dimension. Much less pleasant is when he is in his vast office in Montevideo, where he looks a lot wearier.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Specogna, Heidi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">80fcdfab-57e9-49e9-a3fb-3a40087e9f3e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210520s2018    xxu098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">RBG</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the age of 85, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a lengthy legal legacy while becoming an unexpected pop culture icon. But the unique personal journey of her rise to the nation’s highest court has been largely unknown, even to some of her biggest fans – until now. RBG explores her life and career.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cohen, Julie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">West, Betsy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ae117d62-f97d-4b18-9fd6-d157ad609de8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210520s2016    dk 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">no</subfield><subfield code="c">dk</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Venus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two female directors in their thirties, start an investigation based on their own sexual frustrations to understand desire from a female point of view. As an excuse to get more answers, they decide to make a film based on real women’s erotic memories and reflections. They send out a casting call and over 100 ordinary Copenhagen women reply. As the shootings progress it dawns on the Filmmakers that what was just meant to be a casting, instead becomes an overwhelming shared experience of intimacy. The casting couch is turned into an exploration space for the young women to share their true desires, fantasies and reflections on their experiences with sex, shame, lust and pleasure. The film gives a rare look into the secret language of young female sexuality.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Glob, Lea</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Albrechtsen, Mette Carla</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e3574d06-049e-4de5-8f04-de3770e869e0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210519s2019    ne 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">That Pärt Feeling</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Arvo Pärt is the most performed living composer in the world and known for his minimalistic style that employs his self-invented compositional technique: tintinnabuli. It is this harmonious, spiritual and minimalistic approach to music that forms the basis of That Pärt Feeling – a feeling of wholeness, beauty and essence of being, embraced by millions of persons all around the world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hegeman, Paul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">834de028-9eb1-4666-9379-90566ec29bc0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210519s2018    sw 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="a">dk</subfield><subfield code="a">xxu</subfield><subfield code="a">gw</subfield><subfield code="c">se</subfield><subfield code="c">dk</subfield><subfield code="c">us</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Raft</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Flotten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 1973, five men and six women drifted across the Atlantic on a raft as part of a scientific experiment studying the sociology of violence, aggression and sexual attraction in human behavior. Although the project became known in the press as ‘The Sex Raft’, nobody expected what ultimately took place on that three month journey. More than forty years later, the surviving members of ‘The Acali Expedition’ reunite in a film studio.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindeen, Marcus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">40de74f7-c777-4959-927a-5af1b3cb9d97</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210519s2018    au 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">srp</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">The Waldheim Waltz</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Waldheims Walzer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film shows the tangled web that former UN Secretary General Kurt Waldheim became ensnared in by concealing two years of his wartime biography. It shows the swift succession of new allegations by the World Jewish Congress against him, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election. THE WALDHEIM WALTZ is a film about truth and lies or “alternative facts”. About individual and collective consciousness.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beckermann, Ruth</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">028182a8-2ffa-446d-b8a7-f9fd96aceff1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210519s2017    pl 047        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="h">ger</subfield><subfield code="j">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Ugliest Car</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Najbrzydszy Samochód Świata</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, who is inside it with his mother Kazimiera. This road movie which takes place between the German Nazi concentration camp of Majdanek, in occupied Poland, and a former Nazi labor factory in Germany is actually a journey into the past, retracing the memories from the war.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Szczepaniak, Grzegorz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">689cb596-0299-4b9f-86b8-7f2c9f4c0630</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210519s2017    xxk088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">xxc</subfield><subfield code="c">gb</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tokyo Idols</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Girl bands and their pop music permeate every moment of Japanese life. Following an aspiring pop singer and her fans, Tokyo Idols explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Miyake, Kyoko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">639c4a7e-8b6b-480c-b21d-7ef52eddbb99</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210518s2016    er 057        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="h">lit</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="a">li</subfield><subfield code="c">ee</subfield><subfield code="c">lt</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Woman and the Glacier</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Moteris ir Ledynas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kazakhstan. The Tian Shan mountains. The Tuiuksu glacier. And a Lithuanian scientist who’s been living at 3,500 metres of altitude for 30 years with no contact with the civilized world. A whole life dedicated to studying and capturing our planet’s evolution. Only a loyal, mischievous dog and a docile, playful cat for company. The film director Audrius Stonys captures the vibration of an inhospitable environment with images that hold a supernatural power. The slow contemplation of the landscape with barely any dialogue is interspersed with archive material of the glacier which distorts the space-time perception. A poetic story about a solitary woman and an eternal glacier.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stonys, Audrius</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84f8d286-b081-49fa-b5c9-3bfd9a81781b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210518s2016    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">mon</subfield><subfield code="j">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">pl</subfield><subfield code="c">de</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zud</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On the frozen steppe of Mongolia people's lives are at the mercy of the seasons and unexpected events, while nature dictates the rules of their nomadic lifestyles. After winter kills hoards of his parents' livestock, 11-year-old Sukhbat has to leave school, move back home and support the family. When given the responsibility by his father to tame a wild horse in a bid to win a regional race, he has to face a life ruled by unforgiving nature and tradition. No one remains unscathed after being confronted by the power of the steppe.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Minorowicz, Marta</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4194d7bc-9265-44ed-9459-6d3c5d498ae0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210513s2017    ir 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">per</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ir</subfield><subfield code="a">it</subfield><subfield code="c">ir</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Gaze</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Negah</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On her way back from work a woman witnesses something happening in the bus and she has to decide if she reveals it or not.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samadi, Farnoosh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">391f6ec2-1acc-42a4-928c-b8f1334970a6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2016    rm 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rum</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rm</subfield><subfield code="c">ro</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Written/Unwritten</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Scris/Nescris</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Outside a maternity ward, a Roma family is announced their underage daughter has just had a baby girl. Her father Pardica doesn’t seem to celebrate the moment; he is very displeased with this early pregnancy, for which he blames his wife. However, things become even tenser when a hospital employee asks them to sign some papers and discovers issues related to their IDs and their status as parents of the underage new mother. The imminent danger of state authorities separating them from their daughter determines Pardica to take action.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Silisteanu, Adrian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">074857bc-4795-4795-9f86-5e257919eac4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2019    gw 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Widerstand</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A family discussion on Christmas can only be brought to an end by extreme measures.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hujawa, Benjamin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2bcd080a-4326-496f-84ca-f42c91892a09</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2016    au 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Waiting Time</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wartezeit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Anna is on her way home; waiting for the last bus. But someone’s waiting with her. The streets are quiet. Too quiet. Her heart is beating fast.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stern, Clara</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d3e1eca5-1faf-4bc9-ba9f-aa3ac1a8c4b5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2016    no 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Tunnel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tunnelen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“The Tunnel” is a science-fiction film taking place in an overpopulated future where we follow a small family in heavy traffic on their way back home from the beach. Between them and their gigantic home city there is a tunnel with a horrifying purpose.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Øvredal, André</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">16624495-e39e-416f-9e9f-5230d6a9cb54</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2018    sw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Swêdî</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A customer is at the grocery store to buy sanitary pads but the clerk won’t leave her alone.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chamoun, Sosi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2905974f-10b3-49cc-9a8a-3b82c1cae97e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2018    fi 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Super Comfort</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Taina is overjoyed preparing the weekend visit of her son Eetu and his girlfriend. But the more Taina tries to entertain everyone, the less comfortable they feel. A tragicomic take on how familly life can be ever so lonely.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Saari, Kirsikka</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">eb86f07f-0f75-4323-9179-0d6a69aec20a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2018    ne 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sisters</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">SISTERS tells the tale of three sisters growing up in a dysfunctional family. A family without a mother. Sarah, Vera and Julia are at each others mercy and survive as long as they are together. With their movements and imagination they make their world bigger, beautiful and bearable. They play, tickle each other and sometimes exclude one another, but one thing is certain: their connection is stronger than diamond. But are the connection and the magic of their movements strong enough to overcome the reality of their existance?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lucker, Daphne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ea5dcf20-94f7-410d-867f-126b4b04aa93</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2018    be 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Simon Cries</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Simon pleure</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Following a breakup, Simon's sadness is so big it overflows. It overflows his whole body.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guataquira Sarmiento, Sergio</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fae6c180-ce68-4205-915e-cddf27334108</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090316.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2019    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Revolvo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Anette (55) and Carla (70) have known each other for years. Their rebellious nature and their special sense of humour connects the two self-confident women. They have always been swimming against tide and even today they are still committed to their values. In the 1980s they fought loud and visible as radical feminists. Years have passed and since society has only changed in slow motion, Carla and Anette decided to modify their strategies by using their criminal energy with a breeze of fun and rage. Today’s shift to the right and that society pushes them to the edge not only as women but also because of their age does not stop them. Undaunted they are using their supposed invisibility to do what many would not dare to do.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fabritz, Francy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">12b41416-f02a-45b1-8543-eedb61220651</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210512s2017    no 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ready to assemble</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With their living room table inexplicably broken, Rune and Pernille meet bigger ordeals than they ever would have imagined while looking for a new one at IKEA. Is this really how a relationship works, or are they the subject of a conspiracy?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thorvaldsen, Astrid</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paulsen, Erik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fa88f85-0a74-4f00-9009-52f5d92aa0d2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2017    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">PIX</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Baby pictures, Christmas snapshots, holiday pictures, wedding photographs - our life is an endless sequence of photogenic memories.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Linnenbaum, Sophie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6fb9f8e2-2117-452c-90b5-f7107b05494a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2008    gw 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Paraplü</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three men in the rain. Which of them will get wet?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kempken, Markus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f05e1e7f-70fd-4c7b-9fc6-a836a586c700</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2016    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Our Wonderful Nature - The Common Chameleon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A brief moment in the life of the common chameleon.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eshed, Tomer</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">91af3eeb-5135-48ac-9274-0474a54ed04f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2008    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">One Minute Fly</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As the name implies, the one minute fly has got a very limited lifespan. It wants to experience everything that makes life worth living in one minute.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reichert, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">82e4449a-4af8-4d3d-9090-3d4db53066e4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2018    fr 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Name of the Son</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le nom du fils</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tina and Fred, a middle-aged couple seem desperate in their search for a boy's name. For who? Why? A humorous and thoughtful look on a social issue.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Delva, Louis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dd5ee99b-ea69-4c8a-94b8-2db32f86384f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2014    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hrv</subfield><subfield code="h">ita</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tito’s Glasses</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Titos Brille</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Adriana Altaras is a director, actress and writer. And she is from a country which no longer exists: Yugoslavia. The daughter of Jewish partisans who fought for Tito and later started a new life in post-war Germany, in this lovely film she tells the story of her "high maintenance family." Adriana's domestic situation appears unusual at first glance, but can be seen as typical of the generation born after the war. 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Behind the wheel is Nelly. She is thirteen years old. Nelly wants to go home. Separating her from her goal are three questions, two keys, a diving tower and a racing heart.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Raiber, Chris</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fb7dad6b-30f3-4b47-85a7-f0f6baaaa74b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210511s2018    gw 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mascarpone</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Francis, the dreamy film projectionist, accidentally crashes into the limousine of gangster boss Mascarpone. Suddenly he finds himself in a mobster film. Francis' dog Farfalle is taken hostage by Mascarpone’s gang and Francis is being forced to stand guard at their next bank robbery. When the coup fails he has to rescue his dog and conquer the heart of the film diva Vivien.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Riemer, Jonas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">59e58d3d-e055-4bc5-a960-405b87664282</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2014    gw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lure</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A casual encounter of a small fat boy and an wheelchair-bound old woman, both isolated in their own way. Finally a small dog brings the two of them together. The beginning of a wonderful friendship or rather the trigger for a conflict?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Luitz, Linda</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Winter, Wunna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aa86b5cd-be64-435c-a5fb-9a0fdcc31ebf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2010    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Love &amp; Theft</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„And I'm still carrying the gift you gave, / It's a part of me now, it's been cherished and saved, / It'll be with me unto the grave / And then unto eternity." / (Bob Dylan)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hykade, Andreas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">03696c97-7ede-4264-b699-05dfe6cdacca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2015    ne 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lockbuster</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Trapped in an office storage room, an employee develops unexpected powers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Elbers, Jonathan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">457529a9-c5b4-4610-adff-75dc01e1572c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2017    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kleptomami</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lucy is tired of being the perfect mother. She is seething on the inside. When a department store security guard searches her stroller he finds more than he could ever have imagined. A film about the absurdities of today’s mummyhood.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beck, Pola</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6c4b0aac-43c8-460f-8403-20e4589c2040</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2013    fi 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kakara</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A guy drags his girlfriend to hospital for abortion. A brat is last thing needed right now. But sitting in a waiting room can change your mind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yläkäs, Kimmo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">157d790c-5621-4456-a651-f03b81c921fd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210507s2019    gw 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">I Want</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ich will</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„I Want“ wants loud colours, rainbow music and a cheeky poem. You can't always get what you want, but this film can.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Isensee, Anne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">03e00939-514b-499c-b98d-9e01f83e23a8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210506s2019    nz 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">nz</subfield><subfield code="c">nz</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hinekura</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Aotearoa: 1600’s when Hine gets her first menstruation, she is sent on a journey to undergo a sacred ritual guiding her from child to woman and warrior. Accompanied by other women, of her community. However Hine isn’t quite ready to let her childhood go… Hinekura is an empowering adventure about menstruation, coming-of-age and womanhood.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arahanga, Becs</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">14082d71-c756-4d4e-9590-5d791a536dab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210506s2018    ag 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Héroes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Glory is at our fingertips!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zaramella, Juan Pablo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7cca9cf-3a0a-400f-a3fc-1f85c9b127a0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210506s2019    au 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Guy proposes to his girlfriend on a mountain</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">One shot - one chance. Daniel proposes to his girlfriend on their skiing holiday and asks his friend to capture the best day of their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wenger, Bernhard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e268b7b5-5e0c-4f53-b762-752af694aa0f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210506s2018    sw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Get Ready With Me</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Aspiring youtuber Vendela decides to get up infront of her high school class and show a disturbing video that disrupts the lesson and causes her teacher Lukas to fear for her life. A refreshingly unpredictable thriller about generational power struggles that combines grim satire with the current urgencies of teen angst, social media and fame.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Etzler, Jonatan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">651b8693-5c47-486e-9e8e-2cc7d89d4120</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2006    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Free-Range Eggs</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Freilandeier</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">One morning, two eggs meet on the breakfast table. Romance seems inevitable until they suddenly realize that they are in danger.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faigle, Daniel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7af4f7a2-3157-43ab-a356-2c51a227817a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2001    xxu004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fetch</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man loses perspective while playing with his dog.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paley, Nina</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8559070c-e836-42b2-88c6-7f6eb4c038fc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2018    au 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">gw</subfield><subfield code="a">sw</subfield><subfield code="c">at</subfield><subfield code="c">de</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Excuse Me, I'm Looking for the Ping-Pong Room and My Girlfriend</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Entschuldigung, ich suche den Tischtennisraum und meine Freundin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A film about a couple on a wellness trip, where one partner disappears and the other isn't sure whether he's looking for her or himself. Within the bizarre world of the alpine wellness resort, Aron begins a new chapter in his life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wenger, Bernhard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">28ea4b20-3642-48d6-8bfa-4425ace4efbb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2017    xxk002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Enough</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Moment of lost self-control. The stressed inhabitants of a city have had enough and start acting on their dark impulses.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mantzaris, Anna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0689af09-7440-45a4-a646-a635caaa6946</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2018    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Emma and the Fury</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Emma und die Wut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Young and pretty Emma is sentenced to anger management therapy after having thrown a toaster at her ex boyfriend and broken his nose. During the course of one day, her fate and her temper will be challenged several times. Will she be able to control her anger or will she lose everything? Emma and the Fury is a female  gangster movie with a good dose of black humor.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mishto, Elisa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bacb7739-2f0a-46f0-935a-ffb55ed00253</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2018    ck 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="a">gw</subfield><subfield code="c">co</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Darío</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Darío, a 17-year-old boy from Barranquilla, Colombia has a passion for dance. He loves his Carnival has to keep it a secret from his mother, who is afraid that he won't grow up to be a „real man“. Instead him to spend the day working in his uncle's shop. Will he be able to dance in the Carnival parade?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinzer, Manuel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trujillo Gil, Jorge A.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0797a964-a8d0-4150-80e1-93d77ab82118</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2013    xxk009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cupid Wears a Balaclava</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An urgent shopping trip soon turns into a life-threatening situation for Josh as he discovers true love in unlikely circumstances. Acute observations on attraction cross with brash humour in the journey to realising that 'Cupid Wears a Balaclava'.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maynard, Paul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">10d37bd8-a5f9-45bb-bcf0-1284eff9f448</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2017    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">is</subfield><subfield code="c">de</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Compartments</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Netta is a young Israeli woman who wishes to move to Berlin, out of all places. Netta's father, the son of Holocaust survivors, is horrified by her decision.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koffler, Daniella</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seis, Uli</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9683d401-f796-45ce-a9e3-aed005da3c62</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2018    sp 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cocodrilo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After her husband leaves, Alicia settles into watch a live stream on her favourite youtube channel: VictorGaming. A role-playing video games channel. Victor, is answering questions from his fans. Alicia has an important contribution to make to the chat.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yúdice, Jorge</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8de496db-ffaf-42d2-8bc3-68534f2ec629</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090317.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2017    mo 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mo</subfield><subfield code="a">rb</subfield><subfield code="c">me</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bon Voyage</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sretan Put</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Bosnia &amp; Herzegovina, 20 years after the war. Priest Mihailo and imam Hamdia meet each other during a bus drive along their deserted home region. Nobody wants to be the first to speak.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Galic, Sinisa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6f1ce69e-18e2-4d2e-a589-7f51c8fe66bb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210505s2019    xxu015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Black Hat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A seemingly pious Hasidic man living a secret double life misplaces his black hat one night which causes his two separate lives to collide in a way he never imagined.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, Sarah</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b93efc18-2a14-4e0e-a979-79a386783a38</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210504s2017    gw 029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Peculiar Abilities of Mr Mahler</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die besonderen Fähigkeiten des Herrn Mahler</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">East Germany, 1987: The special investigator Mahler is said to have paranormal abilities. The police assigns him to solve the case of the 6-year-old Henry Kiefer, who is missing for weeks now, before this issue leads to political tensions with the West. But then he brings something to light that makes this family tragedy especially political...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Philipp, Paul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7727b03-810d-4b19-8831-9b8ffabc6740</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210504s2018    sw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bermuda</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jonna, a young waitress, is compelled by her boss to “make small talk” with the only customer of the day. A conversation that rapidly develops from harmless to something absurd and potentially life changing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Warolin, Erik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3efe0b43-743f-435b-be57-3d970e7b9f04</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210504s2015    au 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Exit Right</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ausstieg rechts</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Look away or intervene? When a black man is victim of unfounded, racial abuse in a packed bus, there is only one passenger who won’t ignore the situation like everyone else.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wenger, Bernhard</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Höller, Rupert</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8ac553b3-b0db-416c-a8e7-ba1f2f2db291</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210504s2019    au 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Applesauce</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Apfelmus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Applesauce gives insight into the vibrant country life and and about one question, that could not be more pressing: What is the best way to prepare Applesauce? </subfield><subfield code="b">An existantialist discourse, provoked between under the disguise of birds, highly unmotivated guards and odd couple of cave polar bears.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gratzer, Alexander</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9b0e5af7-b3de-438d-990d-e4ab508557d3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210504s2009    po 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">3x3</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A night watchman plays basketball all night, perfecting his game. While the young cleaner on night duty is unable to keep up with him, he doesn't give up that easily.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rocha, Nuno</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">083c137e-bda8-4c6e-acba-5eaf5b505dd0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210429s2020    gw 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nollywood</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„The second largest film industry in the world“ (UNESCO) is called Nollywood and is based in Lagos, Nigeria. The success story of the eccentric dream factory is also shaped by a German tech-investor.The opportunities in the burgeoning industry attract diverse characters. Director Abba Makama sees the moment for an intellectual cinematic movement, a sort of Nigerian New Wave. Bastian Gotter, a young investor from Berlin, tells how he and his Nigerian partner – almost by accident succeeded in founding the largest streaming service in Africa. Popcorn cinema producer Don Omope also wants to make use of the positive spirit: „We are here to become the Nigerian Tarantinos and Steven Spielbergs.“</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Preuss, Johannes</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">94aed797-3758-4d41-b2fe-64fbb48b1cef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210428s2013    gw 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">No Lullaby</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nirgendland</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">From early on, TINA (57) was inculcated that nothing which happens at home in a well-off family is carried outside. So, she suffers the torture, keeps silent as her own father abuses her throughout her childhood, buries this part of her life deep down in her unconscious. She buries it so deep that she cannot read the desperate signals her daughter FLOH sends out when she suffers the same ordeal by the same culprit. After many years of silence, Tina and Floh gather their courage and strength to break the vicious circle: they go to the police. But all help seems to come too late – Tina watches helplessly as her desperate daughter’s will to live gradually fades away.</subfield><subfield code="b"> Tina and Floh take us on a journey into the depth of an unbearable trauma, where nothing is as it should be. Trapped in the structures of a destructive family, with no help from the outside world, a mother and a daughter embrace the fight to break the ice under which a whole society has gone indifferent and mute.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Simon, Helen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a1a8df79-4fc9-480f-b61d-4e972dcead48</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210427s2019    ke 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lusala</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lusala, a young man rescued from his abusive upcountry home, moves in with an affluent Nairobi family. Years later, when he comes of age, he is imposed upon to leave the nest and start out life on his own. Eager and acquiescent at first, he makes the most of his new life, until the demons from his past return, and he is forced to face them alone.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogola, Brian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mwatela, Mkamzee</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oyugi, Alan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wangari, Alyce</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waweru, Stycie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nthiga, Mugambi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3996f02a-68a7-40ae-bd2b-2eac254f9d92</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210427s2017    sq 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sq</subfield><subfield code="c">sz</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Liyana</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A Swazi girl embarks on a dangerous quest to rescue her young twin brothers. This animated African tale is born in the imaginations of five orphaned children in Swaziland who collaborate to tell a story of perseverance drawn from their darkest memories and brightest dreams. Their fictional character’s journey is interwoven with poetic and observational documentary scenes to create a genre-defying celebration of collective storytelling.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kopp, Aaron</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kopp, Amanda</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8ac5bff4-1c1c-4004-ae2c-de0879829441</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210427s2013    ci 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">dk</subfield><subfield code="a">sw</subfield><subfield code="c">hr</subfield><subfield code="c">dk</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Itsi Bitsi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Denmark 1962. A young generation rebels against the establishment. Peace activist Eik Skaløe meets Iben and falls head over heels in love. But the latter refuses to commit himself to a single man.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindhardt, Thure</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rapace, Ola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Phillipson, Caspar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madueño, Natalie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madsen, Ole Christian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ace678d4-8797-4913-95aa-0643bed36e2b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210422s2018    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">swa</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">In Search...</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A journey to womanhood... As a young girl growing up in a rural village in Kenya, Beryl thought that all women in the world have to be "circumcised" by going through Female Genital Mutilation/Cutting (FGM/C) at a young age; therefore she went through the ritual at attender age as a rite of passage. Little did she know about the effects of FGM/C. Many years later she learns about a rather new reconstructive surgery that promises to give back what was lost once. In her author-driven documentary "In Search…” she explores the emotional dilemma by talking to other women who went through similar experiences. Beryl is trying to find out whether she should undergo this surgery, a journey into the unknown for a second time: "Will I be making another terrible mistake?” or “Am I ready to face my trauma?" are the questions that drive this authentic and emotionally quest into the very self of a young woman.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Magoko, Beryl</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6c1a2e29-ce34-43e9-a5ba-43a62d2e4b74</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210422s2018    be 045        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">lin</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">cg</subfield><subfield code="c">be</subfield><subfield code="c">cd</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lobi Kuna</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Photographer Mekhar Kiyoso is in the Africa Museum for a shoot. His gaze is soon unsettled as he views through his lens the macabre museum as a mausoleum of his cultural heritage. As he’s being possessed by the artefacts, he remembers being alienated from them. Lobi Kuna (which in Lingala means the day after tomorrow as well as the day before yesterday) tells the story of his appropriation of the past in order to project himself into a future, and this while the Royal Museum for Central Africa in Tervuren undergoes a metamorphosis through its renovations. In speaking about the relation of Mekhar to the museum, Lobi Kuna speaks about the relation of the African diaspora to Europe and its role for Africa. It speaks about the confines of Europe and the difficulties of decolonization.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">De Groof, Matthias</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/lobi-kuna/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">64a99924-ff3c-430a-9991-12d06a731788</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210422s2017    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">som</subfield><subfield code="h">ger</subfield><subfield code="h">ita</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Global Family</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yasmin has lived an almost normal life as a German ever since she was three years old. The family fled from Somalia during the civil war and now lives scattered around the globe. When Yasmin’s grandmother no longer wants to stay in her Ethiopian exile, a transnational family drama evolves, circling around the essential question: Where is Granny to live? And suddenly, the family confronts their own aspirations: Have they actually arrived where they want to be? GLOBAL FAMILY is a twistful documentary about a transnational family drama, in which four generations of a refugee family each pursue their own dreams of family, home, and future.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Köhler, Andreas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0d1ce45c-93b8-47cd-9749-e83f2354787b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210420s1985    gw 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">My Wife in 5</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Between Broadway act, classical music and operetta – cinema never came that close to the good old mixtape!</subfield><subfield code="b"> In MY WIFE IN FIVE, Schlingensief composes tracks and takes to a shimmering cinematic music piece. The playlist changes constantly between the styles, as if this record had a jump – Irving Berlin's This Is The Army, Mr. Jones, an Ave Maria Variation and Jacques Offenbach's world-famous Infernal Galop can be heard. Equally to the music the pictures also have scratches.  The music film MY WIFE IN FIVE was created during a sound seminar by Christoph Schlingensief with students of the Hochschule für Gestaltung Offenbach.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5ea99b30-a21f-4f90-95d4-53200b45566f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210420s1983    gw 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">What happened to Magdalena Jung?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">MAGDALENA JUNG can fly and does so without much ado. All attempts to find out how, all imitations are doomed to failure. Film cannot and indeed should no longer be regarded as an reproduction of reality or a single idea. Film is autonomous (and multivalent)! Its principle rule is to act without rules. WHAT HAPPENED TO MAGDALENA JUNG deals playfully with the illusory power of cinema, with „film as a wonder thing“.</subfield><subfield code="b"> Along with PHANTASUS MUST CHANGE and TUNGUSKA – THE CRATES ARE HERE, the film is part of the “Trilogy on Film Criticism”.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ullrich, Charlotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Färber, Rudolf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colli, Mathias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Redinger, Detlev</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wolfs, Martina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fischer, Irene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Towet, Christa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Möllers, Doris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hein, Nikolaus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geige, Heinz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">92236445-2c88-4334-9fce-6160b63dc5e1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210420s1983    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Phantasus Must Change</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Phantasus muss anders werden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">There have always been attempts to block our view, to make people think that the way is free, the way is clear, but only as far as we want. There has always been a cry for awakening and change – NOW EVERYTHING IS GOING TO BE DIFFERENT!</subfield><subfield code="b"> PHANTASUS MUST CHANGE is the first part of the “Trilogy on Film Criticism”, which also includes WHAT HAPPENED TO MAGDALENA YOUNG? and TUNGUSKA – THE CRATES ARE HERE. The trilogy is Schlingensief’s personal settling of accounts with the New German Film and the attempt to make a new beginning.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Profi, Augustin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fischer, Irene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Towet, Christa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Opacki, Karl Heinz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hein, Nikolaus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Holletschek, Familie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a7cce842-fe0a-4004-a02f-7761bd44ceed</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1997    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">swe</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield><subfield code="j">ita</subfield><subfield code="j">nor</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">por</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The 120 Days of Bottrop</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Die 120 Tage von Bottrop</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The survivors of the Fassbinder family meet on Potsdamer Platz to shoot the last New German Film – a remake of Pasolini’s “The 120 Days of Sodom”. Chaos ensues: director Schlingensief is degraded to set manager and replaced by Sönke Buckmann, who has just received the German Film Award. Film as a nightmare – or vice versa.</subfield><subfield code="b"> “The 120 Days of Bottrop”, is a homage and farewell to Fassbinder – and a hard knock on German film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carstensen, Margit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hermann, Irm</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spengler, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wuttke, Martin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rois, Sophie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5b72c010-17f7-47be-8c3d-dcfcdcdb4445</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1990    gw 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The German Chainsaw Massacre</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Das deutsche Kettensägenmassaker</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The news of the fall of the Wall awakens the uninhibited bloodlust of a West German butcher family. In a neglected hotel kitchen they slaughter citizens of the former GDR; German reunification as a blood-drenched, cannibalistic act of the West incorporating the East.</subfield><subfield code="b"> THE GERMAN CHAINSAW MASSACRE is the second part of Schlingensief’s GERMANY TRILOGY, which also includes 100 YEARS OF ADOLF HITLER (1989) and TERROR 2000 (1992).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fallenstein, Karina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bredehöft, Susanne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Albrecht, Artur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spengler, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kausch-Kuhlbrodt, Brigitte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuhlbrodt, Dietrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Reinald</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hermann, Irm</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kurz, Eva-Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Raguschke, Ingrid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiedemann, Mike</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koehler, Renate</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bertzky, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">von Berswordt-Wallrabe, Irmgard Freifrau Baronin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lersch, Dieter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">G. Jakob, Biber</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneiderbanger, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e0758905-b1a9-4055-b876-c3b305436a22</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1989    gw 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">swe</subfield><subfield code="j">dan</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield><subfield code="j">ita</subfield><subfield code="j">nor</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">por</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">100 Years of Adolf Hitler</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">100 Jahre Adolf Hitler</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">One light, one day, one führer, five men, four women, torn from the darkness by a spotlight. We see the last hour in the führer's bunker, as it really was – incest, intrigue, uproar and turmoil.</subfield><subfield code="b"> 100 YEARS OF ADOLF HITLER, filmed in one night, is the first part of Schlingensief’s GERMANY TRILOGY, which also includes THE GERMAN CHAINSAW MASSACRE and TERROR 2000.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carstensen, Margit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spengler, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuhlbrodt, Dietrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kunze, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kausch-Kuhlbrodt, Brigitte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sellem, Marie-Lou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Verdi, Asia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0c533616-ceae-4200-8cbd-c13604542fa1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1988    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Mother’s Mask</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mutters Maske</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Upon returning home, Willy von Mühlenbeck must realize that his evil brother Martin has ascended to the head of their industrialist family – and that his ill mother is now in the grips of sinister doctors. When he falls in love with their terminally-ill neighbor Els, fate takes its tragic course.</subfield><subfield code="b"> “Mother's Mask” is the ultimate remake of Veit Harlan's Nazi melodrama “Opfergang” (“The Great Sacrifice”, 1944).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kausch-Kuhlbrodt, Brigitte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mews, Kalle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneider, Helge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bredehöft, Susanne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bertzky, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lersch, Dieter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kunze, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jurkait, Conny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stiplosak, Regina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kudelka, Anastasia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Freifrau von Berswordt-Wallrabe, Baronin Irmgard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Conny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hanisch, Uli</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colli, Mathias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kreis, Doris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jurkait, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koehnen, Dennis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d4c2bff3-bc40-4060-980d-b9a2fdfbabeb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1986    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">spa</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Egomania – Island without Hope</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Egomania - Insel ohne Hoffnung</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young woman and her admirer live on a deserted island. Their love is endangered when a baron appears and his coldness infects the island's inhabitants. He turns out to be a schizophrenic shapeshifter who moves between worlds and sexes, as the devil – and his aunt. To put any feeling on ice, he sets all the forces of darkness in motion.</subfield><subfield code="b"> “Egomania” is a tract on the power of evil. The devil (Udo Kier) meets the Virgin Mary (Tilda Swinton).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Swinton, Tilda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fellensiek, Uwe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kudelka, Anastasia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bertzky, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuhlbrodt, Dietrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schulte, Wolfgang</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boysen, Ark</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boysen, Melf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Funke, Werner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">(Christoph Schlingensief), Christopher Krieg</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">36ad8029-1a18-4fcb-9702-2eed32ca021a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210416s1986    gw 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">spa</subfield><subfield code="j">swe</subfield><subfield code="j">dan</subfield><subfield code="j">pol</subfield><subfield code="j">ita</subfield><subfield code="j">nor</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Menu Total</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jolly life in Mühlheim, Ruhr. The parents have fumbled out their old Nazi uniforms. It adds even more fun to the polonaise. Mama gives the starting signal for an extraordinary military parade. Will her son Joe be able to resist the brutal fight of the systems? Will Joe eat the raw human brain? Joe seems lost. His way leads into an abandoned shaft of the Rosendelle mine, where there is a test laboratory. The</subfield><subfield code="b">situation is picking up speed.  MENU TOTAL celebrates the German coping with the past as a cannibalistic happening and was booed at the Berlinale 1986. Wim Wenders left after 10 mins.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneider, Helge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bertzky, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuhlbrodt, Dietrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnell, Reinald</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bausch, Joe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bleckmann, Annette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bruncken, Thirza</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schulte, Wolfgang</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">05265828-ffca-4979-8ab2-b9e93ac7383a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210415s1984    gw 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tunguska – The Crates Are Here</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tunguska - Die Kisten sind da</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three avant-garde researchers on the verge of a nervous breakdown, a couple looking for gasoline – and Alfred Edel, who makes them all finished. A manifesto read in the opening credits of the film formulates the intention to discover and research new aspects of the film language. It is important to expose the hysteria surrounding the outdated New German film - also the masquerade, consisting of</subfield><subfield code="b">political and aesthetic utopias.  „Tunguska – The Crates Are Here“ is an demand to fight against the rules of cinematic realism and the third part of his „Trilogy of Film Criticism – Film as Neurosis“.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fischer, Irene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Colli, Mathias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edel, Alfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fechter, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Konetzny, Vladimir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schliewe, Norbert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bertzky, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">(Christoph Schlingensief), Christopher Krieg</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlingensief, Christoph</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">29fa804e-df89-43dd-9881-11f73495623d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210415s2012    gw 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Formentera</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nina and Ben have been together for many years. They have a three-year-old daughter. Their first vacation without their child leads them to the south: to Formentera, an island in the Mediterranean. Caressed by the sun and the warm winds they enjoy their freedom from the necessities of everyday life. Finally they have some time on their own. But during a wild beach party the paradise turns into hell: Ben is flirting with the young and beautiful Mara and at the end of the night Mara und Nina dive into the dark sea. Nina is drifted away and only just manages to get back on land on a different island. Mara, however, has gone missing... Nina and Ben are caught in a deep crisis, questioning everything they once believed in. The sunny island turns into a darkroom, rendering visible what has been concealed: doubts concerning the plans they had for their lives and a quiet grief over a reality that may only be accepted.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Timoteo, Sabine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindhardt, Thure</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ritter, Ilse</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seibt, Tatja</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brückner, Christian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Layton, Geoffrey</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krieps, Vicky</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bruneau, Frank</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reyels, Ann-Kristin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">529be554-07cb-40e7-8093-c1c50e556467</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210414s1997    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">tur</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Brothers and Sisters</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Geschwister – Kardeşler</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thomas Arslan’s BROTHERS AND SISTERS, set in Berlin-Kreuzberg, sketches the complex lives of three teenagers born to a German mother and Turkish father in this slice-of-life fiction-documentary. Every scene, every shot, every word of dialogue rinks true. </subfield><subfield code="b"> BROTHERS AND SISTERS is the first part of Thomas Arslan's “Berlin Trilogy”, which includes the films DEALER (1998) and THE FINE DAY (2001).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arslan, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9a18d513-4768-454d-9c3b-c2f226ec5dda</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210414s2001    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">tur</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The fine Day</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der schöne Tag</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“It’s so hard talking about feelings. Everytime I try it sounds wrong somehow ...” Waking up in her boyfriend’s Kreuzberg flat one summer morning, 21-year-old out-of-work actress Deniz (Serpil Turhan) begins impassively to change her life. After session as foreign film dubber – they’re in the midst of looping Rohmer’s A SUMMER’S TALE –, she promptly breaks up with the hapless Jan (Florian Stetter) after an argument in a cafe and a leisurely walk.</subfield><subfield code="b">As she moves from one appointment to the next, Deniz begins a casual game of cat-and-mouse in the Berlin underground with the mysterious Diego (Bilge Bingul), with whom she ends up spending the evening. The next morning in a cafe, the wanderer receives some chance wisdom from an academic (Elke Schmitter) to begin another fine new day.  THE FINE DAY is the third part of Thomas Arslan's “Berlin Trilogy”, which includes the films BROTHERS AND SISTERS (1997) and DEALER (1998).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arslan, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aa8f7c51-ac7a-4116-a262-06a37a33553b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210414s1998    gw 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">tur</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dealer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. </subfield><subfield code="b">Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand...  DEALER is the second part of Thomas Arslan's “Berlin Trilogy”, which includes the films BROTHERS AND SISTERS (1997) and THE FINE DAY (2001).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arslan, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bf2aa79a-032c-403c-8bb7-603e7f8ee514</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2014    gw 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">hu</subfield><subfield code="c">de</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Drifter</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The young rebel, Ricsi, lives his life on the edge. ‘Trouble’ is his middle name. He is unruly, restlessly scaring up problem after problem. Driving cars without a license, theft and escaping from the cops are all just a part of his daily routine much for his parents' despair. Ricsi won't stand for routines nor the expectations of his deadbeat father. Afterall, where was he when Ricsi needed him the most? DRIFTER was shot over a period of five years and is a portrait of a unique young man who takes life in his own hands.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hörcher, Gábor</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0ffb603f-a358-49f1-bc1c-acd0811bb372</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2017    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dream Boat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Once a year the DREAM BOAT sets sail on a cruise exclusively for gay men where most passengers are united by the wish to live and love authentically as themselves in a protected place. A cruise ship and 3,000 men: a universe that usually remains a mystery to the outside world. The countdown is on. Seven days of hunting for freedom, love and happiness under the southern sun are about to begin. But once on board, personal stories and hidden pasts find their way to the surface ... How many hopes will the DREAM BOAT fulfill?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ferland Milewski, Tristan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">947421df-5518-44e1-8e18-b508400f90ac</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2016    gw 118        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">ara</subfield><subfield code="h">sag</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cahier Africain</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It all started with a small school exercise book. Its pages were checkered with the courageous testimonies of 300 Central African women, girls and men. They reveal what Congolese mercenaries did to them in the wake of armed conflict. On their own initiative, they gathered together their testimonies in this book to record the crimes committed against them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Specogna, Heidi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a3f44148-5718-40bf-918f-591e2eb26da6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090318.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2016    dk 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">All In</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fantasten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">During the day a successful businessman, in the evening a passionate gambler. This double life is led by the car dealer Claus. When he takes his 19-year-old son to a poker night one day, this has devastating consequences for both of them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cukic, Dejan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dyekjær Giese, Oscar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Xu, Wei</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nabil Bakrawi, Janus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dyekjær, Christian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bd639993-3d5e-4551-aea6-79ed648b84f2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2012    ne 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kauwboy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jojo, a lively 10-year-old with a difficult home life marked by a volatile father and an absent mother, finds solace in an abandoned baby jackdaw. Through the special friendship he builds with the bird, the wall between him and his father will be brought down.</subfield><subfield code="b"> EFA Young Audience Award - Winner 2012</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lens, Rick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peters, Loek</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Radder, Susan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koole, Ricky</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koole, Boudewijn</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">673b19c9-39b0-4e2e-b643-c3b93c00d583</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210413s2015    fr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">slo</subfield><subfield code="j">gre</subfield><subfield code="j">cze</subfield><subfield code="j">dan</subfield><subfield code="j">hrv</subfield><subfield code="j">fin</subfield><subfield code="j">ita</subfield><subfield code="j">rum</subfield><subfield code="j">dut</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield><subfield code="j">heb</subfield><subfield code="j">swe</subfield><subfield code="j">rus</subfield><subfield code="j">pol</subfield><subfield code="j">est</subfield><subfield code="j">bul</subfield><subfield code="j">lav</subfield><subfield code="j">lit</subfield><subfield code="j">hun</subfield><subfield code="j">nor</subfield><subfield code="j">slv</subfield><subfield code="j">por</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Miss Impossible</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jamais Contente</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Some would say Aurore lives a boring life. But when you are a 13-year-old girl, and just like her have an uncompromising way of looking at boys, school, family or friends, life takes on the appearance of a merry psychodrama. Especially with a new French teacher, the threat of being sent to boarding school, repeatedly falling in love and the crazy idea of going on stage with a band…</subfield><subfield code="b"> EFA Young Audience Award - Winner 2016</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deleuze, Emilie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d8a44c74-e3e1-4aa9-9695-167af61a6ce8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210323s2019    gw 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">kur</subfield><subfield code="j">fre</subfield><subfield code="j">kur</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">tu</subfield><subfield code="c">de</subfield><subfield code="c">tr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Are You Listening Mother?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A Kurdish woman is sentenced to six years of house arrest. Her older son is torn between obedience and rebellion. How far is he ready to go to protect her?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaptan, Tuna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cc2a09d3-c6d9-41ac-b868-1438f6976d5b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210322s2016    le 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">le</subfield><subfield code="c">lb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">On the Ropes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“On the ropes” is a story that reflects the Lebanese society trough a family whose members’ life is suspended like everything else in the country.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nammour, Manon</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6f5d3638-5aa7-4271-a57f-821fd9f79409</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210322s2018    gw 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Warum ich hier bin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Five people tell us their story, why they had to leave their home country and why they came to Germany: Leila from Bosnia, Cacau from Brasil, Ms. Schiller from East Prussia, Lena from Japan and Ahmad from Syria.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mi-Son Quester, Susanne </subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Azuma, Mieko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d32fcd09-cc67-4948-aaad-b59992437ec0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210319s2019    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ita</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">jo</subfield><subfield code="a">sw</subfield><subfield code="c">de</subfield><subfield code="c">jo</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Give Up The Ghost</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Salam’s dream of becoming a mother shatters when she finds out that she is unable to have children with her husband.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Duraie, Zain</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">59cb3a2e-5222-4ad3-9e10-9d7f67076193</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210318s2015    bu 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="j">spa</subfield><subfield code="j">ita</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bu</subfield><subfield code="c">bg</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Shooting Star</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lilly (47) is a divorced mother of two - Martin, who has recently come of age, and the little Alexandra (5). One cold winter evening Martin takes Alexandra from kindergarten. In the dark streets of the neighborhood they become a part of a tragic accident that hardly can be forgotten or erased. Lilly and her kids have to make tough decisions, the consequences of which will change their life for good.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yonchev, Lyubo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">829e20be-52fd-42b6-b5a4-98d9205c6cef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210318s2018    xn 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">mac</subfield><subfield code="j">ger</subfield><subfield code="j">spa</subfield><subfield code="j">gre</subfield><subfield code="j">rus</subfield><subfield code="j">hrv</subfield><subfield code="j">ara</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">alb</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xn</subfield><subfield code="c">mk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mishko</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nora, a 26-year-old autistic girl, is living with her parents in a remote village in North-Macedonia. She is sexually seduced by a 12-year-old boy from the village - a grasshopper hunter. One late summer day, when her older sister, who is married in Germany, comes for a visit in the village and the entire family is gathered together at home, Nora attempts to escape the house and meet the boy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bagashov, Hanis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">eec8a8a2-0127-42aa-a9db-adb182f8c26f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210317s2013    be 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="h">fre</subfield><subfield code="j">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lilith</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A vampire wants to live in a city that doesn't want her.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stollenwerk, Maxim</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ce6e4462-294e-4327-b448-4d47d2653032</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210316s2016    be 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">spa</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Homeland</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Heimat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Right-wing populism is spreading through Western Europe like wildfire. It is most popular in quiet, white neighbourhoods where people are shielded from different cultures and lifestyles. In this unscripted documentary, Sam Peeters portrays an ironic caricature of life in the Flemish suburbs, which reflects the current European zeitgeist.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peeters, Sam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ee26c068-d425-4b63-ba4f-10429574ea63</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210316s2017    be 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="p">ara</subfield><subfield code="p">chi</subfield><subfield code="p">ger</subfield><subfield code="p">gre</subfield><subfield code="p">eng</subfield><subfield code="p">spa</subfield><subfield code="p">jpn</subfield><subfield code="p">fre</subfield><subfield code="p">hin</subfield><subfield code="p">ita</subfield><subfield code="p">dut</subfield><subfield code="p">por</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">ci</subfield><subfield code="a">pl</subfield><subfield code="c">be</subfield><subfield code="c">hr</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Deer Boy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A story about a hunter’s son, who was born with antlers, and about how each man kills the thing he loves.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gondek, Katarzyna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0905f95e-9cda-4494-80d9-34bacfd7fed9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210311s2018    rb 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="a">xo</subfield><subfield code="c">rs</subfield><subfield code="c">sk</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Untravel</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Neputovanja</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A film about (local) patriotism, tourism and emigration. The girl lives in a gray, isolated country, enclosed by a huge wall. She has never travelled anywhere, but all her life she has dreamt of leaving forever for a perfect world called “Abroad”.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nedeljkovic, Ana</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Majdak Jr., Nikola</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0c4fd2fe-e272-4e9f-a0c8-647a222139b9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210311s2016    xxu095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bos</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Among Wolves</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Wolves are no ordinary biker club as revealed in this gorgeously shot, surprisingly intimate documentary of trauma and survival. Still struggling from the aftermath of the Bosnian War, this multi-ethnic club organizes charity for their small mountain town and defends the threatened herd of wild horses they first met on the frontline. Out there, with the horses, they confront their past and reclaim that territory as a space for healing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Convey, Shawn</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e9213eb3-9992-45ec-9082-578e462967ec</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210310s2006    be 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Small Gods</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While recovering from a car crash in which she lost her son, a woman is kidnapped by a stranger. Together with a mute orphan, they travel through deserted wastelands fighting their own demons. The trip comes to an end when they accomplish the ultimate act that will set them free of the past.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karakatsanis, Dimitri</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7e464f56-3918-4515-b34f-05e7764cd48e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210226s2017    sp 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">fre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Earth Sutra</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What do you know about Tibet? 'Earth Sutra' the documentary that will change your vision of Tibet 55 years controlled by Chinese oppression. Dare to reflect on your relationship with the Earth, your relationship with the rest of human beings through Earth Sutra, a portrait of the survival in exile of Tibet and how its millenary culture can positively influence our planet in the face of challenges and crises that appear in the XXI century.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carot, Jordi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Heredia, Jose Sáenz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0f6d857-142e-448b-91c8-a3eea4f57f43</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210203s2018    gw 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">tur</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Second Attack</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der Zweite Anschlag</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“The boat is full”, “Foreigners out”, “Germany to the Germans”. The slogans of the far right have nowadays become unmistakable. The same goes for the violence directed against those people who are perceived as “”foreign””. With frightening continuity, racist riots, attacks and murders have been repeated in the Federal Republic of Germany for decades.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reinhardt, Mala</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ddfec05c-d99b-4222-8fdd-1ffbdb1f8fb5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210203s2018    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="a">sy</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield><subfield code="c">sy</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The War on My Phone</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">They escaped to Europe. But they didn’t escape the war. The war is here: Every day they get messages and videos from their friends and relatives back in Syria. The film portrays 4 people in Europe torn between two realities and gives an intimate insight into daily life in Syria through private messages and videos of people inside the war zone.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sasse, Elke</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-war-on-my-phone/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6e329229-967e-4206-9c68-dc2ee083a864</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210108s2017    be 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="j">eng</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Remise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Luc Moulin is the Belgian chess boxing champion and takes his chances very seriously. Too bad nobody feels the same way, except for his biggest fan Kasper. A son who wants to be like his father. Nothing worse than that, if you ask Luc.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Van Dam, Deben</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/remise/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">203da091-fe22-4922-8445-e0233dc99530</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210107s2016    bu 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="j">ita</subfield><subfield code="j">cat</subfield><subfield code="j">rus</subfield><subfield code="j">eng</subfield><subfield code="j">por</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bu</subfield><subfield code="a">gw</subfield><subfield code="c">bg</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Getting Fat in a Healthy Way</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a world where gravity is weak and skinny people fly into the sky, Constantine has never left the apartment he shares with his father Atanas. One day the beautiful stewardess who moves into the building will change Constantine's life forever.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aslanyan, Kevork</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/getting-fat-in-a-healthy-way/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">96a7913a-0cbd-43fd-b910-668d6e0cedae</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210106s2018    be 040        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="h">pan</subfield><subfield code="j">fre</subfield><subfield code="j">pol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">ne</subfield><subfield code="c">be</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Azadi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2016 a controversial deal was signed between the European Union and Turkey to stop refugees from making the short, yet perilous crossing to the Greek islands. The refugees who do make it to these islands, must wait indefinitely for their asylum cases to be processed. This documentary portrays the unusual transit zone the island of Lesvos has become, through the eyes of two Pakistani refugees and a local fishing community.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peeters, Sam</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/azadi/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e1f49c43-0c22-4eab-aee0-4604d0cc1893</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210105s2017    it 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="a">sz</subfield><subfield code="c">it</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">La Fuga - Girl in Flight</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Inspired by real events, LA FUGA -- GIRL IN FLIGHT is the story of 11-year old Silvia whose life at home is consumed by her mother’s clinical depression. When no one will take the time to fulfill her dream to visit Rome, she runs away, determined to see it for herself. On a train she meets a Roma girl, Emina, and begins following her through the streets of Rome to her gypsy camp. Shot in a real Roma camp using non-actors, the film also features the Italian stars Donatella Finocchiaro and Filippo Nigro. LA FUGA’S beautiful imagery, captured by award-winning cinematographer Vladan Radovic (Donatello award for ANIME NERE, 2015), reflects the tender, frightening and exciting emotional journey of a courageous young girl trying to come into her own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andreozzi, Lisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amatovic, Emina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Finocchiaro, Donatella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nigro, Filippo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vannucchi, Sandra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a76bc736-bca2-4809-bfb2-ca9eff679690</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">210105s2013    be 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">spa</subfield><subfield code="p">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Get Ripped</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Although 20-year-old Niko meets his personal trainer daily at the gym, their contact remains indifferent and silent. As Niko’s efforts yield results, a game of manipulation begins to unfold…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Van Dijl, Leonardo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/get-ripped/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aae50684-cbb9-4d58-a1f6-2f09ad1bd04b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201230s2019    gw 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Unlike Today</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nicht im Traum</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An elderly couple fights for dignity as they balance on the edge of their earlier lives. Both resist accepting their new life, now dominated by illness and nursing. A visit from their daughter could be the turning point.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Menzel, Astrid</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6a8209d3-9719-4236-8a0e-b913b18354a0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201224s2016    bu 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bu</subfield><subfield code="c">bg</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Red Light</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">На Червено</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a small village, a bus stops at the only intersection where the traffic light is stuck in red. The bus driver, refuses to move forward which inflames a conflict. A story about the funny side of apathy, selfishness, and loneliness in a social world where following the rules is a misunderstanding.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waszarow, Toma</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b1214a7f-6343-43c2-be5c-bef2bf939c76</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201224s2017    le 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">le</subfield><subfield code="c">lb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Skin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Skin, is a story about Aline, a 17 years old girl rebelling against her mother who is also her teacher at school. The mother still treats her daughter like a child provokes her to revolt. The girl and the mother, at home, end up having a very intense face to face argument after she embarrasses her in class in front of all the students.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Attar, Inaam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c755f4c4-dfeb-424f-b3b8-95b35fe653e5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201223s2019    pl 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Acid Rain</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Somewhere in the Eastern Europe. Young runs away from her depressing hometown. Her early enthusiasm about the hitch-hike falls when she finds herself in the city outskirts in the middle of the night. At the bridge she meets a figure balancing unsafely on the guardrail. That’s how she meets Skinny – a kind of unstable weirdo. Skinny lives in a camping van, which he uses to run his not-so-legal job errands. Together with him, she sets on a journey with no destination. As the ride continues a particular affection grows between the two of them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Popakul, Tomek</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/acid-rain/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ec486075-c5b9-4fe7-a51c-44968fccd6c1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201110s2015    sz 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">gsw</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Thomas Hirschhorn – Gramsci Monument</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirschhorn, Thomas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">A. Lüdin, Angelo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/thomas-hirschhorn-gramsci-monument/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a19fbed0-1a86-4c52-9980-94ec942f22fe</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2017    gm 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gm</subfield><subfield code="a">xxk</subfield><subfield code="a">xxu</subfield><subfield code="c">gm</subfield><subfield code="c">gb</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jaha's Promise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Jaha Dukureh was a baby she was subjected to female genital mutilation; when she was 15 she was taken to New York to marry a 45 year-old man she’d never met before. A decade later Jaha has returned to her native Gambia in west Africa demanding that her own family and society end the practices that almost ruined her life. Full of the raw drama of personal, family, religious and political conflict, "Jaha's Promise" is an extraordinary narrative of individual and social change.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Farrelly, Patrick</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Callaghan, Kate</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f0f8e3b0-517c-4ee4-9322-4ac780eff991</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2017    be 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nothing is Forgiven</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rien n'est Pardonné</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This Charlie Hebdo staffer has been filmed since 2011, when the young Moroccan journalist Zineb El Rhazoui came to France as she couldn't work in her own country anymore. Before, during and after the attack on the satire magazine in Paris, the film follows a heroine's transformation from being a censored journalist to becoming the most protected woman of Europe.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Coen, Vincent</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vandenberghe, Guillaume</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1c9ee575-1aa2-4fe5-9913-0059c5fe9dc8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2018    af 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pus</subfield><subfield code="h">per</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">af</subfield><subfield code="a">fr</subfield><subfield code="c">af</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">LICENSE EXPIRED // A Thousand Girls Like Me</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Khatera, 23, confronts her family and the traditions of her country to seek justice for years of sexual abuse by her father. She sheds light on the faulty Afghan judicial system and the women it rarely protects. One woman’s obstinate battle to make her voice heard demonstrates the power of action over fear.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mani, Sahra</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc14a351-405c-4715-b426-b3e58e94f17c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2019    dk 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">dan</subfield><subfield code="h">eng</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Reformist - A Female Imam</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Reformisten – den kvindelige imam</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sherin is opening one of Europe’s first mosques run by female imams. The Mosque’s members aim to confront and challenge the fear surrounding Islam and call for a new kind of it, including a feminist agenda, effecting a break with established gender hierarchies. Sherin is impatient. She wants change and equality now! But her haste divides her organisation to the brink of collapse.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skovgaard, Marie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">14917f8c-768f-4cee-94fa-dde9e8c24ccb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2018    dk 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="h">eng</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Faith</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Contrasting cultures on faith and personal identity: Danish confirmation students and Japanese Buddhists who reflect upon being members of the sect behind a terrorist attack in Tokyo, in a philosophical film about religious faith.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loftager, Jens</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c514d873-6ac0-4005-a021-5427ffed2ea6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2018    xxc099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">PRIMAS - Courageous Cousins</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two Argentinian teenagers free themselves from the shadows of their past after the abuse and in the wake of heinous acts of violence that interrupted their childhoods. They’re strong and beautiful and not broken - a rich poetic journey through coming of age.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alvarez, Rocío</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bari, Aldana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bari, Laura</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f7de3e4c-784b-4153-a8bc-fc8bebfa6039</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2013    sw 107        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">chi</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">jpn</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Trespassing Bergman</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ingmar Bergmans life and his key films as seen and told by the greatest actors and directors of our time. Candid, funny and explicit interviews with the likes of Lars Von Trier, Martin Scorsese, Woody Allen, Isabella Rossellini and Michael Haneke - some shoot at Bergman's last home on the island of Fårö - interwoven with never before seen footage from behind-the-scenes at many of the Swedish masters' films.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pallas, Hynek</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Magnusson, Jane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">afcc28a4-cfa1-49d4-a362-35e0141cfd72</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2014    sw 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">por</subfield><subfield code="h">wol</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fonko</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The great music revolutions of our times have come from Africa, and the next one is brewing there right now. Soon, our local music industries will be swamped with it. Afrobeats, Azonto, Kuduro and South African House are club music styles based on traditional rhythms, becoming a means of expressing the identity for an entire generation. From the award winning makers of 'Concerning Violence' and 'The Black Power Mixtape 1967-1975', narrated by Neneh Cherry and Fela Kuti. Well known musical icons will take the viewer on a ride into the depth of a continent in deep social, cultural and economical change. This is rock'n'roll happening to Africa - and spreading to the rest of the whole world. Get the rhythm and the rhymes of modern African urban music and rediscover it in international music trends.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jadama, Lamin Daniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lovén, Lars</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olsson, Göran</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f4a28228-39b2-4557-ad03-509f81206d22</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2013    is 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="h">heb</subfield><subfield code="h">tir</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sound of Torture</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Since Europe closed its borders in 2006, thousands of Eritrean refugees fled their military dictator-ruled country towards Israel. The only way out is across the Sinai desert in Egypt. There, many are kidnapped by Bedouin smugglers and taken to camps where they are tortured and raped as they are forced to call their relatives begging for ransom for their release. We follow Meron Estefanos, an Eritrean journalist-activist living in Sweden. On her radio program she talks to hostages in the camps while recording their pleas for help as well as their family members raising money for their release. We also follow two refugees that made it into Israel in their attempt to save their loved ones lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shayo, Keren</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">df2beb0b-762b-492f-8ece-61702fb1b457</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201105s2017    fi 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hobbyhorse Revolution</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Hobbyhorse Revolution" is a funny and moving film about the power of imagination and the strength of a community. The film follows three young girls, Aisku, Elsa and Alisa whose lives have been transformed by their new interest: hobbyhorses. Despite a lack of understanding by some, the girls bravely and spiritedly pursue their hobby.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vilhunen, Selma</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3ce7b314-b1be-4d6f-9fd1-ca33cbbdfb27</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201104s2008    fr 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le Palais des Chaussures / Le Perfect Pair</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Because romance in Paris is never black and white.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Crayencour, Amaury</subfield><subfield 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the gas in a small trailer... but there is one little problem.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Franklin, Elena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Porter Miller, Gregory</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leddon, Michelle</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/utilities/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0935df25-c8fb-42d5-8345-c84c973fbe73</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201029s2014    io 107        o   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The film follows the young marginalized musicians and their never before seen subculture, while also painting a striking, moody and intimate portrait of Indonesia’s frenzied capital city. Using the powerful soundtrack of the musicians' original compositions to drive the film, it traces their elusive quest for identity and love in the day-to-day life of a city overrun by the effects of globalization and corruption.</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ziv, Daniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/jalanan/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e13bd5e7-d3b6-4eda-b13e-c825f1da04de</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090319.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201020s2012    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ru</subfield><subfield code="c">de</subfield><subfield code="c">ru</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">No Trust. No Fear. Ask Nothing.</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kein Vertrauen, Keine Angst, um Nichts Bitten.</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"No trust. No fear. Ask nothing" traces the seemingly lost world of Russian gangster and prison camp music. Witnesses from the soviet period bring the underground music scene of the '60s and '70s back to life. But is it really a lost world, or why would young hip hop and folk musicians refer to their mythic ancestors?</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rosenbaum, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnurov, Sergey 'Schnur'</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">La Minor, Ensemble</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fuks, Rudi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hortiza, Graf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baretsky, Stas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rippl, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/no-trust-no-fear-ask-nothing/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">12a652c3-f081-41e1-9a96-9fb6ae4d536c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2018    gw 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Biotope</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Biotop</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Life in Neuperlach, a Munich suburb, is quaint. It is an safe neighborhood, where people know and greet each other. Everybody has their own backyard; single car garages are lining the narrow footpaths and everything is groomed. But for some time now that peacefulness is troubled, because refugees are supposed to move in next door. As some of the residents are afraid of the noise to be expected, they are putting up a noise protection wall. „Biotope“ shows the life of the locals and gets to the bottom of the reason for building that wall.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scholten, Paul</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/biotope/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3b810e23-d5d8-4e25-ab3c-7ade0b16f18c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2016    gr 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gr</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Minus One</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Summer in Athens, and Elsa's family isn't the only one renting their apartment to tourists. At their spare apartment, there's little space for the young lady's dreams.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Xydi, Natassa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b11be493-5613-46c1-a815-d345b6201785</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2016    gw 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">A Pine Tree Villa</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="5" tag="245"><subfield code="a">Eine Villa mit Pinien</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lion and Bird break into an uninhabited villa to find out about the reason why it is not aging. Immediately they feel the power, which keeps the villa alive. A fairytale about self-liberation.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koester, Jan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7f2cd8a4-87e7-45cd-a42b-43d949d2064b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2014    xxk004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gerry's Garden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An uninvited guest shows up one morning in Gerry's garden. 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While looking for passersby willing to play a game of chess with him in the park, he notices Lily complaining about her trampled flowerbed. Will Anton be able to decide whether to help her?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Melece , Anete</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">44c54424-790e-470b-afeb-b4da19879e78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2015    sw 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Follow You</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Anna bumps into Jesper on the morning train. She's never seen him before, but it turns out he knows everything about her. A short film about social media and surveillance in postmodern society.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Etzler, Jonatan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/i-follow-you/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a99380a6-d2f0-4646-a67e-b923b73f2e87</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201017s2007    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tur</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">tu</subfield><subfield code="c">de</subfield><subfield code="c">tr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">It's My Turn</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bende Sira - Ich bin dran</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A group of boys have invented a game. After reciting a rhyme, it is decided who gets to go to the cinema today, because the collected money isn't enough for everyone...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ergün, Ismet</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ce9445fa-db9d-451d-a182-ecd1c1563b1b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2018    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Everywhere We Are</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Überall Wo Wir Sind</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Heiko, 29, a bright, lively dance teacher from Berlin, has been fighting a deadly illness for 7 years. When his family and friends have gotten used to the fact that Heiko just lives on, despite all predictions, he comes home to his parents to die. But even then Heiko, and especially his father Jürgen, do not give up hope for a miracle. In contrast, his mother Karin tries to tell her son about her near-death experience and prepare him for his coming death. However, she does not find the right moment, because all along many loving people crowd around Heiko’s bed, to spent the remaining time with each other, to cry together and to laugh heartily. His sister Sonja feels unloved by Heiko. She rushes to organize his passing and ultimately finds her own special closeness, while his objectively reflecting friend Alexander begins to see in Heiko’s death “something similar to a gift”.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaserer, Veronika</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/everywhere-we-are/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9e6a3438-aeb2-4240-9b6b-38beefe8b852</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2018    gw 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tracing Addai</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In his early twenties Addai leaves his entire life behind and moves to Syria to help victims of the civil war. At first he is assigned kitchen duty together with Ilias. Addai writes to his mother: “Don’t worry about me, I’m fine.” Two years later Addai’s mother receives a letter from prison. Ilias has been sentenced for terrorism by a German court. He wants to meet her and writes: “One thing you have to believe me, we went there with good intentions.”</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Niemeier, Esther</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/tracing-addai/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">970accd8-eaf2-4225-8b1d-5954e14ce2b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2013    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="h">eng</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tadao Ando - From Emptiness to Infinity</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tadao Ando - Von der Leere zur Unendlichkeit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Western civilisation has a culture of addition, Eastern culture is one of substraction.” The documentary Tadao Ando – From Emptiness to Infinity pays homage to one of the world’s most renowned architects: Japanese “Master of Minimalism” Tadao Ando. Ando’s award-winning exposed concrete designs create a spectacular connection between Japanese tradition and contemporary modernism. The film introduces viewers to his world-famous buildings and offers an exclusive look into his work process. Viewers will gain unique insight into his work as Ando shares his sources of personal inspiration and motivation.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frick, Mathias</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/tadao-ando-from-emptiness-to-infinity/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">94810268-002f-4030-8be9-e8e91f343a0f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2018    sz 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">gsw</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Subito - Instant Photography</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Subito - Das Sofortbild</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Polaroid – an invention bordering on magic! In 1947, ingenious inventor Edwin Land made the impossible possible: press, wait, ready! Polaroid revolutionised photography. After just a short wait, you're holding the snapshots in your hand. This jaunty camera has fascinated artists and photographers for over half a century and today, in the digital age, it quenches our desire for the unique, the real. Award-winning director Peter Volkart unfolds the fabulous history of this cultural phenomenon in a playful montage of archive treasures, art photographs, amateur shots and commercials. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Volkart, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/subito-instant-photography/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">db49e270-9b9d-439c-a3ff-08db0be47d9c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2019    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">kor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Postcard From Pyongyang - Traveling Through North Korea</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Shot during two trips to North Korea in 2013 and 2017, filmmakers Gregor Möllers and Anne Lewald provide a rare glimpse of change in the notoriously closed country. As foreign tourists, they are not allowed autonomy or spontaneity, and their itinerary is arranged for them in advance by guides who chaperone them everywhere. Despite these limitations the Berliners find a way to register their impressions of a city lacking authenticity, a country longing for reunification and the people shaped by Juche beliefs and socialist propaganda. In a society steeped in obfuscation and spectacle, where deception is necessary for perception and expression, the filmmakers themselves must play a double role, secretly recording without permission while also genuinely relating to their hosts. By blending travelogue and espionage, "A Postcard From Pyongyang" captures what happens when you rely solely on what you see, not what you’re told, and reveals what Kim Jong-Un’s regime doesn’t want foreigners to see... reality.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Möllers, Gregor</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lewald, Anne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b13e4650-5bbf-4ba6-a453-cea03d1b7a5a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2017    gw 053        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">ita</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Konstantin Grcic - Design is Work</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Konstantin Grcic is considered one of the most innovative and profound contemporary designers worldwide. The film observes him and his creative team as they develop a furniture series made of cast iron.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wetzel, Gereon</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/konstantin-grcic-design-is-work/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0a905135-6926-4cb7-a50c-4425f96490f8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2019    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">chi</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Highflyers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Höhenflüge</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Andreas Drapa used to be a regular paver in a small town, breeding pigeons in his free time. Now he's a millionaire – and the wealthiest high-class racing pigeon breeder in Germany. As such he has become the preferred business partner of multi-millionaires in China and Dubai. Because especially in the Middle Kingdom betting on pigeon races has become a million-dollar business behind closed doors. But Drapa's still aiming for more: He wants to belong to the powerful super rich, too. HIGHFLYERS adopts an unusual perspective on the story of winners and losers in a game ruled by the new powers of global economy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leonhardt, Lena</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/highflyers/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2c68d695-fe71-425d-93a8-a56737dcdf74</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2017    sz 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Hairy</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Haarig</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a playfully biographical manner, Anka Schmid recounts her generation’s hairy stories. Whether as a body ornament, political statement or even in the soup, hair is omnipresent – even when shaven. With an ingenious fusion of real-life and archive footage as well as stop- motion technique, the animadoc explores body hair and discovers the tremendous potential of the body’s wispiest part in daily life and in art. A tingling feeling on the head is included.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmid, Anka</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/hairy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">87502fbe-dd45-4217-a1e2-7b1ba9cdca29</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2016    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Having a Cigarette with Álvaro Siza</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Auf eine Zigarette mit Álvaro Siza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What is architecture? What can architecture do? What is your architectural position? What is your design method? Answers to these questions gives Àlvaro Siza Vieira – architect, socialist, passionate smoker.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dilthey, Iain</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/having-a-cigarette-with-alvaro-siza/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3ceb4079-7320-4c49-9888-0d004b0abf44</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2015    sz 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="h">ger</subfield><subfield code="j">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="a">fi</subfield><subfield code="c">ch</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Day the Sun Fell</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Als die Sonne vom Himmel fiel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Swiss-Japanese filmmaker Aya Domenig, the granddaughter of a doctor on duty for the Red Cross during the 1945 atomic bombing of Hiroshima, approaches the experience of her deceased grandfather by tracing the lives of a doctor and of former nurses who once shared the same experience. While gathering the memories and present views of these very last survivors, the nuclear disaster in Fukushima strikes and history seems to repeat itself. The protagonists of THE DAY THE SUN FELL have made it their task in life to fight tirelessly against the silence reigning over the true medical and social effects of the atomic bomb. By doing so, they address a long suppressed aspect of the past that since the nuclear catastrophe of Fukushima painfully forces itself back into the cousciousness of many Japanese.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Domenig, Aya</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-day-the-sun-fell/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">59b91f7b-b985-48bd-9f07-5552d94bb066</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2019    sz 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Contradict - Ideas for a New World</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two friends collect money for impoverished Americans in the streets of Accra. Is this a bit of fun, political provocation, or perhaps a prophecy? What do global developments and shifts in values look like from the ground up in Ghana? How can one face and contradict them? Can new visions for the future become new global realities?  Two Swiss filmmakers are exploring these questions together with six artists from Ghana. Tomorrow's ideas and trends are emerging more decentralized than ever in a globalized world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guyer, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burkhalter, Thomas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/contradict-ideas-for-a-new-world/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9c2e2d09-bd13-447d-b268-5706f229bf53</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2019    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Beyond The Music - BarenBoim-Said Academy</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jenseits der Musik – Barenboim-Said Akademie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The inauguration of the Barenboim-Said academy in Berlin marked a new phase within the political and educational engagement of musician and pedagogue Daniel Barenboim. BEYOND THE MUSIC portrays this innovative academy whose mission it is to unite humanistic ideals, music and philosophy. Almost 20 years after the founding of the West-Eastern-Divan orchestra, another project of intercultural understanding is derived from the friendship between Barenboim and the Palestinian humanist Edward Said.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bernet, David</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/beyond-the-music-barenboim-said-academy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ff6faf95-34c4-4d6f-a4e9-fa4fe3ebbaac</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2018    sz 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">por</subfield><subfield code="h">gsw</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Architecture of Infinity</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Architektur der Unendlichkeit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With this new project Schaub expands his field beyond the seeing and explaining of buildings to deal with a very specific aspect of the effects of space - which is transcendence. He guides the viewer through created spaces, art, music and nature, where transcendence can be felt and experienced.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schaub, Christoph</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/architecture-of-infinity/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7f0e19e7-d1a1-48f7-8fa1-bd8fd010a544</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2017    xxu010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Richard Twice</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Richard Atkins, the singer and songwriter of the early 70’s California psychedelic folk duo ‘Richard Twice’, was on his way to stardom and a huge success with his first debut album when he mysteriously walked away from it all.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salton, Matthew</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/richard-twice-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">fd4957b0-4153-4ce4-b89f-cdd380e3cd91</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2017    ru 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ru</subfield><subfield code="a">xxk</subfield><subfield code="c">ru</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Brexitannia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On or off. Yes or no. Leave or remain. Referendums divide and Brexit did so in a way never before in British history. Country versus city. Old versus young. Nationalists versus migrants. “The people” versus “the elite”. The forgotten versus the visible. Underneath all these definitions are individuals with their own unique stories that mo- tivated this historic and at times perplexing vote, a vote motivated by the themes of our age; migration, waning empires, and the white elephant in the room; work and it’s decreasing relevance in an ever automated world.</subfield><subfield code="b">Brexitannia is a portrait of a democracy in all it’s impossible ugly glory. A subtle bomb of a film that without judgment presents a people of the once most powerful empire negotiating their identities around a world that is changing faster than ever and power appear- ing further and further from their own hands.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kelly, Timothy George</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/brexitannia-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">25eeb407-ab84-42ac-bf0c-4dd2805cd991</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2016    rb 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Other Line</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Film is a product of 10 years of research of cultural scene in Novi Sad (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlin International Film Festival). They become a big threat to communist establishment, the entire leadership were replaced, the magazines were forbidden, the films were sealed off, artists were taken to trial, two were sent in prison.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Milošević, Nenad</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-other-line-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1cf4418c-a754-4cb9-b8e4-069ec3ae6270</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">201014s2017    rb 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gora</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the remote mountain villages of Gora, in the harsh Shar Mountains, lives a Slavic speaking Muslim minority – the Gorani people. Given the fact the women are forbidden to be filmed, “Gora” explores this rich culture through the everyday rituals of Gorani males in their streets, mosques, pubs; with their herds of cows, sheep and shepherd dogs. They work, talk, dance, play music, preach, pray and sing as the mountains around and above them constantly remind how ephemeral their existence is.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malešević, Stefan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/gora-1/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">225bb528-369b-4042-a741-b2ca1d297a6e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    sp 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">fre</subfield><subfield code="h">ita</subfield><subfield code="h">spa</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Europe in 8-bits</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Europe in 8-bits" is a documentary that explores the world of chip music, a new musical trend that is exponentially growing throughout Europe. The stars of this musical movement reveal to us how to reuse old videogames hardware like Nintendo’s GameBoy, NES, Atari ST, Amiga and the Commodore 64 to turn them into a tool capable of creating a new sound, a modern tempo and an innovative musical style. This is a new way of interpreting music performed by a great many artists who show their skills in turning these “limited” machines designed for leisure in the '80s into surprising musical instruments and graphical tools.</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Polo, Javier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/europe-in-8-bits/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">244c5c48-b2af-4a3b-8682-1d84cb99cf41</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    sp 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cat</subfield><subfield code="h">chi</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="h">tur</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="a">tu</subfield><subfield code="c">es</subfield><subfield code="c">tr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Singled (Out)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Singled [Out]" tells the story of five women who are coming to terms with being single, finding their place in the modern world. Shot in Australia, China, Turkey and Spain, the film is an intimate and personal four-year journey, an exploration of what it means to be a single woman in a time of increasing independence and choice. "Singled [Out"] offers an insight into the pressure and sense of failure many women face as the result of being single. With personal stories and voices of experts, the film gives a global context to the stigma and expectations single women face.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guiu, Mariona</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Relea, Ariadna</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/singled-out/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ce577952-8c5f-4206-b555-4a14e8e79514</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    au 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Utopia Revisited</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zeit für Utopien</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Regional, fresh and organic food for 1,5 million people; smart urban living using only a fraction of energy usually burned; a smartphone produced on a fair basis, and a self-managed tea plant whose workforce fought more than three years to take its future into its own hands. People all over the world are searching for alternatives besides unbridled capitalism, which inherently produces incredibly rich people on the one hand but incredibly poor ones on the other. Is there somewhere a model for a fair society? Four people say: Yes! They took a path apart from greed and profit – and along their new way they have learnt a lot. Contextualized by experts who supplement their stories, they take us on a personal journey to the promising possibilities of solidarity: fair living, preserving nature, sharing and cooperating. “Utopia Revisited” is a cinematic expedition to the pioneers of a new society.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Langbein, Kurt</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/utopia-revisited/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6b129a95-6707-46ba-9cf4-818a3b37fc06</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sp 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="h">cat</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">(M)otherhood</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"[M]otherhood" provides answers so that never again will you feel the need to question a woman who doesn’t want to have kids. A group of women discuss this topic and their solid, hard-hitting arguments hammer into the ideals of modern motherhood. They break taboos, challenge the idea of maternal instincts and discuss regrets. They demonstrate how questions also fall short: "Why should the ability to procreate result in a woman becoming a mother?".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mestre, Inès Peris</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">García Andreu, Laura</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/motherhood/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a63a2b9b-dcc2-4e4b-84f1-76b11625d965</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xr 065        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="h">cze</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Russian Job</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The former Lada factory, built in the Russian city of Tolyatti in the 1970s, was meant to show the Western world the miracle of Soviet prosperity. The perfect utopia that none dared to doubt. More than four decades later, the plant has been losing billions of rubles every year as it slowly decays. And none dare to touch it. A Swedish power-manager is hired to bring the miracle of the capitalist business model to the dying factory. Bo Inge Andersson, a former soldier who’s already resurrected one Russian automaker, comes to Tolyatti with a small team and a big goal: to be the very first non-Russian at the helm of the company.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Horky, Petr</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-russian-job/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bd6ddacd-44ff-4a91-a518-f08d8840b152</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    er 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="h">ukr</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="a">pl</subfield><subfield code="a">xr</subfield><subfield code="c">ee</subfield><subfield code="c">pl</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Trial - The State of Russia vs. Oleg Sentsov</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Oleg Sentsov is a Ukrainian filmmaker, Euromaidan activist and native of Crimea. After the Russian annexation of Crimea, he became an active opponent of the occupation. In May 2014, he was arrested by the Russian security service, charged with planned terrorist attacks and transported to Moscow. After over a year in custody, he was sentenced to 20 years in prison, despite the fact that the testimonies were given under duress and evidence was insufficient. Sentsov never pled guilty. Director Askold Kurov follows the progress of the trial and the attempts of Oleg’s family, friends and lawyers to save him from prison. The notorious case inspired protests around the world: the European Film Academy and many renowned filmmakers such as Pedro Almodovar, Wim Wenders, Agnieszka Holland, Ken Loach, Johnny Depp and others called for Oleg’s release. Kurov’s investigation gradually reveals an absurd and frightening Kafkaesque story about how anyone can become a victim of a ruthless state machine.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sentsov, Oleg</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kurov, Askold</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">de704651-f0b8-4851-be39-ecfa3bef7f8e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    er 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">est</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="c">ee</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Out of Fashion</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Moest Väljas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">We live in an era of global consumption where the speed of consumption keeps increasing. It’s no secret that the fashion industry is at the forefront of this consumerist rally. The result is a perishing environment and imperceptibly large amounts of waste. The film unveils the black conscience hidden behind the fashion industry’s radiant smile.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kilmi, Jaak</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Laberenz, Lennart</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/out-of-fashion/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8b4c37cf-ecd2-4c10-87b5-94e56a3a3f90</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    sw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">lit</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Silvana</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With her uncompromising lyrics against all forms of oppression, Swedish rapper Silvana Imam has taken Scandinavia by storm. She uses her razor-sharp tongue to spotlight movements taking place in today‘s society, embodying the voice of a new generation along the way. </subfield><subfield code="b">The film follows Silvana from an underground artist to the icon, as she wins several major awards and forms an almost mythical relationship with Swedish pop-artist Beatrice Eli. However, after just one year in the limelight, it all comes to a sudden halt. Silvana crashes under the pressure, fed-up with the implications of being labeled as a “strong female”. She decides to start showing new sides of herself “because there are no super-heroes, just human beings.”  Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gustafson, Mika</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kastebring, Olivia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsiobanelis, Christina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/silvana/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3a14003d-eff9-4beb-95d0-4a1e2961ffde</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    ua 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ua</subfield><subfield code="a">fr</subfield><subfield code="c">eg</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Electro Chaabi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While Egypt has traditionally been the beating heart of classical Arabic music, with legendary singers such as Oum Kalthoum and Abdel Halim Hafez, a new craze is taking over the Arab world’s most populous nation: electro chaabi. Inspired by the down-and-dirty music played at street parties and weddings, this new populist dance form combines a punk spirit with a hip hop attitude set against a furious cascade of drums, bass and electronic vocals.</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meddeb, Hind</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/electro-chaabi/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">30275a2b-1b6a-47e9-b2cc-253eea21b44d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2012    dk 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">le</subfield><subfield code="a">ts</subfield><subfield code="a">xxk</subfield><subfield code="c">dk</subfield><subfield code="c">lb</subfield><subfield code="c">ae</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A World Not Ours</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"A World Not Ours" is an intimate, humorous portrait of three generations of exile in the refugee camp of Ain el-Helweh, southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive and illuminating study of belonging, friendship, and family.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fleifel, Mahdi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/a-world-not-ours/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">196a66fc-0d2b-4a8e-86fc-075fbd555f3a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    cu 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cu</subfield><subfield code="c">cu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Who’s Your Dad?</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">¿Cómo se llama tu padre?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a hidden basement of one of the best film schools in the world, female students gather to break their silence and share their testimonies. With the promise of anonymity, a dark reality previously unspoken about starts to emerge and the real truth about being a woman in film is finally brought to light.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">von Schelling, Alexandra</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sasse, Rebeca</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/whos-your-dad/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f2f23a3e-a647-470e-b16c-2deb55a42819</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090320.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2012    ck 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Portraits</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Los retratos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's Sunday, the local market day, and Grandma Paulina wants to prepare creole hen to her husband for lunch, but the money is not enough. Without wishing it, she wins a Polaroid camera in a raffle, so, she proposes her husband to take pictures of their lives in the country. But the camera roll ends up, and the hunger persists.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaona, Iván D.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/portraits/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">49c84752-4d6f-4000-8805-4f22a1d8a0aa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    ck 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Tiple</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">El tiple</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Pastor's wife Veronica has become ill in bed so he decides to sell his musical instrument (the tiple) secretly in order to buy the medicines she needs. After he sells it, Pastor arrives at home heartbroken but he finds his wife in a better health condition. Veronica asks Pastor to play her a song with the instrument, so he'll do what it takes to get it back.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gaona, Iván D.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-tiple/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b3342763-27f5-4af6-a251-5a27bcb0c791</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ck 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Cow Tongue Flower</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La flor de la lengua de vaca</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the gates of the peace in Colombia, the young Camila, a FARC`s member, face to a painful memory of her childhood, the day in which her father tried to rape her, in an internal struggle from where she will come out transformed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reyes, Germán</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-cow-tongue-flower/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6a84132e-5418-467d-b4ec-138ffc2dbe78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2012    ag 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nicaragua...The Dream of a Generation</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nicaragua...el sueño de una generación</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On July 19, 1979 become the triumph of the Sandinista Popular Revolution. The Nicaraguan experience was the last cry of freedom in Latin America, won the support of a whole generation of militants and led to believe that the dream of the revolution was possible. After more than 30 years of the triumph of the Sandinista Popular Revolution, a group of argentine “internationalists” recalls their own participation in this latinoamericam heroic deed. For some of them the revolution is as valid as the early years, for others it is only the memory of past militancy and dreams realized... To all of them, Nicaragua marked their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burak, Daniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Persano, Roberto Sebastián</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nacif, Santiago</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/nicaraguathe-dream-of-a-generation/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bbf4f57b-4380-46de-ba60-c0da932f93ad</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    ag 081        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Shame and Respect</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vergüenza y respeto</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It’s not easy being a gypsy and, for a payo (that is to say, for a non-gypsy), it’s also not easy to understand what that implies –prejudice, it’s known, never allows one to see clearly. Shame and Respect is built up on the opposite side of those prejudices. It’s a restrained documentary that stops to observe (never to judge) the everydayness of a gypsy family in suburban Buenos Aires.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lipgot, Tomas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/shame-and-respect/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7afbafea-97d6-4b66-ab56-c477200d552a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    sp 059        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="a">cu</subfield><subfield code="c">es</subfield><subfield code="c">cu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">CarHavana (When There Is Not)</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">CarHavana (cuando no hay)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The "carro" is the protagonist of this documentary which talks about the particular inventiveness of cubans, doing a historical review of the last 50 years of the country.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Montejo, Manuel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/carhavana-when-there-is-not/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">99205908-743d-4b27-b916-d7966582c6f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    mx 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="a">xxk</subfield><subfield code="c">mx</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Siblings</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hermanos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Hermanos" tells in parallel the story of two Mexican brothers that want to go back to the US after being deported for life, with the story of an American woman who lost her house and today believes she can get it back through Trump’s promises. Their journeys take them on road trips to meet with their past and with relatives who they believe can help them achieve their dreams.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plancarte, Laura</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/siblings/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">704058bb-224e-4ddd-9131-eb3f7595554d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    rb 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Distances</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Las Distancias</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Indira, a Cuban actress, succeeded to flee to USA but her emigration inflicted consequences on her family. In Santa Clara (Cuba) she left 11-years-old son Leandro and other members of her numerous family. Settled now in New Jersey, Indira struggles to adapt to cold weather, different mentality and to a completely new social system. Her "American Dream" turns to be an "American Nightmare", while her son Leandro is waiting in Santa Clara for her to settle so he can come and live with her in USA.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vojinovic, Nemanja</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-distances/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e82e5612-0059-4c54-b860-8fb9e7e5a842</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    ck 058        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Sucundún: Making Cumbia Music</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Sucundún: Haciendo Cumbia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Cumbia broke down borders and traveled the world indiscriminately to become music throughout Latin America. But how?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Murillo, Jaime Eduardo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-sucundun-making-cumbia-music/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">24862cb3-7c27-4451-9d3c-4df583bcca64</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ag 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Shadows of Light</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sombras de luz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Argentinian photographer Carlos Bosch, goes through an intense creative crisis. Cut off from photojournalism, he is looking for a way to represent his present fears, inspiring a debate about image, freedom and market.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Henríquez, Daniel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/shadows-of-light/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6e6319e7-1f50-4f50-bc54-0644c174269a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    sp 056        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Searching for Umami</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dani Garcia offers a tribute to one of his gastronomic idols, Nobu Matsuhisa, the main exponent of Japanese cuisine worldwide. In his kitchen, an element is present, umami, which provokes different interpretations among chefs from all over the world. Taking advantage of the company of the best Spanish chefs gathered for this event, the documentary, as well as reflecting on those days, try to explore the opinions of each one of them about Umami.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Iñigo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jönas, Virginia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Javier Ruiz, Jesús</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/searching-for-umami/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7f2b2e87-8408-42b8-843e-da9c3c8239fb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    sp 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Deconstructing Dani Garcia</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Deconstruyendo a Dani García</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dani Garcia, one of the best chefs in Spain, find himself and his career in a critical juncture. In January 2014, his restaurant closes, he is a chef without restaurant. The Michelin stars and his credibility are at stake.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Iñigo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cortés-Cavanillas, Alfonso</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/deconstructing-dani-garcia/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bcaf5489-9037-4dab-b84f-ab8cb1e54840</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sp 051        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Welcome Monsieur Robuchon</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bienvenue Monsieur Robuchon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dani García offers a tribute to one of his gastronomic idols, Joël Robuchon, one of the best chefs in history. Robuchon is a world figure that has marked the cuisine of several of these great chefs, who now meet in Marbella to offer a dinner tribute to one of their teachers. The complicity, love, work well done, are values on which this documentary pivots, in which a meeting between friends ends up being a whole celebration of gastronomy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruiz, Iñigo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jönas, Virginia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Javier Ruiz, Jesús</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/welcome-monsieur-robuchon/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b3c5f9ac-cd7c-4120-bc6c-4f4d2c0e5b3a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sp 073        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="h">baq</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">BD13</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bihar Dok 13</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the Basque Culinary Center, 5 young talented students of cutting-edge gastronomy from all over the world will go back to the past to create the menu Bihar dok 13. They will travel to 1966 to discover the decade that would change everything in Basque culture. With five special events, we will discover the movements Gaur, Ez dok amairu and the spiritual father of the BCC, the Basque Nouvelle Cuisine. The “Bihar dok amairu” menu prepared by the young chefs will be served during a special meal and enjoyed by the most relevant personalities in Basque culture today, uniting new artists and musicians. The old generation will symbolically open the door to the new.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berziartua Arruabarena, Aitor</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iriarte Álvarez, Ander</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bd13/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8728a2d6-bbff-4249-be1c-c8c9317ea3d2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    au 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="h">rum</subfield><subfield code="h">ukr</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Please Hold The Line</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This film follows cable technicians in Moldavia, Romania, Ukraine and Bulgaria as they visit their customers, entering each time in their own individual universe. It catches our eye with its skilful editing, colourful glimpses of local stories, and fierce view of a so-called connected society in a region that has been torn apart by nationalism. It also demonstrates in a humorous way our dependence on communication technologies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cuzuioc, Pavel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/please-hold-the-line/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">44016345-712b-44ec-975b-728cb022b475</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    gw 066        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">gr</subfield><subfield code="c">de</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The New Plastic Road</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Davlat is a Tajik merchandiser and a humble father of three children. A well respected businessman in the Pamir area, a mountainous region southeast of Tajikistan in the borders with China. His life has been transformed since the opening of the Tajik-Chinese border and the reconstruction of the old Silk Road: a road full of surprises and new experiences for Davlat and his family.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsaousis, Angelos</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Papadopoulos, Myrto</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-new-plastic-road/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7bffe168-9408-45a3-a115-a4b2f8c9f8bb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    dk 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Show Dancer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lasse is a show dancer and loves the euphoria of the limelight. 15 years ago, he was known as Laze: a step-dancing pop star with the single hit ‘Steppin Out’. Lasse has a party cocaine habit, which gets worse as the limelight fades. Since the release, his life has been a schizophrenic roller coaster ride with dance, drugs and prison sentences. Now, Lasse is heading to prison again, and he has decided that this will be the last time. Lasse wants to decisively cut ties with his chaotic life, where the dream of a career, a girlfriend and a family is being suffocated by drugs, death threats and the hunt for intensity. "Show Dancer" follows Lasse’s struggle to take control of his own life, where a prison sentence becomes a turning point. His longing for a life beyond addiction leads him to believe in a brighter future with an education and a family, but the simple life turns out to be harder than expected, and the pursuit of the intense life once again becomes a way out.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eckstrøm Jensen, Lasse</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Flensted-Jensen, Laurits</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">182c8582-9571-4993-a4b5-485293e808ed</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    hu 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Her Mothers</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As Hungary’s political climate becomes increasingly radicalized, Virág, a former green politician, loses faith in the democratic parliament of Hungary and retires from politics. She and her musician partner Nóra decide to adopt a child and focus on building a family together. With a sensitive lens and close access, directors Asia Dér and Sári Haragonics follow the two women through their long and ultimately successful adoption process to bring home their young daughter of Roma origin. But tensions begin to rise between the two as Virág thrives in her role as a mother and Nóra struggles to find her place within the family. As the rising tides of hate and homophobia in Hungary begin to overflow into their family, their lives hit a boiling point and they must face the difficult decision of whether to leave their country behind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dér, Asia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haragonics, Sári</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/her-mothers/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">eb13673a-baf3-4a9c-9e03-8a1ccd4582f2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    xxu096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Represent</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the heart of the American Midwest, three women take on entrenched political systems in their fight to reshape local politics on their own terms.</subfield><subfield code="b">"Represent" is equal parts personal and political, and interweaves the stories of women on both sides of the aisle who share the singular goal of improving their community through public service. Myya (22) attempts to spark a youth movement and unseat the incumbent mayor of Detroit, MI; Bryn (33), a farmer and a working mother in Granville, OH, runs for township trustee, but, in doing so, is placed in opposition with the only other woman in office; and Julie (47) walks a tightrope between her identities as a Korean immigrant, woman of color, and Republican candidate for State Representative in a liberal Chicago, IL suburb. Through portraying the nuances of local politics, Represent elevates both the systemic failings and unsung heroes at the heart of our “smallest” elections.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bachelder, Hillary</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/represent/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e95a3dd3-548a-48fd-981c-a94c1c6aa073</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    bl 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">xxu</subfield><subfield code="c">br</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Ecstasy</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Êxtase</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Racked with anxiety in the chaotic political landscape of 1990s Brazil, Clara finds solace in starving herself, experiencing both rapture and torture. In this elliptical non-fiction film, anorexia becomes a way for Clara to challenge womanhood and find a place in an uncertain, surreal, and brutal world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Passoni, Moara</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ecstasy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0b2fb82b-e231-420c-8ead-aeb67151ecdc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    hu 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Return to Epipo</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Visszatérés Epipóba</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the last decade of socialist Hungary – Epipo, an imaginary democratic country was the place of a magical summer camp that every child wanted to go to. But in the shadows of Epipo’s own language, passport, anthem and rules, the camp was also a place of humiliation and abuse. Twenty-five years passed in silence until a scandal shook Hungary’s elite. When the film director and ex-Epipo kid Judit is asked by her own daughter for permission to go to a summer camp, she feels the need to resolve the unanswered questions from the past. She embarks on a quest to find out the unique ties of Epipo identity that impact the former camp community until today.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oláh, Judit</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/return-to-epipo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3a25ed6a-9259-4979-b383-1b5f76439212</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    fi 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fin</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fi</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Själö - Island of Souls</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For centuries, a closed institution served as a final destination for socially transgressive women at Själö, an isolated island in the Baltic Sea. The outcast women were kept there in detention, to be observed, studied and measured – in much the same way as the surrounding nature is by scientists at the now converted research center. While a young scientist is collecting samples around the island, the past emerges in the whispers of the unsent letters and empty rooms of the hospital. The space fills up with hidden memories as the invisible archives come alive. Whose stories are remembered and whose are forgotten?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Petronella, Lotta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Inkinen, Jasmin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Petronella, Lotta</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/sjalo-island-of-souls/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8b0d98f0-8cba-4e1b-b3fa-1179b241d9c4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090321.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    it 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Big North</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">SOGNI DI GRANDE NORD</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Big North" is a Feature Documentary, a journey of an Italian multi awarded writer, Paolo Cognetti, in the footsteps of the writers who mostly influenced and inspired him as a storyteller (Jack London, Hemingway, Henry David Thoreau, Carver, Alice Munro). The Documentary explores the relationship between mankind and wilderness, in a long trip that will take Paolo through British Columbia, Yukon, Alaska, meeting people who are currently living in the woods and exploring the origin and the controversies of their choices. This lifetime adventure will end on the Stampede Trail in Alaska, all the way until bus 142, where Chris McCandless ("Into the wild") reached the final stage of his lifetime spiritual search and journey.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cognetti, Paolo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Acocella, Dario</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/big-north/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">483162b8-1f34-4980-94fe-766f60481886</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2020    dk 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">er</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">ee</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Meanwhile on Earth</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When we die, there are still some practicalities that need to be taken care of before our time among the living is finally over. In "Meanwhile on Earth" we enter the world around our end station, an industry of death. It is a place where the existential meets the mundane, the sacred meets the profane.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olsson, Carl</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/meanwhile-on-earth/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">71a40c0d-b858-431d-9d39-aa669fd570a6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    dk 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dan</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Love You I Miss You I Hope I See You Before I Die</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A harsh and dreamy story of a young girl and her longing heart. Through Betty, living below the poverty line in suburban Colorado Springs, we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marie Rødbro, Eva</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/i-love-you-i-miss-you-i-hope-i-see-you-before-i-die/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d62f3480-16ce-40b0-be7a-7f0ae741e080</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    xxc078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Who Farted</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Writers and directors Albert Nerenberg &amp; Nik Sheehan’s documentary film "Who Farted?" is billed as “the world’s first climate change documentary comedy”, and that does seem completely apt. The film discusses greenhouse gases and their effect on climate change, but with a lighthearted, comedic, almost goofy tone. While you don’t believe this is an issue to be taken lightly, to the doc’s credit, it utilizes its lighter approach to make its heavy (and potentially catastrophic) subject matter more accessible, particularly for younger people.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nerenberg, Albert</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sheehan, Nik</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/who-farted/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">deaebf54-c819-4037-bc51-a8af377735b7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2002    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">UNDRINkABLE WATER</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">飲めない水</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">You can't drink the water in the video, like "a piece of bread drawn in a picture".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b42fc965-eb20-493f-a4f0-6a95a2a9a98b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ja 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Running Body</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">走る身体</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">How can we recognize the “running” movement? An experiment that disassembles the movement of the “running” video shot in live action. Produced rotoscope animation from live-action video is taken digitally. This work analyses the movement of one person's body and how the person recognizes the movement with the naked eye.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maruyama, Makiko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f503d3b-611d-4cd4-a6e9-18d978478556</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2010    ja 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Story With No Words</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">言葉のない物語</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A girl, who lost her friend, falls asleep as she’s been exhausted by crying. She has a dream, where she sees another form of this world and there she meets something that’s meant to be her dead friend. It has no shape and it seems invisible. She comes across it many times in her life, as it contacts her again and again.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maruyama, Makiko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">65dccd9f-1ebc-44b6-9fa0-bbc0aa29c592</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2007    ja 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Song of Kijimuna</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">きじむなのうた</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Japanese people used to believe in nature as a superstition or religion for a long time. In Okinawa, they still believe in its spirits. Okinawa islands are at the bottom of economic disparities. But people from the main island of Japan tend to see Okinawa as a utopia. While bringing Okinawa as a theme, where they have many different problems, this song has been created for children. The creator has visited Okinawa as part of her fieldwork. All the characters in this work have been made after actual people.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maruyama, Makiko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">379ac90a-7e8e-4244-a198-94d27dc3ac02</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2001    ja 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Unstable People</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An experimental video work which is composed by loops of 1-frame unit (the most minimal unit of video movie = 1/30 sec) image and sound. How can these video clips hold their intention, when do these lose their intention, or can the media present a new sense of value as it is being multi-layered?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taki, Kentaro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7c7b2986-e583-4fdd-b5ef-9546233ace48</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2004    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">jpn</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Prologue</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This is an experiment of video-media, which attempts to interpret the media society and the globalizing world while capturing the modern city image as disguise. With the approach different from politics, science and philosophy, we try to find out the possibility of video art today that exists in this society under such an environment. This work is a prologue to it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taki, Kentaro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">45a9110b-c897-43cf-87c3-376df61dc428</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2004    ja 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Exchangeable Cities</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The globalization and huge infrastructure in order to equalize the world. Those present us information and urban space which have the same quality and are homogenized. To represent the fake city which is assembled with many elements of the world. The spectacularization of the city has the same meaning that overflows of images.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taki, Kentaro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">720322d7-90c9-48f4-8d92-39cb58dec904</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2011    ja 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tangram</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The videos from my shoots are pieces of a puzzle. I turn and combine these pieces, which were shot before and after 3.11, to form the times and perceptions I lived through.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taki, Kentaro</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">524e2a2c-3333-42e3-90f3-ec3678bbb012</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s1992    ja 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Maria Maria Maria</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An image inspired by Leonardo da Vinci's "Annunciation". Archangel Gabriel flies in a storm of electromagnetic waves originating from the beginning and tells the virgin Mary the conception of the Son of God. The shock wave that had spread to Mary was frozen in the time of the painting "The Annunciation", where it is now repeated indefinitely. The miracle and the mysterious shock wave spread to the present age and the future.This work was made as a painting installation and a 26-channel multi-channel video installation. This animation is a re-edition of the video streamed here.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">152a9958-9cd2-4f0a-af40-fca51d714853</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s1986    ja 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">move</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">動</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A photo captures the moment of an event. But there must have been unrecorded time between those countless photos. This work is about the imagination of time lost without being recorded in countless photographs. Looking at several photographs that are traces of past events, I fantasize about events and scenes that were not photographed. And I connect one photo with another by hand-drawing animation while maintaining a realistic image. I decided to draw the animation that connects each photo, keeping in mind the different types of camerawork techniques and editing effects that connect the shots in the movie. It also includes delusional intervention in photography. This work is also a meta-picture work in which a fictional movie is drawn by hand drawing. In other words, it is an animated fake documentary that traces reality and fiction.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c87e76a6-db45-4a76-ab21-50c1191e5cad</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s1984    ja 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Coelacanth</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">シーラカンス</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The coelacanth, as a time capsule of life's memory, conveys the actual form as it is across time and space. At some point, primitive life, which has followed the process of evolution, punctuates the process and keeps its memory extended to a fish called coelacanth, which is an immutable form of life. The fish, which lurks silently in the abyss of the deep sea, goes beyond being just a living individual to its existence by the time of the universe.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8fdde3bc-d1f8-4d64-864e-f79e223dfb3a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2002    ja 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">UN ANGE PASSE</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">沈黙</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">During a sudden silence, people say the angel is passing by. This is a record of the time of silence, which is a rift in everyday life. When we reconsider the view of time and space clipped there, countless events that were unnoticed are reproduced like the traces of an angel passing by. This is the recording and reproduction of the scene and silence of the event that is happening in one corner of the world without anyone noticing it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e665e2e0-e8e3-4747-ac62-8b2d208b4454</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2001    ja 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">STEPS THROUGH THE FOREST</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">森の足跡</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The shadows of people in the aerial corridor look like a flock of people wandering in the deep forest. The concept of this work has two sides. The first is to re-experience the appearance of the world hidden in the scenes that we usually overlook as "the appearance of the world that once existed." Because the scene does not already exist except as an image. Second, the image of the scene converted into a video is different from the one-time appearance of the world. And to think about why it attracts our attention for some reason, even though it is a virtual image that repeats over and over again. In this work, the aerial corridor was first photographed with an 8mm film camera, and then the film image was copied and photographed with a video camera and converted into digital data. At the editing stage, the playback speed was changed to create a new video image work different from film. This work has an installation version in addition to the single-channel video work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">eb6410c5-0413-40ec-a7d5-2c75de64bdc0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s1994    ja 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">And I see you see me see you</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An endless cycle of  "I see you, see me, see you, me...". People are strangers  to each other. I am the subject who sees you, but at the same time, the object that you see. In this work, the character is the object to be seen, who simultaneously  looks back at the viewer you. The viewer experiences at the same time that he is the subject who sees and the other who is seen back. The relation between "I" and "you" is transmutable like a commutator, that occurs not only alternately but simultaneously.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aiuchi, Keiji</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3348e74f-a5d1-4b23-9628-cffeb6ce73b6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2011    xxk005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">ja</subfield><subfield code="c">gb</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">JOYZ - ELECTROPIA</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A rhythmic journey of a girl lost in a colourful world.</subfield><subfield code="b">"Joyz" is a music collective of Gainen Hoshino and Keyossie, based in Tokyo Japan.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3bb61cd2-6314-4191-a48f-a6e02369bbdd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2003    xxk002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Diametric Artemaid</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Visual experiment of analog animation movement, collaboration with a London based artist, Ebe Oke. This is the first collaboration of two directors  in 2002,  full of rough energy of youth that is seeking for something undefined in life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b349e46f-cda2-4972-9068-2b43be1e1a35</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2005    xxk004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Multifaceted</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Just as a tree is a tree from any of 360-degree angles, everything that surrounds us contains a multifaceted element, including us. The work attempts to show cubism with moving images. The reason why the camera is at a fixed point is that the audience can choose what they want to see at their own will.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c8d0b39a-ee8d-4e37-8245-ea60c8a2a588</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2003    xxk003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">HELLOBYE</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The visual pleasure of analogue animation movement.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c0781517-5509-4143-add0-4325ac37e1b1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2010    xxk001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Resolution of the Congress 1962</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The found footage of actual audio recording of John F. Kennedy was used for this work. This is an experimental work in which the artist attempted to disrupt the original meaning of the words by disintegrating the source material and reconstructing it with the technique of collage. The reason for using the historical audio was to effectively present an example of how different aspects can be revealed through strange combinations.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6fc58c32-56a7-4bd0-9d02-9ac05b4e6009</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2009    xxk007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">dk</subfield><subfield code="c">gb</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Allegory of Mrs.Triangle</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"The Allegory of Mrs. Triangle" was made during a three months residency at Animation workshop in Viborg Denmark. It is a semi self-portrait work that interprets and metaphorically expresses the events and feelings that the artist experiences in her daily life. For this work, stop-motion animation is combined with digital animation technique. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okaku, Noriko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7e17fde2-1e99-46b5-a5ba-681646fb00af</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    xxu082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Destruction of Memory</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The purposeful demolishment of buildings, books and art as part of war has wrought catastrophic results on every continent. Leading up to the destruction of historical cities such as Aleppo and Homs in Syria, this deep investigation spans over a period of more than 100 years. We take a close look at the devastation of cultural, religious and historical heritage as a means to erase collective memory and identity and gain new insight into how such crimes against humanity have been combated in international politics.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Slade, Tim</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-destruction-of-memory/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b688cf68-87ea-4618-bf28-073be797734f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    dk 079        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">fr</subfield><subfield code="a">mg</subfield><subfield code="a">sa</subfield><subfield code="c">dk</subfield><subfield code="c">fr</subfield><subfield code="c">mg</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Return of a President - After the Coup in Madagascar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A military coup d’etat in Madagascar in 2009 lands the democratically elected president in exile in South Africa. With unique access to President Ravalomanana and his advisors, the film tells the unusual inside story about political intrigue and power, and the role the former colonial powers play. Ravalomanana will run for the presidential elections in November 2018.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mik-Meyer, Lotte</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/return-of-a-president-after-the-coup-in-madagascar/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c3fabe2f-c202-4913-a288-6a984924057c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xxk092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Workers Cup</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Workers Cup is a personal look inside Qatar’s labour camps, where the FIFA World Cup 2022 is being built on the backs of a million-plus migrant workers. For the first time ever a film team gained access to the most controversial construction site and gave voice to the workers following their enthusiastic preparation for their own soccer cup. Producer of the film Rosie recently won an Emmy for Best International Current Affairs Documentary 2016 for "Escape from Isis".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sobel, Adam</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-workers-cup/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">cc2c7e75-e995-4871-9467-628c2036bb0d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    sp 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Walls</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The world is increasingly more divided by walls. There are human beings on either side of them. Brilliant editing connects people living and working on different sides of decisive walls between Mexico and the U.S., Spain and Morocco, Israel and Palestine, South Africa and Zimbabwe. A true cinematic experience, that is not entering the geopolitical discussion. But exploring walls as a global issue.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iraburu, Pablo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Molina,  Migueltxo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/walls/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e3ec065e-4aad-4d1c-9bf2-7b0bbb789b34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    dk 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bobbi Jene</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After a decade of stardom in Israel, the American dancer, Bobbi Jene takes intensity to a new level: she decides to leave her great mentor/choreographer Ohad Nahardi and the love of her life behind to return to the US. Determined to establish herself, she creates her own violently personal and boundary-breaking performances. A woman's fight for independence and the dilemma of its consequences.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lind, Elvira</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bobbi-jene/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3650c08c-a5cb-4923-8421-dcda561a07a1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    dk 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tha</subfield><subfield code="h">dan</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">ne</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">nl</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Heartbound</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An epic drama on cross-cultural marriages between Thai women and Danish fishermen, co-directed by Janus Metz (Armadillo, True Detective, Borg Vs Mc Enroe). Over a decade the directors follow four couples as they struggle to find a way out of poverty and loneliness and see their children grow up to heap the seeds or pay the price of their mothers' choices. A different kind of a love story.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Metz, Janus</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plambech, Sine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/heartbound/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dee3edb6-e516-4f5c-a83f-dd5ba3c95563</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    rm 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">rum</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rm</subfield><subfield code="c">ro</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Golden Girl</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For the Romanian gymnast Andreea Răducan, the loss of her Olympic gold medal in Sydney 2000 is still a trauma. Fifteen years later, she tries to understand, through the eyes of an adult, what has actually happened.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robe, Adrian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morariu-Tamaș, Denisa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">11149ce5-75b8-4fd0-9f41-f01a8223084c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2012    bl 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Elena</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Elena, a young Brazilian woman, moves to New York with the same dream as her mother: to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven-year-old sister. Two decades later, Petra also becomes an actress and heads to New York. At first in search of her destiny, but increasingly, in search of Elena, Petra has only a few clues: home movies, newspaper clippings, a diary and some letters. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go. "Elena" is a film about the persistence of those memories, the irreversibility of that loss, and the impact the absence of her sister had on the seven-year-old girl.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Costa, Petra</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/elena/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ab4f315c-f222-4a11-86c0-d4bd379ac9e8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    le 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">le</subfield><subfield code="a">ts</subfield><subfield code="c">lb</subfield><subfield code="c">ae</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Beirut Terminus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Beirut Terminus” explores the notions of borders, identity and belongingness, within a perpetually troubled region of the world. Using Lebanon’s discarded railway and what’s left of its deserted infrastructure as its core scenery, the film interweaves personal and historical facts while taking a contemplative and geographical journey from the peripheral train stations of the country, towards the central station of its capital Beirut, in an attempt to analyze, question and understand its past, present and uncertain future.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kamal, Elie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/beirut-terminus/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">23bb542d-c6d0-4915-a4a7-4a87c10cf300</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    mv 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rum</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mv</subfield><subfield code="a">rm</subfield><subfield code="c">md</subfield><subfield code="c">ro</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Soviet Garden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While investigating his grandmother’s mysterious death, Dragos, a filmmaker from the small, former Soviet country of Moldova, discovers a secret scientific experiment. Dragos unveils the secret plan of Nikita Khrushchev to transform Moldova into the Soviet Garden through the application of atomic energy in local agriculture.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Turea, Dragoș</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-soviet-garden/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c9ae2087-81b9-49c8-8d60-e641f764a094</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">lav</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">lv</subfield><subfield code="a">xxu</subfield><subfield code="c">de</subfield><subfield code="c">lv</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">My Father, The Spy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lešinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva was forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kilmi, Jaak</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grūbe, Gints</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/my-father-the-spy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ca5c7509-6bb2-430f-92ec-5b3acf7080d5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    sw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="a">xxk</subfield><subfield code="c">se</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Scheme Birds</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Scrappy Scottish teenager Gemma has never backed down from a fight. That was the way of life in the small-town, low-income housing scheme where she grew up, southeast of Glasgow. As Gemma used to say, scheme birds either get "locked up or knocked up," so perhaps her path is set. But her grandfather, who raised her from infancy, won't accept that.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fiske, Ellen</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hallin, Ellinor</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/scheme-birds/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">853c365d-4072-4b44-a0f4-37e37dcf2422</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gw 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">per</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">au</subfield><subfield code="c">de</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Born in Evin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Born in Evin follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world. Exactly forty years have passed since the monarchy of the Shah of Iran was toppled and the Islamic Republic declared. In the 1980’s Ayatollah Khomeini, the so-called reli- gious leader, had tens of thousands of political opponents arrested, perse- cuted and murdered. Among them the filmmaker’s parents who, after years in prison, managed to seek asylum in Germany. The family never talked about their persecution and imprisonment. Maryam Zaree faces the dec- ades-long silence and explores her own questions about the place and the circumstances of her birth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zaree, Maryam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bf8c3a1e-96cb-4b24-bf56-9334b89f2202</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Searching Eva</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Eva – 25, drifter, Berliner, poet, pet-owner, sex worker, virgo, recovering addict, housewife, feminist, model – declared privacy an outdated concept at the age of 14.</subfield><subfield code="b">This is the tale of a young woman growing up in the age of the internet, turning the search for oneself into a public spectacle, challenging you on what a woman „should be“. Through her fragmented personalities you see the emergence of a generation, in which the concept of a fixed identity has grown old. A portrait of modern existence.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hellenthal, Pia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">fea8a9b8-f668-4eb0-a9ce-e3f07c5ee5cc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090322.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    pl 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Diagnosis</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Diagnosis" is a journey into the depths of subconscious of a city formed by human beings. The inhabitants of the city undergo the sessions on the couch. Unlocked by formally trivial questions, they begin their journey into the depths of their own feelings and emotions towards the place where they live. The city itself is only a starting point but, over time, conversations get more and more intimate. The scenes from life, reminiscences and highly emotional moments interlace with the subjectively perceived shots of the city. They are blending together, complementing and interacting with each other. The fears of the film characters, their desires and unfinished affairs become the narrative axis of the film by constituting a common fate.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Podgórska, Ewa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/diagnosis/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7442906f-0601-49fb-8735-156784d0e71d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    hu 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="h">som</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Easy Lessons</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Könnyu leckék</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kafia is 17 years old. Two years ago, she fled to Europe, Hungary on her own, escaping from a child marriage in Somalia. She has been living in a state children’s home in Budapest ever since. She learns the language, goes to high school, prepares for the Hungarian graduation exam and starts a modelling career. On the surface, everything seems fine. However, behind that beautiful and confident appearance lies a heavy heart. Her repetitive daily routine revolves around constant dilemmas and self-doubt about leaving behind her Muslim culture and everything else she grew up with. As she lets the camera get closer to her the film slowly becomes an intimate confession. What does it mean, on the brink of adulthood, to break with your past and fully give yourself up to a new self in order to live in Europe?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zurbó, Dorottya</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/easy-lessons/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b2be6a99-da38-4359-a90d-257c8cddba7f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    fr 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">geo</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gs</subfield><subfield code="a">gw</subfield><subfield code="c">fr</subfield><subfield code="c">ge</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Before Father Gets Back</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sanam Mama Dabrundeba</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village of Georgia. The light from the projector breaks the darkness: the kids' first cinematic experience is about to begin. Among them are Iman and Eva, two Muslim girls for whom the experience becomes a turning point and inspires them to take the camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people are living in a constant fear of their relatives sacrificing their lives in the name of God.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gulbiani, Mari</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/before-father-gets-back/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9beeb8f6-8808-41f7-9735-d85a58f126ae</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sw 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Giants and the Morning After</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the beginning of time, giants created the mountains and deep forests that surround the small town of Ydre. It’s now one of Sweden’s smallest municipality, and has a population of just a few thousand, which is carefully looked after by the friendly and idealistic mayor. He is ready with gifts and big smiles every time a child is born and he can note that Ydre has a new inhabitant. In the meantime, youths and elderly people are working and living their lives. It’s a cinematic film about responsibility, love for the community and sense of belonging told with an anchored humor about ordinary enlightened moments of everyday on-going life. Creation myths, fables and everyday realism are mixed with understated comedy in an atmospheric and moving film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grapengiesser, Malla</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bifrost, Per</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rynéus, Alexander</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/giants-and-the-morning-after/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3eb7212c-929d-447e-96f7-0482e4010206</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    fr 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">I See Red People</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Je vois Rouge</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime?</subfield><subfield code="b">And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey, a mix of an espionage and a family film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Panayotova, Bojina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/i-see-red-people/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">941ae601-1e93-45b0-9ce5-f672ac994276</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    hu 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bur</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Next Guardian</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a remote village in the Himalayan Kingdom of Bhutan, Gyembo (16) and Tashi (15) aimlessly roam while their father meticulously polishes the ancient relics inside the altar of their family monastery. This family has been taking care of the monastery from one generation to the next for thousands of years. Following tradition, the father wants his son Gyembo to carry on the family heritage but he has other desires just like his sister. The film through bittersweet micro-situations takes us inside a Bhutanese family where the contrasting dreams of two generations are caught in a time clash.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bhattarai, Arun</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zurbó, Dorottya</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-next-guardian/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f49cc6c5-3990-4728-aec6-93df810b0527</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    bl 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tranny Fag</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bixa Travesty</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Linn da Quebrada is a black transwoman from impoverished periurban São Paulo; she is also a pop performer who raises her voice for queers of colour from the favelas. Accompanied by her childhood friend and partner in crime, black transwoman and singer Jup do Bairro, her concerts are nothing short of dazzling. Aided by exorbitant costumes and plenty of twerking, her performances are onslaughts of electro against Brazil’s white heteronormative gender order and the machismo of the country’s funk scene. Private moments reveal her gentler side: as she showers with friends or cooks with her mother the talk turns to love, racism and poverty. Archive footage in the shape of home videos shows her in intimate performances at a hospital during her own cancer treatment. We begin to realise that Linn uses radical nudity as a means to undermine accepted gender roles. This documentary also shows her in dramatised radio interviews in which she powerfully espouses her convictions about feminism and her transsexuality: not for Linn the role of a cis woman; she’d rather be a woman with a penis whose gender identity is not bound by her genitalia but is in a permanent state of flux.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Goifman, Kiko</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Priscilla, Claudia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/tranny-fag/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a2a0fc74-6206-4378-b42c-c91acf359f38</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    mx 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mx</subfield><subfield code="a">xxu</subfield><subfield code="c">mx</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Juan of the Witches</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Juan de las Brujas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Juan of the Witches honors 82-year-old Juan Medellín's legacy as a founding company member of Mexico City's prestigious Ballet Folklórico de Amalia Hernández. An intimate portrait of a life richly lived and a testament to the power and the force of art, the film uses colorful hand-drawn animation to illustrate cherished memories from Medellin's childhood and introduction to dance to his heyday with the Ballet during its golden era in the 1960s and 1970s. Born from the director’s first encounter with Medellín on the day of the September 19, 2017 earthquake, the film is also a humble love letter to Mexico through the eyes of a foreigner.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Houchens, Andrew</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/juan-of-the-witches/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8d2ca734-72f6-4507-bf59-64f29a6ee284</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    sp 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Paradigma</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Innocence, sex and lust converge to tell the story of Guille, a teenager who seeks himself through others.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sandoli, Valentino R.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/paradigma/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">afa30b43-6496-4650-9608-29b6ac88c73a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    xxk012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Stretch</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sebastién is a gay acrobat living for the thrill of the circus. Now the oldest acrobat in the troupe, he fears each show could be his last, as an uncertain future awaits. This beautifully languid documentary catches the final leap of a long, idyllic youth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bedwani, Jay</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/stretch/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a1694cc9-3bf7-4cdd-9092-3b19609b5d34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    sp 066        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cat</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Off-Road. Mugaritz, Feeling a Way</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">La Fura dels Baus distils what they consider essential in this world, their most intimate philosophies. The ideas behind the work, the way trouble is overcome, what is suffered and enjoyed, what excellence means to them; to sum up, how Mugaritz is created and destroyed constantly. Risk is constant, that is the idea behind the title, but it is also proof of the wisdom that comes from the effort and work of many people that have been, are and will be in Mugaritz; a place where the culinary goal has been surpassed by the creative process and its possible variations.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gatell, Pep</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/off-road-mugaritz-feeling-a-way/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">66b6e9b6-1eb1-4c28-9f1f-c6fe5add46d1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    ne 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="a">bl</subfield><subfield code="c">nl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Streetkids United II - The Girls From Rio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Brazilian girls' football team is followed as they prepare themselves for the tournament that will change their lives forever, the Street Child World Cup. In the midst of police and drug gangs confrontations the Favela Street Girls strive to keep their dreams alive.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Clara, María</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/streetkids-united-ii-the-girls-from-rio/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bcd907d0-45d4-41fe-ac0c-aa62af26d4a5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sp 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gallo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Gallo lost his sight in a fateful accident while he was surfing. He was 39 years old. Far from giving up, he went back to surfing again and in 2016 he has won the World Adaptive Surfing Championship. Gallo wants to prove that people with disabilities can take any challenge they set themselves, and he will face one of the most difficult and dangerous challenges of his life: surfing a big wave. To succeed in his adventure, Gallo will have to prepare himself both physically and men- tally, but above all else he will have to overcome the doubts and fears of having to relive the accident that left him blind.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Díaz Huerta, Antonio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/gallo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8e86c257-f452-4c66-935c-e94868c63560</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    it 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">ArtQuake. Art is Fragile. Art is Alive.</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">ArtQuake. L'arte Salvata</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The condition of Italy is unique in the world: it has a priceless historical and artistic heritage and is at a high risk of earthquakes. ArtQuake looks at this exceptional situation, discussing in depth the relationship between human communities, natural phenomena and artistic creation: a relationship that is upset and reasserted by every earthquake.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Calderone, Andrea</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/artquake-art-is-fragile-art-is-alive/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">99da10f8-e7ad-4595-b0fa-57e13f63d7b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    sw 079        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">After Inez</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Efter Inez</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The young couple Denize and Filip have it all prepared: the crib, the pram, the tiny clothes, even the car seat is ready for the baby they're expecting any day. But at a routine check up close to expected delivery date, the midwife's face suddenly freezes. There's no heart beat to be heard. Little Inez has died in the womb. After Inez is a film about how to survive grief. It explores individual differences in mourning, as well as gender patterns and taboos in our society. And finally, it leaves us with an unexpected smile, a warm feeling and a happy end.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ekberg, Karin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/after-inez/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">53a42228-e1fa-41fe-a594-32f9d015e15a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sp 069        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="a">ve</subfield><subfield code="c">es</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Broken Country</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El País Roto</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">We plunge right into the epicenter of the current crisis in Venezuela through the voices of its true protagonists. "The Broken Country" is five intertwined stories showing how the citizens are making their way through the remains of a run-down government.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Silva Franco, Melissa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-broken-country/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">eb6ac796-8e9f-4f65-9f3a-6f87a6552ec2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gw 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">xxu</subfield><subfield code="c">de</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Growing Thing</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With only a 5th grade education, Jabulile Ndaba, a tall black woman with a contagious sense of humor, never thought of herself as a manager. Now she is a leader-in-training at a women’s project near Johannesburg. The project, Kopanang, enables women to earn money through embroidery -- and enables Jabulile to learn management skills. Jabulile is the sole provider for her large family. Her husband drinks away his earnings at the local bar. When Jabulile discovers that their teenage son has started smoking the highly addictive street drug “nyaope,” she determines to do whatever it takes to help him quit. Kopanang is run by an Irish nun who is training the women to run the project by themselves. When she announces that she will be moving to Australia, Jabulile and her fellow leaders are expected to take over the management of Kopanang: Can they rise to the challenge?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gross, Sarah</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/a-growing-thing/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">798fbf8c-40c1-4bb8-9854-e54fd166e0d5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    gs 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">geo</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gs</subfield><subfield code="a">gw</subfield><subfield code="c">ge</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dazzling Light of Sunset</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dariko, the only local television journalist in a small town in Georgia, strives from one report to the next to provide a pseudo-ethnographical portrait of a community and its traditions. Like Virgil with Dante, she leads director Salomé Jashi through the Georgian “circles of hell” in a microscopic tragi-comedy that reveals a country in perpetual transition.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jashi, Salomé</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/dazzling-light-of-sunset/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4b037a94-316e-4b66-892e-414a25218df6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    rm 066        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rum</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rm</subfield><subfield code="c">ro</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Mere Breath</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A Mere Breath explores the profound contradictory nature of family love. both a journey of initiation and a theological parable, the film follows 7 years in the life of Sicrea family in Romania, capturing, in painterly tableaux of sheer poetry, the trials and tribulations of Dobrin, his wife Lia and their 3 children. Dobrin is waiting for a miracle to happen, to enable his youngest daughter to get up from her wheelchair and walk. as we see his children becoming adults, we witness how his close connection to God deeply impacts the family relationships. The film reveals the absurdity and beauty, the frailty and power of the human being, caught between love and faith, earth and heaven.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lazurean-Gorgan, Monica</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/a-mere-breath/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">cf8c21e9-80b6-4ebd-ae12-b8c76723d5c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    au 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">ita</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Secondo Me</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Secondo Me" follows three cloakroom attendants at three European opera houses: Vienna State Opera, La Scala in Milan and Odessa Opera House. The film reverses the natural order of things, relegating the opera houses and operatic performances to the background, and bringing the ancillary staff to the fore. “SECONDO ME” is about the drama that can be found in the day-to-day lives of ordinary people, in their beliefs, emotions and concerns, and in their approach to the passage of time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cuzuioc, Pavel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/secondo-me/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">51bfcf4f-f78a-4239-9e30-7b3a3c547166</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    ne 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">dut</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bezness as Usual</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dutch filmmaker Alex Pitstra is 25 years old when he receives a letter from his Tunisian father, whom he hasn’t seen since his early childhood: the man wants to meet him. In the ten years that follow, Alex tries to build a relationship with his newfound family in Tunisia. He convinces his Swiss half sister Jasmin to do the same. In this fascinating family saga, Alex is facing not only the intercultural misunderstandings and failed expectations between him and his father, but also the relationship with his Dutch mother. What role should he play as a son of two cultures?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pitstra, Alex</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bezness-as-usual/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0bd88d6-cb98-41a9-8bbe-5113b640b086</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    bw 067        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bw</subfield><subfield code="a">bn</subfield><subfield code="a">ci</subfield><subfield code="a">ru</subfield><subfield code="a">rb</subfield><subfield code="c">by</subfield><subfield code="c">ba</subfield><subfield code="c">hr</subfield><subfield code="c">ru</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Road Movie</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Дорога</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This fascinating mosaic of asphalt adventures and landscape photography, in which video footage from a variety of dashboard cameras presents the absurd and frightening nature of Russia. Alongside a series of bizarre car accidents on the country’s roads, the dashboard cameras also capture other spectacles through the windshield, such as a hysterical wedding guest, a confused man and a horse- drawn sleigh. More than once, angry motorists brandish axes, pistols or sledgehammers at the camera, and at times the camera itself seems to come to life, when it is chucked out of the car or stolen by someone breaking in. The footage of spectacular trips through a forest fire, tall snowdrifts or flooded streets is almost poetic – and what’s that up there in the sky? Is it a plane crashing, or could it be a comet? Bemused commentary from unseen drivers and passengers or the sound of the car radio provides unintentionally comical moments. Would someone please call 911?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kalashnikov, Dmitrii</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">59a4bf4a-5f14-4959-ad75-7411c0941608</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    au 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">slv</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">xv</subfield><subfield code="c">at</subfield><subfield code="c">si</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Family</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Matej is born into a family of people with special needs in a God-forsaken village in a God-forsaken land, but is himself so one of a kind – neither different nor normal – that he seems to have completely escaped the pressures of his environment. Fate, nevertheless, catches up with him as he and his girlfriend have a daughter and their relationship collapses soon after. The custody battle ensues and is becoming ever nastier until Matej opts for a radical exit out of the vicious circle, both of family and life itself. The Family is a piece of cinéma vérité that covers a period of a whole decade, one that seeks feelings rather than sensationalism. A film without a screenplay, but with a multitude of screenwriters, both human and nonhuman.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Biček, Rok</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-family/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">111da0d1-b5b1-4abc-9e20-e88d8e628cfa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xr 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cze</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Nothing Like Before</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nic Jako Dřív</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">They are 19 years old, lead normal teenage lives, and attend the same school in a small Czech border town. The film portrays Teo, Renata, Anicka, and Nikola at a time when looming adulthood is beginning to cast an anxious shadow over their carefree high school existence. Each of them faces a momentous challenge whose outcome will change their life forever. And it’s not only about leaving exams. Who will succeed, who will fail, and who will truly come of age? The camera is virtually one with the characters for the most part, immersing the viewer in the world of each protagonist. Dynamic editing underscores the young generation’s restlessness and lack of focus. Nothing Like Before offers a cinematically captivating look into the lives of teenagers forced to grow up sooner than they would like.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kokes, Lukas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tasovska, Klara</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/nothing-like-before/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">24611148-c5e3-4662-b72a-efb21b0cdb17</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090323.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    sw 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sw</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="3" tag="242"><subfield code="a">An Army of Lovers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">En Armé Av Älskande</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">En armé av älskande is a documentary about queer filmmaking as a crucial part of the gay liberation movement in Sweden in the 1970s. In 1977, the same year that the first liberation march paraded through Stockholm, three pivotal queer films began production: Bögjävlar/Damned Queers, Kvinnan i ditt liv är du/The woman in your life is you and Eva &amp; Maria. For the first time, open lesbians and gay men were granted state funding for depicting their own realities, stories about finding love and community and confronting society’s rampant homophobia and traditional gender roles. In this documentary, rich archive is brought to life and recharged with urgency in dialogue with newly shot documentary scenes and interviews with the film activists of the 1970s, capturing the strength and magic in creating another world and living one’s own life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ryberg, Ingrid</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/an-army-of-lovers/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2c8bbc50-a457-48f5-bb09-f4b4390e9c69</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    xr 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cze</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Moravia, Beautiful Land</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Morava, krásná zem</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An experimental western horror film set in Moravian Slovakia brings a new perspective to the legend of St. Wenceslas. Against the shabby backdrop of village merrymaking, the legendary Prince Boleslav, a wine-cellar zombie, fights with his brother over the nature of Czech statehood and a plate of tomato beef stew. This film essay about the mythology of Bohemian and Moravian nationalism is a sarcastic depiction of meaningless tribal rituals that promote national identity but severely restrict “otherness”. The film sabotages the sanctity of folklore through the use of archaic film and video formats containing a number of mistakes and defects, a schmaltzy mix of brass band music, and the contrapuntal nature of the commentary.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Šprincl, Petr</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">fb5e1251-60b0-4eff-aec8-a93aed0ef94c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    rb 057        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Electric Orgasm for future generation</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Električni orgazam za generacije budućnosti</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Following the band Electric Orgasm on their overseas tour of the spring of 2018, we paint a portrait of one of the most popular and longest-ranging rock bands on the territory of the former Yugoslavia, revealing interesting and lesser-known details that made them their 39 year long career, all directly from the memories of the band members themselves.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vukić, Marija</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/electric-orgasm-for-future-generation/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">343b4084-aafb-4bbb-973d-a96540f1ec93</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    dk 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">fr</subfield><subfield code="c">dk</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nothing Happens</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The spectacle of watching and being watched.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kranot, Michelle</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kranot, Uri</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/nothing-happens/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2f7b5389-9fbc-4461-9ac1-f3a80a5c7b86</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    po 051        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Show Me Lisbon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The best way to discover a city is through its people. ’Show Me Lisbon’ reveals the city as seen by thirteen locals, or lisboetas – who were either born there or moved there by choice and who are of different generations, areas and backgrounds. The result is a dynamic, relaxed and realistic portrait of Lisbon that looks at themes such as what it means “to be a lisboeta”, the light, the river, the food, the sounds, the history, the ethnic mixes, fado and the city’s facades.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Freitas, Ricardo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/show-me-lisbon/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">19ba52e9-51e1-4973-a37e-fbae5eff08e3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2014    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Send in The Clowns: humour as a Weapon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A new type of activism is emerging that uses an unusual weapon to condemn injustice; laughter. We follow some of this new generation of activists to see what they do and if it works.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boudot, Martin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/send-in-the-clowns-humour-as-a-weapon/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">af3bc07f-eea7-4021-9e00-84410409cc26</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    xxu130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Emptying the Skies</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Based on an essay written by noted best-selling novelist Jonathan Franzen for The New Yorker and widely republished around the world, ‘Emptying the Skies’ chronicles the rampant poaching of migratory songbirds in southern Europe. Songbird populations have been drastically declining for several decades, and a number of species face imminent extinction. The film explores the wonder of these tiny globe-flying marvels, millions of which are unlawfully slaughtered each year for large sums on the black market, and follows an intrepid squad of pan-European birdlovers who risk their lives waging a secret war against poachers, disrupting illegal trapping and freeing as many birds as possible.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kass, Douglas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kass, Roger</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/emptying-the-skies/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">60968a7e-db59-4b5a-820d-a1e40c818d81</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2011    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Profile</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Caro is approached by Thomas, she has no idea of the surprises this encounter will bring … “Profile” is a gripping up-to-the-minute thriller about the dangers lurking in the world of facebook.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rositzki, Timo Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/profile/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">68f81a3e-4327-497b-bdc6-96a952abae74</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    sz 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">SUBOTIKA</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Subotika, a little-known island on the other side of the globe. Endeavouring to step up tourism in the Republic, the foreign minister commissions an advertising film. A film production about an enchanting country with extraordinary sights, grand visions and a couple of minor problems.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Volkart, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/subotika/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c9d56174-f811-4ed3-bda2-1e1c634bc79a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fluoride: a friend who wants to harm you</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2010, the WHO classified flouride alongside asbestos and arsenic as one of the ten chemicals that poses the greatest risk to human health. And even at low doses, its toxicity is worrying scientists. It can remain in the body for years and is transmitted to babies via breastfeeding. In this film, we reveal how, in the 1930s, fluoride was rebranded as being good for us and investigate some of the health risks associated with it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gloaguen, Audrey</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/fluoride-a-friend-who-wants-to-harm-you/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">43ec2f98-c5b9-46b3-beec-745fcaf50f7a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Meat Lobby: Big Business Against Health?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2015, the WHO listed one of the additives in processed meats as carcinogenic. That same additive was nearly banned in America in the 1970s – until lobbying from the meat industry discredited the scientists. We reveal how, to impede or halt regulations on certain additives, lobbyists have been working in the shadows for decades. From Brittany to Denmark, through California and Wisconsin, director Sandrine Rigaud conducted a year-long investigation on the tactics of the meat industry.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rigaud, Sandrine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-meat-lobby-big-business-against-health/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4b3c427a-43cc-4e83-a7aa-ab41a863b18d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    fr 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Love &amp; Sex in Japan</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the land of the Rising Sun, love and relationships are in danger. A quarter of all Japanese aged 30 to 40 are virgins and 50% of the population admits to not having sex regularly. Unsurprisingly, this has led to birth rates plummeting. 30% of Japan’s population could disappear by 2060. But what are the reasons for this detachment from the world of love and sex? Tough jobs, stress, money problems… not exactly an ideal environment for finding love.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lassaigne, Antoine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/love-sex-in-japan/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e7cf7bc1-8f12-4d4b-97cc-fdd94f0c8d6a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xxu092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Generation start-up</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Generation Startup takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit. Shot over 17 months, it’s an honest, in-the-trenches look at what it takes to launch a startup. Directed by Academy Award winner Cynthia Wade and award-winning filmmaker Cheryl Miller Houser, the film celebrates risk-taking, urban revitalization, and diversity while delivering a vital call-to-action—with entrepreneurship at a record low, the country’s economic future is at stake.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wade, Cynthia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Miller Houser, Cheryl</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/generation-start-up/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">eae068a5-05cf-49d2-8752-6c74d1547c5f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ci 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hrv</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="c">hr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The End of Light</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kraj svjetla</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a most real stage of all, a director of this hybrid film lets an unreal story flow. While Croatian nationalists stage a protest in front of the Rijeka theatre against its art director Oliver Frljić (a well-known figure to Czechs, among others), on a nearby island of Goli otok, amateur actors rehearse a surrealistic performance. Dilapidated buildings of a former concentration camp, secretly erected by Tito’s régime to hold political prisoners, serve as props of a Lynch-like scene in which smeared-faced actors become objects in the waxworks of their own dreams. The world of imagination and the world of bleak reality start moving away from each other.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suk, Aleš</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-end-of-light/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f1ea0185-a127-4eab-a31e-2537ffd515fb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    rb 049        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="a">gw</subfield><subfield code="c">rs</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Landscapes Of War, Landscapes Of Peace</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pejzaži rata, pejzaži mira</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In three autonomous yet interconnected chapters, the experimental documentary work "Landscapes of War, Landscapes of Peace" seeks to explore the possibilites of a landscape-focused approach to the topics of war and memory. Structured along the theme of “past-present-future”, the film uses a combination of archive, live action and underwater footage to depict the chronological events of the war in question - the Kosovo War of 1998 and 1999, the extant and disappeared remnants of this conflict, as well as a semi-abstract vision of a time in which everything is all but forgotten. Along this journey, the film incorporates and examines the questions of individual and cultural memory, the existence of alternative cinematic methods of accounting for the past and landscapes as potential transmitters of complex historical narratives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sekelj, Aron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d8e46081-0237-4c72-8d46-77ec78b317f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xr 063        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cze</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Alone</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sama</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Luba Skořepová has spent the past several years in solitude, struggling to stay an active theatre actress as long as she can. She invited the film crew into her home in order to shoot her daily life. Although the resulting film contains archival footage from her youth, it is definitely not a biographical film. The filmmakers focus on the present day, capturing scenes from the life of an old and solitary woman who possesses the will to live an active life but who is no longer important for others. Skořepová herself was behind the making of the film, through which she hopes to call attention to the subject of loneliness among old people.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faifr, Otakar</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/alone/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f2fe6ec4-f61b-4c77-872d-3e11cc63f422</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    xr 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">heb</subfield><subfield code="h">tgl</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Central Bus Station</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Elšík, Tomáš</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/central-bus-station/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0798249b-133e-423e-bbb7-9297cc700443</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    be 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">jpn</subfield><subfield code="j">eng</subfield><subfield code="j">por</subfield><subfield code="j">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">ua</subfield><subfield code="c">be</subfield><subfield code="c">eg</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fifteen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a hot summer day, a taciturn teen boy makes his way through the hustle of Cairo — with a baby in tow. His arrival at a hospital reveals the turmoil beneath his muted expression, in this stark and compassionate examination of trauma.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alaa, Sameh</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/fifteen/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7b4acbaa-5ead-45b9-8375-b25549c64207</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2011    ru 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ru</subfield><subfield code="c">ru</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Letter</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Письмо</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young Russian travels to Belgium to achieve his boyhood dream of becoming a pro cyclist. His team boss pressurizes him into the use of doping products. Slowly but surely, he loses his grip on reality and is drawn into the dark side of the sport.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mercken, Kenneth</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-letter/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6317e645-9748-4462-9e25-b3610d3133d7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2014    gw 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Last Will</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die Erledigung einer Sache</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">To fulfill the last will of his mother, the young JAKOB ADLER needs to meet his biological father, who is inmate of a forensic psychiatric hospital for murdering his own brother for over 25 years. Jakob wants to talk to the doctor in charge DR WEISS before and unfolds the true scale of the tragedy that happened long time ago.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loose, Dustin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-last-will/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a6d87f59-0a84-4f5c-89bd-64db04ebaaba</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    pl 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lost Senses</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A short story about an encounter in an abstract world, stylized as the paintings of Giorgio De Chrico. A Man is going to meet A Woman in abstract flying city. Will the lovers meet each other? A Man is trying very hard, like a parkour practitioner, climbing up on the buildings. One unguarded moment is enough to make him lose his senses. And his chance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wasilewski, Marcin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/lost-senses/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">69f7b4ee-d1f5-4225-aef1-b016801ccb44</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Job Interview</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Lisa applies for a job everything seems to be turning out pretty well. Until the boss Marie starts asking strange questions and the job interview turns out to be a little different than expected...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walter, Julia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/job-interview/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">df90488e-61a4-46be-a061-f9499329cef3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2010    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Almost</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Beinahe</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Oscar jumps on his subway as every day. But at that morning a side-glance wipes every ritual away...Catherine! Two unknown whose glimpses are coming across in the following weeks. Oscar knows that he would not show the courage to come in contact with her all the more after an embarrassing mishap so he is casting for another way to give her a sign whose uniqueness he is hoping she will understand.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Greiner, Uwe</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/almost/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2f92a540-26a9-4a2e-902f-2810a0cc2385</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    bu 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">bul</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bu</subfield><subfield code="c">bg</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Timmy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When an alienated mother returns to Bulgaria to abduct her own 12-year-old son, she learns that it is not always easy to avoid making the same mistakes. She is determined not to leave her son again.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yonchev, Lyubo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/timmy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2fe426ae-ae0f-44d5-9479-4f7109e8338c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    be 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="c">be</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MANU</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">MANU is a strikingly unique and touching documentary portrait of a very singular, uncompromising and creative character, the Belgian film director Manu Bonmariage. The film travels through his life and works, intimately captured by his daughter Emmanuelle. A playful declaration of love to documentary filmmaking and humanity, between a father and a daughter, MANU is an uplifting celebration of an endlessly curious mind in the midst of an illness slowly affecting his memory.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bonmariage, Manu</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/manu/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bc10fa95-21c8-444c-ac17-090ba1c15d9e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    fr 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gr</subfield><subfield code="c">fr</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Obscuro Barroco</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Obscuro Barroco is a documentary-fiction about the dizzying heights of gender and metamorphosis. It is also a cinematographic hommage to a land of extremes; the city of Rio de Janeiro, Brazil. Following the path of iconic transgender figure Luana Muniz (1961-2017), the film explores different quests for the self through transvestism, carnival and political struggle. In turn, it asks questions about the desire for transformation of the body, both intimate and social.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kranioti, Evangelia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/obscuro-barroco/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">fe5ecabf-e8ef-4bc6-b390-fe3040ed9236</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gr 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">jpn</subfield><subfield code="j">dut</subfield><subfield code="j">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gr</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sparkling Candles</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young guy, listening to "Power Of Love" on repeat, gets prepared to offer himself as a sex-toy to his boyfriend, as a celebration gift for their 3rd anniversary.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neofotistos, Thanasis</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/sparkling-candles/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c38142a9-c051-4d5f-971b-17f20982b9c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2015    be 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">spa</subfield><subfield code="j">eng</subfield><subfield code="p">eng</subfield><subfield code="p">dut</subfield><subfield code="p">ara</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">pl</subfield><subfield code="c">be</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Figure</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Figura</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's white and windy all around. A gigantic figure emerges from behind the snow curtain and hits the road. It passes towns, villages, houses, to land on top of a hill, next to spiders, saints and bumper cars. FIGURE is a surreal tale about creating myths, about religious kitsch, and about the desire for greatness. Who is our protagonist? The world's largest sacral miniature park resident. A gigantic contradiction.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gondek, Katarzyna</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/figure/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">de814e83-18ad-4464-a6f3-b7a284a2bd98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2009    be 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="j">spa</subfield><subfield code="j">ita</subfield><subfield code="j">fre</subfield><subfield code="j">dut</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">pl</subfield><subfield code="c">be</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Siemiany</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Andrzej and Michal are two young teenagers who come together every summer in the small tourist village ‘Siemiany’ on the countryside. Their friendship has grown into years of great memories. And the boredom of the countryside and the feeling of unity amongst the boys, takes their friendship to a new level of sexually loaded intimacy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McGoldrick, Philip James</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/siemiany/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">022446fc-6adc-4588-9387-8098a80ef95a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    xxc092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">bos</subfield><subfield code="h">hrv</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="a">bn</subfield><subfield code="c">ca</subfield><subfield code="c">ba</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Stone Speakers</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kameni Govornici</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Present-day Bosnia-Herzegovina is a country still reeling from the civil war in the early 90s. The Bosnian economy never recovered, and the country remains divided. In order to cope, many towns have transformed themselves into unique tourist destinations that bring together history, religion, politics and folklore. The tourist sites promoted are not only a reflection of people’s attempts to make a livelihood but are also a means to promote and establish competing narratives about the country’s past, present and future. The Stone Speakers explores four towns in Bosnia- Herzegovina through their tourism, slowly unravelling these competing narratives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drljača, Igor</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-stone-speakers/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0525ee88-deb9-4b99-8437-69f55d32dca8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ck 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lapü</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the middle of the Guajira Desert, Doris, a young Wayuu woman, exhumes her cousin’s remains in order to meet her for the last time. Through a sensory journey this ritual leads her to confront death and blend the world of the dreams with the world of the living.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jaimes, César Alejandro</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Polanco, Juan Pablo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/lapu/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9993d7be-7635-4740-a37a-6ff71aa7c130</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    gw 049        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">rb</subfield><subfield code="c">de</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Centar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The architecture of the building still communicates a past idea of the future, while the materials reveal its current state. The vast complex of corridors, atriums and halls now feel almost abandoned. Through their relentless effort, the maintenance workers shoulder the duty of restoring what the space was imagined to be. Their movements are unison, ritual but also their own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marković, Ivan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/centar/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">54eb3bb7-b36e-4f78-b8d6-511930321896</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    gr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gr</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Patision Avenue</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Leoforos Patision</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yanni’s mum is running late to an audition as a Shakespearean Viola. After she learns that her son is left home alone, she will fight to balance her most important roles in life through a series of phone calls, in a single-long-take shot in the most controversial area of central Athens: Patision Avenue.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Neofotistos, Thanasis</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/patision-avenue/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">86f28623-ab23-4f77-a4a8-9f4424a1f348</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blankets of Hope: Cork Cancer Care Centre</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This mini-documentary looks at the Cork Cancer Care Centre and their mission to deliver 'Blankets of Hope' to cancer patients around Ireland.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maciulevicius, Edvinas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9e2c7bd8-1caa-47f7-b8d1-5e8cce3df4c1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lovestruck</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Maedhbh is an ordinary Irish woman of a certain age who has always been unlucky in love. Things take an interesting turn when her path crosses with Pádraig, a charming silver haired fox who also happens to be a right wing evangelist.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dolliver, Eli</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">66fe0b3c-81ac-4dc3-ae6e-48e7caf0251d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Outside the box</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Who do we see when we look at people, do we put people in boxes to make it easier for ourselves to comprehend.</subfield><subfield code="b"> By doing that do we also feel the need to place ourselves in a box restricting our own true potential. Outside the box is an explorative animated documentary which looks at how we perceive people in the LGBTQI community and in turn how they look at themselves.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grainger , Janet</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c0e310c3-7ffe-4f51-baab-40e828b7c7b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Pattern Cognition</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mustererkenntnis</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's late. You've been working on those numbers the whole day. The screen in front of you seems to be vibrating. You close your eyes. The after-image on your retina keeps pulsating in iridescent colours.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fleisch, Thorsten</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84ca8128-7451-4d40-a384-63c41109d442</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kathleen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sean's stuck. He’s a writer without words, a would-be lover with no one to love, sitting in his empty house hunched in front of a blank screen awaiting inspiration. Inspiration does finally arrive but in a most unexpected way.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Neill, Liam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c0ecd446-e259-4680-b22a-ac4b7113987c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    xxu012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lefty/Righty</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lewis Pullman ('The Battle of the Sexes,' 'Lean on Pete,' 'Bad Times at the El Royal') plays a quiet, young cowboy struggling to hold onto those he cares for most. He’s divorced and rarely sees his daughter; his ex-wife has a new man; his father is dying. Will taking the little girl to say goodbye to her grandfather bring those he loves together? Or drive them further apart?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walker-Silverman, Max</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9388e3f0-0938-4c30-ac5a-9793ac8b1b52</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Dream Report</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A deadpan sci-fi interweaving moments of familiar routine with esoteric messages from deep space.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Shea, Jack</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc495d65-24e6-4481-bc87-f4ea8b3caf6b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Young Mother</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A lone teenage girl roams the streets of Dublin urgently trying to buy alcohol in this intense, family drama. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brown, John Robert</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a6915f2e-9d3e-4285-95bf-e82d3db8ec3c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Divine Way</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Loosely based on Dante’s Divine Comedy, The Divine Way takes us along on the protagonist’s epic descent through an endless labyrinth of staircases. As the woman journeys deeper, the staircases mutate, and she is trapped and pulled into their dangerous landscape, conducting us through more than fifty magnificent locations. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Di Carlo, Ilaria</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2e441e91-9ab4-40ac-9a68-4084b6888ba6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090324.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 001        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MEAT</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Experimental zero budget film using public domain vintage footage and music.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Severino , Silvio</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">66891668-49f8-4348-a956-64c76ac01b3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    it 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="a">xxu</subfield><subfield code="c">it</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">WWW {the whale who wasn't}</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">WWW {the whale who wasn’t} is a tale of conquest and destruction. Utilizing fragments of early educational films and animation, the piece develops a science fiction counter-narrative of subjugation and annihilation told from a non-human perspective.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cecchet, Alessia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c313abaf-4377-487c-a9f0-95eeb171d84d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ir 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ir</subfield><subfield code="a">xxc</subfield><subfield code="c">ir</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Funfair</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Majid a financially struggling man comes up with a ploy in order to better the life of his wife Sarah.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mazaheri, Kaveh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b984bfea-956c-4093-8a44-f9ea3ec76a46</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Girl at the End of the Garden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A slapstick comedy about an unhappy young girl whose life is turned upside-down when she finds a mysterious runaway with psychic powers in her back garden. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dempsey, Bonnie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">40edf418-3abb-487a-b9f5-880fd62b5b13</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Daffodils</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A forest creatures quiet life is turned upside down when her new neighbour attempts to win her affection.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O Connor, Aisling</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">29831ded-ac57-4731-9cf2-2c4043d0224f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ne 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The animal that therefore I am</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three animals and a woman are in a closed situation in which they have to deal with each other. The woman in the film operates as a lonely species in this universe in which the animals view, estimate, greet and enter a covenant with her for their own interest. The rules are determined, the story starts here.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Visser, Bea</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f3c4185-3062-4045-a695-c3a80fcacac5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Coming To Terms</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After caring for her elderly father for years Lisa is unable to deal with his passing and begins to see him everywhere.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ketch, Patrick</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">745efc8a-6bdc-4caf-8de5-b13db802ee82</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Duerrenwaid 8</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A house, a garden, a stream. The beehive on the hillside, the shack, the wooden hut and the shed. In between we find memories, stories and observations. The past, the present and the future.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geißer, Kirsten Carina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geißer, Ines Christine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b7f02667-cfb2-4585-a114-502d26e1387a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    xxk003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">cc</subfield><subfield code="c">gb</subfield><subfield code="c">cn</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Red</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This animated film uses traditional Chinese art forms including ink wash painting and ceramics to represent and rethink Red China.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chen, Ao</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">71c8c6e6-f669-452d-86b4-3e3380541fab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kelly</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kelly comes back to her childhood house after many years to help her sister tidy for the estate agent. Tension is tangible as Andrea still hasn’t come to terms with who her big brother, Dylan, has become. Amongst pictures of Dylan and objects that trigger moments long-lost, Kelly and Andrea need to clear things up to start anew.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guichard, Solène</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b664fc39-3952-477c-99be-26573d58b74c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="a">xxk</subfield><subfield code="c">ie</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rosalyn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Rose, a heavily pregnant and emotionally exhausted farmer, must stay strong to endure isolation during the final days of her pregnancy. A compelling horror that explores the fragility of mental health during pregnancy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Middleton, Olivia J</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b4e44146-e0ea-4fcf-950a-3e78ccc99e76</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    xxk008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">In Bloom</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young generation prepares the old one to its tragic death.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Armon, Maya</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4ba1f379-0adb-4e5e-9c59-68c3daffef66</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Just Fine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two school friends entertain the curiosity of their lives on the eve of a grand departure.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hickey, Ciarán</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">00f5e94b-dbe9-470c-96a4-37334cf688d6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hasta La Vista</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hasta La Vista is a genre-blending short film which sets dance, music and an ethereal aesthetic against a backdrop of friendship, love, lust and betrayal.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McCann, Laragh A</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cf220fa3-1dc6-452b-918c-c9a7009af3fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="a">xxk</subfield><subfield code="c">ie</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">NO PLACE</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Angela and her two kids find themselves on the verge of homelessness. </subfield><subfield code="b">An increasingly desperate situation leads Angela to commit an uncharacteristic act placing  the family's future in jeopardy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kavanagh, Laura</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d4287819-959d-4cb6-a0cd-163789ce3c46</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The House Fell</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Feeling trapped at her sister’s wedding, Fiona must face the past to escape the ruins of a life she once dreamed of.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stone, Maeve</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">25650997-7e90-4192-af0a-84f19f0da557</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="a">gr</subfield><subfield code="c">ie</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Postcard from a Crisis</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Four Irish clowns travel to Greece to perform for children living in makeshift camps as the refugee crisis quietly continues.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Harris, Kathleen</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meyler, Samuel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2278908f-c2c3-4d56-816f-ff70300c2ea1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ck 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="a">xxk</subfield><subfield code="c">co</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ramón: Notes from a Beekeeper</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film follows the life of Colombian beekeeper</subfield><subfield code="b"> Ramón Galvis Rodríguez in the remote town  of San Mateo near the El Cocuy mountains in Colombia.  The film focuses on Ramón as he reflects on the  future of our planet as a direct result of the gradual  extinction of bees.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kennedy , Hilary</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fcd0426-a7f1-4317-a70f-2164f8c6ed71</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ie 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">134</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On the day of a regional Irish dancing competition, an Irish couple struggle to cope with their child's gender identity. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drummey, Sarah-Jane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2663996f-0edb-4fc3-ad1c-21f2ffc48e97</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    po 038        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Cows and Queens</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vacas e Rainhas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The Herens is a breed of cattle essentially raised for tournaments where the winning cow gets the title of “Queen”. Working as a keeper for those cows for four months in the Swiss Alps, Laura gets the following advice from the previous shepherd: she has to be the queen. The advice is taken literally, thus unleashing an absurd quest for such title. Reflecting upon the power relation between humans and other animals, the film questions its one-way nature. If cows aren’t just bodies for humans to control, what are they after all?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marques, Laura</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1b49cada-15e9-47b1-8b8b-56c2caff7e78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    pl 031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">pl</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Guest</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gość</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The life of a Polish farmer, Wojtek, and his immediate environment, shown through the eyes of the young Swiss filmmaker, Sebastian. Despite the harsh working conditions he has known since childhood, he has never lost his joy of life, warm-heartedness and humour. Living all alone in a big house, he likes to welcome guests in search of company and friends in need of help. It’s where Paweł, a young alcoholic with nowhere to go, finds shelter. Wojtek does his best to look after him. Is he up to the challenge?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weber, Sebastian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4634e3bf-77e7-4af2-9188-4a42abe8a4fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    mz 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mz</subfield><subfield code="a">po</subfield><subfield code="c">mz</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Skin of Light</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pele de Luz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Anifa survives a kidnap. Isa grows old surrounded by fear. In the heart of Maputo, in Mozambique, these two sisters face together a place where the belief in black magic still haunts albino people.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guiomar, André</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4d6f6cce-f945-45c5-bb13-ec9e4586ded1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    fr 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Chjami è rispondi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Ten years after my last visit, I return to Cateri, Corsican village, cradle of the Salvatori family. I want to confront my father. I propose a duel in the sun, in the form of a chjami è rispondi, a Corsican joust, the outcome of which is very uncertain.” Axel Salvatori-Sinz</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salvatori-Sinz, Axel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">74a57c24-e0a8-439f-85e3-a34bf788a657</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    po 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">After the Fire</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three months after a forest fire destroyed their home, João and Kiat still struggle as they try to bring order back into their lives. The film explores the fragility of humankind against the mightiness and unpredictability of nature.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yunus, Ahsan Mahmood</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fac2fa14-af62-43c1-8ce2-0a466d7a9961</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    po 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="a">lu</subfield><subfield code="c">pt</subfield><subfield code="c">lu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">To My Parents</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Aos Meus Pais</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A journey through journeys. A tribute to one’s parents. A self-portrait.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pereira, Melanie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">87516cad-f39c-4267-adc0-cfd902e663b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    po 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Guys in the Blue Uniform</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Malta da Farda Azul</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Based on the memories of CUF’s factory workers at Alferrarede, the film builds another time and space, which are gone, confronting past and present, and rescuing the stories worth being told from oblivion in the voices of those who experienced them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ganhão, Bruno</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">68e7af0d-c069-4b6a-9d17-14530e46b4c6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ve 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ve</subfield><subfield code="a">xxu</subfield><subfield code="c">ve</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wayside</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Entering a yoga class can become more than you bargained for.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stempel, Angela</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ff358baf-867a-4928-94d5-c287476ceed1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    ck 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Panas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A world composed by the elements that are materialized into all realities who coexist in the colombo-venezuelan plain, some of them strident, some other invisible.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barreto, Sara</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2ad9c844-f7bb-41be-8ca8-fac9841857a6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ck 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Selling Sunflower Seeds</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vendo Pipas</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yurani and other two Colombian teenagers try to survive day by day in the middle of the Venezuelan migration crisis.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aguirre, Juan Diego</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">95a69ae6-b9cc-4acf-8910-6f98f22a755e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    bl 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield 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code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. 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Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Palmieri, Fabio</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c22af58e-37d2-44cf-980e-cced3529229a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    ve 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " 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world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lara, María Victoria Sánchez</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4c4b07b0-ecc9-4078-8b62-abf822e1843e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    it 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="0" 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code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">32a965f3-6edf-42fb-9bb9-bf4cdd9de88b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2019    it 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="a">xxk</subfield><subfield code="c">it</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Moka</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MOKA</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the confusion of a second-hand shop, Moka sits alone and abandoned on top of a dusty shelf.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weerasinghe, Valeria</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield 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code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Venezuelan moms struggle everyday with grief, the hope and the pain of losing their children in this wave of protests.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rojas, Aldrina Valenzuela</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3faf7578-64a2-494f-9a24-d4efbafc013b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr 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code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the end of XVIII century a large part of Calabria, in Southern Italy, was hit by a massive earthquake. The memory of this distant event is made of concrete signs like the white scars on the mountain ridges and the remains of a town that over the centuries has gained a new life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cicciari, Maria Giovanna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7db3e92b-2ebb-4638-be65-bef1a8bf0df6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    it 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">it</subfield><subfield code="c">it</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Casa Mia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Left alone as the only inhabitants in a deserted fishermen village, two elderly, Lucia and Peppino, live in the hope that winter will never end.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Piredda, Mario</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">36dfa1b2-2501-41f7-bdec-5162dc06a8f7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090325.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    ie 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mr.Ripple</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mr. Ripple chronicles the man behind Ireland's oldest-serving ice cream van, and looks at this dying tradition.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayles, Jessie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield 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code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When two adolescent boys become aware of their budding sexuality they uncover the pain and longing of the human heart. A sensitively told story exploring how a sense of danger, shame and confusion can intensify a series of fleeting exchanges and ultimately prove overwhelming.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Speers, Tom</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f793c83c-e007-44c6-baee-8bcdf8acc014</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    ie 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MJ</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In this world of social media and fleeting hype, Mary Jane desperately wants real connections, curating her identity, creating the perfect online ‘self’. 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code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A romantic tale of two sand hoppers meeting in a crowded drum and bass party in a blue plastic bag on a Belfast beach.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keogh, Nicholas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ea5ef65a-04a4-4a89-a486-8c138f37457b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 003        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lint</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Exploring the strange limbo state we experience in the aftermath of a break up, Lint follows one person’s bizarre attempt at regaining some sense of normality. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Sullivan, Lisa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bcacb6e7-7d39-467b-aecf-bd6b5039dc7c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Angels Guard Thee</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Martin has been living a solitary life as a farmer in the midlands of Ireland for almost three decades. He came to the town from Belfast in the late eighties under mysterious circumstances and while he has managed to build a small network of friends, he has yet to feel fully embraced by the local community. His simple existence is interrupted by the arrival of Seamus, an old friend from the north one winter evening. Seamus claims the reason for his visit is the anniversary of a close friend of theirs who died thirty years earlier. Over the course of the weekend, the two men reconnect and reminisce about old times and lost loves, but as time goes on it becomes clear that there is a more sinister reason for Seamus’ visit.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Higgins, Robert</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McGivney, Patrick</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9ede4f29-6b40-495f-be8e-94f178ba54bf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Distance</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Thirty years in the life of a mountain is nothing, the flicker of an eyelid.” Nan Shepard</subfield><subfield code="b"> In Glenbride Lodge in the Wicklow mountains, Peter Byrne (my Grandfather) worked as gamekeeper during the Spring and Summer months from the 1920s to the 1940s. The gamekeepers often spent long hours in their quarters, waiting for the weather to clear, looking at the sky, talking, thinking and day-dreaming. Evidence of those idle musings remain and primitive drawings still cover the white plastered walls. The imaginers are long gone.   DISTANCE looks at co-existing time frames through the framework of a specific place (Glenbride Lodge) and three distinct perspectives: geographical memory, the memory of a house and the tangled forces of human memory. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Whooley, Sharon</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">eb55c62f-1485-4aed-a8ac-ac06b7bfc52d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    ie 025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Prodigy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young boy, Gabe, begins to suspect his new neighbor is not who he claims to be, but is instead a world famous pianist who has been missing for over twenty years.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sheridan, Naomi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5d548e12-cc99-4f9c-a6b6-af6dc486f9c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Battleship</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After discovering they were both married to the same man at the same time, two women try to cultivate a relationship between their children.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morgan, Luke</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ef007f2e-6b4f-4f65-89ed-58afdb75da6e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Camlo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young Roma boy's journey through modern day Belfast. Camlo tries to undertsand where he fits into a society that has never accepted him.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moody, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cda70a69-7ffa-41b3-9afe-e0189246aead</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Northern Star</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sarah, a young writer, returning home to Ireland, faces the challenges of what she ran away from. She attempts to see with mature eyes and to form a steady relationship amongst family drama surrounding her. When faced with a man who is committed to her, she is puzzled as to whether this is a life she can commit to.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dineen, Norah</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0da344ca-b9b6-4e27-b144-15a0ad87be4d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Shock</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A jogger and a young man try to save a car crash victim’s life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ketch, Patrick</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8e6dc7a3-d1ba-4e43-9176-f738bdf1daad</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Her Very Own</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On this day, Maeve has set an unbreakable mental deadline. As she is pushed and pulled by life, she struggles to make an existential determination. She struggles to see where she fits, all the while trying to protect her son from the uncaring world she exists in.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Curran, Dominic</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">003b5fd6-02ef-428f-84eb-b7340beeceb3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bittern</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A chance encounter between two strangers on a park bench leads to a connection in an increasingly isolated world. But is one of them harbouring a dark secret.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Keefe, Adam</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fd0c704f-cf5e-4371-9f11-fa72d1bde2c8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    ie 019        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Childer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mary, am anxious single mother, keeps a clean house. When strange children begin encroaching on the land around Mary’s house and bringing leaves and dirt from the forest with them she begins to spiral, unsure what is real and what is imagined. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Clarke, Aislinn</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f6509575-1fd4-415c-841f-5cfbfd475ce8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    ie 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mother</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">There’s no replacement for a mother’s love. Mother is a quirky, surrealist, mostly silent comedy that will lead you to question, just how necessary are you to the ones you love?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waugh, Natasha</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c9016c88-a310-46e5-80fe-6e84da68b0d4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    ie 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The 11th</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fisher returns to his East Belfast community on the prolific 11th, he's seeking reconciliation from his past, but has to much time passed and is there anything left for him in the place he once called home? </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waring, Naomi</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ccb3ae50-cd5f-433d-b290-6219f4bcf351</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xxu011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Richard Twice</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Richard Atkins, the singer and songwriter of the early 70’s California psychedelic folk duo ‘Richard Twice’, was on his way to stardom and a huge success with his first debut album when he mysteriously walked away from it all.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">49ff7ff6-cb63-4cec-9109-282d06ec4626</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2012    xxk090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">One Mile Away</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2007 I started researching 1 Day a fiction feature film about inner city gang life in Birmingham. I began the research on the Johnson side of town, in Aston with the postcode B6. It was very difficult because the young men I wanted to talk to were convinced that I was working undercover for the police and just pretending to make a film. Shabba was the only one who trusted me, partly because he had seen and enjoyed Mischief Night I had made a couple of years earlier. After a couple of frustrating months, my researcher Lucy Pardee and I drifted over the front line to Handsworth, B21, home of the Burger Bar. There I met Dylan Duffus (aka D Boy). Dylan looked into my eyes and decided that I could be trusted. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Woolcock, Penny</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7799018d-ab54-4d6e-b77e-c726ca7632af</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2018    xxu091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Milford Graves Full Mantis</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process. Graves' protege Jake Meginsky and co-director Neil Young interweave rich performance archive with Graves' reflections upon a 50 plus year career, painting a unique homage to the free jazz pioneer and hero to drummers everywhere. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meginsky, Jake</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Young, Neil</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">31952b2c-c7f9-4f90-96b3-d2ce6ec3e6a9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">le</subfield><subfield code="a">sy</subfield><subfield code="a">ts</subfield><subfield code="a">qa</subfield><subfield code="c">de</subfield><subfield code="c">lb</subfield><subfield code="c">sy</subfield><subfield code="c">ae</subfield><subfield code="c">qa</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Taste of Cement</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is over but the Syrian one still rages on. The workers are locked in the building site. They are not allowed to leave it after 7p.m. The Lebanese government has imposed night-time curfews on the refugees. The only contact with the outside world for these Syrian workers is the hole through which they climb out in the morning to begin a new day of work. Cut off from their homeland, they gather at night around a small TV set to get the news from Syria. Tormented by anguish and anxiety, while suffering the deprivation of the most basic human and workers right, they keep hoping for a different life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kalthoum, Ziad</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">14502359-2c59-40e2-b9a2-8c57e8eb291d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    gs 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">geo</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gs</subfield><subfield code="a">xxu</subfield><subfield code="a">qa</subfield><subfield code="a">ne</subfield><subfield code="c">ge</subfield><subfield code="c">us</subfield><subfield code="c">qa</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">City of The Sun</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mzis qalaqi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The lives, dreams and destinies of extraordinary characters unfold amidst the ruins of a semi- abandoned mining town. Music teacher keeps demolishing the city to build a new life for himself and his family; miner-turned-actor lives in a limbo unable to make a decision between his passion (theater) and money (working at the mines); and two malnourished champion athletes have to keep running just to survive.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oneli, Rati</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5c9aea1c-6693-4a27-9625-70b86b05c122</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    xxk080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">ru</subfield><subfield code="c">gb</subfield><subfield code="c">ru</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Brexitannia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the wake of the most momentous event in modern British history, Brexitannia presents a complex panorama of fifty Leavers and Remainers from across the UK. Renewing the art of documentary interview, Timothy George Kelly’s meticulous black-and-white framing and sensitive portrayals of ordinary Britons gives an insightful and at times uncomfortable portrait of Britain today. The film ends with a sobering analysis from theorists including Noam Chomsky, Saskia Sassen and Nick Srnicek.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kelly, Timothy George</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8b60c38b-76e0-4ff1-9401-7f87ec6e7659</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    hu 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Woman Captured</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">EGY NŐ FOGSÁGBAN</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A WOMAN CAPTURED is about Marish, a 52-year-old Hungarian woman who has been serving a family for a decade, working 20 hours a day – without getting paid. Her ID was taken from her by her oppressors and she’s not allowed to leave the house without permission. Treated like an animal, she only gets leftovers to eat and no bed to sleep in.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tuza-Ritter, Bernadett</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">faf91fa8-e44e-4a7a-9c60-52f46d6e6f29</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2014    rb 064        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Zivan Makes a Punk Festival</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Živan Makes a Punk Festival</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Like a contemporary Don Quixote, this film's focal point, Živan, clings to his goal of organising an annual punk festival in his village Tomasevac, just outside Belgrade. It's Živan's battle with himself and the small-minded villagers. He is ambitious and takes risks, but does so at a village pace. This year the festival will be international: a band from Slovakia will play. Soon, Živan proves to have no money and things seem half-organised until the big day. Živan's friends put him on the spot, but ultimately there are always people who help him. Živan is a poet and reads a poem before every gig; he also believes fervently in his dream of expanding the festival. Ognjen Glavonic received much praise for this exceptional film.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Glavonić, Ognjen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1f832c7c-7cb5-4b11-b9ab-617c75a55a20</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    rb 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="a">ci</subfield><subfield code="c">rs</subfield><subfield code="c">hr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Why did Dragan Gather his Band</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zašto je Dragan napravio orkestar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dragan Petrović, a single father, formed a band with his three sons who are minors, so he could keep the family together. They do not know the notes, they play by ear and because of that, their music does not sound perfect. There are no music teachers in their village. The closest school is too far away for a single father who lives on the margins of society. Thanks to the boy's talent and his persistence, Dragan manages to enroll his oldest son at the prestigious music school. While the story is about Dragan fighting with all of his might to provide a better future for his children, deep down, the single father is facing his past permeated with hardships and loss.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Spasić, Nikola</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">172e8720-b5e2-4298-896f-1055d43c6400</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2016    rb 108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Other Line</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Film is a product of 10 years of research of cultural scene in Novi Sad (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlin International Film Festival). They become a big threat to communist establishment, the entire leadership were replaced, the magazines were forbidden, the films were sealed off, artists were taken to trial, two were sent in prison.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Milošević, Nenad</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9f727195-255d-4de1-96f3-ccadcf5fbcef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2017    rb 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gora</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the remote mountain villages of Gora, in the harsh Shar Mountains, lives a Slavic speaking Muslim minority: the Gorani people. Gora investigates this rich culture through the everyday rituals of Gorani males, as the women are forbidden to be filmed. The films depicts the males of the village as they work, talk, dance, play music, preach, pray and sing, all set against the surrounding mountains, adding a pertinent and persistent reminder how transient human existence can be.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malešević, Stefan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">783340e0-e03b-4766-bab6-800831ec911b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200929s2013    rb 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">rb</subfield><subfield code="a">fi</subfield><subfield code="c">rs</subfield><subfield code="c">fi</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Unplugged</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Anplagd</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With the right technology, a leaf from a tree can sound like a full-fledged musical instrument. We learn this in the amusing and beautiful film about a small Serbian village, which throws all its love on what must be the most primitive instrument ever. In true Tarkovsky-style, the film begins with windy treetops in slow motion, and while life slowly and silently passes in the village, an unusual and taciturn friendship evolves between three people. For when the autumn leaves fall from the trees, the leaf amateurs Josip and Petar get together, and with the help of the eccentric 'grandma lo-fi' Vera, they learn the phonetics of the leaves. Even if Vera now is an elderly lady with lipstick on her cheeks and a hobby of letting off fireworks, she tells cock-and-bull stories about a past in the clothing industry and at a private detective agency! Vera teaches her grey-haired students to play on leaves and laughs at Josip's lack of talent, who in spite of the fact that he can play 20 other instruments ends up in frustration: 'The first guy who wanted to play this beat his own brains out, I'm sure'.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kovačević, Mladen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b7a98016-691f-4ca9-a716-2ddc121e2fa8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200921s2018    xr 072        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">cze</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Feral</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Holba, Jiří</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/feral/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d74469c7-126b-46f7-a94a-21a91cefec97</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200905s2016    dk 073        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="c">dk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bugs</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A Gastronomic Adventure with Nordic Food Lab by Andreas Johnsen.</subfield><subfield code="b">Insects as food is a hot topic. Particularly over the last few years, since the UN recommended edible insects as a resource to combat world hunger, they have been heralded for their taste by cooks and gastronomes, for their low ecological impact by environmentalists and for their nutritional content by public health scientists. It would seem that insects are the new superfood that will fix all our problems of global food security. For the past three years a team from Copenhagen-based Nordic Food Lab made up of chefs and researchers Josh Evans, Ben Reade and Roberto Flore have been travelling the world to learn what some of the two billion people who already eat insects have to say. Nordic Food Lab is a self-governing not-for-profit institution, started jointly by René Redzepi, head chef of Noma and gastronomic entrepreneur Claus Meyer. In “Bugs”, film director Andreas Johnsen follows them as they forage, farm, cook and taste insects with communities in Europe, Australia, Mexico, Kenya, Japan and beyond. During their journey they encounter everything from revered termite queens and desert-delicacy honey ants to venomous giant hornets and long-horned grasshoppers trapped using powerful floodlights, that sometimes cause their catchers temporary blindness.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Johnsen, Andreas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bugs/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">4f5338fc-6fc8-4ded-afb2-4ee7e8303435</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200905s2016    kz 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="h">kaz</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">kz</subfield><subfield code="a">gw</subfield><subfield code="c">kz</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sea Tomorrow</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The extinction of the Aral Sea is one of the most disastrous human-caused catastrophes in world history. Rusty skeletons of ships and deserts of salt fall below the horizon, which once was covered by the marine waves – all these images come to mind when you think of the Aral. This is the world after the end. </subfield><subfield code="b"> "Sea tomorrow" takes us to the back stage of the post-apocalyptic landscape. And there, among the haunted marshes of salt, we find people. The sea is gone but the people are left. A fisherman who has no fish to catch. An old gardener who only has saline soil to plant his trees. A lady hydro-biologist who does her daily studies in the mud of the former seabed. Pirates who live in the shipwrecks at the same time dismantling them for scrap. All of them have applied themselves to get a life in the world where the worst has already happened. The locals say: every 50 years a generation is renewed – every 100 years the land is renewed. The sea is gone. But maybe one day it will be back again.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Suvorova, Katerina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/sea-tomorrow/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">303b0f3d-1261-4777-bcfe-94444641f0f2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200707s1978    xxk109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nighthawks</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The first major British gay film, this study of a closeted schoolteacher who spends his nights cruising London’s gay clubs in search of Mr Right defies categorisation. Both a fascinating glimpse into the 1970s scene and a portrait of an ordinary gay man living in a homophobic society, Nighthawks subverts stereotypes, led by Ken Robertson’s strong, naturalistic performance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robertson, Ken</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peters, Clive</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Turton, Stuart Craig</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">James, Rachel Nicholas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Ron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8ccb287a-ecba-4779-8573-e0c354434277</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200518s2016    my 119        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tgl</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">my</subfield><subfield code="a">ph</subfield><subfield code="c">my</subfield><subfield code="c">ph</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Singing in Graveyards</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Can an impersonator find his own voice?</subfield><subfield code="b"> At 68, Pepe has dedicated his life to impersonating rock star Joey Smith, a Filipino legend. Straddling the line between reality and imagination while sinking deeper into old age, he must undertake a journey of self-discovery to free himself from the shadow of his hero, and become his own man. Only then can he be free to write the song of his career.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Liew, Bradley</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/singing-in-graveyards/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d977b8b7-0bf6-4cb2-ab51-6bf137cdd2af</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">200516s2016    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">United Interest</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A cable car ride through the San Francisco of the early 20th century marks the background that bids farewell to the alleged blessings of capitalism. The animated figures and symbols placed on a black and white setting, portray the merciless financial markets and expose the perversion of eternal economic growth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weimann, Tim</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/united-interest/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c1fab1da-073c-4297-86a9-f8bb1c8a3b92</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090326.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ente gut! Mädchen allein zu Haus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Eleven-year-old Linh and her little sister Tien are suddenly on their own when their mother has to go to Vietnam to look after her sick grandmother. Nobody must know about this - especially not the youth welfare office. Linh is now not only responsible for Tien, but also has to look after her mother's household and Vietnamese snack bar in addition to school. The self-appointed spy Pauline from the apartment block across the street discovers the secret and threatens to betray the two girls. The initial blackmailing soon grows into a friendship, that is put to the test time and again. 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He wants to be a fisherman, like his father. Samuele lives on the Mediterranean island of Lampedusa, where life has always been shaped by what the sea brings. For years now, it has been mainly people - thousands of refugees who, in the desperate hope of a better life, dare to make a life-threatening journey.</subfield><subfield code="b"> For one year, director Gianfranco Rosi observed the everyday life on Lampedusa, the "Island of Hope", which became the home for countless refugees. 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They grow up side by side, sharing all beautiful and sad experiences. But the friendship that seemed to last forever comes to an abrupt end when Laura dies. She leaves behind a little baby and her husband David. 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code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5f88b349-5efe-47f0-8725-00b805c581ef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    sp 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Impulso</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e05aca58-0fc0-4ee8-b7d8-7ad5472f2a8f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    fr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le grand bal</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dies ist die Geschichte eines Tanzballes. Eines großen Balles. Jeden Sommer kommen mehr als 2000 Menschen aus ganz Europa in eine kleine Stadt in Frankreich. Sieben Tage und acht Nächte lang tanzen sie ununterbrochen – verlieren das Gefühl für die Zeit, trotzen ihrer Müdigkeit und ihren Körpern. Alle drehen sich, lachen, wirbeln umher, heulen und singen. Und das Leben pulsiert.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9e4a44a8-45c3-478a-9383-f4c943e415e3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    ag 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">cl</subfield><subfield code="c">ar</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Desert Bride</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Novia del Desierto</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Die 54 Jahre alte Teresa (Paulina Garcia, bekannt aus »Gloria«) arbeitet seit Jahrzehnten als Hausmädchen für eine Familie in Buenos Aires.</subfield><subfield code="b">Als die Familie ihr Haus verkaufen muss, ist Teresa gezwungen, eine Arbeitsstelle im weit entfernten San Juan anzunehmen. Obwohl ihr das Reisen nicht besonders gefällt, bricht sie auf eine Reise durch die Wüste auf. Bei ihrem ersten Zwischenstopp, im Land der wundersamen »Heiligen Correa«, verliert sie ihre Tasche mit all ihren Habseligkeiten. Durch diesen Zwischenfall lernt sie El Gringokennen, einen fahrenden Händler, der ihr als Einziger weiterhelfen kann, ihre Tasche wiederzufinden. Was wie das Ende ihrer Welt schien, erweist sich als ihre Rettung.</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">52f55d51-5898-4063-9335-552d0decaef0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1981    xxk069        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The World of Gilbert &amp; George</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Personal film by and about Gilbert and George who have worked together as sculptors since 1968 making living sculptures, photo-pieces, drawings, paintings, video sculptures, books and works in other forms.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">George, Gilbert and</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">54d4f221-2ee7-4798-a0f2-b25803cec6c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1978    xxk035        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Woodman: David Nash, Sculptor</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film shows David Nash at work on his wood sculptures and explores the relationship of his work to the landscape or setting where it is made.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Browne, Peter Francis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4c625b1e-f057-4928-9e9b-ea15e2de0587</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Vision of William Blake</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vision of William Blake, The</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">William Blake's personal philosophy as expressed in his paintings and poetry. The commentary is interspersed with readings of Blake's verse, set to music by Ralph Vaughan Williams, while the film shows complete paintings, or characters or other details from them.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brenton, Guy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dad13d5d-68e6-4f11-9575-fd67d329a9a6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Susie Cooper</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The last of a four-part series about “the freehand paintresses” who during the 1920s and 1930s were employed in the Staffordshire Potteries decorating pottery ware. Three women designers rose through their ranks to become art directors and to have their ware stamped with their names - Charlotte Rhead, Clarice Cliff and Susie Cooper. The work of Susie Cooper is considered, including an interview with the designer.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilkes, Jenny</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c40d3e07-f5f4-4be7-bf0a-13dcb53555d0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1991    xxk057        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Steve Reich: A New Musical Language</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Documentary about the work of the composer Steve Reich covering his career from his early tape pieces to his later orchestral works. With extracts from concerts in England and New York.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stoltzman, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilson, Ransom</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tilson Thomas, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Williams, Margaret</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/steve-reich-a-new-musical-language/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">172ef02f-eecc-473d-a008-301fb9763221</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1973    xxk030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Secret World of Odilon Redon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Like other major figures of the French Symbolist movement, Odilon Redon has been overshadowed by the prominence of his contemporaries, the Impressionists. This documentary Includes the photographs of Redon at work and film taken at Peyrelebade and Abbaye de Frontfoide.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hurndall, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cross, Stephen</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">612620c3-f5bc-495f-963d-efcbc714d503</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1969    xxk025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Richard Hamilton</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Examination of the work and preoccupations of the pop art painter Richard Hamilton, illustrated particularly by his painting "Interior 1 and 2" and its relationship to the movie "Shockproof". Other mentioned works are "Here is a Lush Situation" and "Mick Jagger and Robert Fraser".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, James</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e724d03c-906b-43bd-b4d5-10456aa7ee06</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1983    xxk020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">R.B. Kitaj</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An interview with Ronal Kitaj in which he expounds his views on the social purpose of art, the artist's role today and the source and development of his own paintings and print making. His own works are shown, as well as some of the photographic material on which they are based.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scott, James</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1d8f93f2-fbd6-4963-b29e-5f9b40062b9c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1982    xxk038        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Painting Chicago</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Interview with the artist Craigie Aitchison at his South London home, intercut with the film depicting the artist painting - his fifth portrait of the 92-year-old boxer David Smith known as "Chicago".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Murphy, Myles</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aitchison, Craigie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marie, Judy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e179a314-1e05-4e48-a4a7-40650e7081f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1969    xxc028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="a">xxk</subfield><subfield code="c">ca</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Matisse - A Sort of Paradise</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film, recording pictures gathered from all over the world for the London exhibition in 1968, traces the idyllic quality in Henri Matisse's work. "When I started to paint I felt transported into a sort of paradise - starting to paint I felt gloriously free, quiet and alone". The paintings are shown chronologically, culminating the large paper cut-outs.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gowing, Lawrence</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jones, John</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">37c76d32-9603-4047-8ae6-99e0f8e0a382</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1971    xxk009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Malevitch Suprematism</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An innovative homage to the work of Kazimir Malevich and his theory of Suprematism, in which director Lutz Becker combines readings from the artist's collected essays with an abstract animation based on one of his unrealised film scripts.</subfield><subfield code="b"> A film from the Arts Council England collection.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Becker, Lutz</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/malevitch-suprematism/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a8f94d9d-3380-4e91-a12f-bb3bc94be87f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1970    xxk022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Magritte: The False Mirror</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film is based on a retrospective of the artist at the Tate Gallery (1969). Commentary includes reminiscences of Magritte by E.L.T. Mesens, as well as details of the seminal events in Magritte's life and the artist's views on his own work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sylvester, David</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/magritte-the-false-mirror/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0ca27b80-d8ec-430e-a29e-f45417658f9a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    xxk025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Laura Knight 1877-1970</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A film from a series focusing on women painters who were recognised in their day but whose work has since slipped out of the critical mainstream and has rarely been considered as significant as that of their male counterparts. Laura Knight tells her story through film and radio interviews recorded in her lifetime that are illustrated by her paintings.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jackson, Jane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f8b4b167-13ed-4f98-8da2-7ea4f7855020</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1973    xxk050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jim Stirling's Architecture</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A study of Jim Stirling's recent buildings and projects.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stirling, Jim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guariento, Ron</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/jim-stirlings-architecture/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ee6a77ce-ffd9-4a2c-a664-49642f5005cc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1975    xxk030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Build My Time</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film about the German painter Kurt Schwitters, who came to England as a refugee during World War II and settled in Ambleside. His friend Edith Thomas revisits the area and meets his old friends, including Harry Bickerstaff and the late Harry Pierce.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thomas, Edith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Feaver, William</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Powell, Tristram</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e4af8208-999f-4402-8d4e-d126081cd39e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1978    xxk006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hokusai An Animated Sketchbook</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A short tribute to the artist Katsushika Hokusai (1760-1849), which explores a small number of the thousands of drawings he is reputed to have produced during his lifetime.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">White, Tony</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4ca78d2f-4e00-4a97-9013-9522a506f4ec</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1967    xxk014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Giacometti</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Spend a few minutes with Giacometti in his Paris studio and watch him "squeezing and stretching and mauling the clay in his hands". Through sharply edited close-ups, dissonant soundtrack and solemn commentary, this Arts Council film captures the intensity of the artist's concentration as he rhythmically models the spindly, elongated figures that characterise his work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gill, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">738f561f-80b3-4606-a555-e36cc4badd98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1990    xxk052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gavin Bryars</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A profile of Gavin Bryars - a leading figure in the development of English experimental music.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rowan, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a50070db-20d9-462c-a74d-f07fe97ff3bb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1983    xxk029        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Frida Kahlo &amp; Tina Modotti</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Modotti (1896-1942) lived and worked in Mexico during the period of the `Mexican Renaissance'. Kahlo was a painter and Modotti a photographer. Shows how, both as women and artists, they reacted in contrasting ways to the pressures and opportunities of Mexico after the 1910 revolution. Also provides a record of work shown at the exhibition held at the Whitechapel Art Gallery in May 1982.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Margolyes, Miriam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mulvey, Laura</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5f89a23f-b0d6-40c9-b181-2e649521d648</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1963    xxk010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Francis Bacon: Paintings 1944-1962</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">David Thompson’s wordless film from 1963 presents a montage of images from Bacon’s major mid-period works, edited together by film historian Kevin Brownlow and accompanied by an aggressive orchestral score by Elisabeth Lutyens.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thompson, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">04f060ce-b3f7-4015-a7cb-3b53f2b52fef</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fast and Furious: The Life and Times of Nina Hamnett</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Examination into the work and life of Nina Hamnett, a famous bohemian personality who enjoyed a whirlwind existence in Paris and London. Her portraits and witty drawings are an illustration of her times.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grimes, Teresa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">11a2f0fe-848f-49f3-8ac6-5e9c53e49401</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1981    xxk047        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Edward Hopper</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A study of the 20th century American painter's life and work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Ron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7a337e36-a085-4164-acb9-0490226544fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1973    xxk031        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Edward Burra</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Interview with Burra is intercut with shots of his paintings. The film includes comments of his friends and glimpses of his way of life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Smith, Peter K.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">cddac8d8-a8cb-46c3-9d0f-df4a32e8d165</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1981    xxk046        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">David Hockney on Modern Art</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In an interview with Melvyn Bragg where artist David Hockney gives a highly personal account of the major developments in art in the 20th century.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rowan, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5c84b677-53bb-4141-8f11-d0fc9da34ea9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1986    xxk052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Cornelius Cardew 1936-1981</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film assesses the contribution made by British avant-garde composer Cornelius Cardew to contemporary music. Includes interviews with Stockhausen and other composers, and extracts from Cardew's own works.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Regniez, Philippe</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">91182c76-b6e6-44a7-abe8-accd6803ebfb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Colour of Dreams</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A portrait of Eileen Agar, who was born into a wealthy British family living in Argentina. She ran away from home to become an artist and from 1936 she exhibited with the Surrealist group. Her circle included Picasso, Salvador Dali, Man Ray and Ezra Pound. Aged 89 in this programme, she is still working and recounts her life story.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">White, Susanna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f5ef73dd-b2e3-429c-892d-f7f4fb2a5451</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Clarice Cliff</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The third of a four-part series about `the freehand paintresses' who during the 1920s and 1930s were employed in the Staffordshire Potteries decorating pottery ware. Three women designers rose through their ranks to become art directors and to have their ware stamped with their names - Charlotte Rhead, Clarice Cliff and Susie Cooper. The work of Clarice Cliff is considered including an interview with her sister Ethel.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilkes, Jenny</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c077d22d-5459-40b6-9fe4-3f927936292e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Charlotte Rhead</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The first of a four-part series about “the freehand paintresses” who during the 1920s and 1930s were employed in the Staffordshire Potteries decorating pottery ware. Three women designers rose through their ranks to become art directors and to have their ware stamped with their names - Charlotte Rhead, Clarice Cliff and Susie Cooper. The work of Charlotte Rhead is considered first, with comments from Mary Harper and Rose Cumberbatch.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilkes, Jenny</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8c59d649-935b-45c3-834d-48681d872191</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1983    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Carrington</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Exploration into the life of Dora Carrington. Dora Carrington is often mainly regarded as a personality of the Bloomsbury Group due to her relationship with the writer Lytton Strachey. She was, however a talented painter whose career was curtailed by her suicide in 1932. During the making of this programme much of her previously unknown work was discovered, including a major mural.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grimes, Teresa</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a9c64e1f-463b-4c5f-ac17-79cfd1725283</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1996    xxk051        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ita</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Carlo Scarpa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A film profiling the work of Carlo Scarpa, considered by many to be Italy's greatest post-war architect. Filmed in Venice, some eighteen years after his death, the programme includes rare archive footage of Scarpa himself and the views of friends and colleagues. Work seen includes the art galleries in the Castelvecchio at Verona, the Palazzo Abatellis in Palermo, a gallery in Venice, and the Brion Memorial.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grigor, Murray</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">61ca8677-0c6f-415c-8b20-d0fe14e3c5d7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bizarre Girls</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The second of a four-part series about “the freehand paintresses” who during the 1920s and 1930s were employed in the Staffordshire Potteries decorating pottery ware. Three women designers rose through their ranks to become art directors and to have their ware stamped with their names - Charlotte Rhead, Clarice Cliff and Susie Cooper. The works of the “bizarre girls” all of whom worked for Clarice Cliff is considered, along with their reunion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilkes, Jenny</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">db7c4161-8a7e-4ef4-904f-ec840a71f726</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1969    xxk012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Barbara Hepworth at the Tate</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A record of the famed sculptor’s 1968 Tate retrospective, accompanied by a beguiling and crisply enunciated narration by Hepworth herself, which she describes her techniques and the aims of her work.</subfield><subfield code="b"> The exhibition illustrates a broad range of Hepworth’s output, from early wood carvings to her abstract stringed figures of the 1930s and the monumental grandeur of her 1960s pieces.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beresford, Bruce</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b8cbb25a-5a84-4113-bd9e-6a6bf28408aa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1972    xxk050        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Art in Revolution</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film follows the political situation in the USSR from 1917 to the death of Lenin, tracing the pattern of Soviet creativity during those years by linking the art of the time to the historical events from which it grew, and which it frequently sought both to depict and to stimulate.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Becker, Lutz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">eeb29524-ef6c-4d13-a6dc-8ade66f94993</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090327.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Anish Kapoor</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Indian-born British sculptor Anish Kapoor discusses the work he's preparing for The Sculpture Show, a major exhibition held at the Hayward Gallery and Serpentine Gallery in 1983 - and he's as eloquent as his work is compelling.</subfield><subfield code="b">The 31-year-old artist’s reputation was on the rise at the time of this interview. He had enjoyed the first of many solo shows at London’s Lisson Gallery and would claim his place on the international art stage the following year, 1984, with his first solo exhibition at the Barbara Gladstone Gallery in New York. He became a household name in Britain when his iconic sculpture and observation tower, Orbit Tower, graced the Queen Elizabeth Olympic Park in Stratford, London, in 2012.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kapoor, Anish</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dunlop, Geoff</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1902bbf4-a3b1-4c6c-bd65-401b2ec0c070</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1993    xxk051        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Abstract Cinema</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Abstract Cinema" explores the work of pioneers in abstract cinema using rare archive film, film clips and interviews to demonstrate the influence of the early cinematographers. Looks at the work of Oscar Fischinger, Hy Hyrsh and Malcolm Le Grice.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Griffiths, Keith</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7f7cf00b-a520-46eb-a89d-7c194cc97836</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1991    xxk105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Young Soul Rebels</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Youth culture meets identity politics in this part-thriller, part-gay love story set in London in 1977, days before the Queen's Silver Jubilee celebrations. The hedonistic world of pirate DJs Chris and Caz is shattered when a close friend is killed while cruising in the local park. The black community suspect the National Front, but the police pull Chris in as a suspect.</subfield><subfield code="b">This beautifully crafted period piece, a bold and stylish debut feature from Isaac Julien, paints a convincing picture of late-'70s London. The city is a carefully mapped out social landscape, open to all but offering safety to none, as we are taken to a Dalston barber, east London council estates festooned with Union Jacks, West End offices, soul clubs and city parks.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nonyela, Valentine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sesay, Mo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barber, Frances</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Okonedo, Sophie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Julien, Isaac</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">348b19d0-e7f0-4da0-bec1-7d03ed080476</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1965    xxk016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dream A40</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As two young homosexuals drive along one of Britain's new highways a trivial incident triggers a disturbing guilt fantasy in one of them. </subfield><subfield code="b"> Unseen for years, the film was restored by the BFI National Archive.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Billington, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wright, Nicholas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reckord, Lloyd</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">631e75a1-c9d4-4bdc-8231-30e0271d5c5a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    xxk040        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Eros Erosion</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A film about transience that shifts from a personal to a more general perception of the fears and taboos surrounding love, death, sexuality and AIDS.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thew, Anna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d1d90945-05f4-430d-9137-f6d0283689a2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1988    xxk012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ballad of Reading Gaol</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Despite the title, Richard Kwietniowski’s “Ballad of Reading Gaol” focuses not on Oscar Wilde's famous poem (written in exile in 1897), but on quotations from his 1895 trial for gross indecency. Ambitious and playful, the film hurls fragments of testimony at the viewer, emblazoned upon provocative backdrops, from tattoos and sweaty vests to studded jockstraps.</subfield><subfield code="b">The film visits the London haunts where Wilde's 'crimes' took place and the Père Lachaise Cemetery in Paris, where the playwright is buried. At the close, Quentin Crisp enunciates Wilde’s famous “love that dare not speak its name” speech. While Wilde’s definition of homosexuality as the love between an older and a younger man is archaic, Kwietniowski cleverly draws parallels with contemporary homophobia, including a reference to Section 28.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robertson, Ken</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">James, Rachel Nicholas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peters, Clive</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Turton, Stuart Craig</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kwietniowski, Richard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ead9268f-2f25-4fff-9219-59489ec4de34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1983    xxk013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rosebud</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kay, in her late twenties, has just moved into a new flat. Her new neighbours are a stylish lesbian couple who are very much in love. Kay is fascinated by their easy physical intimacy, and images of women and female sensuality begin to take over her erotic fantasies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Farthing, Cheryl</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">88d4a919-b595-4552-bb08-bee6ed3903a1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1985    xxk024        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">What Can I Do with a Male Nude?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The problems of showing the naked male body in all its glory are laid bare in this witty short. From the unabashed nudity on Grecian urns to the homoeroticism of 1950s muscle mags, this strange history is related by an unseen photographer as he snaps a naked male model, his kinky commentary full of sardonic observations on society’s hypocrisies.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Levitt, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brown, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Ron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">088f60dc-5eeb-47ed-811a-86d668c0a1e7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1994    gr 045        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">gre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gr</subfield><subfield code="a">xxk</subfield><subfield code="c">gr</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Place in the Sun</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of Panayiotis, an economic refugee from one of the formerly communist states in the Balkans. Aged 18, Panayiotis is determined to make a place for himself in the West. He finds Stavros, 35 and attractive and looking for a companion. The two are thrown together again unexpectedly by murder and their own desires.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Giannaris, Constantine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b2486179-7706-4230-a8ef-687027b2d12f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1991    xxk091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nighthawks 2 Strip Jack Naked</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Made thirteen years after Britain’s first major gay film "Nighthawks", "Strip Jack Naked" puts the earlier film into a historical and personal context, with director Ron Peck drawing on his own journey from closeted suburban teen to politically radicalised filmmaker. A lucid account of the responsibilities of a gay filmmaker and one of the most honest and abrasive British biographies ever made.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brown, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bolton, Nick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McMonagle, Walter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peck, Ron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">097cc363-d47a-4984-b030-c8999ebb9466</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1983    xxk109        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nighthawks</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of a man who leads a double life, as a respectable geography teacher by day; and by night, a gay man hanging out in gay bars, looking for a longterm relationship, but usually encountering only one-night stands. He eventually becomes uneasy with this dual existence and feels that he is being unfair on his pupils by evading their questions. At last he confesses to a female colleague and opens up to his class, but then receives a severe rebuke from the school headmaster. (Synopsis)</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">45b9f1bf-4e3e-4078-825b-41cb7ac87066</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1995    xxk091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Madagascar Skin</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Harry, a young gay man, feels rejected because of a birth-mark covering half of his face. While exploring a beach, he rescues an older man, Flint, who has been buried up to his neck at the edge of the sea. A relationship of sorts develops but Flint appears to be steadfastly heterosexual.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hill, Bernard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hannah, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Newby, Christopher</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7ca56252-2908-427e-b7b4-75faef277fd9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1998    xxk013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lay of the Land</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Dark and chilling encounter in a smoky bar between John, a straight drag queen, and Skiff, who admits to involvement in "gay bashing".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Macdonald, Fraser</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4b509e76-aca7-4e26-a1fe-effac18c78af</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1995    xxu032        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Friend of Dorothy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Winston arrives in New York University ready for the freedom of Greenwich Village, love and sex. He gets romantically interested in his hunky but straight roommate, so he suffers in silence and looks elsewhere, with sympathy and support from his friend Anne. Finally, he finds a group of people who share his interests and tastes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">O'Connell, Raoul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">170431dd-e460-4445-910a-643528280e3f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    xxk017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Flames of Passion (A Seven Day Pass)</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Set on a steam-shrouded railway station and shot in high-contrast black and white, Richard Kwietniowski's film lovingly twists David Lean's stiff-upper-lipped romance “Brief Encounter” into a rich and witty contemporary melodrama, with two devilishly handsome young men standing in for Celia Johnson and Trevor Howard. One of the most striking and memorable short films of the last few decades.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seymour, Richard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Greig, Donald</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kwietniowski, Richard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b2dd894f-cb55-412d-8f40-6d1e50e08186</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1991    xxk035        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Caught Looking</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Caught Looking" sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (a naval rough trade, a moustachioed ‘clone’, a retro ’50s muscle men) while offering wry commentary on the shifting landscape of queer cruising. But is it love he’s really looking for?</subfield><subfield code="b">The film is suffused with nostalgia for a disappearing way of life. It’s also years ahead of its time in anticipating the internet chat rooms and dating sites which transformed the gay scene – and the fickle ‘instant hook-up’ apps that have defined the smartphone generation. It won the Teddy Award for best short film at the 1992 Berlin Film Festival.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Selwyn, Louis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bourne, Bette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Giannaris, Constantine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a71efc0a-6bdb-46ae-b496-da23ec99ae69</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1996    xxk074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A Bit of Scarlet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Billed as 'a kind of post-modern queer soap opera for Britain', Andrea Weiss' documentary tells a sharp story. She evaluates the way gay and lesbian people have been depicted in mainstream British film and television. Using clips to illustrate, she moves from Basil Rathbone's Sherlock Holmes to the modern era via St Trinian's, Dirk Bogarde and the Carry-On films. Narrated by Sir Ian McKellen.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weiss, Andrea</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a292b779-2edd-4213-b9fc-097e759c6666</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1987    xxk008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Alfalfa</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">From the director of “Love and Death on Long Island” (1997), "Alfalfa" offers a witty and exuberantly punning queer dictionary, hell-bent on subverting the Queen’s English. Repeat after me: ‘C’ is for ‘clone’... ‘R’ is for...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kwietniowski, Richard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3e999365-61fc-4d55-afa9-239d10d4bf98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 051        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rum</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Valentina</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Do you want me to tell a story?“, Valentina asks. She is wearing army pants and a track-suit top. Her hair is wild with a tiny clip. She entrusts us with why she wasn’t born a boy, as it should have been. Nevertheless Valentina knows every detail of her family history: how her father won her mother’s heart with a bottle of juice and a pack of cigarettes, why her sister was held at gunpoint by her parents in-law, where her siblings were brought after they were caught begging. Together with her family of twelve Valentina lives in a run down one- room shack in the Romani municipality Šutka, in Skopje, Macedonia. Observations of daily live are mixed with Valentina’s personal stories, dreams with actual facts. Yet it becomes clear, that all of her story telling is nothing but preparation for her big dream.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Feldman, Maximilian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">411b843b-fcfc-46f9-99cc-11f1e9b95ec6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    gw 043        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Allendes Enkel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For years pupils and students are protesting in Chile against the privatisation of the educational system. Thousands are demonstrating for their right to free education. Universities and schools have been occupied for months and pupils were in hungerstrikes. 2012 the protests were decreasing .Today only one school in Santiago is still occupied. The violent vacating of the school by the police could happen at any time. Who are these pupils and what are they demanding?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schwarz, Felix</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ddebce83-e95b-4586-a753-9371e9981499</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    gw 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Metamorphosen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Settled somewhere in nowhere in the south ural region in Russia, the film tells the story of people living in one of the most radioactive contaminated spots on earth. Unknown to a wide public, this region was repeatedly irradiated by different accident of the nuclear facility „Mayak“, which was the first plant for the production of fissile material for nuclear weapons in the Soviet Union and which is still in operation. Rather than an investigative flick, the filmmaker's attempt is to find a cinematic translation for a dangerous that is not perceptible nor visual and to capture the strenght of people who have to cope with it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mez, Sebastian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">649327a5-f6e4-4a8c-9166-f99a7fce7c03</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Meanwhile in Mamelodi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">777df47d-77df-4f11-98c3-17c68cf2e9e3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2006    gw 045        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">No Circus</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zirkus is nich</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5784bf25-a805-43de-821b-179946a6b2b2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2010    gw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sag mir, wo Du stehst</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reiß, Anja</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b52a75c2-565f-49fb-90a4-089d96a6f7ca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">dut</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zorn dem Volke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">One face, one border and the suffering in between. While environmental disasters will flood northern Europe in the near future, Nikolai tries to preserve a certain amount of humanity in the largest refugee camp in front of the guarded border outside the gates of Berlin.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bouwer, Eric</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krohn, Thorsten</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Petry, Constantin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Koivisto, Meri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Piehl, Lorenz</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">faea0d3e-aeff-40bb-90a0-dd7aab5b8030</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Storkow Kalifornia</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Storkow. Sunny (25) and his mother Nena (50) live as social outlaws in the east-german countryside, doing drugs in the car and on the „Beach“. But when Nena hooks up with Pfeffi-Werner, and Sunny meets the cop Liv, their life can't go on like before. Sunny falls in love with Liv. But Liv wants to leave Storkow and move to Berlin. He needs to make a harsh decision. What he doesn't expect is, that Nena won't surrender. Not before having tried everything to make him stay.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ponitz, Franziska</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roth, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cooper, Lana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Malik, Kolja</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4e188022-1593-4dab-ac2b-ef92fa783b21</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blind Audition</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For a few years the violinists Ari and Ron have been a couple. When they both get invited to audition for the solo part of an orchestra they suddenly become competitors and their mutual trust is put through a hard test when Ron receives a tempting offer from the orchestra's conductor.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kluth, Simon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nguyen, Han</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kessler, Andreas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">da872247-93ef-4fe3-93bc-04d593ada0f8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">heb</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">We're Back Again</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wir sind wieder da</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The current generation is trying to live life surrounded by ruins of the past. WE'RE BACK AGAIN depicts one exemplary situation the new generation of Jews experience when trying to build new life in Germany.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blechner, Nuphar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ishay, Yotam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schwickerath, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schweitzer, Monica </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peleg, Shirel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">661aa14b-59ad-497a-850e-b9ff3e1a7d76</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    gw 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">At the Other End</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Am anderen Ende</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Marianne works for the crisis line night after night; no one is able to help all the lonesome people at the other end of the line as good as she does. But in this night she will have to face her own problems - she cannot hide behind the telephone any longer...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Werner, Ursula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ohm, Lotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klammer, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fallenstein, Karina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arnold, Dorothea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döring, Philipp</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">88b740e3-0213-4d2b-83fb-119e3b8b8317</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 024        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kimono</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Looking for something to eat, a homeless woman sneaks into a man’s apartment. When she is almost caught, she hides just in the nick of time in his closet. But instead of leaving the apartment, she gets interested in the man and starts to secretly live there and observe him. What she doesn’t realize, however, is that the man has already noticed her presence.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Binder, Hanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gutbrod, Helge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hübner, Maurice</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fe097315-a99b-42e8-a1ef-d8979713ac27</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2009    gw 021        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Child Rush</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kindeseile</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Because of his cancer, Pavel has to intensify his chemotherapy. One of its side effects is the loss of fertility. The exhausting therapy is to start in five days. Pavel (32) and Jasmin (26) only recently have started a relationship. Unexpectedly, they have to make decisions that were expected to come far in the future.</subfield><subfield code="b">Together they drive to a friend’s house on a lake. Pavel wants to have a child at all costs and tries to convince Jasmin to become a mother. She is irritated and believes that Pavel would take any woman to give birth to his child. She does not feel prepared to be a mother. Only after Pavel has made her understand that she is the one he loves and whom he wants to have children with, she agrees to try to conceive a child. However, by now Pavel is haunted by the consequences of his disease. He does not want their child to grow up without a father. The couple has to accept that they will never have children of their own.Together they begin therapy.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">de Carlo, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faust, Matthias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buhtz, Anne Catrin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arnold, Dorothea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Werner, Christian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">85dea2e9-b370-4f3b-8e02-54661fc9bda2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090328.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    gw 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Cherry-Red</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kirschrot</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Anna and Marie are two women who could possibly love each other.</subfield><subfield code="b"> Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right, even if it hurts. No more compromises. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. 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But when his father Aaron mysteriously disappears Joshua is forced to go outside. A decision that will change his life forever for something is closing in on the little boy. Fast.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ohlrogge, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belfrage, Crispian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rübesam, Daniel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">558cb5fe-88d1-4c6a-a7c4-7a3db79fbb33</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    gw 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Am Fenster</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In order to reconnect his TV satellite, Helmut decides to climb out of his window in a resolute manner. His neighbour Walter misinterprets this action as an attempted suicide, which Walter would love to join as well. While trying to clear this misunderstanding, both find out a near friend in the so far unknown neighbour.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mejstrik, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brix, Werner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ellrich, Tim</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaufmann, Leonhard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">10c9c6c6-398c-4147-8c79-3cb0f8173245</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Amoklove</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A magical moment between two people in the subway, but then it is all over and they will never see each other again – wrong! Fabian fights for his love and chases Marie through Stuttgart. That is Amoklove: a declaration of love during a cardiac recess...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fränzel, Thomas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Keller, Anne </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaiser, Julia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9020e1d5-b37a-44c4-a102-91ae1942c4d2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 034        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Of Dogs and Horses</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Von Hunden und Pferden</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A wasteland, in which mid-fifty year old Rolf (Matthias Brenner) tries to motivate his dog Piet to keep walking. A quiet wide shot shows the desolation of the surroundings, which are just as unspectacular as Rolf’s deep affection for his dog. Hip dysplasia - the diagnosis from the veterinarian is unemotional. For Rolf his world is falling apart. An operation could save the dog but would cost a lot of money - money Rolf obviously doesn’t have. In his desperation he believes that his only chance is to try his luck at the race tracks, even though he knows nothing about betting. Horse-Schäfer (Bernd Stempel) must help. His apartment is almost empty except for a dining table and a horse painting. But Rolf's friend from the past doesn’t want to join him at the race tracks. Rolf almost oversleeps the race, but Schäfer wakes him - he has changed his mind. At the horse racing track, everything seems to go according to plan. They win the first race, just as Schäfer predicted. But then Horse-Schäfer and Rolf lose their luck and gamble away the winnings. Still, even underdogs get their chance sometimes. On this evening, Rolf is sure that Piet will grow ancient...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brenner, Matthias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stempel, Bernd</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Möck, Manfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lehmann, Sven</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Werner, Axel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stuber, Thomas</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">64c507b4-4e2a-4334-9703-e81b2a760ac5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    gw 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Böse Bilder</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">480bd9df-293f-4359-8bee-b6ec6cf9ef4a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2006    gw 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Shift</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">15 Minuten Wahrheit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Georg and his colleges surprisingly get laid-off by their company without even getting a decent compensation. Knowing that noone will rehire over-fifty-year-olds he risks everything by asking his boss for a conversation that could change his life in any direction – a personal call of 15 minutes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Knaup, Herbert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bach, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zingelmann, Nico</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6a97b144-749e-4c08-b72c-bd7ae15f8470</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    gw 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sunny</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ef810a30-2484-4a3d-874f-d80193339bcb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    gw 041        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Porn Punk Poetry</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A male prostitute who almost forgot the meaning of real feelings is falling in love with a young girl. By her tenderness he's experiencing a feeling of warmth. His world is out of joint and he realizes he's just as lonely as his clients - always looking for affection. The only way to find himself is to face up to his feelings.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schütter, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bobyleva, Nadja</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hübner, Maurice</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">99b8aaec-f909-49e8-91d0-bd702e25f4da</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    gw 055        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Couchmovie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In four episodes, the film portrays the encounters between “couch surfers” and their hosts in four different places in Europe. In Stuttgart, Swabian publisher Annette meets Pawel, a Polish happy go lucky, while in Spain, her niece Nina is expecting a big fiesta but instead comes upon a deaf old man. Meanwhile Matti, a freshly minted high school graduate, is hoping for a grand adventure in Paris, while the two Erasmus students Reka and Alma wander through Frankfurt desperately searching their hosts. 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But on his first stop in the Indonesian megacity Jakarta, Daniel is totally over challenged by the foreign culture. He loses sight of his goals and finally of himself. When he meets young Clara, Daniel believes to escape from his torturing loneliness by falling in love with her.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Urzendowsky, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">von Kuick, Henrike</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sabastian, Johan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wenning, Thorsten</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e12f79b3-de08-49a8-aeed-a68cb51b314d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2009    gw 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">gsw</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">It's Me. Helmut</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ich bin's. Helmut</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Helmut is celebrating his 60th birthday. He ́s actually only turning 57, but his wife Gertrud has got her maths wrong. 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His name is Boo, and Boo has never met a girl before.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weiland, Johannes</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/annie-boo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1553bba1-3573-46f5-ac1a-f3ace6393c78</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    xxu096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Electrick Children</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Pregnant by music?</subfield><subfield code="b"> On her 15th birthday, Rachel, a Mormon girl, discovers a forbidden rock music tape. 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One day, his monotonous existence is interrupted by the door bell. It's a little girl. She wants her cat back. Little does she know that she's the next life on Mr. Grimm's list.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collins, Cynthia</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buschor, Kyra</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/zing/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">67d6d5eb-a542-4486-a788-74078a17269e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Wallflower Tango</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Kalle, a thief, who is just about to steel a valuable diamond is caught by the lonely Charlotte. Kalle tries to escape with his haul but Charlotte is not willing to let him go...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kampffmeyer, Wolfram</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/wallflower-tango/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">befbd0d4-9385-4006-ae5f-85ba0c85fcfa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090329.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2007    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Pebble Stone</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kieselstein</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While playing outside little Lisa builds together her own playfellow from various objects. 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code="2">rdacarrier</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c6e4d5a0-1e41-48c4-8b2d-b6366d4b0c73</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Oh Sheep!</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7d56081c-3bf6-42ff-8233-4a11663df0de</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">366 Tage</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Starting his social work as paramedic, young Patrick soon comes in contact with patients that are all suffering from the same problem: loneliness. As he tries to help, he gets himself into relationships that are way more demanding than expected.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schiehsl, Johannes</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/366-tage/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8d0db3ab-2c85-4c20-8d5b-c6280e97a864</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    gw 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield 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code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A duel in a town made of strings.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maderthoner, Nikolai</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mugler, Moritz</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/high-wool/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6c9be68f-f8d3-45c2-9f49-3c3ad76e3fab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield 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code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Forgotten and weathered today, three studio halls lie in the green nowhere - these are the remains of "Hollywood in the heath" on the outskirts of Lower Saxony. After the Second World War, the small village of Bendestorf in the Nordheide was overflowed with people.</subfield><subfield code="b"> From 1947 on, famous actors mingled with the many refugees and villagers. Bendestorf became a film stronghold and was mentioned among other major studios in Germany: Berlin, Munich, Cologne - and Bendestorf!  Hollywood in the Heath - this is not only a nostalgic review of the early films of the young Federal Republic. It is a look at a post-war society that was trying to get back on its feet and reposition itself morally. A society between failures, traumas and the desire for a new beginning.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brahms, Susanne</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/hollywood/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6d05c007-dd18-4cb7-988d-0d7721039fb6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 028        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Christians in Iraq - Stay or Go?</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Christen im Irak - Bleiben oder gehen?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Father Jens Petzold is a Berlin-born monk who founded a monastery in Sulaymaniyah, east of Erbil, in 2011.</subfield><subfield code="b"> How does Father Petzold live in Iraq?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brahms, Susanne</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/christen-im-irak/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ec981763-2389-439d-a6b1-89b69ad319b7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bookhunter</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bücherjäger</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Saving the world’s cultural legacy</subfield><subfield code="b">On the trail of historical and modern-day book hunters: scientists, historians, book lovers and librarians who demonstrate untiring effort and often take great risks to preserve our cultural heritage. From ancient times to the present day, so-called book hunters have made it their mission to save, restore and preserve manuscripts, books and historical documents that are threatened by natural disasters, war or censorship. They are historians, scientists, monks, librarians and civilians who often put their lives at risk to protect our cultural heritage – books and manuscripts – against destruction in turbulent times, and preserve them for the future. The American Benedictine monk Columba Stewart has been travelling to war-torn regions of the world in search of ancient manuscripts for over 30 years. In Iraq, he supports the Dominican monk Najeeb Michael who has twice saved his library under dramatic circumstances from the clutches of radical Islamists. In the 1990s, Mustafa Jahic, guardian of Sarajevo’s last collection of manuscripts, saved 20,000 medieval documents by smuggling them eight times in banana crates across the besieged city, each time at the risk of his own life. From ancient times to the modern age, from Europe to the Middle East, we introduce courageous individuals, past and present, who have dedicated themselves to saving our cultural heritage for future generations. They are the secret heroes of history.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brahms, Susanne</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bucherjager/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c0004377-cd6a-4dd6-b9a0-6498b6f6be27</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    po 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="a">fr</subfield><subfield code="a">bl</subfield><subfield code="a">sa</subfield><subfield code="a">mz</subfield><subfield code="a">sp</subfield><subfield code="c">pt</subfield><subfield code="c">fr</subfield><subfield code="c">br</subfield><subfield code="c">za</subfield><subfield code="c">mz</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Train of Salt and Sugar</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Comboio de Sal e Açucar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mozambique is in the midst of civil war. A single train connects Nampula to Malawi. No civilians are allowed and yet hundreds risk their lives through 700km of sabotaged tracks. Salomão and Taiar are two soldiers who don’t get along.</subfield><subfield code="b"> Rosa is a young nurse on her way to her first job, who soon becomes an object of desire. Mariamu, her close friend, only hopes to trade salt for sugar. Amongst bullets and laughter, life goes on and stories unfold as the train advances under attack, ever so slowly, towards the next stop.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Azevedo, Licínio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-train-of-salt-and-sugar/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d03e3455-2279-4f37-b5ad-2312ca2dc3c3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    nr 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">nor</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">nr</subfield><subfield code="a">no</subfield><subfield code="c">ng</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Lost Café</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film is an uplifting story about a girl’s decision to rise above dark family secrets and culture shock to live her dreams abroad, finding most unusual answers to her troubling questions somewhere in Drammen where she meets the half blind, strange owner of a quaint coffee shop that serves the best coffee in the world…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aladese, Tunde</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bonden, Jenny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Udalor, Omatta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Njemanze, Ann</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Effah, Belinda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dan, Anita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lien, Terje Bruun</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hansen, Anders Lidin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gyang, Kenneth</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">17de1d89-fb1a-4bc4-86b8-19f19ab544f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    ke 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Who Am I?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2007, the violently disputed general election in Kenya divided people along tribal lines, and for the first time, many urban Kenyans had to identify their tribe.</subfield><subfield code="b"> Almost 10 years later, many fear Kenya could be becoming more tribally polarized than ever before. Working with two primary schools in Nairobi and Mombasa, directors Wanuri Kahiu and Nick Reding intimately explore issues surrounding national identity. Using games and interviews the filmmakers ask 8-11 year olds what they understand about discrimination, tribe and religion, and how, when they are discriminated themselves, do they feel about their own identity.  Inspired by Jane Elliot’s “Blue Eyes, Brown Eyes” experiment, the film delicately picks at the religious and tribal tensions that exist in Kenya, by creating an exercise in which the class is arbitrarily divided into groups. The children narrate the experiences and talk about the lessons they learn as they themselves experience the anger, frustration and powerlessness of prejudice.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reding, Wanuri Kahiu and Nick</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/who-am-i/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ccd8c71b-a485-4787-9fc1-30036050fd82</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">swa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ke</subfield><subfield code="c">de</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kati Kati</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Kaleche wakes up in the middle of the wilderness, she’s having no idea how or why she got there. She makes her way to Kati Kati, a nearby lodge, where she meets a motley crew of residents under the leadership of Thoma. As Kaleche strikes up a quick and intense friendship with him, she discovers that the functional alcoholic is a very special guy at a mysterious place: Kati Kati is inhabited by the souls of dead people waiting for redemption…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gethaiga, Nyokabi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Njora, Elsaphan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogola, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Masya, Mbithi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/kati-kati/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2f38a6b0-da77-48d2-8631-cc534b36628f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    sx 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sx</subfield><subfield code="c">na</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Katutura</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Katutura" follows a group of characters experiencing the gravity of living in a township. Ex-convict Dangi has to deal with living a law-abiding life, an extramarital son and an old flame who his wife doesn’t know about. Gangster Shivago explores a new market to sell his drugs and Kondja, a teenager in a wheelchair who helps street kids, falls in love for the first time. Their paths intertwine and their lives collide in both hopeful and brutal ways.</subfield><subfield code="b"> Katutura deals with the struggle of everyday life in the township. There is crime, drug abuse, violence, but it also shows the strength of the community as well as the bustling creativity in the place otherwise known as the place where we do not belong.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tshoopara, Chops</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emvula, Obed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Uzera, Gift</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Müller, Odile</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schott, Florian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/music-is-our-weapon/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">57082c76-d7f8-40e1-8eb8-fc30713a67b1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    ug 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ug</subfield><subfield code="a">sa</subfield><subfield code="a">ke</subfield><subfield code="a">gw</subfield><subfield code="c">ug</subfield><subfield code="c">za</subfield><subfield code="c">ke</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Boda Boda Thieves</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Abaabi ba boda boda</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Even though he is only 15 years old, when his father is injured in a road accident Abel takes up the responsibility of manning the family boda boda to provide for the family.</subfield><subfield code="b">Abel however, is always on the lookout for a shortcut and when a local hustler offer’s him the chance of being a snatch and grab get-away driver, he lurches headlong into a world of easy money and quick thrills. It all turns sour though when Abel himself is robbed of his father’s boda boda. He is now forced to pile lie upon lie to his parents and the authorities as he searches for the stolen motorbike through the underbelly of Kampala.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Insingoma, Hassan ‘Spike’</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rukundo, Prossy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mwesigwa, Saul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wawuyo, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Birungi, Peace</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mugisha, Donald</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tayler, James</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-boda-boda-thieves/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2ed880d3-c8d1-4fce-848c-610f2864a8b9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    gh 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gh</subfield><subfield code="a">xxk</subfield><subfield code="c">gh</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Cursed Ones</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A series of misfortunes lead a West African village to accuse a young girl, Asabi, of witchcraft. Their Pastor insists that salvation lies in her exorcism and death, using his compelling rhetoric to incite fear into the people and turn Asabi’s mother against her own daughter.</subfield><subfield code="b"> Disillusioned reporter, Godwin finds himself swept up in the witch hunt. With the help of a young school teacher, he attempts to save Asabi’s life, fighting back against corruption and false prophets.  Based on true events, The Cursed Ones is a story of morality, corruption, and community in the heart of Africa.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erhuero, Oris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jean-Louis, Jimmy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abebrese, Ama K.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Claussen, Maximilian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Obiri Yeboah, Nana</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">583a233c-f917-47b4-8b48-594b8eccd984</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">som</subfield><subfield code="h">swa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ke</subfield><subfield code="c">de</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Veve</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Veve" follows the lives of multiple characters trying to find themselves in a world of political intrigue, revenge, love and longings for success complemented by the background of the thriving yet unregulated veve business.</subfield><subfield code="b">Amos, an ambitious politician, is running for another term as Maua MP whilst facing his opponent Wadu in the extension of his veve empire. His wife Esther discovers the true nature of his affairs and seeks solace in Kenzo, a conflicted young man out to seek vengeance for his father’s death. Sammy, Amos’ right hand man, has to choose between being loyal to his work and being a caring father to his 12-year-old son Kago. Maua ́s Veve Farmers want to farm a union to force Amos to pay decent prices for their veve. Clint, a hedonistic wannabe documentary filmmaker meddles to far, blind of the dangers he is putting himself and others into. All are in search of purpose not knowing, that their destinies are entwined in more ways than they imagine.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rugene, Emo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Njagah, Lizz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Makeni, Conrad</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Odhiambo, Lowry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peevers, Adam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Munyua, Victor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mukali, Simon</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/veve/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d43be83f-f594-4128-af94-8ea5477db778</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    gw 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">slo</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ke</subfield><subfield code="c">de</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Something Necessary</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Something Necessary" is a film about a pivotal period in the life of Anne, a woman struggling to rebuild her life after the civil unrest that swept Kenya following the 2007 elections, claiming the life of her husband, the health of her son and leaving her isolated farm in ruins. Joseph, a troubled young gang member who participated in the countrywide violence is drawn to Anne and her farm seemingly in search of redemption.</subfield><subfield code="b">Both he and Anne need something that only the other can give to allow them to shed the painful memories of their past and move on – but will either of them find it?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wanjiru, Susan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lagat, Walter Kipchumba</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mutai, David Koprotich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a"> , Anne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kibinge, Judy</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/something-necessary/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d01db9cb-0751-4d86-9808-a09cfc6420c6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    sa 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mayfair</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Computer whiz and prodigal son Zaid is on a quest for spiritual discovery. As an international aid worker, he lives as far away as possible from his father, Aziz Randera, a successful import-exporter, and occasional money launderer and loan shark.</subfield><subfield code="b"> But when he is fired from his job in a refugee camp for ignoring the rules and actually doing good rather than shuffling papers, Zaid returns to South Africa and to Mayfair, an Indian Muslim enclave in Johannesburg, for the first time in years.  At home, everything has changed. The old neighbourhood is full of new immigrants with clashing ways. Business has been tough; his father is in over his head as a result of a soured deal with ruthless Somalis. Smelling blood, young turks are circling the family business.  Zaid remains reluctant to become involved but when Ameena, his first love, and Faiza, his baby sister, are kidnapped after a failed cash drop to resolve the Somali deal, will he finally get off the fence and choose between saving his family or preserving his faith?  Zaid is fighting to be a good man in an evil world, but the world is fighting back.  MAYFAIR takes the classic gangster film – one that peels back the layers of moral hypocrisy beneath the crime boss’s veneer of respectability – and locates it in Mayfair, Johannesburg, in 2016. This is a suburb that was once defined as “Indian” by the architects of apartheid, but has since become a melting pot of new migrants from across the continent.  It is the story of the relationship between a father and a son. The son rejects and abhors everything about his father’s moral choices, until he learns that his father once had to make the exact same choices he is now being forced to make. As much as he wishes he and his father weren’t the same, in the end he realises that they have much in common.  Directed by a woman, MAYFAIR offers a female perspective on a genre that is distinctly male, and a story that is about manhood.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erhuero, Oris</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jean-Louis, Jimmy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abebrese, Ama K.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blecher, Sara</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/of-good-report/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">02197024-180a-43b0-a194-96a8a644bf72</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    ke 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">It's us</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ni Sisi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ni Sisi portrays a typical Kenyan community: a harmonious muddle of tribes, intermarriages, and extended families who have lived and worked together all their lives. Then one day rumors begin to spread and suddenly mistrust takes hold. People are identified as belonging to a different tribe rather than by their identity as a person. With mistrust comes a sense of threat and fear, and old friends now turn on each other. In a matter of days, the bonds and alliances are severed just as it did in reality in 2008. They find themselves plunging into chaos, and it seems unstoppable and brutal. Is it possible to learn from old mistakes and has a once peaceful community another chance?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daisy, Ednah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kades, Peter Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">King, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mlatso, Ali Mohammed</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Musimbi, Triza</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Muyungi, Godefrey Ojiambo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mwaljuma, Doreen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rajab, Umi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Savane, Krysteen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vike, Jacky</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wairimu, Irungu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wairimu, Joseph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Waijiru, Mercy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reding, Nick</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/its-us/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">70529bf5-a0ba-4247-b59a-5055790022eb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2010    ke 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ke</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Dreams of Elibidi</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ndoto za elibidi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">‘Ndoto Za Elibidi’ was devised originally as a stage play with actors from the Nairobi slums. This Swahili story pivots around the theme of acceptance and love as its colourful protagonists - parents, four daughters and their lovers - come to terms with HIV and ghetto life. Cutting back and forth from fiction to documentary, from the original stage play to the actual locations, it takes us on two parallel journeys: we watch the story, but we are also watching it through the eyes of the ghetto audience. This extraordinary position gives us a double pay off.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ndung'u, Kamau Wa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reding, Nick</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-dreams-of-elibidi/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dc80d90e-abec-463a-8e4e-5981873927ad</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1973    sa 077        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sa</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Joe Bullet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When local soccer team “The Eagles” fall prey to a series of onslaughts from a mysterious gangster only a week before the championship final, the team turns to the one man that can help save their chances at victory – Joe Bullet. Joe will have to battle against villainous henchmen, escape booby-trap bombs and bring his martial arts expertise to the fore in order to survive an attack from a deadly assassin. The odds will be stacked against him, but he’s the man that fights crime, the man that no one can tie down! Joe Bullet!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Witt, Louis de</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e2a24afc-1a7b-476d-9078-7a46c0677342</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    xxu197        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ex Libris: The New York Public Library</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Frederick Wiseman’s film, EX LIBRIS – The New York Public Library, goes behind the scenes of one of the greatest knowledge institutions in the world and reveals it as a place of welcome, cultural exchange and learning. With 92 locations throughout Manhattan, the Bronx and Staten Island, the library is committed to being a resource for all the inhabitants of this multifaceted and cosmopolitan city, and beyond. The New York Public Library exemplifies the deeply rooted American belief in the individual’s right to know and be informed. It is one of the most democratic institutions in America – everyone is welcome. The Library strives to inspire learning, advance knowledge and strengthen communities.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiseman, Frederick</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ex-libris-the-new-york-public-library/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b3970f27-173f-4188-865f-07a533878336</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    cu 066        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cu</subfield><subfield code="a">ve</subfield><subfield code="c">cu</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Swimming Pool</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Piscina</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's not about what we lack. It's about where we belong to.</subfield><subfield code="b">A phlegmatic swimming instructor, a teenage girl who is missing a leg, a boy with Down’s Syndrome, another one with defective legs and one with no apparent physical disability but who refuses to speak, spend a day at the swimming pool. The five outcasts inevitably struggle, clash, separate – and in the end reunite thanks to their imperfections.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quintela, Carlos Machado</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-swimming-pool/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d3114123-2d5e-4588-b5ce-e77b36098936</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2010    ve 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ve</subfield><subfield code="c">ve</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Brother</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hermano</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Daniel and Julio were raised as brothers and play football for their slum’s team: Barrio La Ceniza. The opportunity of their lives arrives when a football scout invites them to try out with the city's best team: Caracas Football Club. In this dirty football pitch they must choose what is more important: family, revenge or the dream of their lives.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rasquin, Marcel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/brother/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">dc2075db-71e4-4aaa-9abb-3b0fbab1977d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    ck 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Karen cries on the bus</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Karen llora en un bus</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The most courageous act is to make your own destiny</subfield><subfield code="b"> After ten years of living in a golden cage and devoting herself completely to her husband, Karen realizes what she has left behind. Sick of it all, she decides to run off. With her savings she rents a room in the center of Bogotá and tries to get a job, but her age and inexperience make it impossible. Soon she has to decide between returning to a stable life and giving up her new gained freedom or, for the first time, facing cruel life on her own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vera, Gabriel Rojas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/karen-cries-on-the-bus/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7e990b00-033c-4708-819d-394ee1bb22f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090330.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    cl 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Verano</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fragments of a summer day.</subfield><subfield code="b"> In the south of Chile, small events shape the lives of visitors and workers of an old thermal resort. The stories of the protagonists connect in moments of everyday life. While the visitors experience a contemplative break, the locals are merged in their routine. After enjoying long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, the day slowly unravels into impressions of happiness and discovery.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leiva, José Luis Torres</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/verano/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">72217e50-8b61-4022-9fc5-bd505c9c45ca</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2010    ag 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">cl</subfield><subfield code="c">ar</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Last Round</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mi último round</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Every chance is worth fighting for.</subfield><subfield code="b"> In the south of Chile a love story is born between successful boxer Octavio and Hugo, a kitchen assistant. Moving to the capital Santiago, they expect to fulfil their dreams and live their love – secretly defying it from the hostile outside. But nothing turns out like planned: while Hugo meets Jennifer, who shows him a world unknown, Octavio makes a new attempt at what he does best: boxing. But this time he doesn’t look for victory. This fight could be a new way out – or his very last round.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jorquera, Julio</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/my-last-round/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6724a2a0-297f-475d-a5f8-cf7eac01a4f0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2007    ag 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Three Minutes</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tres Minutos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This is a love story between Alex, a journalist who must speak fast and take a weird substance to accelerate his nervous system, and Ana, a young piano student who does the same to increase the speed of her fingers. Both of them will end finding themselves in a place where the time has stopped. In a world where everything remains immobile, they will live their love.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lublinsky, Diego</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/three-minutes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e3b5bb0f-1bbb-4898-89f6-01ed1b1c254a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    bl 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="c">br</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Revenge</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vingança</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a small country town in the south of Brazil, the daughter of a wealthy farmer is brutally raped and left near a river. A mysterious young man arrives in Rio de Janeiro and starts to follow an attractive woman, with whom he stars a strange relationship. Brought together by unexplained circumstances these characters seem to be heading to the same fate.</subfield><subfield code="b"> REVENGE is a suspense, but also the drama of a young man fighting against an honor code imposed by his own origins. At the same time he experiments a new and unexpected desire: writing his own destiny.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pons, Paulo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/revenge/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">683b2279-b205-4d13-9fff-93b2d0b9ad47</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2009    hu 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hun</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">hu</subfield><subfield code="c">hu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Lost Times</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Utolsó Idök</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The car mechanic Ivan lives with his autistic sister Eszter in a small, desolate village by the border in Eastern Hungary. Ivan earns some extra money by smuggling diesel oil across the border. He falls in love with Ilus, who has just finished her state graduate exams and will move to another town. One day Eszter gets raped by a stranger in the nearby woods. The police investigations have no outcome. After the traumatic event Eszter carries on living her life as she used to but becomes mute, refusing to say a word. When Ivan discovers some evidence of Eszter’s rape, he takes justice into his own hands...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mátyássy, Áron</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">16df86a0-d5c0-401a-86da-3c219a78c18c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2009    ck 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ck</subfield><subfield code="a">fr</subfield><subfield code="c">co</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Crab Trap</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Vuelco del Cangrejo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Set in the Afro-Colombian community of La Barra on Colombia’s Pacific coast, CRAB TRAP tells the story of both the drama of a young man, trying to flee his past, and the upcoming clash between a remote village and modernity, represented by two intruding foreigners.</subfield><subfield code="b"> Daniel arrives in the village looking for a boat to leave the country. He intends to stay for only a few days, but a strange shortage of fish has affected La Barra and the fishermen have been sailing far out to sea in hopes of finding new resources. These circumstances make Daniel’s search more difficult. In the meantime the villagers have their own issues: Cerebro, the leader of the community, is trying to adjust to the advent of modernity. The inhabitants never bothered to attest their ownership of the land they have lived on for many generations, until El Paisa, a landowner who wants to build a beach resort, arrived</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Navia, Oscar Ruíz</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/crab-trap/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5a5c49ef-8999-4025-8986-cb42bf034f82</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    ag 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Beauty</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nosilatiaj. La Belleza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">„Lavenla awoley ta isla, manejla halawoley, tapta yhej ihisetlhalá.“</subfield><subfield code="b">Your hair will be beautiful like the branches of a tree. Never let anyone cut it. ​ Yola’s thick, black hair that cascades down to her hips is her most precious trait. The young girl of Wichi origin is working as a housekeeper in a Catholic family with many children. Their stressed-out mother is obliged to throw an extravagant Quinceañera, a party that the entire village will never forget, for her daughter Antonella. The garden, the food, the dress and the girl’s hair – everything needs to be perfect. When for that occasion, Yola has her hair unjustly cut, the overcharged mother unknowingly destroys the girl’s ties with the family.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seggiaro, Daniela</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/beauty/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c3bd53b1-b424-4bfa-ab52-5ab50115f0df</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    ag 076        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Darkness By Day</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El día trajo la oscuridad</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two women, entangled in madness and attraction – and a craving for blood</subfield><subfield code="b"> An outbreak of rabies has appeared in a small village. Virginia receives an unexpected visit by her cousin Anabel, who is suffering from a strange illness, sleeping during the day and staying awake all night. As day and night intermingle, telephones don’t work, and with the bitter cold, a feeling of anxiety starts to grow on everyone. 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Hilda’s presence at the house suddenly triggers an identity crisis in Mrs. Le Marchand and makes her reevaluate her life. She begins remembering her revolutionary past and questions her luxurious but empty present. In the meantime, her dependency on Hilda grows slowly and becomes an obsession. 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In a city once promised to become the hub of the Soviet nuclear project in the Caribbean, the scant remains of this world weigh down on these three solitary men, who, unlike their pet fish Benjamin, have yet to learn how to breathe under water.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quintela, Carlos Machado</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-project-of-the-century/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0ba1d15c-809d-416c-bdfd-181161e3364a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    xr 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cze</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="a">xo</subfield><subfield code="c">cz</subfield><subfield code="c">sk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Home Care</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A woman‘s journey through middle-age, emotional crisis, and self discovery</subfield><subfield code="b"> Home care nurse Vlasta has dedicated her life to her husband, her daughter, and her patients. She believes in medicine and the trained expertise of doctors. But when it comes time for her to be checked, the results will lead her to question her values and search outside of her comfort zone for a solution. 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Through recurring nightmares, a question creeps into her mind: Is it possible that her parents were not killed in a traffic accident twenty years ago but have died in some other, horrific way?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Özçelik, Ceylan Özgün</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/inflame/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b949e9f8-cf9b-4bac-99c9-6fc418418918</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    |||093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">chi</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="c">hk</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Miss you when I see you</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When a spark from the past shakes up Jamie's present, will he follow his heart or society’s expectations?</subfield><subfield code="b"> Being best friends in high school, Kevin and Jamie’s emotional attachment and feelings for each other are abruptly cut short by Kevin’s departure to Australia with his mother. Fast-forward to a dozen years later, Jamie tracks down Kevin in Australia. The reunion with his best friend reminds Kevin – suffering from depression – of his youthful ambitions, so he decides to return to Hong Kong. Jamie, however, enjoying a steady relationship with his girlfriend, finds his feelings for Kevin reawakened and growing stronger. 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Kaarlo is trying to impress the girls by telling them what once happened to his not-so-talkative friend Toni, in another bar in Dijon, France.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaartinen, Martti </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Enbuska, Tomi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Partanen, Minna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lindström, Outi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Myllylahti, Mikko</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-dijon-story/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">67d01e91-5927-46a4-a918-d424d706b87b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2010    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">APOLLO</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A tiny rocket makes an impact on a big wish. 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As it grows bigger, so too does its understanding of life and its inevitable conclusion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shrapnel, Tom</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lowe, Cameron</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/aeolian/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">25e9a223-40ac-4e27-9f6d-8104320050c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    cc 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cc</subfield><subfield code="a">sz</subfield><subfield code="c">cn</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Smortlybacks</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a tabletop mountain a mahout and his strange herd make a surprising and never-ending journey.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sieger, Ted</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dierickx, Wouter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-smortlybacks/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e444d0f6-cd3c-4e15-a0dc-b323a07b785e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090331.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    no 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Herman’s Heart</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Herman's Hjerte</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Herman lives in peaceful harmony with his teddy bear inside a large tree surrounded by a beautiful garden. One night an unexpected and for Herman unwelcome visitor arrives. When Herman throws the visitor out it gets stormy outside and he realizes that he has to go out on a rescue mission. 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Even in his worst nightmares the Ghost hadn’t imagined to meet such a "terrifying" girl who was not afraid of him. 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A dog once succeeds in catching his own tail. That changes his life as he finds his best friend in it.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vitanov, Milen</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/my-happy-end/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">92d9f5a6-cf45-4a85-b97e-feb184d14fbd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    gw 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">xxu</subfield><subfield code="c">de</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bis Gleich</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An unspoken connection between two elderly neighbours, who share a daily ritual but have never actually met, deepens when they face the inevitable… together.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wolff, Benjamin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bis-gleich/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6dc43f56-bf17-4042-8675-20541a62ef97</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    lv 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">lv</subfield><subfield code="a">er</subfield><subfield code="c">lv</subfield><subfield code="c">ee</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Cat in the Bag</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kakis Maisā</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is nice and fun to have a cat or some other pet at home to play with. The trusting cat also thought to himself: it's so great to have a home... Until the moment it found itself trapped in a bag,somewhere out on the street, all alone, left to it's faith. Nevertheless – all is well that ends well!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skapāns, Nils</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/cat-in-the-bag/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0c0de5c7-553c-444c-9ed1-e658839e4249</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    sz 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Air Mail</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Messages dans l'air</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A girl falls in love with a boxer she can never hope to meet, but the letter-birds will change her destiny forever. Will the messages in the air make her dreams come true?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Favez, Isabelle</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/air-mail/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">026a8177-2a45-43f6-acd6-682f2db19801</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    sp 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="a">fr</subfield><subfield code="a">ck</subfield><subfield code="c">es</subfield><subfield code="c">fr</subfield><subfield code="c">co</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Water Path for a Fish</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It’s a starry night when Oscar sees from his window… a little goldfish jumping on a dirty puddle! Two cats are watching from the shadows. Oscar will help the goldfish through a rampant adventure in a nighty Latin America, with the lack of water as a backdrop.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marro, Mercedes</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/water-path-for-a-fish/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bd4c6367-8fab-4c92-8f9b-f9fa91cfd0b2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    sz 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Little Bird and the Squirrel</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Its autumn. At the end of a branch hangs a yellow leaf. A little black bird comes along to water it. Suddenly a squirrel nicks the birds bright green watering can. The bird follows the cheeky thief. This is the start of an exciting chase through the forest. But behind the trees the fiery red fox is already waiting for his chance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döhren, Lena von</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-little-bird-and-the-squirrel/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">210a3b93-e6ab-415b-9174-2d520535b143</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    sz 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Little Bird and the Leaf</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A little bird leaves its nest in pursuit of a leaf — but when a famished fox follows, the bird learns that sometimes you need to think on the fly!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döhren, Lena von</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-little-bird-and-the-leaf/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">905edaba-85c6-4083-bcee-797b396f6ab1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    sz 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Little Bird and the Caterpillar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It’s summer. High above in a tree the little Bird cherishes and nurtures the green leaves of his home. Suddenly a hungry caterpillar sets out to eat the appetizing leaves. The little Bird manages to lure away the glutton and an adventurous journey begins.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döhren, Lena von</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-little-bird-and-the-caterpillar/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2440ce0a-6ad7-4b00-8491-e1c78c3faae4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    gw 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bambo Temple Street</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bambustempelstrasse</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Bao and Lili live at Bamboo Temple Street, a street that marks the border between the houses of wealthy upperclass people and the barracks of poor migrant workers. Despite this social inequality the two girls develop a clandestine and silent friendship. One day Bao decides to show Lili her friendship and leaves her parents house to find her friend. 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To escape his loneliness, he folds a new friend, Pete, from the paper he is drawn on.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eschrich, Markus</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lumer, Johannes</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/rouff/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b0b35b7c-963f-4e79-a05b-12fc9d0cb74f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Peep and the Paperplane</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">While Bird mother Paula is away searching for food, her son Peep gets unexpected help from a Paper Plane. Together they head out exploring the magical world around them. But their friendship is soon to be tested…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Englert, Christoph</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/peep-and-the-paperplane/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c2d3ef62-6823-4a11-bcc9-4e4193709edd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    lv 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">lv</subfield><subfield code="c">lv</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Our Granny Rocks</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Brother and Sister, as it happens with children, have a hard time getting along. Then Granny gets involved, arriving on a scooter and twisting the green button on her vest, thus launching an unbelievable series of sandbox adventures.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skapāns, Nils</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/our-granny-rocks/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b813abb3-dcf4-47b4-8fac-8a2aac163abb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">chi</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">THE OTHER HALF OF THE SKY: STORIES OF CHINESE BUSINESS WOMEN</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">They are four of the most successful businesswomen in China: Belonging to a generation who experienced the austerity of China's cultural revolution, followed by the subsequent economic boom, they have worked their way to the very top in a patriarchal society. Today, Yang Lan is the owner of one of the leading private media companies. Dong Mingzhu is a tenacious female CEO, heading up the world's largest manufacturer of air conditioning systems. Zhang Lan is a tycoon in the luxury restaurant business. Zhou Yi is a top manager working for a big american IT company. How were these careers built? What are the social and economic contexts in which they operate? And what do these women think about the political, social and cultural state of their country? The latest documentary film by Patrik Soergel takes an intense and unique look at the mentalities of female executives, and explores the huge transformation taking place in China today.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Soergel, Patrik</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-other-half-of-the-sky-stories-of-chinese-business-women/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2cceac63-45d1-494d-a679-f0aa8a1d2ffb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">A STORY OF SAHEL SOUNDS</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Shot on three continents, this film provides an inside look at Christopher Kirkley’s project “Sahel Sounds” - a blog, record label and platform to explore arts and music of the Sahel region through non-traditional ethnographic fieldwork. We follow Chris from Portland to Niger, where he meets some of his long term collaborators as well as new artists. On a road trip from the capital to Agadez, the gateway to the Saharan desert, we witness stunning music performances along the way and after figuring out ridiculous Visa-workarounds, Mdou Moctar and his band set out on their very first European tour to excite audiences, while a hairdresser from Tahoua dreams of America, a place where cellphone recordings are pressed onto high-fidelity vinyl discs for the audience of the future. Not a strict portrait, nor a straight music documentary, a story of Sahel Sounds celebrates the wide range of musical performances of current artists from Niger, while leaving room to reflect on today’s role of ethnomusicology. Still held back by asymmetrical power differentials, but now backed up by an expanding globalism and new possibilities to claim their independence, artists try to reach for success - on stages and on cellphones.</subfield><subfield code="b"> Presented by Norient Film Festival – The World Through Music and Sound.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">kollektiv, neopan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/a-story-of-sahel-sounds/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c3a6ba15-9910-4492-ade3-a4340ce0c622</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    sz 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">yor</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">GANGBÉ!</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Arnaud Robert faithfully describes the adventures of a Benin musical combo – the irresistible Gangbé Brass Band. They depart in a bid to conquer the city of Lagos in Nigeria to perform with Femi Kuti at the Shrine. The famous club is a symbol of Afrobeat, created in the 1970s by Femi’s father, the late and legendary Fela Kuti.</subfield><subfield code="b"> Gangbé! tells of the clash between two Africas. In this exciting journey to the metropolis, the adventures of a continent are revealed; the new cultural poles of the South and the gaps that still separate these neighboring countries. It encounters contemporary ideals of Pan-Africanism, the Gangbé Brass Band finds themselves immersed in a world of new ideas.  It is a journey in a contemporary and different Africa, one that no longer solely aspires to the European dream. In a poetic and funky fashion, it opens up new horizons.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Robert, Arnaud</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/gangbe/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2c84052c-a59c-49b8-91f4-a001a04f3b48</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    gw 061        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sa</subfield><subfield code="c">de</subfield><subfield code="c">za</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">COMING OF AGE</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Coming Of Age is a film that follows teenagers over the course of two years as they grow up deep in the southern African mountain kingdom of Lesotho. Very little happens in the village of Ha Sekake, but from their perspective, a lot is at stake. Lefa, who wears her heart on her sleeve, sees her world fall apart when her best friend Senate leaves the village. She too must decide whether to stay or leave in search of a better education and new opportunities. Retabile takes care of the family’s livestock up in a remote cattle post, for eight months of the year. He is helped by his younger brother Mosaku, who watches as Retabile goes through a rite of passage that will mark his transition into manhood. The summer of youth is quickly over, doors into adulthood open and close.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edkins, Teboho</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/coming-of-age/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ebb342b6-821d-467d-94d1-ab707485216a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">eng</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">CARLOS SAURA - PHOTOGRAPHER, JOURNEY OF A BOOK</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As a young man, Carlos Saura, the legendary Spanish filmmaker, did not quite know what he would like to become: motorcycle racer, flamenco dancer or photographer? 60 years, 40 films and numerous film awards later, his passion for photography runs like a thread through his life. The publishers Gerhard Steidl and Hans Meinke set out to release the largely unknown photo oeuvre of Carlos Saura in form of a book. They discover an early phase in Saura’s photography revealing Spain of the Fifties in a new light: impressive black-and-white images of landscapes, villages, culture and the people of that time beyond the Franco propaganda. The documentary shows how a photo book evolves and simply follows „real characters“ at work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adolph, Jörg</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wetzel, Gereon</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/carlos-saura-photographer-journey-of-a-book/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">bc03b4c5-0a71-46a8-a797-72c0a7e44497</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    gw 102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">BUNCH OF KUNST - A FILM ABOUT SLEAFORD MODS</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Thanks to their sweary rants about modern England, Nottingham duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. Jason Williamson, a former chicken factory worker and father of two, his band mate, beatmaker Andrew Fearn, and their manager Steve Underwood, avant-garde bedroom label owner and former bus driver, have won over fans with their brutally honest lyrics and DIY ethos. Following them on their two-year journey from bedroom recording sessions to mainstream success, Christine Franz’s official documentary feature tells the story of three guys taking on the music business on their own terms.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Franz, Christine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bunch-of-kunst-a-film-about-sleaford-mods/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b88838f7-7c24-47ee-a305-e53c048455ee</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    gw 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">sag</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Arlette. Courage is a Muscle.</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Arlette. Mut ist ein Muskel.</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A journey from Africa to Berlin turns into an unexpected journey from childhood to adulthood. The film centres around Arlette, a 15-year old girl from the Central African Republic who suffered severe injuries during the last war. In Berlin a surgery frees her from her year-long pain. This changes her both physically and mentally: suddenly Arlette is in her puberty. But then war breaks out again in her homeland. What was planned to be a short stay in Berlin turns into a journey without a foreseeable end. Alrette is forced to grow up and take her own decisions about her future. Stranded in Berlin the young girl faces the challenges of a foreign culture and a language she doesn't speak. This film is a long-term observation – told resolutely from the perspective of a young girl from the Central African Republic. And the viewer gets to see our everyday life through the genuine and honest eyes of Arlette.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hoffmann, Florian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/arlette-courage-is-a-muscle-oven/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">af45545e-600a-44d6-8f50-4e1e859f454d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    jo 074        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">jo</subfield><subfield code="c">jo</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">17</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film follows the Jordanian under-17 women’s football team as they prepare for the FIFA U17 Women’s World Cup Jordan 2016. Coming from different backgrounds, each of the girls has faced a different set of challenges as a national team player. But now they face their biggest challenge yet. Who will make it in the final squad? Are they ready to play with so little time to prepare? “17” is a social exploration into the lives of young women who are passionate about a sport they have been told was only for men.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shafakoj, Widad</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/17/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3b486ba2-aadb-48cd-8645-a875c752fbcc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090332.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Chosen One</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">選ばれた男</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Aboard a cruise ship heading from Taiwan to Ishigakijima, a young Taiwanese man (Yenda Chen) is staring at a letter as he ponders to himself, “Am I the chosen one?” Set in Ishigakijima, Okinawa Prefecture, one of the “Top 3 Star-gazing Sites” in Japan, this film is a heartwarming comedy of how an insecure young man’s destiny begins to change because of a message found in a bottle by the seaside.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chen, Yenda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Higa, Rino</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iha, Masami</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hiyane, Tasuku</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinjo, Hiromi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yoshimoto, Miyuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nagata, Norihiko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gori,  </subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-chosen-one/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3492680f-5d4c-486b-bf47-16f61c56c48a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    ja 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Mother of the Groom</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">ニービチの条件</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After leaving home several years ago, Higa Eiichi (Akira Ota) and Ito Shiori (Moeko Fukuda), both now living in Tokyo, announce their marriage and return to Okinawa. Their return just so happened to be in the middle of ‘the Bon Period’ in Okinawa. Upon returning to the family home, Eiichi finds his father has passed away and his mother, Chikako (Yayoi) and grandmother, Kamado (Taeko Yoshida), are less than pleased with the marriage declaring that it is ‘None of their business. He can do whatever he wants’. However, the couple who desperately want their marriage accepted and blessed are given conditions by Chikako. Shiori must clear the high hurdle of helping with‘Ukui’an Okinawa traditional event of which she knows nothing about.</subfield><subfield code="b">Ukui: A ceremony that welcomes back and the sees off the ancestors of each household on 13th-16th of July of the lunar calendar.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ota, Akira</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fukuda, Moeko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a"> , Yayoi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yoshida, Taeko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kishimoto, Tsukasa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/mother-of-the-groom/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">37ab3f40-ba0a-4870-917f-bfb5fbb63690</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Indigo Love</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">愛と藍</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A busy Taiwanese actress, Meiling, is troubled by many incidents that happen on her vacation on Okinawa island. It is her first experience traveling all by herself. She meets a guy who is supposed to be a staff member of the luxury hotel she reserved at Naha International Airport, but there is something wrong.... Her holiday mood is completely ruined…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fukumoto, Sachiko Judy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a"> , Shogen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirayasu, Nobuyuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fukumoto, Sachiko Judy</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/indigo-love/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5e8a92ae-1bdf-4c06-b9af-c3614ef05d20</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    ja 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Goat-Walking</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">やぎの散歩</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A peaceful village of Yambaru with traditional Okinawa’s beautiful scenery. An old man raises and cherishes a goat for eating at his son’s Wedding ceremony. An Okinawan traditional way of celebration. On a fateful day the goat runs away from the old man’s house. It looks like the goat realized that he is going to be killed. The groom and the children in the village chases after the goat, but no one can catch it. The goat runs from place to place, then it meets the boy who is sitting on the beach alone. They say nothing but understand each other. Is it fate?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yoshida, Taeko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tuha, Shiniti</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nakamura, Ryugo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/goat-walking/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">775f92a4-98be-409c-b4ec-429c94f25fe8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Path of KUMIODORI</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">うんじゅの花道</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Takeshi works for museum personnel as well as for performer of Ryukyuan performing art "KUMIODORI". He push forward with his skill to go back and forth between on stage and place of wok or practice room every day. Takenoshin who is Takeshi's son spend feel lonely because of his father doesn't back home until midnight each every day. He think if he will be a performer like his father, he could spend with his father much more than now. One day, Takenoshin goes to the theater with his mother and unexpectedly meet incarnation of traditional Ryukyuan performing art "MARUMUN" who lives in the theater. Takenoshin got the voice of predecessors for the traditional performing art by the MARUMUN. He get the courage to talk to his father "I want to be a performer of KUMIODORI". </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kamiya, Takeshi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kakazu, Mitihiko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sunagawa, Atsushi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yamashiro, Chikako</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-path-of-kumiodori/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8375e72f-b010-4881-a5d9-f7d805844d18</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    ja 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Deer in Me</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">僕と明日香の島歩き</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Asuka, a new actress who lives in Tokyo visits Aka Island in Okinawa, the southern islands of Japan. Junior high-school student Takeshi, the son of the owner of a guest house, is to show her around with his heart pounding. He can’t imagine himself talking to someone like her who he only sees on a screen. When she walks around, she happens to see a Black sika Deer. Since she heard the legend about Black sika Deer from Takeshi’s father previously, it raises painful memories and accusing voices from her workmate come up to her mind, she gets depressed. Through the day-to-day life on the island with Takeshi, her mood gradually gets changed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Matsuoka, Rinako</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Iha, Tomonoshin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kudaka, Tomoaki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Uehara, Naoko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tabuchi, Kenji</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-deer-in-me/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3aa6642a-84b5-403e-aded-b24d6be5eff3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    io 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">io</subfield><subfield code="a">ja</subfield><subfield code="c">id</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Rumah</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">ルマ</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ayumi is 34 years old and has been working as an information call center operator for the past 10 years. In this day and age when anyone can find whatever they want on the internet, inquiries have dropped markedly. The phone doesn’t ring much anymore. Ayumi is plagued by feelings of emptiness and loneliness. She responds to only one or two calls a day, routine inquiries from older people who use the telephone as their source for information. One day, Ayumi is summoned along with several of her co-workers by her boss to be suddenly told she would be laid off. She returns to her parents’ house as if drawn there for some reason.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a"> , Erika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arakaki, Masahiro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oshiro, Tamotsu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ashimine, Tsubu Mustard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noen, Yosep Anggi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/rumah/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">350de596-7130-438a-80ee-f64c50da2d34</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    ja 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Treasure Hunt</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">わたしの宝もの</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">“Wanna know a secret?”. Lan, the new, quiet girl in class gives Mie and Hana an origami rabbit. In the rabbit’s folds hides a treasure map. Answering riddles one by one leads Mie and Hana to an adventure through Naha, a city shared by the old and the new, children and grown-ups. Between Lan’s lies and truths, the two find a great treasure hidden in the City.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuroki, Yuko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsuha, Sakura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Uehara, Chika</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Uchida, Shusaku</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ueda, Mayumi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Maruyama, Erina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shimabukuro, Hiroyuki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kinjo, Kaeri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tsuha, Shinichi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Miyahira, Takako</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/treasure-hunt/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9fd16a3d-ab41-4cd6-846c-a1924cbf6183</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tigres à la queue Leu Leu</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An extremely lazy young boy is harassed by his mother who cannot bear to see him eat and sleep all day long. He eventually decides to get to work and shows unexpected imagination, creativity and tenacity.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chieux, Benoît</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/tigres-a-la-queue-leu-leu/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">08cbe086-2a7e-4811-bec8-6bd98da1f6c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Dans les eaux profondes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Three characters have in common a secret and intimate experience which seems to have a strong impact on their life...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boom, Sarah Van Den</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/dans-les-eaux-profondes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">14635bf9-fb10-4462-8e43-04cbeacc700d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Voiler la face</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Amine is a young Salafist muslim man who is very much in love with his wife Enora who converted herself to Islam. 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In sixth grade in a high school, he does not go to school, steals school boards, intercepts ans destroys any accusatory mail...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guerda, Ibtissem</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/pour-ton-bien/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">158d1294-c515-4385-a784-ba44756cebcf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 030        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">L’Ile jaune</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Ena, eleven, meets a young fisherman on the harbour. He offers her an eel and gives her an appointment for the next Sunday on the other side of the pond. She must be there.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mysius, Léa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guilhaume, Paul</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/lile-jaune/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e4081d9b-d30b-4678-ad46-6a9d8b019abd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s1989    fr 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Foutaises</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"All what I like, all what I don't like". Jeunet's cinema remains, in a new form, well within a certain French tradition of dialogue and atmosphere.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jeunet, Jean-Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/foutaises/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">38d27a89-5088-4c41-b55a-8b6f7a88e6e6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La mère à boire</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A car parked in of a suburban house. Inside, Ariane and her son Thomas, twelve, seem to be waiting for someone... When a lady comes cut in the street, Ariane freezes. Will she be able to go and meet her?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Côte, Laurence</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-mere-a-boire/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5d778a70-3fc5-4c0d-adeb-9fdd1f30be5c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rhapsody</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A lonely sixty-year-old man lives in a small apartment on the top floor of a tower. Every day, a young woman entrusts her baby to him. A natural and unusual bond unites these two beings, one solid and sturdy, the other small and delicate.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meyer, Constance</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/rhapsody/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2cf36789-50a2-459f-a704-dd7004d659e5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Celui qui domptait les nuages</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">At the top of a canyon the old Indian Flying Shadow teaches the young Nayati the ancient art of smoke signals. This is the meeting of two opposite characters. The boy’s hyperactivity upsets the calm of the old shaman soon causing disaster.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rembauville, Julie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/celui-qui-domptait-les-nuages/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9a3b6915-a777-4449-9224-c3956648c15c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2011    fr 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fais croquer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yassine, a passionate young film lover, wants to shoot a film in his neighbourhood. He wants to include his childhood friends in his project. But friendship sometimes has its faults...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Qnia, Yassine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/fais-croquer/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7704a32b-dd07-4ff9-8f9c-f816c1d98523</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le phénomène de Raynaud</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a large film set a technician installs the lights. At the heart of the stage stands a 60’s luxury car, inside of which, Lea, the lead actress, is preparing herself utterly concentrated. An extra, taking advantage of a technical break, jumps into the vehicle to keep warm.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nakache, Lionel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/le-phenomene-de-raynaud/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5dc1ad06-ad1e-4dea-8d57-29fe2c80b659</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Parmi les sirènes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is decided. Marion, a 30 years old girl, gonna do it. She will tell her friends that she is no longer single. She fell in love. But this time she fell in love with a girl.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jardillier, Marie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/parmi-les-sirenes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6af23a7d-05da-455a-b648-696d40b51ef8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fox-Terrier</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Daniel and his three-legged fox terrier Cajou join Hervé for hunting. Cajou has only three legs because of Gilles’ son Francis.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Charuel, Hubert</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/fox-terrier/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9181d97c-77b0-4c54-ab69-9d1a0d3b6605</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    fr 012        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Blue</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weerasethakul, Apichatpong</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/blue/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9047911f-5355-43f4-a52c-0dd5b5c96bb3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    fr 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Les indes galantes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The krump is a dance born in the black ghettos of Los Angeles after the riots of 1995. 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After a restless, sleepless night, Colette visits her.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salvadori, Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/menage/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f0792c87-fe92-4f04-8a6d-ef8417337176</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2009    fr 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Carte</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young man is living in a colour postcard. He’s trying to meet a beloved young girl who is living in a black and white postcard.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lay, Stéfan Le</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-carte/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">54f8a1f3-4af7-4068-ab24-fcf5a64f05bd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Au bruit des clochettes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Afghanistan, the "batchas" are young male prostitutes who live under the protection of a master in their house where they are trained to dance, dressed as girls for the men's audience.</subfield><subfield code="b">The film tells the story of one of them, Saman, when a younger batcha appears to replace him...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zariab, Chabname</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/au-bruit-des-clochettes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b5d979e2-3214-41e6-a1ed-70705902d53c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    fr 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La Nuit des sacs plastiques</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Agathe, 39, has but one obsession: to have a child. She finds her ex, Marc-Antoine, a DJ, mixing techno in Marseille. 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A credentialed substitute, he is looking for a permanent position. Today is crucial: he is about to be inspected by the Ministry of Education for the first time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zouhani, Hakim</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">May, Carine</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/master-of-the-classe/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">933259ee-3f75-455b-948f-2979ed3a64f5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 011        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Réveiller les morts</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two brothers decide to revive what still unites them, one last time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Simon, Morgan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/reveiller-les-morts/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ce2fbb70-ee6d-4f4d-84b1-6ecc8dae4b36</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Yùl et le serpent</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yùl, 13 years old, goes with his big brother Dino to conclude a deal with Mike, a thug escorted by his Argentinian Mastiff. When things go wrong, a mysterious snake appears.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Harel, Gabriel</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/yul-et-le-serpent/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a76362e7-c8f8-4824-b34d-3c857e3d9930</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090333.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2008    fr 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nicolas et Guillemette</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An old scoubidou puppets’ inventor abandons his workshop. Nicolas, the only finished character, wakes up and decides to create a little dancer, but gets confused with scoubidou strings.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taravel, Virginie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/nicolas-et-guillemette/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">678a4f5c-7e6c-440e-8175-d49e79eb3db2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    fr 023        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Basses</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It is the end of summer, 6pm. Logan is meeting his best friend who is being let out of a psychiatric ward. Theo has been treated there for 2 weeks after an accident. Before Theo’s mum arrives, the two boys run away to the biggest rave party of their lives. Logan thinks that Theo has changed, a truth he can feel but refuses to acknowledge. The two boys continue their escape through the mountains, to a party that remains out of reach.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Imbert, Felix</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/basses/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">be409a98-3b6c-4512-8cdf-241876c2cc9f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 034        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Inupiluk</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tomorrow, Ole and Adam, two Inuit friends of Thomas' father, will land in Paris. Unfortunately, because of a combination of bad circumstances, the father could not go with them. Thomas will have to guide those who are called “Inupiluk” (gangsters) through the city.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Betbeder, Sébastien</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/inupiluk/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">d71f34d0-0418-4536-8ca7-8f6263c295fa</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    fr 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Un monde sans bêtes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Theo, 14, dreams of being a manadier. He starts his apprenticeship, guided by his boss, Mickaël. Over the summer, Theo has to test his dream and face the beast.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Benestan, Emma</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lecouturier, Adrien</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/un-monde-sans-betes/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">14ad72b2-02ad-4e24-856e-1cc71b3f9f2c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2018    fr 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La persistente</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A ski resort, somewhere in the French Pyrenees. Ivan only lives for his motorcycle - the sentient, loving, breathing La Persistente. When a local rival tears her away from him, Ivan's obsession to win her back comes through…</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lugan, Camille</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-persistente/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c512ea0f-7e6a-4a6c-9e68-eff913149840</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    fr 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pépé le morse</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On a windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he is dead.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andreae, Lucrèce</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/pepe-le-morse/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8df6f883-d6f3-41f9-bb60-202c434136b8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Je suis gong</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">gong.com is a fictitious dating site: via webcams placed in the Grande Borne projects (a working-class suburb of Paris), young people meet. 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Two families. One child.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hu, Wei</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ce-qui-nous-eloigne/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">022234c5-8bfa-4186-a3cd-ea0c9a0f6a1e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 035        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Punk à chien</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Joey is a young twenties wandering. Accompanied by his dog Yona, they travel the roads of France harvesting few pieces from here and there. 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Inside the junior high school toilets, shattered Vincent describes the film in a touching way to his classmate, Moussa. Jessica, also upset, bombards Nadia with awkward questions about her gay father.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Parent, Benjamin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ce-nest-pas-un-film-de-cow-boys/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7517c9fa-7cea-479c-a818-9c69c09374d4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Qui suis-je après ton exil en moi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">She and He. The attraction of two souls against the rest of the world.</subfield><subfield code="b">In a universe in a perpetual conflict, despite their elemental differences, in spite of everyone, they love each other.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruchmann, Marc</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/qui-suis-je-apres-ton-exil-en-moi/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">488a556b-b641-4566-b503-d7434a8f00ec</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    fr 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tur</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Wicked Girl</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kotü Kiz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">S., 8 years old, is a little Turkish girl with an overflowing imagination. She is keen on nature and animals. While she is looking back on the good old days in her grandparents village from hospital room, dark and terrifying memories emerge and, little by little, begin to make sense.</subfield><subfield code="b">Not especially a problem of Turkey, but one of the huge global problems of the planet earth!</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kartal, Ayce</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/vilaine-fille/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">31ce960f-019a-41fe-bc4e-9d6dc3718e35</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 004        o   v||||||</controlfield><datafield ind1=" " ind2=" " 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everyday life.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yoon, Yumi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/conte-de-faits/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">05266b4c-cf3b-4ce3-9224-dabe4c448446</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " 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He is renowned among critics and much appreciated by the public. He is offered a role in the film of the year: a biopic about the young life of Charles de Gaulle. 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They use the din to their advantage and dig up a bag of loot. However, the situation snowballs and turns into the worst night the burglars ever experienced.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gagnol, Alain</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Felicioli, Jean-Loup</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/un-plan-denfer/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7fed61c3-cfdb-4c8b-928a-c50e18b9c2bf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    fr 018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Königsberg</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mr Königsberg is the owner of a small paper business. 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But the demolition of the building is announced: the decor of his childhood dreams will soon disappear. How to take off when you have no more space ship ?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Liatard, Fanny</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trouilh, Jérémy</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/gagarine/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7f65e4cf-733f-40ed-9eb7-099764674b31</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 026        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La fin du dragon</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Marianne, Mike and Angèle have gathered once more around their mother. In ten days, following the end of the treatment protocol, Claudine will be dead. Ten days? Marianne never grasped the fact that she would have to wait so long...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Diaby, Marina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/la-fin-du-dragon/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6e7c8c7f-d2fb-4051-ba74-bf48ca56aaac</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    po 041        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">po</subfield><subfield code="c">pt</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Show Me Rio</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The best way to discover a city is through its people. In this film, notable Rio residents like artist Vik Muniz, model Andrea Dellal, singer Chico Buarque, designer Oskar Metsavaht and mayor Eduardo, amongst others who show us “their” Rio de Janeiro.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tavares, Rita Sousa</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cyrne, José Maria</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/show-me-rio/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ec6bf6de-ed06-45ef-b338-a1c918a0d6c3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2012    sp 140        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">30 Years of darkness</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"30 Years of Darkness" is a real gem, fusing interviews, analysis and some terrific animation into an intriguing whole that plays like an intelligent thriller. " - Variety</subfield><subfield code="b">Nominated for the Best Documentary Award at the 2012 Goyas, this is the unbelievable story of Manuel Cortés, the ‘mole of Mijas’. When the Spanish civil war ended and the borders closed, hundreds of people were forced to go into hiding to escape Franco’s repression. They lived for decades, hidden under floorboards or in holes behind walls in their own home, knowing they could be discovered at any time. One of the most famous of these moles was Manuel Cortés, the former mayor of Mijas, Malaga. With the help of his wife, Juliana, he spent 30 years hidden in a small hole in the wall of their house. For the first year of his captivity, Cortés couldn’t even tell his daughter he was alive. He spent months watching her play, unable to even touch her. But this is not just a story about the Spanish civil war. It’s a story about survival and humanity. About the consequences of war and dictatorship. Beautiful animated sequences capture the drama of Manuel and Juliana’s story while archive and interviews provide historical context.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Martin, Manuel H.</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/30-years-of-darkness/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">886ee899-8c58-444f-995d-72b6da8224e9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    xxk162        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="a">sp</subfield><subfield code="c">gb</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Brand Irish</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Why is it that St Patrick’s Day is the only national holiday that is celebrated in almost every country across the world? Why can Irish pubs be found from Afghanistan to Zimbabwe? It seems that nearly everybody on the planet has some sort of a connection to Ireland.</subfield><subfield code="b">It’s not because of the alcohol (although it’s a factor for sure). It’s not because of the outstanding quality of the food, or the loveable rogues of stage and screen. It’s not due to the impressive business savvy, excellent education, or even down to the endless musical and literary talents that come of out the country. It’s because being Irish has become a brand; a best-selling, take-the-world-by-storm brand. And while they export many terrific products, their best export by far is their people. For such a tiny country, their impact on the world stage is massive. We examine the birth of brand Irish.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gibbings, Sara</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/brand-irish/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">e7985960-31e7-4abe-8e8f-da94d96a2668</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">tur</subfield><subfield code="h">ger</subfield><subfield code="h">fre</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Erdogan, the making of a sultan</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In this acclaimed new documentary, Emmy and BAFTA award-winning director, Gilles Cayatte, and expert on Turkish affairs Guillaume Perrier, profiles President Erdogan. Featuring an exclusive new interview with Fethullah Gulen, the man accused of instigating the coup, as well as insights from Erdogan’s supporters and opponents, it portrays a leader whose sense of identity seems rooted in his power. A thoughtful analyses of the “despotic democracy” Erdogan is building in Turkey.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cayatte, Gilles</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Perrier, Guillaume</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/erdogan-the-making-of-a-sultan/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">02a51ee5-38f8-4dcf-860a-7ea55197bd62</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 060        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">7 Days in Kigali</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">What happened in Rwanda in 1994 was not simply the spontaneous eruption of inter-ethnic hatred. It was planned genocide, on an industrial scale. Something that was prepared for at least a year in advance. Lists were made. Weapons were collected. RTLM radio spent months conditioning their audience to believe that one sector of their population represented a threat.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frey, Mehdi Ba &amp; Jeremy</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/7-days-in-kigali/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b0a878fc-87f6-4258-b216-272a5f6f4770</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    sp 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Gabo: The Creation of Gabriel Garcia Marquez</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">How did a boy from a backward town on the Caribbean coast become a writer who won the hearts of millions, from the poorest to the most powerful political leaders, and whose works changed our perception of reality? The answer is the incredible story of Gabriel García Márquez – ‘Gabo’ to all of Latin America – winner of the 1982 Nobel Prize for Literature, author of the globally popular masterpiece ‘100 Years of Solitude’, and ‘the most popular and perhaps the best writer in Spanish since Cervantes’. More than just a biography, this film is a powerful narrative following the interwoven threads of Márquez’s life and work to reveal the incredible power of human imagination.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Webster, Justin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/gabo-the-creation-of-gabriel-garcia-marquez/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">9b6cfb2e-e47f-490c-b1e8-835cc89a6c11</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2017    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Church: Code of Silence</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Secret internal documents reveal how Church officials protect priests accused of pedophilia by moving them from country to country, sometimes as far away as Africa. They call it ‘the geographical solution’. Even Pope Francis is implicated. When he was bishop of Buenos Aires, he tried to influence the Argentinean justice system in order to protect a convicted priest. From Cameroon to Argentina, America to France and Italy, this investigation traces the transfers of pedophile priests.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Boudot, Martin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/church-code-of-silence/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">de60997f-824d-4b9d-8f5b-602afc958591</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    fr 062        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">sp</subfield><subfield code="c">fr</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Open Windows</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Madrid and in Paris, Boti, Empar, Micheline and Jocelyne, four lesbian women in their seventies tell of their fears, their desires, their differences... They are still active, or activists, and will not give in to the passage of time; they refuse to be pushed aside because of their age. They look at others, and at society, with curiosity. They live their everyday lives to the fullest, taking advantage of all opportunities. They show us their world, their experiences, and their problems, and talk about their relationship with age.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Massé, Michèle</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/open-windows/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">60d70703-2dd1-445a-a683-0beb24c13bd1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 068        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pansy!</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Artist Paul Harfleet’s family had always accepted his sexuality, but it was a different story outside the home. Like many young gay people, he regularly faced abuse. So he developed an artistic work, the Pansy Project, to challenge homophobia and promote respect and tolerance</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erreca, Jean-Baptiste</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/pansy/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">06d8aebf-bac4-4e56-99a8-b7bab79f5cd0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090334.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    fr 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">UN: Last Station Before Hell</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a world that is so different from the one that the UN faced after World War II, how might the UN succeed in its peacekeeping missions—from its oldest in Lebanon, to the largest in Congo, to its newest in the Central African Republic? This film explores these challenging issues through field investigations and interviews with key decision-makers in UN peacekeeping.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mangiante, Pierre-Olivier François &amp; Bernard</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/un-last-station-before-hell/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">dcd0ba7f-7bbc-4b1c-b567-a74c9b5042e2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Syria: Witnesses for the prosecution</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Syria, for five years, ordinary men have been gathering evidence of all of the war crimes committed, whoever the perpetrators. Amid the thunder of bombs, these anonymous and unsung heroes take all the risks in the hope that one day those responsible will be held accountable in court. The story of these evidence "hunters" is one of a Syria never told: a story of men who choose, as their weapons of war, their mobile phones, their pens and the penal code to become witnesses for the prosecution against all abuses committed in Syria.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Caisne, Garance La</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Joulie, Olivier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/syria-witnesses-for-the-prosecution/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6ea48d4a-f7a1-4219-b2b3-5a3c49545c59</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2013    fr 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Last Stop: Palestine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">There is an invisible war going on in the West Bank. The Israeli settlers are waging a daily war on the Palestinians who remain. A new generation of Palestinians have undertaken a new strategy and are fighting back with video cameras rather than guns. They post their videos online to show the world what is happening but what does all this mean for the possibility of peace? An in-depth and eye-opening investigation into life in the West Bank.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moreira, Paul</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/last-stop-palestine/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">198b953f-cce4-4977-8276-2084d7306dfb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2015    ie 134        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="c">ie</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Collusion</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A groundbreaking documentary exposing the extent of collusion between Loyalist paramilitaries and the British security forces in Northern Ireland during ’the Troubles’. Supported by archive evidence and interviews with senior Irish and British officials of the period, this film reveals that the British Army decided early on to concentrate its efforts on “destroying” the Provisional IRA.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McCourt, Brendan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/collusion/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1e228805-4717-448a-b9f6-1c3150aebf65</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    xxu131        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Imminent Threat</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Academy Award nominee James Cromwell presents a documentary on the War on Terror’s impact on civil liberties.</subfield><subfield code="b"> For the past 15 years, the phrase ‘War on Terror’ has been used to justify everything from mass surveillance and spying to the use of drones to kill suspected terrorists without evidence or trial.  Throughout history, governments have applied security surveillance programmes to people they considered a political threat. But surveillance on the scale of the clandestine Prism programme, which collected the data of foreign nationals, is unprecedented. Another new development is the call for the journalists who collaborated with Edward Snowden to be prosecuted. It seems that in many areas, America operates on secret interpretations of laws, explained in confidential memos few people see.  What are the boudaries of the ‘war on terror’? How can we reconcile civil liberties with security?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ambros, Janek</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/imminent-threat/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">32a159cf-85e9-4f31-8cfa-f2ec8a09379e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2014    sp 070        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Born in Gaza</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nacido en Gaza</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Filmed during the 2014 siege of Gaza, which left 507 children dead and 3,598 wounded, ’Born in Gaza’ follows a group of young children growing up in a war zone.</subfield><subfield code="b">The documentary was released theatrically in Spain in December 2014 in over 30 cinemas and nominated for the 2015 Goyas.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zin, Hernán</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/born-in-gaza/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">946ca2ab-456f-4782-a3ea-5060edc8f6c7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">190917s2016    fr 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">tur</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Girls' War</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hundreds of women come from Paris to Kobani, from Turkish Kurdistan to Sinjar, Iraq to fight ISIS. They are heiresses of a movement created nearly 40 years ago in Turkey and today based in the mountains of North Iraq: the ‘Free Women’s Party’. Their founder, Sakine Cansiz, an icon, was assassinated in Paris in 2013. Today, this radical movement, has an ambitious objective: to change the history of the Middle East by establishing in northern Syria– guns in hand – a democratic, egalitarian society based on gender equality.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sauloy, Mylene</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/girls-war/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">24d8fa4d-8cba-46e8-b4e6-ce0456ce9843</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181122s2015    gw 005        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">What happens in your brain if you see a German word like ...?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Compared to other language, German has very long words. This is because you can simply put two words together to make a new one... without limits! That can makes one crazy and that’s what happens with our bald man, when he reads an extremely long word. The word is endless and he goes deeper and deeper into its world trying to fully grasp it. Different tricks, models, and animation are used to visualize the mental images he is processing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rux, Zora</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/what-happens-in-your-brain-when-you-see-a-german-word-like/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">1191fcf0-9a98-4d12-9942-54ada25a35f9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    gw 013        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">It was damp, dark and smelled like wood</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Es war feucht, dunkel und roch nach Holz</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The film is about the last 12 minutes before the greek heroes are going to leave their wooden horse, to conquer Troy. A short film about one of the most famous special forces in history and their way to deal with some unexpected challenges.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meister, Peter</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/it-was-damp-dark-and-smelled-like-wood/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">73d7272b-1b41-4356-855d-c3ae640e1a3b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    gw 015        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">For your own safety</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zu ihrer eigenen Sicherheit</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jonas works at the hand baggage screening at an airport. He is obsessed by preventing the next terrorist attack. But neither his colleagues, nor his boss appreciate his commitment. His attention is raised by the suspicious behaviour of a Muslim colleague. Is this Jonas chance to finally get the recognition he deserves?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heinzen-Ziob, Florian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/for-your-own-safety/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">34f8c05d-6361-4b84-90e9-f3bd80980413</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    mo 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">mo</subfield><subfield code="a">rb</subfield><subfield code="a">sz</subfield><subfield code="c">me</subfield><subfield code="c">rs</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Baits and Hooks</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mamci i udice</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two fishing buddies, Big Brother and some fish stew. Two workers from an old factory face the transition from socialism to capitalism. A film about friendship, cooking and a generation of workers who have to deal with the changed environment.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Popadic, Luka</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/baits-and-hooks/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">5c1a0598-002d-4443-a616-c28dd3aae5cb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    no 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="a">xxk</subfield><subfield code="c">no</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Terminally Happy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In order to remember, you first need to forget. Through pharmaceutical experimentation, Dr. Louis W .has developed an opiate that can put an end to the rising suicide rates plaguing a desolate yet fast-approaching future. 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Eight men of all ages and body types talk directly to camera and describe in detail what it is they think about to delay that vital moment.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Leach, Tomas</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/delay/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">c66e00e2-01c0-495d-9c48-50e37be5ea4a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Alienation</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An animation-short about puberty, based on real life interviews with teenagers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lehmus, Laura</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/alienation/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7e1fd530-e0d5-4890-a83e-07c3fc573057</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    ii 010        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ii</subfield><subfield code="a">xxk</subfield><subfield code="c">in</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Amar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Amar is 14, top of his class and the main breadwinner in his family. In addition to school, he also works two jobs six and a half days a week. This short observational documentary is a simple journey with Amar through his daily routine.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hinton, Andrew</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/amar/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">855d3541-48e6-49c1-bdcb-ed4ce54dda0d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    xxk008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mike</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Mike, a sulky teenager has to do a boring job - to take his little brother Jack to the hairdresser. Waiting for him in the car, Mike starts to get worried when Jack takes too long to return.</subfield><subfield code="b"> Berlinale 2014 / Generation / Crystal Bear for the Best Short Film (14plus)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Collier, Lucian Charles</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Breckon-Richards, Louise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daltry, Stephen Guy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hartland, Jo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Walsh, Daniel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Silvestros, Petros</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/mike/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f2457141-ddd0-4fed-92ef-9c0d06906879</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    no 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Brother, Mikael</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Min bror, Mikael</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fifteen-year-old Mikael has always taken care of his little brother Joakim, who has Down syndrome. The two have spent the summer playing in the countryside around their farm, and in an old hut they have been working on. But when a new boy shows up, everything changes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Eriksen, Mads</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/my-brother-mikael/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">cb855d49-b4d8-40aa-b8c9-4bbb94549c67</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    at 022        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">The Amber Amulet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Liam is 10 and knows everything about the positive energy of gemstones and minerals. At night, dressed as a masked avenger, he wanders the streets seeking to do good deeds in secret. He makes anonymous contact with an unhappy lonely woman and gifts her an amber gem which will lift the curse of her misfortune. Unfortunately, the gem has come from his mother’s jewellery box. 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code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">65eb31ba-3a5c-46ad-bd3e-7fc54b113dea</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    xxu002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Summer Bummer</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man about to go swimming imagines what horrors could be lurking deep in in the waters of his backyard pool. </subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baumann, Jeremy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plymton, Bill</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/summer-bummer/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">997caa27-4956-4ede-9922-74fa49b46543</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    ag 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="c">ar</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Luminaris</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a world controlled and timed by light, an ordinary man has a plan that could change the natural order of things.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cornillón, Gustavo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alché, María</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rial, Luis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zaramella, Juan Pablo</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/luminaris/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">7cfbf6e9-8526-495d-b550-346ceeb9e718</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    gw 017        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Maybe later</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kann ja noch kommen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">All that is missing is one last signature and everyone wants to get this meeting over as quickly as possible - the mother, the new parents, the woman from the adoption office. But there is one unknown factor, and that's Mirko, the father of the baby who has never seen his child.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mauff, Max</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuick, Henrike von</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erdmann, Christian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klingenberg, Rebecca</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Geiße, Christina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Döring, Philipp</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/maybe-later/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6110b49a-a9dd-4eec-b86d-290cdd266278</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    gw 007        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Five Minute Love Story</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A five-minute relationship going through the emotions of a lifetime-relationship. All you ever wanted, feared and lost in five minutes. But to get it, you must do the unusual. This is what main characters Emma and Tom experience.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oliveira, Gloria Endres de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plutte, Jakob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jenne, Robert</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/five-minute-love-story/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a61e9590-7225-4aa6-ac9f-3a04c7355115</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    at 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">at</subfield><subfield code="c">au</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bruce Lee Played Badminton Too</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nic wants to be the greatest badminton player in the world, much to the dismay of his demanding father, a former tennis champion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Derrick, Nathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bunworth, Christopher</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beaumont, Jude</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hoang, Ferdinand</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chen, Irene</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brockett, Keith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chen, Corrie</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/bruce-lee-played-badminton-too/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">982dfb8d-429a-47b3-81e1-a3c863893c1e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">MPA - Medical Psychological Assessment</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">MPU - Medizinisch Psychologische Untersuchung</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two years of MPA preparation, preparation for the Medical Psychological Assessment to get back the driver’s license – and two years of being sober. Well…not really, but today is the final test and the most important conversation with the psychologist. Hold on: today? TODAY??? Frankie totally forgot about it as he leaves a club with his girlfriend Lanka on a Monday morning. 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The film enters the intimate space between mother and child, and explores the dilemma she faces in sharing her sense of home with a child who is rooted in another country and culture. 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Thousands of young people have come to the city to experience the new-found freedom. In the East, the struggle for occupied houses rages, and Kreuzberg experiences troubled times. Among the many who want to build a new life in the city without walls, is the Canadian Jonnie. She is young, impulsive and a great singer. She feels only contempt for her homeland. 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Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Osborne, Joan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khan, Chaka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Babbitt, Bob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ashford, Jack</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hunter, Joe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Justman, Paul</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b7c031f7-e7f6-4844-8ecd-59eb61a632a7</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    sp 105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Artist and the Model</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El artista y la modelo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. One day, Léa gives shelter to a beautiful young Spanish political refugee named Mercè. Marc soon understands that the girl, who agrees to pose for him, inspires him and that he has no choice but to embark on this last artistic (and sensual) adventure.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rochefort, Jean</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Folch, Aida</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardinale, Claudia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lampreave, Chus</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Otto, Götz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trueba, Fernando</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fdeec560-e423-4445-bca6-40a32ee7b0c2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    fr 130        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">per</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Past</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Le Passe</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Coming back to accomplish the divorce procedure, Ahmad an Iranian man, arrives in Paris after four years to meet his ex-wife and her daughters from her previous marriage. He notices his ex is in a relationship with an Arab named Samir who also has a son and a wife in a coma. The relationship of the older daughter and her mother is in deterioration because the daughter thinks her mother is the cause of Samir's wife comatose state. The affairs get more complicated when the older daughter discloses something heinous she has done.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bejo, Bérénice</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rahim, Tahar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mosaffa, Ali</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Burlet, Pauline</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karimi, Babak</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Farhadi, Asgaar</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3707dea7-1b9b-4701-8bc3-0f30f8c083ae</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    gw 100        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="h">jpn</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Zen for Nothing</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zen for nothing</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">"Zen for Nothing" tells of the experiences of Sabine Timoteo from Switzerland, as a "Zen novice" in Antaiji in Autumn, Winter and Spring.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Timoteo, Sabine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noelke, Muho</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klosters, Sanga Gemeinschaft des Zen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Penzel, Werner</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c3a342d5-d5c8-4da8-8dde-1a37f7fe9333</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    fr 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">mx</subfield><subfield code="c">fr</subfield><subfield code="c">mx</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Amazing Catfish</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Los insòlitos peces gato</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Claudia, a lonely young woman, works in a supermarket. One night, she ends up in the hospital with a severe case of appendicitis. There, she meets Martha, the woman resting in the bed next to hers. Martha, who lives alone with her four children, gains Claudia's trust. When she gets out of the hospital, she spontaneously offers Claudia to go home with them. Getting to know this family makes Claudia feel at ease. And for the first time she experiences a sense of belonging in this peculiar little tribe. As Martha's health weakens every day the bond Claudia has with each member of the family grows stronger.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Owen, Lisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayala, Ximena</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Franco, Sonia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guillén, Wendy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baeza, Andrea</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sainte-Luce, Claudia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">01906b5b-9495-4275-94d5-cb5ac227691e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090335.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    fr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Winter Nomads</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hiver nomade</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Carole and Pascal set off in winter for the migration to summer pastures with three donkeys, four dogs and eight hundred sheep, spending three months outdoors with only a tarpaulin and animal hides as shelter for the night. They travel through a fast-changing landscape, passing villas, railways and industrial estates.</subfield><subfield code="b"> Berlinale 2012 / Forum</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noblanc, Pascal Eguisier und Carole</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peguiron, Jean-Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stürler, Manuel von</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5870a7bd-acc6-411d-a41f-f04fafef7275</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2010    xxk102        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">West is West</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Salford, North of England, 1975. The now much diminished, but still claustrophobic and dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan, the runt of the litter, is deep in pubescent crisis under heavy assault both from his father's tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. So, in a last, desperate attempt to 'sort him out', his father decides to pack him off to Mrs Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 35 years earlier. It is not long before Ella Khan (Mrs Khan No2) with a small entourage from Salford, England, swiftly follows to sort out the mess, past and present.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Puri, Om</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bassett, Linda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khan, Aqib</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Marwa, Emil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nicol, Lesley</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Emmony, Andy De</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c61363fc-e8a3-40b8-97e3-d868d7b3cbb4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 120        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Then Is It the End?</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Was heisst hier Ende?</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Critic Michael Althen knew how to motivate a passionate dialogue about cinema with his writing. He was drawn to the subject matter because of the contrasts it draws upon -- art and fairground, documentary and fantasy as well as everyday life and ecstasy. We hear from colleagues, friends, directors, his wife, and even Althen himself, and it is as if film history suddenly begins unfolding in front of the viewers' eyes.</subfield><subfield code="b"> Berlinale 2015 / Forum</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Althen, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karmakar, Romuald</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khuon, Ulrich</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kilb, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kniebe, Tobias</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Graf, Dominik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3cffc8d0-2626-4125-b92e-0f711c56a48f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    ag 110        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">bl</subfield><subfield code="a">cl</subfield><subfield code="c">ar</subfield><subfield code="c">br</subfield><subfield code="c">cl</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Violeta Went to Heaven</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Violeta se fue a los cielos</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gavilán, Francisca</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quevedo, Christián</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Durand, Thomas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wood, Andrés</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5f52e9eb-81a8-423c-9155-00413ae85207</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    gw 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Violently Happy</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Paola Calvos' documentary shows the world of BDSM in a whole new way: The director accompanies choreographer Felix Ruckert and cultural worker Mara Morgen, who dive into the labyrinth of desire with other participants.</subfield><subfield code="b"> She gives her protagonists free rein and steps back. Despite the explicitness of the recordings, the mood of the film is calm, almost esoteric and meditative. Nevertheless, his directness could disturb overly sensitive viewers.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ruckert, Felix</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morgen, Mara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borch, Christine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scherle, Jana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abell, Caritia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Calvo, Paola</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">93cde76a-8a1d-4fbe-932e-71adca589faf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 095        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Culpable</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Verfehlung</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The life and faith of a Catholic prison minister is shaken when his friend and colleague is taken into custody under suspicion of sexual abuse, which drives him to discover the truth.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blomberg, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schumann, Kai</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Messutat, Jan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schneider, Gerd</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84ff9b04-5a8b-496c-9fa8-a42b19e84f55</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    fr 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Suzanne</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A single mother in adolescence, Suzanne lives with her father and sister. Her life changes when she falls in love with Julian, a petty criminal.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Forestier, Sara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damiens, Francois</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hamy, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ny, Anne Le</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haenel, Adèle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Quillévéré, Katell</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">24f0cd0d-5811-457d-99da-4cd457db737b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s1999    dk 091        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">no</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">no</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tsatsiki, Mom and the Policeman</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tsatsiki – Morsan och Polisen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Little Tsatsiki, son of a single mother in Sweden, has never met his father, a Greek fisherman. Tsatsiki befriends a nice but straight-laced motorcycle policeman renting one of their rooms and decices he is the right guy for his mother, an amateur rock singer in love with her band's bass player. To take a break from all this romantic hassle it's time for a holiday trip, and Tsatsiki and his mother end up in the very same Greek village where Tsatsiki was conceived a decade earlier.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rapaport, Alexandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ericksson, Jacob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kessel, Sam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Haus, Samuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lemhagen, Ella</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">724a87b2-3d3f-4395-bf2d-be1ac736da1e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    gw 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Trash Detective</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Matringen, a small Swabian village, everybody knows Uwe, an outsider and notorious barfly. When Uwe witnesses the murder of the local beauty queen Susi Berger, nobody really takes him seriously. Left alone with his suspicion, Uwe starts investigating on his own. Step by step he starts to uncover the dark truths underneath the small-town idyll.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brem, Rudolf Waldemar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fritz, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hämer, Therese</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buck, Maximilian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2c734224-b6a8-49b6-8f25-d8cece573f7e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    gw 124        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">pl</subfield><subfield code="c">de</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Trans Bavaria</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The revolution speaks Bavarian: Since he could think, Quirin (19) has quarrelled with the fate laid out for him as the son of two liberal educators in Lower Bavaria. Having just graduated from high school with the best grades, he is on the verge of taking the most brutal job that Bavaria has to offer: Revolutionary.</subfield><subfield code="b"> Together with his two friends, Joker and Wursti, he leaves after graduation in a stolen butcher's van. The destination is the Red Square in Moscow, where he wants to get professional advice from Fidel Castro. They have only packed a box Spezi and a useless map. An adventurous journey unfolds.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Despas, Marcel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schätzl, Lukas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Damjantschitsch, Johannes</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kraus, Hansi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gulp, Eisi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ferstl, Konstantin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bbc580d5-d81e-4532-ab40-6193bff317cb</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    au 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">gw</subfield><subfield code="c">at</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tom Sawyer And His Friends</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tom und Hacke</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of Tom Sawyer and Huckleberry Finn, placed in the years right after the Second World War in Germany. A tale about friendship and courage.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karl, Fritz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buchrieser, Franz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weisz, Franziska</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weber, Benedikt</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brenner, Xaver-Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lechner, Norbert</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">69d09cd3-1f38-49f4-8c6e-3ab9e11f1a7a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    fr 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">mu</subfield><subfield code="c">fr</subfield><subfield code="c">mr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Timbuktu</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pino, Ibrahim Ahmed dit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kiki, Toulou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jafri, Abel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Diawara, Fatouna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Yacoubi, Hichem</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sissako, Abderrahmane</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1d385815-91f3-4b9b-8557-9f4757b9dfc4</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    xxu087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tangerine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">After hearing that her boyfriend/pimp cheated on her while she was in jail, a hooker and her best friend set out to find him and teach him and his new lover a lesson.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodriguez, Kitana Kiki</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, Mya</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karagulian, Karren</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ransone, James</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baker, Sean</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">35fc87c7-8a06-4687-80ca-36f56133c3f0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    bl 113        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bl</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="c">br</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tabu</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Two elderly women, Pilar (Teresa Madruga) and Santa (Isabel Muñoz Cardoso), try to find the man that their recently deceased friend, Aurora (Laura Soveral), had a passionate affair with in her youth.</subfield><subfield code="b"> Berlinale 2012 / Competition / Alfred Bauer Prize</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Madruga, Teresa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Soveral, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moreira, Ana</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Santo, Henrique Espírito</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cotta, Carloto</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gomes, Miguel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7d29bd11-502c-4e2d-9ca5-eb40b7a5ae49</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2010    xxk094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Submarine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Oliver (Craig Roberts) is a Welsh teen who has some things on his mind. First is losing his virginity before his 16th birthday. He sets out to woo his feisty classmate Jordana (Yasmin Paige). Then Oliver focuses on holding his family together. His father (Noah Taylor), a depressed marine biologist, seems unequal to the task of preventing Oliver's mother (Sally Hawkins) from succumbing to the dubious charms of a spiritual guru (Paddy Considine) from down the road.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roberts, Craig</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hawkins, Sally</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Considine, Paddy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Paige, Yasmin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, Noah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayoade, Richard</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2e3546bc-8e5e-449f-8609-023eaf8cc70b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">sw</subfield><subfield code="c">de</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">My Skinny Sister</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Min lilla syster</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">12-year-old Stella is in the midst of puberty. She struggles with self-doubt, loses herself in daydreams andis in love with her figure-skating teacher and does not know how to tell him.</subfield><subfield code="b"> It is another problem however, weighs much heavier on her mind: Stellas sister Katja, a talented figure skater, and her biggest role model, has a secret - she is anorexic. Stella quickly realizes that something is wrong with her sister and wants to tell her parents, but Katja forces her to be silent. Katja's illness slowly begins to split the family.  A story about growing up, love, trust and betrayal - lovingly old with great young actors.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Josephson, Rebecka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Diamond, Amy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mehmet, Maxim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lenken, Sanna</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1c86abdb-d737-469b-baa1-499fe97647ee</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Civil Servants</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Staatsdiener</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Civil Servants follows the first year of young police officers in the police academy and on the beat in Eastern Germany. After simulating the real world inside the academy they have to face the reality: right-wing protesters who reject the state, democracy and immigrants, domestic violence, poverty and the general decay of structures in the life of people. The young police officers are the thin blue line between the ideals of Western democracy and the threat of its decline.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seletsky, Viktor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cruz, Kathrin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ehrlich, Patrick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krauß, Ann-Kathrin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wilke, Marie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b18464ab-7793-47f4-aea4-2da73a55a61f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2000    dk 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">swe</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">no</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">no</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Songs from the Second Floor</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sånger från andra våningen</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">One evening, somewhere in our hemisphere, a strange series of illogical events take place: a clerk is made redundant in a degrading manner; a lost immigrant is violently attacked in a busy street; a magician makes an error in his act. In the midst of this mayhem, one person stands out: Karl. While the new millennium is casting its web and creating a vast mental breakdown, Karl gradually becomes conscious of the absurdity of the world and realizes just how difficult it is to be human.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nordh, Lars</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Larsson, Stefan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carlsson, Bengt C.W.</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fahlström, Torbjörn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andersson, Sten</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nunez, Roland</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vucina, Lucio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andersson, Roy</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">25576092-1d24-4dda-aa2f-9b7307b53a03</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    gw 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Song from the Forest</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As a young man, Louis Sarno heard a song on the radio that stayed with him. He followed the mysterious sounds to the Central African rainforest, discovering music from the Bayaka Pygmies, and deciding to stay with them. Today, 25 years later, Louis is a full member of the community of hunter-gatherers.</subfield><subfield code="b"> In this modern epic, journalist and filmmaker Michael Obert accompanies American musicologist Louis Sarno and his son, the young Samedi, on their journey from the African rainforest to New York City.  A film about the love of music, nature, the world and the love between father and son. A film about the state of the world and about homeland, identity, alienation, interculturality and globalization at the beginning of the 21st century.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarno, Louis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bokombe, Samedi Mathurin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Obert, Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">3650dde3-843c-4f32-b696-c1733c1b1ba9</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    xxu104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sing Your Song</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Most people know the lasting legacy of Harry Belafonte, the entertainer. This film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Poitier, Sidney</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">King, Coretta Scott</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mandela, Nelson</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Champion, Marge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Belafonte, Harry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rostock, Susanne</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">39b7da5e-36fa-46d9-9252-02485a09767f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">mp</subfield><subfield code="c">de</subfield><subfield code="c">mn</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Don't Look at Me That Way</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Schau mich nicht so an</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hedi is the new neighbor of Iva, who raises her daughter Sophia by herself. The two women start a relationship and Iva is desperately in love. Suddenly Iva's father appears, to whom Hedi feels strongly attached. It seems that only one world exists for Hedi - her own.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borchu, Uisenma</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bierbichler, Josef</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stemmer, Catrina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weisz, Anne-Marie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Borchu, Uisenma</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0227853-3d27-419d-8738-54bbfcef0449</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    xxc105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="c">ca</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Tom at the Farm</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tom à la ferme</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The story of Tom, who is in the grip of grief and depression following the death of his lover. When he meets the family of the deceased, it is revealed the mother was not aware of her son's sexual orientation, or his relationship with Tom either, for that matter.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dolan, Xavier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cardinal, Pierre-Yves</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roy, Lise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brochu, Èvelyne</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tadros, Manuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dolan, Xavier</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">785d5853-f340-4fee-abb4-5c52ee042718</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    sz 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">A Man, His Lover, and His Mother</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Rosie</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Lorenz Meran, (40) a successful gay author suffering acute writers' block, has to leave Berlin and return to eastern Switzerland to provide care for his aged mother, Rosie. When he finds himself confronted with the fact that fun-loving Rosie refuses both outside assistance and a care home, he discovers that he is stuck fast in his small home town of Altstätten. But it is not only his mother's battle against being dictated to and losing her dignity that he is struggling with. It's also his own midlife crisis. And when long-kept secrets are suddenly revealed under the tensions of family dynamics, Lorenz almost fails to notice that love is knocking on the front door of his parent's house.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brunner, Sibylle</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krüger, Fabian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ledesma, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hofmann, Judith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Twerenbold, Hans-Rudolf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gisler, Marcel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">69f630c7-5fca-40ba-85ee-28cdc36cb270</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090336.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    xxu094        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Prince Avalanche</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In the wake of a devastating forest wildfire that swept through Texas back in 1988, the thoughtful and disciplined Alvin, and his polar opposite but well-meaning brother-in-law, Lance, are hired to repair the scorched roads. However, against the backdrop of a summertime solitude in the ravaged land, little by little, the task of painting yellow traffic lines down the middle of a new country road will eventually lead to a piercing tension between the two workers. As frictions keep growing, will the unlikely duo learn from each other's faults to finally bond?</subfield><subfield code="b"> Berlinale 2013 / Competition</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rudd, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hirsch, Emile</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">LeGault, Lanche</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Payne, Joyce</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Green, David Gordon</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">554e43cb-007d-4e72-a6d8-2e641d6dfa3d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    is 105        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">is</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Policeman</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ha-shoter</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Yaron is a police officer and belongs to an elite group: an anti-terror unit of the Israeli police. He and his comrades form the last bastion against the "Arab enemy". Yaron loves his unit and the his comrades over everything. He also loves his pregnant wife, who will soon give birth to her child. An encounter with a radical, violent group will shake him deeply - and make him confront not only the Israeli class struggle, but also the conflict that he alone must carry out deep inside himself.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klein, Yiftach</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pelzig, Yaara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moshonov, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noy, Menashe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adam, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lapid, Nadav</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">85057b9f-fba4-4ac2-9d4f-2fd001993d5f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Passion for Planet</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A journey around the globe together with the world's best wildlife filmmakers. We experience their passion and commitment for the natural beauty of our planet. However, their mission is now in jeopardy as the destruction of nature world-wide caused by the impact of man, is ever increasing.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stewart, Rob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlamberger, Rita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlamberger, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Banerji, Rita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shelley, Mark</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schuessler, Werner</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fee8c147-b2fb-4c0b-a029-a6730736e806</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    gw 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">slo</subfield><subfield code="h">swa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ke</subfield><subfield code="c">de</subfield><subfield code="c">ke</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Nairobi Half Life</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young, aspiring actor from upcountry Kenya dreams of becoming a success in the big city. In pursuit of this and to the chagrin of his brother and parents, he makes his way to Nairobi:the city of opportunity.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wairimu, Joseph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Olwenya, Wilfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wanjiku, Nancy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wacera, Nini</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nthiga, Mugambi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gitonga, Tosh</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">525764b3-990d-424b-a2bc-8bb725a07f96</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    fr 104        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">mr</subfield><subfield code="c">fr</subfield><subfield code="c">ma</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Much Loved</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Noha, Randa, Soukaina, Hlima - just some of the women who sell their bodies in Marrakech. They are happy to embrace this way of life: in their own realm, women find the freedom and dignity that they are denied in Moroccan society - a society that exploits and condemns them at the same time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abidar, Loubna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lazrak, Asmaa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Karaouane, Halima</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayouch, Nabil</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">84b75e53-dc20-4841-bf85-a9493d1298a8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    gw 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">rus</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Die Moskauer Prozesse</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In March 2013, a courtroom was set up to provide a stage for a show trial that pitted the different sides of the cultural war in Russia. Yet the people on stage were no professional thespians but real-life actors: artists, politicians, church leaders, real lawyers, a real judge and a real jury. Director Milo Rau achieved a unique and oppressive insight into Russia under Putins authoritarian reign.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schwetschenko, Maxim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stavickaja, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samuzewitsch, Katja</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gutow, Dmitri</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nikolaew, Anton</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rau, Milo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0ca804f5-1d51-4187-9d62-5012815dc1a8</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 111        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">gr</subfield><subfield code="c">de</subfield><subfield code="c">gr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Wednesday 4:45</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Tetarti 04:45</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Stelios is the owner of a Jazz Club in Athens. A few years ago, through the help of his former associate Vassos, Stelios received a business loan from the Romanian in order to renovate his club. In 2010, the recession finds Stelios on the brink of bankruptcy unable to repay the loan. The Romanian meets with Stelios and gives him one day to come up with a solution. In a vortex of adultery, drug abuse, violence, guilt and self-deceit, Stelios has a few hours left to save his club, salvage his crumbling marriage, battle the mafia loan-sharks, baptize his employee's kid and show up at school to receive his son's report card as a responsible parent.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mainas, Stelios</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bousdoukos, Adam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Branescu, Mimi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dendrinou, Christina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drizi, Nikol</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Alexiou, Alexis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e95e295d-e2b2-45ed-a9a8-102f0bdaf583</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    ag 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">gw</subfield><subfield code="a">sp</subfield><subfield code="c">ar</subfield><subfield code="c">de</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Sidewalls</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Medianeras</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Martín and Mariana are slightly damaged people who live in buildings just opposite one another. While they often don't notice each other, separation might be the very thing that brings them together.</subfield><subfield code="b"> Berlinale 2011 / Panorama</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ayala, Pilar López de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drolas, Javier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Efrón, Inés</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peterson, Carla</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ferro, Rafa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taretto, Gustavo</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f07afe42-c9c6-4790-b65b-f3fc3e91ea74</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2008    no 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Man Who Loved Yngve</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mannen som elsket Yngve</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">It's November 1989, and the Berlin Wall is falling. In Stavanger, Norway, teenage boy Jarle has a great new girlfriend and is starting a rock band with his buddies. But when a new boy, the synth pop-listening Yngve, joins his class, Jarle is more fascinated than he wants to be, and the world as he knows it starts to crumble.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Larsen, Rolf Kristian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berning, Arthur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Broch, Ida Elise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ertvag, Ole Christoffer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiggen, Trine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kristiansen, Stian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fb9d0e58-1ee9-4985-8c41-18403c49ccad</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    fr 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gs</subfield><subfield code="a">gw</subfield><subfield code="c">fr</subfield><subfield code="c">ge</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Corn Island</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Simindis kundzuli</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Swollen up by the spring inundation, the river falls down on the lowlands and before eventually throwing rocks and silts in the sea, gathers them here and there in the middle of the river. In several days, even sometimes overnight, in these shoals rather large islands are created. Soil of such an island is rich and fertile. An old man and his young granddaughter decide to grow corn on this island. But soldiers pass by.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Salman, Ilyas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Buturishvili, Mariam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samushia, Irakli</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Levent, Tamer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ovashvili, George</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">7a6e3aee-55c5-458b-8319-caf63e232c77</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2001    au 079        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">gw</subfield><subfield code="c">at</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lovely Rita</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Sullen, brooding Rita (Barbara Osika) is an outcast teenager in suburban Austria, misunderstood both at school, where she's disdained by classmates, and at home, where her staunchly religious mother (Karina Brandlmayer) and temperamental father (Wolfgang Kostal) bemoan her inability to fit in with their comfortable bourgeois life. When Rita sets out to seduce her school bus driver (Peter Fiala), she sets in motion a series of events that changes everyone's lives irrevocably.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Osika, Barbara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bauer, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fiala, Peter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kostal, Wolfgang</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brandlmayer, Karina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hausner, Jessica</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">21b529ca-95fb-4538-9316-9d33133940c0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2007    gw 071        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">love, peace &amp; beatbox</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Hissing, chirping, crackling, squeaking, clucking, thumping or a simple pop - there is no sound a ‘Beatbox-Crack’ can’t mimic with his mouth. Beatboxing or mouth-drumming is the fifth element of hip-hop after rap, djing, breakdancing and graffiti. As in many other cities, a complex scene has developed in Berlin in recent years.</subfield><subfield code="b"> Berlin is home to 4xsamples. They are among the most popular Beatboxers in the City. The Beatbox Championship invented by DJ Mesia, BeeLow and Maxim, who was murdered in 2003, has now travelled to Australia.  In 2006, the filmmaker Volker Meyer-Dabisch began to observe members of the beatbox scene during their performances and rehearsals. He introduces the most important players on the scene, gets involved in their cosmos of sounds, rhythms and beats, listens to their art and introduces the audience to the world of beatboxing.  Berlinale 2008 / Generation</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zeero,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mastee,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beat, Ro</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Darkmanz,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cheffe, Steff la</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meyer-Dabisch, Volker</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0c30a4c7-bd9f-4836-9ff9-b373ded034f6</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    er 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">est</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="a">gw</subfield><subfield code="c">ee</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Fencer</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Vehkleja</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fleeing from the Russian secret police because of his controversial past, a young Estonian fencer named Endel is forced to return to his homeland, where he begins to train a group of young children in the art of fencing. The past however catches up with him and Endel has to choose between letting his students down or putting his life in danger. The movie is partially based on the real life story of an Estonian fencer Endel Nelis (1925-1993).</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Avandi, Märt</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ratasepp, Ursula</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ulfsak, Lembit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Toompere, Hendrik</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Härö, Klaus</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">1c4f57d2-7f42-45e9-96a9-ee7dc7f04e83</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2010    xxc097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxc</subfield><subfield code="a">gw</subfield><subfield code="c">ca</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Kent Nagano – Montreal Symphony</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kent Nagano-Montreal Symphony</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">He is considered aloof and does not push himself into the spotlight - but the documentary" Kent Nagano - Montreal Symphony "puts him right there. For a year, documentary filmmaker Bettina Ehrhardt accompanied Kent Nagano and the Orchestre Symphonique de Montréal (OSM) - from the north Canada to Paris - and watch as the French-Canadian traditional orchestra discovered a new ways of making music.</subfield><subfield code="b"> Kent Nagano, who directs both the Bavarian State Opera in Munich and the Montreal Symphony Orchestra in a double function, is going to finding unusual ways to reach his audience: The musicians play in schools, in Montreal's hockey stadium and in the villages of the Inuit in the far north of Canada. Samples and concert recordings of symphonic works by Bruckner, Mahler and Debussy show how Kent Nagano creates music.  Honored as Best Canadian Film at the International Festival of Films on Art in Montreal, 2010.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Nagano, Kent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Montreal, Musikern des Orchestre symphonique de</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ehrhardt, Bettina</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">14bd2908-f0d5-41ba-994e-921c9b8e1fcd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    ua 085        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ua</subfield><subfield code="a">fr</subfield><subfield code="c">eg</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Virgin, the Copts and Me</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La vierge, les coptes et moi</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Namir's mother is a Coptic Christian. She is convinced that she has seen a vision of the Virgin Mary on a video from her Egyptian homeland. Her son, who grew up secular in France, wants to make a movie about the phenomenon and travels to his Egyptian relatives. He wants to show the connection between Egyptian contemporary history and the Marian apparitions of the Coptic minority.</subfield><subfield code="b"> There are several obstacles on the way: his parents, who interfere in the film and criticize his ideas, his French producer, who proposes changes every few weeks, and not least the Coptic hometown itself.  In sheer despair Namir decides to stage his own Marian apparition for the film. But for that, he needs the help of the villagers and his mother.  Berlinale 2012 / Panorama</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Messeeh, Namir Abdel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Messeeh, Siham Abdel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Messeeh, Namir Abdel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d0fa7b2c-f5f6-4e89-b3fb-68d6fd6990b1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    fr 106        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Goodbye First Love</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">Un amour de jeunesse</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">15-year-old Camille and 19-year-old Sullivan are in love for the first time. However, when Sullivan goes to Latin America on a journey of self-discovery, Camille is consumed by melancholy and longing for Sullivan, and she struggles to move on.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Créton, Lola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Urzendowsky, Sebastian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brekke, Magne-Håvard</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bonneton, Valérie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Renko, Serge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hansen-Løve, Mia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fd0e77ab-1de4-4dee-9166-6732762bf903</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2007    ie 120        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ie</subfield><subfield code="a">xxk</subfield><subfield code="c">ie</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Joe Strummer – The Future is Unwritten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Strummer, Joe</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bono,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cusack, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jarmusch, Jim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dillon, Matt</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Headon, Topper</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jones, Mick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jones, Steve</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Temple, Julien</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6652945f-8cbb-42c9-ab7a-025810fdc910</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    xxu099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Janis. Little Girl Blue</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Archival footage and interviews highlight the life and career of singer-songwriter Janis Joplin, from her musical rise in the 1960s to her battle with alcohol and heroin addiction.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Joplin, Janis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berg, Amy J.</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2f43c86a-7764-435f-8eb5-dcff80c2f0bf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 098        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jack</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For Jack (10), having a family is the most important thing in the world. Then, one day, his mother disappears. Together with his younger brother MANUEL (6), he embarks on a journey to find her... the journey of a boy who has learnt from an early age to take responsibility. In the end, his brave and startling decision holds up a mirror to all of us.</subfield><subfield code="b"> Berlinale 2014 / Competition</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pietzcker, Ivo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Arms, Georg</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heyer, Luise</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Redetzki, Vincent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mueller-Stöfen, Nele</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berger, Edward</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a51b707d-59b5-4019-a091-85e007b5d8fd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    er 083        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">est</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">er</subfield><subfield code="c">ee</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Crosswind</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Risttuules</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">An emotional and tragic movie about mass deportation to Siberia based on memories of Erna. It all started 14th of June 1941 when trucks came for the innocent families with their children where they headed to train station and later by animal wagons to Siberia. "How to survive hunger, cold, humiliation, losing friends and freedom, but still keep living on, when almost all hope is lost?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peterson, Laura</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Song, Tarmo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Preegel, Mirt</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Isotamm, Ingrid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hillep, Einar</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Helde, Martti</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">4b85f3b0-e055-47b5-b3b8-ca3de827874b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    fr 101        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">por</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">pl</subfield><subfield code="a">xxk</subfield><subfield code="c">fr</subfield><subfield code="c">pl</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Imagine</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Set in Lisbon, Portugal at an institute for the blind where children are taught to live with their disability, to not take risks, and to be comfortable at all times. Ian a non-conformist teacher who is also blind is hired at the school and introduces revolutionary methods: Rejecting the use of a cane, Ian teaches the children to achieve spatial orientation by using all of their senses including moving by the resonance of sound vibrations (echolocation), instinct, and the creative use of their imagination. Confident and even slightly over-aggressive, Ian charms the children and gives them a reason to hope, though they are always testing and questioning him to prove that he is one of them and never seem quite convinced of his sincerity. Ian's sessions take place right under the window of Eva (Alexandra Maria Lara), an adult patient who never leaves her room and does not speak to anybody. Surprisingly, she becomes one of his most responsive students and there is even a hint of romance.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lara, Alexandra Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hogg, Edward</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Derouet, Melchior</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Frappat, Francis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jakimowski, Andrzej</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">10868dc7-27c9-4502-857a-e6abefa55313</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    bw 127        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">rus</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">bw</subfield><subfield code="a">gw</subfield><subfield code="a">lv</subfield><subfield code="a">ne</subfield><subfield code="a">ru</subfield><subfield code="c">by</subfield><subfield code="c">de</subfield><subfield code="c">lv</subfield><subfield code="c">nl</subfield><subfield code="c">ru</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Fog</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">V tumane</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Svirski, Vladimir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abashin, Vlad</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kolesov, Sergei</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peremotovs, Nikita</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Peresild, Julia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Loznitsa, Sergei</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">13c95917-1346-4766-a65e-e8e5f924d3c1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    au 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="c">at</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In the Basement</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Im Keller</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">People and their cellars are a very unique duo. The new film by Ulrich Seidl explores what people do in their cellars and in their spare time. Whether underground or behind heavy doors and steep stairs, they conceal the everyday life beyond - cellars are home to obsessions, brass bands and opera arias, expensive furniture and cheap jokes.</subfield><subfield code="b"> Ulrich Seidl tells tragic and comic tales of sexuality, fitness, fascism, lashes and dolls. After his large-scale "Paradise" trilogy, he returns with "In the Cellar" - a documentary that takes us on a terribly entertaining journey to the basement of our souls.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lang, Fritz</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Klebinger, Alfreda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ellinger, Manfred</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ellinger, Inge</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ochs, Josef</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Seidl, Ulrich</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">fe632586-f8b7-4dc4-867e-dfe094403f3e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    dk 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">pol</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">pl</subfield><subfield code="c">dk</subfield><subfield code="c">pl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Ida</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Poland, 1962. Anna, an orphan brought up by nuns in the convent, is a novice. She has to see Wanda, the only living relative, before she takes her vows. Wanda tells Anna about her Jewish roots. Both women start a journey not only to find their family's tragic story, but to see who they really are and where they belong. They question what they used to believe in.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kulesza, Agata</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trzebuchowska, Agata</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kulig, Joanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ogrodnik, Dawid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pawlikowski, Pawel</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">dae7beef-d233-4df3-8ad9-ce105839502b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090337.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    no 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">no</subfield><subfield code="c">no</subfield></datafield><datafield ind1="1" ind2="2" tag="242"><subfield code="a">I Travel Alone</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Jeg reiser alene</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Jarle Klepp (25) is a talented student, spending his time on music, sex and Marcel Proust, who is about to find out he has a daughter from a one night stand seven years ago. And now she is coming to visit. An atomic bomb of Tamagochis and Princess Diana is going to explode in his face. I TRAVEL ALONE is an angry comedy about a young man who doesnt want to grow up and a touching story about a small girl discovering her father. I TRAVEL ALONE is a sequel to Stian Kristiansens Award winning debut film THE MAN WHO LOVED YNGVE from 2008, both based on critical acclaimed novels by the Norwegian author Tore Renberg.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Larsen, Rolf Kristian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bergrem, Amina Eleonora</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hagen, Pål Sverre Valheim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berdal, Ingrid Bolsø</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wiggen, Trine</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Opstad, Marte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kanic, Marko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hammarsten, Gustaf</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kristiansen, Stian</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">73ce870d-6185-44bc-950e-917646ae7ff2</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    gw 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Want to Run</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In 2009 started the hardest and longest footrace in the world: an average run of 43 miles/day, 64 total stages, no days off, for a total of 2,800 miles from southern Italy up to the North Cape in Norway. Nights were spent in gyms, kindergartens or swimming baths on own mats, there where no accompanying service teams, no closed streets during the racing day... The performance expectations were turned upside down. It's not just about physical fitness but also about who can master this huge challenge in their head. Women become dreaded opponents of men. Ideal age is 40 - that's when mind and body are equally strong.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heukemes, Achim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pélissier, Stéphane</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Streicher, Elke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hauser, Joachim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wimmer, Robert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hasenberg, Achim Michael</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">a52e7f5b-29a3-40a0-87fa-84a4c2c2fa98</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    ne 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">dut</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Am a Woman Now</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">I Am A Woman Now (formerly Casablanca Revisited), the first generation of transsexuals who had their sex change in Casablanca back in the mid-1950s to 1960s take stock of their lives. Do these pioneers feel like total women and did it give them the fulfillment in life they expected ? The women featured in the film were all treated by the same 'miracle doctor', Georges Burou. As long as these 'patients' paid, there were no pre-conditions, no questions asked at his clinic in Casablanca. A film about the pursuit of an almost unattainable dream, about the gap between its realization and the hard reality that sometimes follows.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lessenich, Jean</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tongerloo, Corinne van</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">(Bambi), Marie-Pierre Pruvot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ashley, April</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berends, Colette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Erp, Michiel van</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">817b8a4a-3e29-44ca-b58c-d3054ceabfa3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    xxk112        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hockney</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Born in 1937, David Hockney has spent his life working in almost all areas of the arts - working as a painter, graphic artist, sculptor, photographer and set designer, both at home in the UK and sunny California. In the 1960s, Hockney frolicked among the Pop Art artists, but retired back into his work with increasing age. It was only in 2000 that he returned from his American exile to his homeland.</subfield><subfield code="b"> Director Randall Wright interviewed friends and colleagues of the artist who talk about Hockney's work, relationships and character. Even David Hockney himself has a say. Hockney came out as gay in the 1960s, although being gay was banned in the UK until 1967. The documentary sets a cinematic monument to the long-time admirer of Picasso and his work.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">DuBois, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wright, Randall</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">36ba9fa9-d801-4d9a-905d-166a129baf3d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2016    fr 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">sp</subfield><subfield code="c">fr</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Bosch, the Garden of Dreams</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Bosco, el jardín de los sueños</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A secret in the midst of a mystery - "Garden of Dreams" is Hieronymus Bosch's most famous and fascinating painting, which celebrates its 500th anniversary in 2017.</subfield><subfield code="b"> The filmmakers were able to gain unique impressions and images of the painting for the film, as the Prado in Madrid granted them exclusive access. The viewer witnesses the restoration work and X-ray examinations on the picture. One participates in the exploration and unveiling of all the unanswered questions about the image and the painter himself.  In addition, the film illustrates the immense influence of the painting on the creative power of writers, painters and musicians around the world.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Falkenburg, Reindert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Pamuk, Orhan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rushdie, Salman</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Noteboom, Cees</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">López-Linares, José Luis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c89e9545-3a72-4e8c-b9d0-75987fd5d77e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    fr 075        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">xxu</subfield><subfield code="c">fr</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Heart of a Dog</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Laurie Anderson interweaves childhood memories, video diaries, philosophical thoughts on data gathering, surveillance culture, and afterlife. A tribute to the artists, writers, musicians, and thinkers who inspire her, in tribute to her beloved terrier Lolabelle. Her dog died in 2011 in a period in which, among others, Laurie Anderson's mother and her husband Lou Reed died.</subfield><subfield code="b"> Mixing her own witty storytelling with her music, hand-drawn animations, 8mm home movies, and art, the film flows through subjects as diverse as family memories, surveillance, and Buddhist techniques...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Archie,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Berg, Jason</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chin, Heung-Heung</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Currie, Bob</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Davidson, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Anderson, Laurie</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d8478e16-5899-49c1-9c3c-d81093d9b5bf</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">ne</subfield><subfield code="c">de</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Zurich</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">For 10 years, Nina and Boris were a couple. Then Boris is killed in a tragic accident, and Nina's world wavers - not only by the loss of her partner, but above all by the realization that she apparently barely knew the person she believed to be so close to: Boris seems to have lived a double life all these years. Nina is almost thrown off track by the revelations. She embarks on a startling journey into her past - until she meets a new man …</subfield><subfield code="b"> A film by Sacha Polak with the great emotional power of "Broken Circle" and the sensitive artistry of Krzysztof Kieslowski.  Berlinale 2015 / Forum</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Snijders, Wende</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gersak, Sascha Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Atsma, Barry</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lakemeier, Martijn</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Roggeman, Äaron</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Polak, Sacha</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">93b002f6-6907-4147-9387-3a57c684079d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Foto: Ostkreuz</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Foto: OSTKREUZ</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">With the collapse of the Eastern bloc, the photo agency Ostkreuz was founded in Berlin. Following its foundation by seven East German photographers, an astonishing success story began, acquiring clients including magazines such as Newsweek, Stern, GEO or the New York Times.</subfield><subfield code="b"> Ostkreuz is no longer an East Berlin photo agency. It now has 20 members, who form artistically, personally and biographically a diverse group of European explorers. All have different ways of working, but one thing unites them: their humanistic view of the world.  Ostkreuz stands for socially committed documentary photography: photography as attitude and passion.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hauschild, Annette</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hauswald, Harald</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mahler, Ute</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mahler, Werner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Röder, Julian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Reichert, Maik</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">78a6d97b-e579-4c9b-8f06-8ce09b154068</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    gw 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">For No Eyes only</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">For No Eyes Only</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When teenage computer geek Sam is unwillingly chained to his desk chair with a broken leg, he entertains himself by spying on his classmates through hacking their web cams - until he sees things that nobody is meant to see.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sieverding, Benedict</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gross, Luisa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barde, Tali</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moser, Manuel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Horvath, Simon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barde, Tali</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">38497878-974b-42f9-aeb1-3b4bbfc0e051</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    be 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">ne</subfield><subfield code="c">be</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Finn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Finn lives with his father, a carpenter. Both are grieving the loss of Finn's mother, who died giving birth to Finn on Christmas Eve. Religious symbolism and music as a source of healing accompany Finn and his father as they try to live.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hoeven, Mels van der</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schuurmans, Daan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Decleir, Jan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Verboom, Hanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Weisz, Frans</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aded2edc-9387-401c-a3be-90fe3b9aabf3</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    gw 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Fassbinder</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Rainer Werner Fassbinder was the ‘Enfant Terrible’ of German cinema and has polarized like no other. He was loved, hated, admired, despised. Fassbinder knows the world as one of the last allround geniuses in film history. Art, political action and private life were so inseparably interwoven with him as no other German filmmaker.</subfield><subfield code="b"> The documentary by Annekatrin Hendel tells the story of this artist life of incredible self-destructive power and unique productivity.  Companions like Margit Carstensen, Irm Hermann, Juliane Lorenz, Hanna Schygulla, Harry Baer, Volker Schlöndorff and others. give their very personal view of Fassbinder and let the audience experience how intense work and life with the filmmaker must have been. Rare interview excerpts and archive material by Fassbinder complement the film in a polyphonic and multi-layered portrait.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fassbinder, Rainer Werner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schygulla, Hanna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hermann, Irm</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carstensen, Margot</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rohrbach, Günter</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schlöndorff, Volker</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hendel, Annekatrin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b6c8f1be-116f-4365-865d-60c8e81d82dd</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    au 052        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">fre</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">gw</subfield><subfield code="a">sz</subfield><subfield code="c">at</subfield><subfield code="c">de</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Erwin Wurm – The Artist who Swallowed the World</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Erwin Wurm – Der Künstler der die Welt verschluckt</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Over the course of four years, the artist let us follow him with a camera and gave us an insight into his world, his work, his art. We are present when he develops a new artwork and puts it together. And we stay put when the pressure of being an artist is mounting and he looses his cool. During quiet moments in conversation, he recounts stories about his family and how experiences in his childhood have influenced his work as an artist. And he is frank about the global art "business" that he sometimes views as a "hyena".</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wurm, Erwin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Merz, Laurin</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9fa312ab-b767-4671-a05b-ac21cae77fae</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2015    et 090        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">amh</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">et</subfield><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="c">et</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Lamb</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">When Ephraim, an Ethiopian boy, is sent from his homeland to live with distant relatives, he takes his beloved sheep with him. One day, his uncle announces that he will have to sacrifice his sheep for the upcoming religious feast, but Ephraim is ready to do anything to save his only friend and return home.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amare, Rediat</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Siyum, Kidist</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Assefa, Welela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teka, Surafel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Teshome, Rahel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zeleke, Yared</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">d3c593be-62f6-4507-8228-aced3547d55a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    dk 112        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">nor</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">dk</subfield><subfield code="a">no</subfield><subfield code="a">sw</subfield><subfield code="c">dk</subfield><subfield code="c">no</subfield><subfield code="c">se</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">In Order of Disappearance</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Kraftidioten</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nils ploughs snow in the wild winter mountains of Norway, and is recently awarded a Citizen of the Year Award. When his son is murdered for something he did not do, Nils wants revenge. And justice. His actions ignite a war between the vegan gangster "the Count" and the Serbian mafia boss "Papa". Winning a blood feud isn't easy, especially not in a welfare state. But Nils has something going for him: Heavy machinery and beginners luck.</subfield><subfield code="b"> Berlinale 2014 / Competition</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skarsgård, Stellan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ganz, Bruno</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sørensen, Birgitte Hjort</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hagen, Pål Sverre</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hivju, Kristofer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Moland, Hans Petter</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">420d3f52-e918-439f-ac9f-2f8c683c2e7f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    xxu121        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Duran Duran: Unstaged</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Duran Duran Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bon, Simon Le</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, John</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Taylor, Roger</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rhodes, Nick</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ditto, Beth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lynch, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">6127e37c-a50e-485f-9c4d-2f9097028af5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2012    ag 099        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="h">spa</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ag</subfield><subfield code="a">gw</subfield><subfield code="c">ar</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The German Friend</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El amigo alemán</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Argentina, in the middle fifties. Sulamit is the daughter of German-Jewish refugees. Friedrich is the son of German-Nazis refugees. Both children are closely friends as times goes by between the fall of Peron's Government in 1955 and the years of prison, torture and death in Argentina since 1976 to 1983. The children grow up and go to Germany, both get involved in the political struggles of 1968 and Friedrich, who always rejected the Nazi past of his father, becomes a left winged militant and decides to come back to Argentina to fight against the Military Government. The love of Sulamit for Friedrich survives all these years, though he dedicates more time to his political commitments than to his personal feelings. But those two are destined to get together after all these years of separation and disagreements, because their love is more powerful than anything else.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cid, Celeste</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Riemelt, Max</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sadler, Benjamin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vetrano, Julieta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rey, Juan Francisco</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meerapfel, Jeanine</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">e8128741-a171-4b0e-a4a7-022fafc8e208</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    fr 097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Far From Men</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Loin des hommes</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Algeria, 1954. Two very different men thrown together by a world in turmoil are forced to flee across the Atlas mountains. Daru, the reclusive teacher, has to escort Mohamed, a villager accused of murder.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mortensen, Viggo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kateb, Reda</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vigot, Jérémie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Molina, Angela</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Oelhoffen, David</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">aae2300b-75bb-45b0-976b-71b55d0eed0b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    fr 080        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Blue Room</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">La chambre bleue</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man and a woman, secretly in love, alone in a room. They desire each other, want each other, and even bite each other. In the afterglow, they share a few sweet nothings. At least the man seemed to believe they were nothing. Now under investigation by the police and the courts, what is he accused of?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Drucker, Léa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cléau, Stéphanie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amalric, Mathieu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Amalric, Mathieu</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">93214bb8-d101-4711-b5a5-80e400e7df87</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2013    be 096        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ara</subfield><subfield code="h">heb</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">gw</subfield><subfield code="a">is</subfield><subfield code="c">be</subfield><subfield code="c">de</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Bethlehem</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the film is a raw portrayal of characters torn apart by competing loyalties and impossible moral dilemmas, giving an unparalleled glimpse into the dark and fascinating world of human intelligence.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mar'i, Shadi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Halevy, Tsahi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Omari, Hitham</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Copti, Tarek</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Shtemler, Michael</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adler, Yuval</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f8c97019-d8de-44ac-9941-ebe1e6375301</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2010    cf 084        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="h">lin</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cf</subfield><subfield code="a">fr</subfield><subfield code="c">cg</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Benda Bilili!</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Benda Bilili</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Summer 2009. Five paraplegics and a young able-bodied teenager light up the stage in front of an entranced audience of 8000 people. "Benda Bilili" - in English "See Beyond", is the name of this Kinshasa band which has acquired a global following. Chances of success were slim at first for these homeless handicapped artists who struggled to survive on the streets of their dilapidated capital. "Benda Bilili" is not a music film, it's the story of a dream that became reality. And a plunge into the streets of Kinshasa without a safety net.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Likabu, Leon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Landu, Roger</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ngambali, Coco</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kabeya, Cubain</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kiara-Maigi, Paulin</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Barret, Renaud</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Tullaye, Florent de La</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">9a644550-a5d8-4a69-aa92-13a1aebb94bc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 101        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Be My Baby</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Nicole is 18 and has Down syndrome. She wants to a boyfriend, to get married, have a baby and be normal. As a child, she planned all this with neighbour, Nick. Now Nick is 15 and wants to be cool, but he is an outsider. Nick is under heavy pressure. Of all people, Nicole gives him what he secretly wishes: unconditional love. Once Nicole is expecting Nick’s baby, the tolerance of their families is put to the test ...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kühne, Carina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Große, Christina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schweighöfer, Gitta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Faßnacht, Paul</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stockhaus, Holger</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schiewe, Christina</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6fddc7b4-a090-4a1d-9707-8563b942e73c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2011    be 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">be</subfield><subfield code="a">fr</subfield><subfield code="c">be</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Minister</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="2" tag="245"><subfield code="a">L'exercice de l'état</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Transport Minister Bertrand Saint-Jean is awoken in the middle of the night by his head of staff. A bus has gone off the road into a gully. He has no choice but to go to the scene of the accident. Thus begins the odyssey of a politician in a world that is increasingly more complex and hostile. Speed, power struggles, chaos, economic crisis... Everything follows in quick succession and clashes. Emergencies follow on each other's heels. What sacrifices are men prepared to make? Just how long will they hold up in a state that devours those that work for it?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gourmet, Olivier</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Blanc, Michel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Breitmann, Zabou</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Stocker, Laurent</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Deblé, Sylvain</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schoeller, Pierre</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/the-minister/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">140a68cd-d52a-4802-8968-98c0e3087af5</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">To Life!</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Auf das Leben!</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Fate has taken its toll on the aging cabaret singer Ruth and the young but terminally ill Jonas. Yet despite their great age difference and their entirely opposite experiences in life, they form an intense bond and give each other a reason and purpose to live.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Elsner, Hannelore</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Riemelt, Max</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brauner, Sharon</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Flemming, Catherine H</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmidt, Andreas</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Janson, Uwe</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">8e965aa8-c9f9-4058-830d-0d7b23b77e4e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Arteholic</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">As Udo Kier guides us through Europe's galleries, he comes across some of the most eminent artists, curators, and film makers alive today, whilst continually saluting those who have passed. Kier ruminates on the friends he has lost along the way, friends such as Andy Warhol, Robert Mapplethorpe, and Sigmar Polke. However, this film is not simply an homage to past greats, but a celebration of art itself in its purest form.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trier, Lars von</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trockel, Rosemarie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kittelmann, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meese, Jonathan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kier, Udo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vaske, Hermann</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">793dd846-f749-4d92-952a-431ef85ec8f1</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    au 092        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">au</subfield><subfield code="a">gw</subfield><subfield code="a">lu</subfield><subfield code="c">at</subfield><subfield code="c">de</subfield><subfield code="c">lu</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Mad Love</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Amour Fou</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Berlin, the Romantic Era. Young poet Heinrich wishes to conquer the inevitability of death through love, yet is unable to convince his skeptical cousin Marie to join him in a suicide pact. It is whilst coming to terms with this refusal, ineffably distressed by his cousin's insensitivity to the depth of his feelings, that Heinrich meets Henriette, the wife of a business acquaintance. Heinrich's subsequent offer to the beguiling young woman at first holds scant appeal, that is until Henriette discovers she is suffering from a terminal illness</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schnöink, Birte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Friedel, Christian</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Grossmann, Stephan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hüller, Sandra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schüttler, Katharina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hausner, Jessica</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">41861940-fe34-4baa-baba-ccc2adde5796</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090338.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181116s2014    gw 089        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">heb</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="a">is</subfield><subfield code="c">de</subfield><subfield code="c">il</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Farewell Party</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Mita Tova</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A compassionate dark comedy about friendship and knowing when to say goodbye. A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. 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He discovers the owner of the apartment lying in bed – a half paralyzed, old woman that never talks. Once Neluta, the caretaker, is gone, the two of them are left together in an awkward silence. 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The father realizes, that he has to find an explaination for this unusual event to his scared son.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Golan, Ishai</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Landsmann, Yan Matan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sharon, Tali</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Böhringer, Richard</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/pastrami/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">0e25e210-f774-4a3a-bff8-1eea3a976325</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2013    xr 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">cze</subfield><subfield code="j">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xr</subfield><subfield code="c">cz</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Little Secret</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Strach</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A short film inspired by the recent true story of a young boy who afraid of telling his mother what really happened, blames a serious injury – caused by his own carelessness – on an attack by a group of Roma. Before the truth is revealed, the tide of events cannot prevent the dire consequences of his lie.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Misik, Adam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cibulkova, Klara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bokova, Jenovefa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Krejcí, Martin</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/little-secret/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">381dffa6-0717-415e-bbb7-ae30edc84378</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2014    fr 014        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="c">fr</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Coach</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A divorced father, takes his 14 years-old son to France for a football game. When the car breaks down, they have no choice but to accept a ride from a bus of traveling England fans. Here, the father will find his authority questioned, as the loyalty of his son transfers to the charismatic leader of the fans...</subfield><subfield code="b"> Berlinale 2015 / Generation / Special Prize Generation 14plus (Short Film)</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">McQuarrie, Stuart</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chapman, Conner</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Batt, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morton, Tom</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Adler, Ben</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/coach/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">268de286-6e83-4c30-899a-e66873d1b585</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2014    gw 025        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Run</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="4" tag="245"><subfield code="a">Der Ausflug</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Martin is a teacher at a local high school. He thinks of himself as a good educator, but his own son begins to rebel against him. One day both drive to school together and get into a bad row over Bastian going on a camping vacation with his buddies. Soon after, Bastian's classmate Tom starts to shoot people in their school. Martin can stop the killing by volunteering to drive an escape car for Tom. During the escape, a harsh pychological duel begins between the teacher and the crazed student.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schultz, Tim Oliver</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mojen, Dennis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Raacke, Dominic</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Plaas‑Link, Amelie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gramenz, Tom</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Najib, Stefan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/run-the/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">6c761be3-110a-49e6-ae4c-22bd822df252</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2015    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">We Will Stay In Touch About It</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A man drives through a deserted landscape. Suddenly his car hits a person. The driver searches for the body, cannot find it - and must accept, that there is no one. Instead, he does find blood on the broken windshield. What happens when realizing that we kill - without being confronted with the dead?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fehling, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zabeil, Jan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/we-will-stay-in-touch-about-it/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">3afc959b-1b0e-4eb2-8d63-76f0079b433a</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2013    gw 008        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Parking Love</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Parkplatzliebe</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Loverboy and Mausi78 arrange a parking lot sex meeting online. But the love adventure doesn´t work out the way they imagined. 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When she gets out of bed the rain follows her. 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in love for the first time.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fan, Lolly</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lin, Robert</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Punk, Little</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wang, Xu</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zhou, Nairen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rudolph, Maya</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/iceberg/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">8db495c1-bc0f-4f50-946c-a18dacfc7825</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2011    xxu018        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">I Am John Wayne</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A young black cowboy struggles with the death of his best friend.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scrivens, Basil</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Daaliya, Jamir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lazé, Violetta</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Beca, James</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Choe, Christina</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/i-am-john-wayne/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">f3372203-c1ee-40a5-ba70-ab0023c2c41e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2013    sz 016        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sz</subfield><subfield code="c">ch</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Montauk</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Elisabeth’s husband took his own life. His wish was to travel again to Montauk together with her – where the two got to know one another. So Elisabeth embarks on a final trip to the USA with her husband’s ashes. 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In an attempt to solve the problem he enters into an arrangement with a mystical creature.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Litwinschuh, Ben</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sander, Tim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Thalbach, Anna</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Winter, Jens</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Böhne, Kai Oliver</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chainey, Bryn</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/moritz-and-the-woodwose/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">ccc88ea2-44a6-4be2-9da4-7ef3445d4084</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    gw 009        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Breaking Through</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Flucht nach vorn</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Visiting room in a Berlin correctional facility for women. The convict Vicky is breaking up the relationship with her longtime boyfriend Wolf. When Wolf refuses to accept that and stirs trouble with the officers he is kicked out on the street. Out there he sees only one chance to save his relationship...</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zint, Gerdy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kuick, Henrike von</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sigg, Carola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wermke, Christoph</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lodwig, Ulrike</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Simon, Emma Rosa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dietrich, Florian</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/breaking-through/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">a514ceb0-4302-4f41-accc-cc8ce49266fc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    ne 002        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ne</subfield><subfield code="c">nl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Chopper</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A praying mantis is eaten by a frog. The frog is eaten by a stork that is in turn eaten by a crocodile. The crocodile ends as a pair of boots and the wearer of the boots is killed in an accident when he takes a motor ride and a praying mantis flies in his face. 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She knows the needs and problems of the people who stop by every day and who she lovingly serves. When she is alone, however - and it is often - she wants to be far away from this monotonous life, where she is literally stuck. 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the courage to talk to a girl.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Anderson, Abbey</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Chandler, David</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meagher, Jerod</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rodrigues, Ivan Almeida</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/by-the-pool/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">2e7004f7-8cb6-43ba-ae3e-3cb034a404ed</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr 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Not really, because the “patrulls“, little paper men, entertain him fabulously</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Striesow, Devid</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Schmidt-Schaller, Petra</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kriegeskotte, Hedi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Panadero, Nazareth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hofmann, Josef</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaleli, Ferhat</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hong, Corinne Le</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/grimms-cuckoo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">daa94863-09c0-4e08-bbce-83329d4e102b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090339.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    gw 006        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Berlin Recyclers</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">There’s rubbish and graffiti everywhere – but that’s just perfect. A decommissioned high-voltage electric power station is the monster’s grotesque face. Digitally animated pieces of scrap metal and plastic morph into absurd figures and dance to barrel organ music and techno whilst off-screen the sounds of a demonstration and the barely audible cries of ‘Nazis out!’ can be heard. A scaffold with portable toilets, the sound of a tram. 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When a girl complains to him about the other kids’ misbehaviour, he informs the teacher right away. The teacher sends him off to the headmaster, but Julian doesn’t find that fair at all. 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One morning he leaves the anonymity of his grey subarbs to enter the glaring light of the stadium. There he meets an unexpected opponent who puts him to the test.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Costa, Patrick Pereira Da</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mettler, Jan</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mack, Jan-Eric</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/ronaldo/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">29d89ccb-373b-4c34-a507-d8d0c914fa8b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2011    gw 020        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Coupling</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Pärchenabend</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Adele and Tim, Sabrina and Sven. Two couples. One evening. It begins harmlessly and ends in debates. Consequences guaranteed.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aretz, Stefan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Herzsprung, Hannah</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Khuon, Alexander</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mühe, Anna Maria</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sarnau, Anneke Kim</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sturm, Hardi</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/coupling/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000ngm a2200000z  4500</leader><controlfield tag="001">b7a714a0-eb20-4e11-b629-34982d79932e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2010    gw 024        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Raju</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A German couple adopts an Indian orphan in Kolkata. When the child suddenly disappears they realize that they are part of the problem.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gupta, Krish</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Richter, Julia</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Möhring, Wotan Wilke</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kaur, Taranjit</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sil, Arindam</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zähle, Max</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="7" ind2="0" tag="856"><subfield code="u">https://de.ava.watch/film/raju/</subfield><subfield code="2">https</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">0a50ac30-832f-4a35-b8d1-d710116185ab</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2015    ic 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ice</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ic</subfield><subfield code="c">is</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Rams</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Hrutar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country's best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi's sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. This is a near death sentence for the farmers, whose sheep are their main source of income, and many abandon their land. But Gummi and Kiddi don't give up so easily - and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the special breed passed down for generations, and themselves, from extinction.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Júlíusson, Theodór</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bøving, Charlotte</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Einarsson, Þorleifur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Gunnarsson, Sveinn Ólafur</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Sigurjónsson, Sigurður</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hákonarson, Grímur</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">5cbe3998-cd3e-4f63-a05e-4ad769560d7f</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2008    ja 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">jpn</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ja</subfield><subfield code="c">jp</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Still Walking</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Aruitemo aruitemo</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger's life, Kyohei (Yoshio Harada) and Toshiko (Kirin Kiki) welcome their surviving children home for a family reunion. Younger son Ryota (Hiroshi Abe) still feels that his parents resent that he isn't the one who died; his new wife, Yukari (Yui Natsukawa), is awkwardly meeting the rest of the family for the first time. Daughter Chinami (You) strains to fill the uncomfortable pauses with forced cheer.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abe, Hiroshi</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Natsukawa, Yui</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">You,  </subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kore-eda, Hirokazu</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">f6b11f2e-a53a-4ef7-943a-23f6a624822d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    xxk108        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxk</subfield><subfield code="c">gb</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Shut Up and Play the Hits</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">On April 2nd 2011, LCD Soundsystem played its final show at Madison Square Garden. LCD frontman James Murphy had made the conscious decision to disband one of the most celebrated and influential bands of its generation at the peak of its popularity, ensuring that the band would go out on top with the biggest and most ambitious concert of its career. The instantly sold out, near four-hour extravaganza did just that, moving the thousands in attendance to tears of joy and grief, with New York magazine calling the event "a marvel of pure craft" and TIME magazine lamenting "we may never dance again." Documenting this once in a life time performance and an intimate portrait of James Murphy as he navigates the lead-up to the show, the day after, and the personal and professional ramifications of his decision.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Murphy, James</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Wood, Keith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Doyle, Al</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Whang, Nancy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mahoney, Pat</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lovelace, Will</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Southern, Dylan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">2855a165-58b3-4ac0-8adc-cbb27c55b31d</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2015    cl 082        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">cl</subfield><subfield code="a">fr</subfield><subfield code="a">sp</subfield><subfield code="c">cl</subfield><subfield code="c">fr</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Pearl Button</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="3" tag="245"><subfield code="a">El Botón de Nácar</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.</subfield><subfield code="b"> Berlinale 2015 / Competition / Silver Bear for Best Script</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guzmán, Patricio</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Zurita, Raúl</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guzmán, Patricio</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">67649ca9-a05c-4636-80de-087e627496b0</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    ci 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">srp</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">xn</subfield><subfield code="a">rb</subfield><subfield code="a">xv</subfield><subfield code="c">hr</subfield><subfield code="c">mk</subfield><subfield code="c">rs</subfield><subfield code="c">si</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Parade</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Parada</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Present day Belgrade. The owner of the private security company, former criminal Limun is a war veteran and prepossessed homophobe. His fiancée Pearl is in the middle of the wedding preparations, she works with the openly gay wedding planner Mirko. Frustrated by Lumin’s anti-homosexual verbal abuse, Mirko wants to quit the job. Pearl gives Lumin an ultimatum: Mirko has to stay, and she will pronounce “yes” only when Lumin’s security company will agree to protect the gay pride parade organised by Mirko and his partner. The planning of the parade is exposed to massive hostility and it is crucial to protect the crowd. Reluctantly, Limun finally agrees and, together with the same-sex couple, begins to fight for the rights of homosexuals in Belgrade.</subfield><subfield code="b"> Purposely politically incorrect, this profound situation comedy turns every stereotype on its head.  Berlinale 2012 / Panorama</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kojo, Nikola</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Samolov, Miloš</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Popovic, Hristina</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jevtic, Goran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Navojec, Goran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Dragojevic, Srdjan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">58b2dec7-ee5b-45e3-bbbb-1e2fdd856635</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2015    kg 078        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">kir</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">kg</subfield><subfield code="c">kg</subfield></datafield><datafield ind1="1" ind2="0" tag="242"><subfield code="a">Heavenly Nomadic</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Sutak</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">A family of nomads live in the high, remote mountains of Kyrgyzstan in Central Asia; elderly herdsman Tabyldy, his wife Karachach, their daughter-in-law Shaiyr and their 7 year old granddaughter Umsunai. Shaiyr's son studies in the city and visits them only during the summer holidays. Her husband died many years ago when he was drowned in a mountain river, trying to save a foal. Shaiyr decided to stay with the family due to her strong attachment to the wonderful land and its people. The family breed horses and life goes on as normal amidst the beautiful scenery of the mountain gorge. But another resident of the area appears in Shaiyr's life, meteorologist Ermek, whose weather station is located near to the family's home.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abazova, Taalaikan</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Aktanov, Tabyldy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Baktybekova, Jibek</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kangeldiev, Jenish</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Abdykalykov, Mirlan</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">b594eb26-3d3b-4105-bd10-a913ce6ae15e</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2011    gw 087        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="h">rus</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Noise and Resistance</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">This documentary pictures a globally interconnected and political music scene, built on autonomy and solidarity, which has declared war on capitalism and the mainstream culture. Whether it s squatters in Barcelona, antifascists in Moscow, inhabitants of self-governed trailer parks or activists of the CRASS collective - they can all be brought down to one common denominator: their protest and music as means and tool to express it. In an authentic and complex contemporary document, the film makers tell about members of this scene - their motivations, shared aspirations and ideas of utopia and how they create a parallel universe that functions under its own rules.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Fantom, La Casa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Efrafa, Fall of</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Rimbaud, Penny</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Vaucher, Gee</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Red, Seein'</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Andrade, Francesca Araiza</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ostertag, Julia</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c7af93a7-e911-4480-8331-34565ab4b026</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2013    gw 088        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">ger</subfield><subfield code="j">eng</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">gw</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Master of the Universe</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Billions passed through his hands. He himself is amazed when he thinks about government bailouts from banks. The financial world is transparent, but still difficult to see through. Who knows financial theories? A small minority reserves the right to juggle immeasurable amounts of money.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Voss, Rainer</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bauder, Marc</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">10fbe38f-8c3c-4b9e-928c-f4c58f7af414</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2008    xxu097        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">eng</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">xxu</subfield><subfield code="c">us</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">It Might Get Loud</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Rock icons --Jimmy Page, the Edge and Jack White - from three different generations come together to discuss the electric guitar and their musical influences. The men swap stories and crank up their instruments on an empty soundstage for a jam session. Along the way, they visit the majestic hall where "Stairway to Heaven" was composed, Jack White composes a song on-camera at a Tennessee farmhouse, and the Edge lays down tracks for a U2 single.</subfield><subfield code="b"> Berlinale 2009 / Berlinale Special</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Page, Jimmy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Edge, The</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">White, Jack</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guggenheim, Davis</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">bbd5798e-3c71-47b0-9012-639bae7e93ee</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    fr 086        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">iku</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gl</subfield><subfield code="c">fr</subfield><subfield code="c">gl</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Inuk</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">In Greenland's capital, 16-year-old Inuk lives a troubled life with his alcoholic mother and violent stepfather. Inuk is sent to a children's home on a tiny island, where he meets Ikuma, a local polar bear hunter who has his own share of problems.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Petersen, Gaba</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Hammeken, Ole Jørgen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Jørgensen, Rebekka</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lyberth, Sara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skade, Elisabeth</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Magidson, Mike</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">ab7e7c06-64d4-41e8-9547-0d5cc46a22fc</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2012    fr 115        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">fre</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">fr</subfield><subfield code="a">gw</subfield><subfield code="c">fr</subfield><subfield code="c">de</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Holy Motors</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">From sunrise until deep into the night: a few hours in the life of Monsieur Oscar, a shady character that wanders from one life to the next. Sometimes he is an industrial captain, sometimes a killer, a beggar, a monster or a caring family man ...</subfield><subfield code="b"> Monsieur Oscar seems to be playing roles, and dives into each part completely - but where are the cameras? He is alone, only Céline accompanies him, the tall blonde behind the wheel of the stretched limousine that drives him through Paris and into the suburbs. Like a professional killer hurrying from job to job. But where is his home, his family, where can he relax?</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Lavant, Denis</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Scob, Edith</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mendes, Eva</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Minogue, Kylie</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Piccoli, Michel</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Carax, Leos</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">93e253b0-de37-4cc2-ab12-8824c4985c6b</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2013    ci 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">hrv</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">ci</subfield><subfield code="a">rb</subfield><subfield code="c">hr</subfield><subfield code="c">rs</subfield></datafield><datafield ind1="1" ind2="4" tag="242"><subfield code="a">The Priest’s Children</subfield><subfield code="y">eng</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Svecenikova djeca</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Don Fabijan is a young priest who comes to serve on an unnamed small island in the Adriatic. In order to help increase birth rate on the island, he decides to pierce condoms before they are sold. He therefore teams up with the newsagent Petar and the pharmacist Marin. After they abolish all forms of birth control on the entire island, the consequences become more and more complicated.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mikic, Kresimir</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Butijer, Niksa</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Skaricic, Marija</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Botic, Zdenko</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Bogdan, Goran</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Kühn, Drazen</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Brešan, Vinko</subfield><subfield code="4">drt</subfield></datafield></record><record><leader>00000dgm a2200000z  4500</leader><controlfield tag="001">c56fe0ea-9355-4a3d-8e77-785f1c0f294c</controlfield><controlfield tag="003">DE-2892</controlfield><controlfield tag="005">20260310090340.0</controlfield><controlfield tag="007">cr |n|024aacda</controlfield><controlfield tag="008">181115s2010    sp 093        o   v||||||</controlfield><datafield ind1=" " ind2=" " tag="040"><subfield code="b">eng</subfield><subfield code="a">DE-2892</subfield><subfield code="c">DE-2892</subfield></datafield><datafield ind1=" " ind2="7" tag="041"><subfield code="2">iso639-2b</subfield><subfield code="h">spa</subfield><subfield code="j">ger</subfield></datafield><datafield ind1=" " ind2=" " tag="044"><subfield code="a">sp</subfield><subfield code="c">es</subfield></datafield><datafield ind1="1" ind2="0" tag="245"><subfield code="a">Chico &amp; Rita</subfield><subfield code="h">[remote].</subfield></datafield><datafield ind1=" " ind2=" " tag="336"><subfield code="a">two-dimensional moving image</subfield><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield ind1=" " ind2=" " tag="337"><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield ind1=" " ind2=" " tag="338"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield ind1=" " ind2=" " tag="520"><subfield code="a">Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valdés, Bebo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Valdés, Idania</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Morente, Estrella</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Cole, Freddy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Heath, Jimmy</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Meneses, Limara</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Ona, Eman Xor</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Guerra, Mairo</subfield><subfield code="4">act</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Trueba, Fernando</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Mariscal, Javier</subfield><subfield code="4">drt</subfield></datafield><datafield ind1="1" ind2=" " tag="700"><subfield code="a">Errando, Tono</subfield><subfield code="4">drt</subfield></datafield></record></collection>